This is literally how the Polar Express is. The crazy sweeping camera shots. The aggressive closeups on the train. The awkward lip sync on everyone. The 50's era setting. The hobo just kind of randomly appearing every now and then. They even threw in Half Life 2 sound effects when the movie already felt like a 1 hour long SFM. This guy understood the assignment and NAILED it.
@linkfreeman1998 Yeah, Half Life 2 released just a month before Polar Express and used lot of the same animation techniques. I just think it's funny how we can pretty accurately recreate the style of a 2004 CGI commercial film with the technology already available on our ordinary old computers nowadays.
It took me a good minute to realize this whole thing was reanimated. I really said, "I don't remember bombs being in this movie". That's how good this looks
Landon, as a huge Polar Express fan and a chaos humor junkie, this has made my night seeing this. Thank you for making such a spectacular animation. All jokes aside, the mines were a brilliant twist, as was the insane chase through town. I don't think I've ever seen something this good in this field of entertainment.
The thing I really love about this is that you followed the actual cinematography formula used in the film. Just lingering on one item that eventually enters into a bigger part of the scene. The fact that you took that and made it look like a fast and furious and Michael Bay love child is the funniest thing I've seen all week.
I am genuinely impressed. There is a quality to it that feels like you spent a long time studying how camera angles and scene compositions play out in the real movie.
I can't describe it but the animation is somehow extremely chaotic but also controlled at the same time. Feels like a dream where everything is both surreal but also makes perfect sense at the time it's happening.
That's a great way to describe it honestly! This is extremely well directed so that you can always tell exactly what's happening without losing the impact of the action, and that's hard to do right. I especially loved that transition from the news report back into non diagetic perspective, smooth as hell.
As unhinged as this is, you’ve matched the cinematography style perfectly. The camera work feels just like the movie in a way that I can’t quite describe.
I love how this entire short is a single long take, no cuts or anything, and combine that with the constant destruction, this looks like it fits in a Polar Express horror anthology.
At first i was like "jeez i dont remember the movie quite looking like this" then i realized it was completely reanimated, considering this is one guy, thats a damn good job. This one guy has reproduced with like 75% quality what took a team of people awhile ago.
You perfectly nailed those zoomed in object specific shots with those flying camera movements just like the real movie, I'm in awe as even for a joke, these shots always left me mesmerized when i was younger and can see the effort put into this funny and very unhinged video lmaooo. Work of art.
Dude, as a kid who watched polar express since he was 4 you really managed to encompass the weird scene style where something on the train happens, yet the camera ominously follows one very weird part while the rest happens offscreen. Loved every second 😂
I'm joining the several people asking for an alternate ending of this where they somehow make it back onto the tracks so this video can be slipped seamlessly into the movie as a prank. Really great work here. Captured the feel of this scene weirdly well.
where has this kind of meticulously destructive animation been my whole life. i want a whole movie like this. there's a certain beauty to this. understanding a mechanical system well enough to make it fall apart at the rivets
As a 2000s kid you know not what this means to me; this is a gorgeous, creative, inspired tribute, a marvelous extension of the original scene and a reimagining of the classical world of The Polar Express. A detail I think is really cool is this seems inspired by the idea that during the movie, we would follow the journey of certain loose things--as a weird focal longshot--and this captures the surreal nature of seeing where things end up and what either the consequence or outcome might be, which Zemeckis toyed with in the original movie. Godly vision.
Ironically, given the Express is shown to be able to go on roads just fine in the movie, this probably would have been less insane than the actual ice drift. Great animation, the attention to detail and keeping to the movie's style were incredible.
Exactly what I was thinking when I heard the “nip it in the butt” line. The one and only round he carries provided the necessary component for the train brakes to be used again too.
@@noturbusiness9736 "nip it in the bud" is the quote, it's an old saying that basically means to end a potential problem before it matures into a problem... like scaring troubled kids straight, so they don't wind up leading a life of crime. 😉
This has got to be the best animation I have seen in months on this platform, bar none. It is intense, follows the style of the source material perfectly, and feels like halfway between a roller coaster and a fever dream.
Nice work - this is how you do it. When CG was first used in movies (like in Tron, when they had to program the camera movement in _numeric values),_ directors realized that with this new tool, you can put the camera _literally_ literally *_anywhere_* and move it however you see fit for the scene. Far too few movie makers make actual *use* of this incredible freedom 40 years later. It is refreshing to see someone who _understands_ this freedom. Love how you hide the transition from TV back to "reality" in the shake of the car crash! 👍
Most unrealistic part: the snowflake remaining perfectly intact after colliding with the train. Which really sets up the suspension of disbelief for what happens next.
Ok, I love this video. First of all, it’s directed just like how the polar express is directed. From the camera movements, to the sound design, to the lighting, the cinematography, everything. I love how the camera follows the wrench as it goes under the water and continues to explode different mines, I love how the camera follows the piece of shrapnel that bursts into the engine room, how it follows the bullet later on, the actual movie did that, too! There was a whole sequence that followed a ticket as it flew out the window for christs sake. The idea of there being dormant mines in the lake under the ice is a great idea (since the actual film takes place just over a decade after World War II in like 1957) Again, the sound design is fantastic. From the grinding of the metal to the cracking of the ice, the explosions, and just the sheer roar of the locomotive as it grinds against the land in the neighborhood… Simply fantastic. The physics are also something to be admired, I don’t know what engine you animated this in, but it looks fantastic. And you got a love how through it all, not a single person actually died throughout this entire catastrophe. 😂 to be fair, I don’t want to see a bunch of child sized ragdolls flying all over the place because… That’s just in poor taste. So kudos for not going overkill… Literally. Overall, a stellar animation that has made my night. I love this movie to death, and this animation is straight fire 🔥🔥🔥
Thank you so much for the encouragement! I purposely wanted this to be a clean video, so I can confirm that no one dies in this. All the kids were in the first train car which makes it all the way to the end! 😆
@LandonsAnimationWheelhouse I noticed that, and props to you for keeping this batshit video tasteful and respectful of the fact that this train was transporting children 😅 Since last night I’ve checked out some of your other vids, such as the Union Pacific crash and the Flying Scotsman, and I gotta compliment the direction again. All the internal slow-motion shots of the train’s internals every now and then, and well as the crazy physics at play. Keep it up! 👍
@@zeropoint216 Hey, all I said was I didn’t wanna see “kid-sized” ragdolls flying around and crashing into things… 👀 EDIT: I just realized I replied to you thinking you were Landon. My bad XD
This is genuinely one of the best animations ive ever seen on UA-cam. The camera angles, the scenarios, and the humor are all incredible. Props brother, this is amazing 🫡
I was expecting this video to be unhinged, and it did not dissapoint. But that Andy Griffith show reference completely threw me off guard in a good way and I laughed my ass off. I frickin love every second of this. Great stuff man.
This is fantastic. 11/10. Felt like an extended cut, like the production staff are there in the background saying "so we really wanted to do this, just go absolutely off the rails insane, pun intended."
The animation is pretty good, the sound design fantastic, but I don't seem to see anyone mentioning the amazing camera works here. The angles and transitions are so good. So high-octane.
That was fucking amazing. Props to you for going the extra mile and sticking to the mid-late 1950s theme for the most part. Except for the exception of the TV stuff though.
I LOVE how you kept the ' following random objects that somehow lead back into the main part of the story' shtick that the movie did. Also having grown up with the Polar Express and the Andy Griffith Show, I really enjoyed the uh, conclusion to the sequence!
Genuinely, the animation quality on this is beyond astounding. Also, I love how you adapted the original sounds into this! Please, please do more of this amazing work
Okay, serious talk: Did you ever go to any school for animation or was this all self taught, because this is honest to god legitimate animation. Not a fan project, not something knocked out in a couple weeks. The time and effort on this shows. Hell, I'll bet you have a storyboard for this!
@@S-CB-SL-Animations How ironic he wasn’t played by Tom Kenny (better known as SpongeBob’s VA) but only played by Eddie Deezen, who voiced Mandark from Dexter’s Laboratory.
What's really going to happen is they're going to be like- "I forgot this movie was this good" and be disappointed that there's not nearly as many explosions as this in the actual movie.
You know, usually when people place vehicles in a period setting, they forget that most of what’s on the road is residual cars from earlier years. The police cars and Plymouth date to the late 50s but there were a number of road cars and trucks from the 40s sprinkled throughout. Nice attention to detail
ANIMATION BREAKDOWN:
ua-cam.com/video/CQR9JMnhOWM/v-deo.html
😂😂😂😂😂
was that a fury i saw
Hey landon i dare you to do the worst train crash you can ever make
This animation is me on a tuesday
Thanks bro!
“At least the children are alright”
“Wasn’t Billy in the last coach?”
Judging by the open doors leading to the occupied carriages, Billy ran straight into the forward coaches the moment the mines started detonating.
Well McGarnagle, Billy is DEAD
so hes in the lake
Billy is no longer with us.
Yep ☠️☠️☠️
This has no right being this good. Also can we talk about the sound design? Literally identical to the movie.
Ha thanks!
Please someone splice this into the full movie so I can show it to my kids and pretend it is the real thing
No way mogswamp
I can probably do it fr if you want
I just need some way to send it to you
Please give me permission Landon to do this
ok
This is literally how the Polar Express is. The crazy sweeping camera shots. The aggressive closeups on the train. The awkward lip sync on everyone. The 50's era setting. The hobo just kind of randomly appearing every now and then. They even threw in Half Life 2 sound effects when the movie already felt like a 1 hour long SFM. This guy understood the assignment and NAILED it.
the glazing is crazy
Thanks so much!!
I mean, that shows SFM have similar shaders with whatever Hollywood / Pixar uses back in the day, so its photorealistic for that time period.
@linkfreeman1998 Yeah, Half Life 2 released just a month before Polar Express and used lot of the same animation techniques. I just think it's funny how we can pretty accurately recreate the style of a 2004 CGI commercial film with the technology already available on our ordinary old computers nowadays.
So we're modding movies now
This should be a thing
Imagine all the mods we could download to make the Star Wars sequels good.
How to Train Your Top Gun
Furious Max: Unhinged Road
Speed 4: So Fast it Raced Past 3
"Modding movies" is way funnier than it needs to be for me right now
God I am dying
It took me a good minute to realize this whole thing was reanimated. I really said, "I don't remember bombs being in this movie". That's how good this looks
Random neromai sighting
I like how the train is exploding and the carriages are being obliterated around him, and the kid still talks enthusiastically about Montezuma.
You know, Montezuma, the king of the Aztecs would drink 50 quarts of hot chocolate every day....
(Kid Causully sees a car explode inside a house and is riding in a drifting train amidst a neighborhood)
Kid: "Hey, what gives?!?"
Infodumpers gonna infodump!
@@alessandrogordillo1998I CRIED OF LAUGHTER AT THAT LINE
@risingjake he know it’s just an illusion caused by- Hey! Where you are going now?
Landon, as a huge Polar Express fan and a chaos humor junkie, this has made my night seeing this. Thank you for making such a spectacular animation. All jokes aside, the mines were a brilliant twist, as was the insane chase through town. I don't think I've ever seen something this good in this field of entertainment.
Thank you so much for your encouraging words! So glad you enjoyed it!
@@LandonsAnimationWheelhouse Keep it up man! :D
The thing I really love about this is that you followed the actual cinematography formula used in the film. Just lingering on one item that eventually enters into a bigger part of the scene. The fact that you took that and made it look like a fast and furious and Michael Bay love child is the funniest thing I've seen all week.
I am genuinely impressed. There is a quality to it that feels like you spent a long time studying how camera angles and scene compositions play out in the real movie.
Agreed, it is a perfect adaptation of the movie.
I can't describe it but the animation is somehow extremely chaotic but also controlled at the same time. Feels like a dream where everything is both surreal but also makes perfect sense at the time it's happening.
That's a great way to describe it honestly! This is extremely well directed so that you can always tell exactly what's happening without losing the impact of the action, and that's hard to do right. I especially loved that transition from the news report back into non diagetic perspective, smooth as hell.
Can't believe they filmed this all in one take
First of all, that animation is peak. Second of all, thats some of the best sound design I've ever heard on UA-cam
I agree.
Thanks so much!!
Fr
Dude for real
Fr - now just needs the/some music to support it even better to make it really pop
As unhinged as this is, you’ve matched the cinematography style perfectly. The camera work feels just like the movie in a way that I can’t quite describe.
I think it's cause the camera is kinda floaty and omnipresent like the original film.
Everyone was harmed in the making of this film
We will put a quotation on "harmed"
I love how this entire short is a single long take, no cuts or anything, and combine that with the constant destruction, this looks like it fits in a Polar Express horror anthology.
At first i was like "jeez i dont remember the movie quite looking like this" then i realized it was completely reanimated, considering this is one guy, thats a damn good job. This one guy has reproduced with like 75% quality what took a team of people awhile ago.
Thanks!
I love how this still keeps the spirit of the movie while also dialing it to 11
The cinematography is genuinely impressive. It takes a lot of skill to make something feel that kinetic
Thanks so much!
@greg-m3m Thanks! 😆
Honestly modern day movies should be taking notes
I worked as a train conductor in Russia for a while and that's just a normal trip from Moscow to Murmansk.
Jokes aside great animation, man!
You perfectly nailed those zoomed in object specific shots with those flying camera movements just like the real movie, I'm in awe as even for a joke, these shots always left me mesmerized when i was younger and can see the effort put into this funny and very unhinged video lmaooo. Work of art.
I was not expecting cinema when coming in to this but this was way better than what I was expecting props to you animator props to you
Thanks so much!
Dude, as a kid who watched polar express since he was 4 you really managed to encompass the weird scene style where something on the train happens, yet the camera ominously follows one very weird part while the rest happens offscreen. Loved every second 😂
Amazing. The random Barney cameo had me in tears.
WJERE
@@azealx1955 the cop nip it in the bud
No joke, this is actually the ally extremely well made. The cinematography is incredible. It feels like a video game cutscene
The fact this is all in a single take with no cut in the camera just makes this all the more wild to experience.
Kudos, Cheers
Thanks!
I'm joining the several people asking for an alternate ending of this where they somehow make it back onto the tracks so this video can be slipped seamlessly into the movie as a prank.
Really great work here. Captured the feel of this scene weirdly well.
I cant wait in 10 years for this to be recommended to everyone all of a sudden
At which point the film will be 30 years old.
1M views is pretty good for 3 weeks. Although I now count for about 6 of them.
what's crazy is this whole animation is 1 continuous shot. hats off to the animator, this is pretty creative!
I always thought the Polar Express was missing civilian casualties.
Glad that everyone in the world got this video in their recommended in literally the same hour
Wait no way
where has this kind of meticulously destructive animation been my whole life. i want a whole movie like this. there's a certain beauty to this. understanding a mechanical system well enough to make it fall apart at the rivets
I think it's Transformers?
I especially like all the really hard and close zooms.
This is a cinematic masterpiece of untold proportion. Somebody hire this dude immediately.
Honestly, the camrawork in this is insanely good.
As someone who saw Polar Express in 3D (it was absolutely amazing!) I would LOVE ABSOLUTELY LOVE to see this edit in a 3D!
Best sound design I've heard and seen in ages. The animation is insane but the sound design is better than the movie. Ears on the floor
Thanks so much!
2:06 "How about a nice good hot cup of... joe..." That little pause shows he knows he's about to lose control
I noticed that too. Amazing touch editing-wise
I laughed hysterically!
even as he was losing control he said “joe”
As a 2000s kid you know not what this means to me; this is a gorgeous, creative, inspired tribute, a marvelous extension of the original scene and a reimagining of the classical world of The Polar Express. A detail I think is really cool is this seems inspired by the idea that during the movie, we would follow the journey of certain loose things--as a weird focal longshot--and this captures the surreal nature of seeing where things end up and what either the consequence or outcome might be, which Zemeckis toyed with in the original movie. Godly vision.
I really love how this animation manages to capture the same animation style as seen in the movie! It's phenomenal!
Ironically, given the Express is shown to be able to go on roads just fine in the movie, this probably would have been less insane than the actual ice drift. Great animation, the attention to detail and keeping to the movie's style were incredible.
I like the added touch of having Barney Fife chase the train. Never thought I'd be so glad to see Don Knotts reprise his role quite like this.
Exactly what I was thinking when I heard the “nip it in the butt” line. The one and only round he carries provided the necessary component for the train brakes to be used again too.
@@noturbusiness9736 "nip it in the bud" is the quote, it's an old saying that basically means to end a potential problem before it matures into a problem... like scaring troubled kids straight, so they don't wind up leading a life of crime. 😉
This looks exactly like what I would see in my head when I played with legos as a kid.
Please work on this more, its so close to being realistic I want to splice it into the actual movie and watch it with the family XD
Unhinged is an understatement
hinged the wrong way
POV: every final destination movie ever
Only this time there aren’t any gory deaths
2:11 maybe expect for this one
If only fd6 could be like this
@@schnitzelhorsen1105family guy
@@mywholepieceofaviation petah
This has got to be the best animation I have seen in months on this platform, bar none. It is intense, follows the style of the source material perfectly, and feels like halfway between a roller coaster and a fever dream.
Ha thanks!
Nice work - this is how you do it.
When CG was first used in movies (like in Tron, when they had to program the camera movement in _numeric values),_ directors realized that with this new tool, you can put the camera _literally_ literally *_anywhere_* and move it however you see fit for the scene. Far too few movie makers make actual *use* of this incredible freedom 40 years later.
It is refreshing to see someone who _understands_ this freedom. Love how you hide the transition from TV back to "reality" in the shake of the car crash! 👍
Thanks so much!
Most unrealistic part: the snowflake remaining perfectly intact after colliding with the train.
Which really sets up the suspension of disbelief for what happens next.
Unhinged is right!! This is a really well-done animation! Almost identical to the original movie.
what a refreshing perspective. movies should have shots like this.
These are WILD😂😂 also, the cars are very accurate!!
I love your videos man, keep up the good work
can't believe you are here lol, you should watch some of his other stuff tho, he always does great cars lol
Ok, I love this video.
First of all, it’s directed just like how the polar express is directed. From the camera movements, to the sound design, to the lighting, the cinematography, everything. I love how the camera follows the wrench as it goes under the water and continues to explode different mines, I love how the camera follows the piece of shrapnel that bursts into the engine room, how it follows the bullet later on, the actual movie did that, too! There was a whole sequence that followed a ticket as it flew out the window for christs sake.
The idea of there being dormant mines in the lake under the ice is a great idea (since the actual film takes place just over a decade after World War II in like 1957)
Again, the sound design is fantastic. From the grinding of the metal to the cracking of the ice, the explosions, and just the sheer roar of the locomotive as it grinds against the land in the neighborhood… Simply fantastic.
The physics are also something to be admired, I don’t know what engine you animated this in, but it looks fantastic.
And you got a love how through it all, not a single person actually died throughout this entire catastrophe. 😂 to be fair, I don’t want to see a bunch of child sized ragdolls flying all over the place because… That’s just in poor taste. So kudos for not going overkill… Literally.
Overall, a stellar animation that has made my night. I love this movie to death, and this animation is straight fire 🔥🔥🔥
Thank you so much for the encouragement! I purposely wanted this to be a clean video, so I can confirm that no one dies in this. All the kids were in the first train car which makes it all the way to the end! 😆
@LandonsAnimationWheelhouse I noticed that, and props to you for keeping this batshit video tasteful and respectful of the fact that this train was transporting children 😅
Since last night I’ve checked out some of your other vids, such as the Union Pacific crash and the Flying Scotsman, and I gotta compliment the direction again. All the internal slow-motion shots of the train’s internals every now and then, and well as the crazy physics at play.
Keep it up! 👍
@@LandonsAnimationWheelhouse so no one was sleeping in those multiple houses that got demolished? hmmmmmmmm? ;)
@@zeropoint216 Hey, all I said was I didn’t wanna see “kid-sized” ragdolls flying around and crashing into things… 👀
EDIT: I just realized I replied to you thinking you were Landon. My bad XD
@@brooksproductionsstudios3389 Thanks so much!!
This is genuinely one of the best animations ive ever seen on UA-cam. The camera angles, the scenarios, and the humor are all incredible. Props brother, this is amazing 🫡
I want to know how he got the sound effects. The sound is great. 👌
Thanks so much!
I was expecting this video to be unhinged, and it did not dissapoint. But that Andy Griffith show reference completely threw me off guard in a good way and I laughed my ass off. I frickin love every second of this. Great stuff man.
Its rare that anything on the internet impresses me... this was beyond impressive! someone get this guy a job at dreamworks
Thanks!
No cuts in the whole video this is really cool. Exactly how it feels to watch this scene as a kid.
This is fantastic. 11/10. Felt like an extended cut, like the production staff are there in the background saying "so we really wanted to do this, just go absolutely off the rails insane, pun intended."
I have a friend that watches the movie with his family every year. So i sent him this video :)
My wife's family does that too. They watch it every year on Christmas morning
So....3 hours later...are you still friends? 🤣
How did your friend handle it? 😅
@@Butterball3588 he shows his family and told them its a clip to a trailer for the sequel
This took me way too long to realize this wasn’t just an edit but rather a full blown animation
OK but can we talk about how INSANE the sound design on this is?!?
The Polar Express is never late
It explodes PRECISELY when it needs to
Yeah until it decides to surrender to a single bullet fired by Andy Griffith
I love how this is all just one big long take. It’s absolutely fantastic
Thanks!
Proof that animation is the best medium for cinema
The amount of work that went into this must be insane
HE MADE THIS ANIMATION IN JUST 3 WEEKS!
I mean, the original was already unhinged. This is just more so. The animation is incredible,btw.
The tv transition was *PERFECT*
Dude smuggled a camera into his dreams. Amazing work!
The animation is pretty good, the sound design fantastic, but I don't seem to see anyone mentioning the amazing camera works here. The angles and transitions are so good. So high-octane.
Pure cinema 👏
The composition and movement are AMAZING
For the first 40 seconds I did not realize anything was awry. This is just as surreal as the actual movie.
This man just found the way to do one of the most exciting parts on the movie MORE EXCITING
I really enjoyed those transitions onto and through the TV screen
That was fucking amazing. Props to you for going the extra mile and sticking to the mid-late 1950s theme for the most part. Except for the exception of the TV stuff though.
Same and as the last decade for steam in America hell yeah
This whole video was a complete and utter train wreck.
Fantastic job! 10/10
I LOVE how you kept the ' following random objects that somehow lead back into the main part of the story' shtick that the movie did. Also having grown up with the Polar Express and the Andy Griffith Show, I really enjoyed the uh, conclusion to the sequence!
The fact that this is made in Blender is crazy.
This looks like my dreams tbh 😂
If this was released in the day the original movie was made, it wouldve been hailed as a cinematic masterpiece!
Genuinely, the animation quality on this is beyond astounding. Also, I love how you adapted the original sounds into this! Please, please do more of this amazing work
Okay, serious talk: Did you ever go to any school for animation or was this all self taught, because this is honest to god legitimate animation. Not a fan project, not something knocked out in a couple weeks. The time and effort on this shows. Hell, I'll bet you have a storyboard for this!
Camera movement was so satisfying
Crazy the animations people are making in Blender these days. Absolutely amazing work.
This is the LONGEST three minute video I've EVER WATCHED haha.
2:22 A coach gets exploded and the kids' only reaction is "Hey! What gives?" lmao
Sounds like SpongeBob. 😂😂😂
@@S-CB-SL-Animations How ironic he wasn’t played by Tom Kenny (better known as SpongeBob’s VA) but only played by Eddie Deezen, who voiced Mandark from Dexter’s Laboratory.
The original scene was pretty cool, probably the best scene of the movie imo but this one was way more fun and ridiculous. Really nice transitions
In all of my years of having the Polar Express being my favorite movie, I never knew I needed to see this until now, and I love it!
The constant perspective change was smooth asf 🔥
I'm convinced this is how people who don't like The Polar Express remember watching that movie as a kid
What's really going to happen is they're going to be like- "I forgot this movie was this good" and be disappointed that there's not nearly as many explosions as this in the actual movie.
I never liked it cuz the animation was uncanny lol it’s funny to me now tho
That was INSANE!!!! The person that did this is a fucking mad lad!!!
Ok but why is this actually well done? The sound design is on point and the animation isn't half bad 💀
That "hey, what gives?" sold it for me
2:42 Using the smack of the camera to transition through the news tv screen was perfect
Final Destination + The Polar Express = The Polar Destination
The Final Express
I love how you added in wheel slip on the train at the end to give the look if is moving on something slippery
Are you telling me this is a FAN ANIMATION?! Holy smokes.
I dont even know whats going on but i love it.
This was one of the most beautiful pieces of media I have had the privilege to witness
I like the attention to detail of using old cars.
This is how that scene felt as a kid... Beautifully done!
You know, usually when people place vehicles in a period setting, they forget that most of what’s on the road is residual cars from earlier years. The police cars and Plymouth date to the late 50s but there were a number of road cars and trucks from the 40s sprinkled throughout. Nice attention to detail
Thanks!