@@arminwazho535 only in one very brief scene that lasted seconds; the streets - three of them were built outside at the rear of the 007 stage in London.
Nope! I'll just sweetly and quietly sing to myself:" 🎶What A Friend We Have In Jesus "! 😂❤ Hugs from Copenhagen Denmark. We are the land of hygge, not of this!
En una escena en la que se sienta y lee el periódico pone "SUERTE DE ESTAR VIVO" y en la siguiente página una foto del hombre que lo seguía en la calle
In hindsight, the scariest thing is the stalker was even real or it was Bill's fear and paranoia playing tricks on him. Was Bill even significant enough for those people to stalk? Or is he a nobody?
@@tiaaaron3278 he infiltrated their secret society and saw what they were up to during their "parties" therefore they wanted to make sure that he stayed quiet about what he had seen. This was explained and hinted at multiple times throughout the movie. This guy was likely one of Ziegler's (who was a member of the secret society) men per Ziegler's own admission that he had Bill followed. Therefore, I'd say that he was real.
@@86blackberrywhite Very much so. About having Bill followed, Ziegler said to him, "This was for your own good. Believe me." ...But why was the stalker so menacing? I've come to learn a lot about secret societies over the last several years, unwillingly. They are all about symmetry. Kubrick was so astute. The symmetry between the amiable, earnest-seeming "on-your-side" spiel when Ziegler talked to him directly about it vs. the very obvious yet indirect message of grave animosity that Ziegler's henchman represented. These people work symmetry into all their messaging. They always have two parallel interpretations available, and there is stark contrast between how well they treat their friends and how poorly they treat their foes. Even the score of the movie represents symmetry. When the notes (F, F#, F#, F, F, F#... F#, F, F, F#, F#, F) split from being in one octave to being in two octaves at opposite ends of the scale, this reveals the symmetry that is so woven into the movie. You start out just looking at the world, and then you have to decide between having your eyes wide open or having them shut. Symmetry in everything. The stalker didn't reveal his focus on Bill until Bill revealed his how suspicious he was of the man. The stalker's overtness in intimidating Bill matches the overtness of Bill's intimidation. Coincidence and symmetry. This is how they induct people into denialism, how they shut their eyes wide. Kubrick must have known.
I love this scene how he is just wondering about at mid night with no one around like he is out side of normal society, I have those sort of lonely mid night walks as well, it's brilliant you can think about life and your future abc the purpose of life itself
that's one of the trademarks of Kubrick's direction. he plays with different types of genres in a single movie, this movie has everything. eroticism, family drama, comedy, suspense, mystery, surreal dreamy sequence
These organizations certainly do use coincidence in their messaging. Some say "the medium is the message", but in some cases the design is the message. I don't think that the implication of that coincidence being in the movie was that that taxi was in on it, though. I think it was intended by the director to symbolize Bill's desire for escape (represented by the type of vehicle that he had been trying to escape in) being conterminous with the threat he needed to escape from. There may also be a "one-of-many" implication to it, meaning that this vehicle that's basically indistinguishable from so many others unless you're *really* paying attention parallels the inability to distinguish strangers from each other.
I feel the same way - I've seen the movie 6 or 7 times, but there's always something more to discover and to understand. A very complex movie; one of the very best.
Bill, who likes to show his medical id or license like a police badge thought he could influence his way. But this scene showed how helpless he is that he can't even get a cab.
I am glad Kubrick did not allow Tom Cruise to do one of his famous running-sprints in this scene. I have a feeling Tom would have thought this would have been a great opportunity to slip one in.
Its eerie the way the guy following eventually walks off out of view still looking directly at Cruise. A wonderfully sinister scene with perfect music to accompany.
Stanley kubrick the master of shot composition not just one point perspective but foreground and background and so much and is also the master of color
sounds like a sinister child playing the theme to jaws wrongly on purpose just to piss off mom and dad as they sit and watch as the audiences anger builds like volcanic fury
Notice all the rainbow coloured lights throughout the middle part of the entire film. They are especially noticeable in this scene. There are coloured lights everywhere. I think it is to show he is in a dream, or at least not in reality. Near the end of the movie he comes home and turns of the lights on his christmas tree, a symbol of entering back into reality.
This scene gave me the creeps for real, it reminds me of night's I used to walk almost half a mile home after work at 2 and 3 am. Barely anybody out no cars, no street lights on, Freaky stuff lol.
this is one of the best scary movie, is not a horror movie but man I WAS SCARY SEEING THIS PIECE OF ART , dude really i was so F******* scary , the piano and the music of the ritual, Jesus!!!! thumb up
It's Musica Ricercata (research music) by Ligeti. It uses only 3 notes. Sometimes an octave higher or lower, but just 3 notes. They are right next to each other on the piano: E♯, F♯, G. The tension you can create with this is amazing. So is the way Kubrick used it. Not the first time he used Ligeti.
@@ErikBongers That G feels damn-near cathartic whenever it's played. I think it symbolizes a relief from the dreadful pattern of suspicion represented by the Fs and F#s. The mind flits from thinking "it is a threat... it isn't... it isn't... it is... it is... it isn't...... it isn't... it is... it is... it isn't... it isn't... it is" to "now-here's-a-slightly, blissfully-different-thought-for-a-second".
The crew on this film did an amazing job of turning London into Greenwich Village, when I read where they filmed I was stunned they filmed very scenes in New York!
I don't think so. I think they would have freaked him out to the extent that they did no matter what intercessory events took place. If it wasn't the inability to get a taxi that led him to such fear, they would have persisted in some other way until it was time for a stare-down. It's much more likely that they would have had him followed by one or more vehicles working in unison. They'd have to collaborate with many dozens of taxi drivers to assure that none of them would pick him up.
this scene is so creepy and strange, when I watched this movie for the first time I was confuse, I think there are a lot of subliminal messages in this scene, but this man that has seeked Tom cruise seems Aleister Crowley .
Oh man...i love this scene...so scary..and dark..everytime i see this scene i think..there is someone behind me..i m always so scared that i have to look back and check it..and the scene in the bedroom is just awesome..i would like to descripe my experience if i see this scene but i think my english isnt that enormous. EYES WIDE SHUT IS DEFINITIVE A MUST BUY!!!...god i love this movie
Th song fits perfectly for this scene. For every scene in fact. Kubrick was a master at cinematic choreography. This overlooked film is very artistic in my opinion
I spoke to someone about this film who made a very good point. She said that the use of the piano in scenes like this was patronising to the viewer, telling them 'This is where you need to concentrate'
They're very close to each other, only a semi-tone apart. But they get more distinct the more we focus on them, just like the subtleties of the covert messaging that comprises the stalking in this scene. It's like you look at it from one angle and it looks ordinary but you look at it from a slightly different angle and there are horrors to behold. You just have to crane your neck a little bit to get a glimpse behind the curtain.
I watched this movie in the cinema and came away feel disappointed / underwhelmed at the time, I must have been expecting something vastly different. But then over the next few years my appreciation for what I’d witnessed grew and grew without actually watching the movie again. There is someone truly special about it.
This movie is an utter masterwork and a film that succeeds in giving us a new form of film. One view isn't enough. Two viewings aren't enough. The movie literally wants you to study the film. It has so many layers to even a dozen views won't answer everything nor will a millions. It's a film about ideas, hidden messages, and true dream logic.
this scene is scary, nobody can denied!!! fuck, the piano is freaking amazing!!!!! and the face of Cruise all fucked up is great!!! I'm agree with mcnuggetblablabla , you go to see transformers 2 , this kind of things are way too much to handle for you.
Love the shop he goes into. The whole mood, walking around nearly empty streets late at night on what is clearly a stage, the lighting, lights shining through windows, Christmas lights, and overall darkness sets this movie apart
You guys all know the man following bill is wearing the same jacket as Nicole Kidman at the end of the movie right? The word hint is literally visible on screen.
I didnt realize how good this film was until years later, of course at face value, ignorant people are going to think is about sex cause they see tits and ass, very ignorant audience, but the film is about something else, Kubrick was trying to tell us something, scene like this one here are very profound and unless u study and research occult meanings and occult secret societues u will never get the meaning of this films, as far as Im concerned this was one of his best films, really poignant.
Always suspected that Kubrick still had to edit the music before he died because that piano piece is over utilized, (even though it is very effective) Turns out that according to Michael Herr, Kubrick's close friend and collaborator, Kubrick told him over the phone that music still needed to be added and looping to be done. Unfortunately he passed away a few weeks later.
One of those amazing Kubrick scenes in which a long, complicated visual sequence perfectly follows a pre-existing piece of music. Though it looks as if the music must have been scored to the edited picture, it was the other way around. This technique allowed K to use music by the world's greatest classical and avant garde composers (as opposed to, say, John Williams).
Can anyone tell me why his scenes of New York (which were shot in England) look so interesting? The streets look... too perfect. But there's something 'off' about them. I don't know what it is. I keep watching the exterior shots and it feels surreal. I thought it might be a lack of traffic. Could that be it?
2:23 Hidden message (Kubrick was a perfectionist - remember! Notice the titles of the shops/restaurants A hint of Jace (Jace means Healer) Verona Restaurant (Verona means truth in Italian) The stop sign has CBM written on it which stands for the three holy kings (Casper, Melchior, Balthasar) that went to Jesus birth What do you think Stanley wanted us to know? Exactly! That Jesus is the healer as you can read in the new testament, that he is the truth (Verona) and that the kings really went there. Jesus is the truth and the way into heaven. Stanley wanted to say that these satanic elites have a weakness and thais Jesus Christ. Stanley found that out as well and kept his soul. Pay attention to details guys. This part the illuminati could not cut out of the movie, as they did with the other 10 minutes. Be blessed and find to God asap before it's too late brothers and sisters. Watch Chris Lasalas videos for a start on UA-cam to get going. May god bless you all!
Hardest song to master on piano, but after years of constant, rigorous practice, I think I've got it. f f# ....... then ....... DAMN IT ....back to the rehearsal room....
So what are people doing about it? It's obvious in 2020 this movie is 100% real, the occult and masonic order rule the world. Why do we accept them? For instance, I would've rushed that dude following me and make him step up bruh.
@Neppersgate It is Musica Ricercata 2 by Hungarian composer Gyorgy Ligeti - it was composed in the 1950's. Other pieces by Ligeti (Atmospheres, Requiem, Lux Aeterna and Aventures) were used (unpaid!) in 2001.
One thing missing in this movie are scenes where the main characters sit down and eat breakfast, lunch or dinner. But I believe this clip would be where an Italian restaurant scene goes in a typical movie. And that is Kubrick's Italian chauffeur behind the newstand counter, but we don't get a good look at him.
One of my favorite movies ever! So many memorable scenes. Those colors, those lights...
I woke up at 6 in the morning to this song playing.... I was pretty spooked
Two lit up pay phones!
Kubrick is known for his ocd.
There’s just something about the sound dress shoes make hitting the pavement on a cold winters night...
and all of the Christmas lights
Coz it wasn't filmed in New York ,,it was actually filmed on a treadmill with a huge screen on the background because Kubrick was scared of flights
@@arminwazho535 only in one very brief scene that lasted seconds; the streets - three of them were built outside at the rear of the 007 stage in London.
What’s dress shoes? Lol. They are normal formal
Shoes
Absolutely agree...just awesome!! Rest In Peace SK!!!
Imagine going for a walk at 3 AM with them two piano keys playing in your head LOL
Nope!
I'll just sweetly and quietly sing to myself:" 🎶What A Friend We Have In Jesus "! 😂❤
Hugs from Copenhagen Denmark. We are the land of hygge, not of this!
@@johanneabelsen1644😅😅
Wow, Kubrick knows how to fuckin set a mood! Always loved this movie.
Stanley Kubrick's attention to detail is amazing. Notice the big cover headline on the newspaper Bill buys: "LUCKY TO BE ALIVE"
En una escena en la que se sienta y lee el periódico pone "SUERTE DE ESTAR VIVO" y en la siguiente página una foto del hombre que lo seguía en la calle
The scariest thing about this scene is the stalker WANTS Bill to know he’s following him.
In hindsight, the scariest thing is the stalker was even real or it was Bill's fear and paranoia playing tricks on him. Was Bill even significant enough for those people to stalk? Or is he a nobody?
@@tiaaaron3278 he infiltrated their secret society and saw what they were up to during their "parties" therefore they wanted to make sure that he stayed quiet about what he had seen. This was explained and hinted at multiple times throughout the movie. This guy was likely one of Ziegler's (who was a member of the secret society) men per Ziegler's own admission that he had Bill followed. Therefore, I'd say that he was real.
@@86blackberrywhite Very much so. About having Bill followed, Ziegler said to him, "This was for your own good. Believe me." ...But why was the stalker so menacing? I've come to learn a lot about secret societies over the last several years, unwillingly. They are all about symmetry. Kubrick was so astute. The symmetry between the amiable, earnest-seeming "on-your-side" spiel when Ziegler talked to him directly about it vs. the very obvious yet indirect message of grave animosity that Ziegler's henchman represented.
These people work symmetry into all their messaging. They always have two parallel interpretations available, and there is stark contrast between how well they treat their friends and how poorly they treat their foes. Even the score of the movie represents symmetry. When the notes (F, F#, F#, F, F, F#... F#, F, F, F#, F#, F) split from being in one octave to being in two octaves at opposite ends of the scale, this reveals the symmetry that is so woven into the movie. You start out just looking at the world, and then you have to decide between having your eyes wide open or having them shut. Symmetry in everything. The stalker didn't reveal his focus on Bill until Bill revealed his how suspicious he was of the man. The stalker's overtness in intimidating Bill matches the overtness of Bill's intimidation. Coincidence and symmetry. This is how they induct people into denialism, how they shut their eyes wide. Kubrick must have known.
At one point, it’s an erotic drama. Then, it’s a horror movie. And then, a suspenseful mystery. Eyes Wide Shut is a work of art!
This is one of my favourite scenes. The suspense.. ( Am I being stalked?? or aren't I? ) The piano music was great throughout it.
Obvious
TRULLY amazing what one single key stroke can do when timed properly
How can such a simple scene be so iconic and suspenseful? I can't describe how much I love this movie.
I love this scene how he is just wondering about at mid night with no one around like he is out side of normal society, I have those sort of lonely mid night walks as well, it's brilliant you can think about life and your future abc the purpose of life itself
That's what Kewbrick was really getting at with this scene :-)
How could a movie go from an extremely erotic scene, to an extremely suspenseful scene? This movie is truly a masterpiece
John Michael How the heck would I️ know ?? Off duty !
Kubrick was a master. That's how. He was an artist who was ahead of his time.
The film is both funny and scary, sometimes at the same time. It's a great movie.
that's one of the trademarks of Kubrick's direction. he plays with different types of genres in a single movie, this movie has everything. eroticism, family drama, comedy, suspense, mystery, surreal dreamy sequence
Eroticism and suspense have much in common.
You know how at 2:50 the stalker goes by from view? Look at how the taxicab passes by at the same time! The whole city is under their influence..
Eyes wide shut ………
These organizations certainly do use coincidence in their messaging. Some say "the medium is the message", but in some cases the design is the message.
I don't think that the implication of that coincidence being in the movie was that that taxi was in on it, though. I think it was intended by the director to symbolize Bill's desire for escape (represented by the type of vehicle that he had been trying to escape in) being conterminous with the threat he needed to escape from. There may also be a "one-of-many" implication to it, meaning that this vehicle that's basically indistinguishable from so many others unless you're *really* paying attention parallels the inability to distinguish strangers from each other.
A great film.
No matter what critics say, Kubrick was still making great filmmaking even at the time of this death. RIP.
years passed and i still cant get this scene out of my head, so funny and yet creepy at same time lol
Umm I don't want to critique your sense of humour or anything, but how is it funny at all?
One of the most frightening and brilliant scenes of all time, from one of the frightening and brilliant films of all time
This scene is engraved in my memory. Kubrick is a genius.
This is far and away my fav film. Kubrick was a genius!
I feel the same way - I've seen the movie 6 or 7 times, but there's always something more to discover and to understand. A very complex movie; one of the very best.
I love the way the camera follows Bill as he crosses the road to flag down a taxi.
For those who want to know, the notes are F and F# on piano.
Read too late.... already found them on the guitar. Sounds extremely eerie (distortion for extra eeriness!) when played as a dissonant interval
Always make me think of a hymn: Now Thank We All Our God Just that bit playing over and over.
Actually are E# and F# :p
Its called chromatics, that gives the creepy sound.
yeah because of the minor 2nd, very dissonant interval
Bill, who likes to show his medical id or license like a police badge thought he could influence his way. But this scene showed how helpless he is that he can't even get a cab.
I was terrified for him in this scene.
All he had to do was give up his curiosity and they told him that so they got to give him that third final warning which is stalking him
I am glad Kubrick did not allow Tom Cruise to do one of his famous running-sprints in this scene. I have a feeling Tom would have thought this would have been a great opportunity to slip one in.
haha
Lou Lou By Design Kubrick knew that would’ve made this scene hilarious 😂
LOL
@THOT Patrol so true
Its eerie the way the guy following eventually walks off out of view still looking directly at Cruise. A wonderfully sinister scene with perfect music to accompany.
Even spookier is that he walks behind the building at almost the same moment that a car drives by.
The main headline on the newspaper is a message to Bill.
"LUCKY TO BE ALIVE" Great catch. There's another newspaper he reads in some other scene that appears to be someone talking to him directly.
Secret Guy civiyouiis dont listen. "In gods hands now.
Fk all (amy.3b)
Time for,
Fashion runway model Felipe dos chapa
The amount of detail in this movie is insane.
One of the Best Films ever made ! ! ! ! !
Just Epic Scene with the most Ingenious and simple music effects.
Stanley Kubrick = Great Director !!!
this is Art.
This is Kubrick
TheMrSamusic
Me!
"This is cinema"
Amazing scene (one of many) in this kick-ass film. Super Creepy piano, an intense sense of foreboding. Ubelievable.
This music has received a 98% approval rating from stalkers everywhere
Stanley kubrick the master of shot composition not just one point perspective but foreground and background and so much and is also the master of color
sounds like a sinister child playing the theme to jaws wrongly on purpose just to piss off mom and dad as they sit and watch as the audiences anger builds like volcanic fury
One of my favorite movies.
I love how the Newspaper's headline says "Lucky to be Alive"
I can not get over the music from this scene, absolutely incredible.
Notice all the rainbow coloured lights throughout the middle part of the entire film. They are especially noticeable in this scene. There are coloured lights everywhere. I think it is to show he is in a dream, or at least not in reality. Near the end of the movie he comes home and turns of the lights on his christmas tree, a symbol of entering back into reality.
I feel all the Christmas ambience in the film makes this a Christmas film, like Die Hard
Where the rainbow ends.
Amazing
And yet, he finds that darn mask!😮
@@visionist7 I feel like it's a great boating movie because a guy named Cruise is in it.
This scene gave me the creeps for real, it reminds me of night's I used to walk almost half a mile home after work at 2 and 3 am. Barely anybody out no cars, no street lights on, Freaky stuff lol.
One of the eeriest scores I have ever heard.
Same here! Ir scared the piss outta me, when I first saw it. Now, not so much.
True. Look at how everything in the background is so clear. So many details, yet we see everything.
That man knew how to construct a scene. The attention to detail is unmatched.
Amazing scene. The music is just perfect.
This film reminds me of a classic Alfred Hitchcock picture.
Vertigo by far
I thought the same thing. So so accurate
this is one of the best scary movie, is not a horror movie but man I WAS SCARY SEEING THIS PIECE OF ART , dude really i was so F******* scary , the piano and the music of the ritual, Jesus!!!! thumb up
This is the second scariest movie ever made. The first place goes to "The Road".
The music. Absolutely brilliant score.
It's Musica Ricercata (research music) by Ligeti. It uses only 3 notes. Sometimes an octave higher or lower, but just 3 notes. They are right next to each other on the piano: E♯, F♯, G. The tension you can create with this is amazing. So is the way Kubrick used it. Not the first time he used Ligeti.
Like jaws
@@ErikBongers That G feels damn-near cathartic whenever it's played. I think it symbolizes a relief from the dreadful pattern of suspicion represented by the Fs and F#s. The mind flits from thinking "it is a threat... it isn't... it isn't... it is... it is... it isn't...... it isn't... it is... it is... it isn't... it isn't... it is" to "now-here's-a-slightly, blissfully-different-thought-for-a-second".
The crew on this film did an amazing job of turning London into Greenwich Village, when I read where they filmed I was stunned they filmed very scenes in New York!
Did the Cult tell the taxi drivers not to pick him.
That's how much influence they have
I don't think so. I think they would have freaked him out to the extent that they did no matter what intercessory events took place. If it wasn't the inability to get a taxi that led him to such fear, they would have persisted in some other way until it was time for a stare-down. It's much more likely that they would have had him followed by one or more vehicles working in unison. They'd have to collaborate with many dozens of taxi drivers to assure that none of them would pick him up.
this scene is so creepy and strange, when I watched this movie for the first time I was confuse, I think there are a lot of subliminal messages in this scene, but this man that has seeked Tom cruise seems Aleister Crowley .
He looks like Ilyn Payne to me, from Game of Thrones.
One of the rare movies where Tom isn’t whipping about on a motorcycle.
and he doesn't run once ! lol great flick
1:24 - If you look closely, the number above Bill is, '237', a refrence to the forbidden room in Kubrick's horror film, "The Shining".
It’s such a brief moment that I wonder if it’s just coincidence but then I remember it’s Kubrick lol
Oh man...i love this scene...so scary..and dark..everytime i see this scene i think..there is someone behind me..i m always so scared that i have to look back and check it..and the scene in the bedroom is just awesome..i would like to descripe my experience if i see this scene but i think my english isnt that enormous. EYES WIDE SHUT IS DEFINITIVE A MUST BUY!!!...god i love this movie
Masterpiece by a master.
oh so creepy, I love it.
this is the scariest movie i've ever seen.
Masterpiece!!!!!
Ethan Hunt would have kicked his ass by now for following him! lmao.
Of course xDDDDDDD!!!!!!
You never seen me very upset
this is so perfect for the scene. haunting
Th song fits perfectly for this scene. For every scene in fact. Kubrick was a master at cinematic choreography. This overlooked film is very artistic in my opinion
Damn that composition is unsettling....
absolutely stunning
You guys notice the newspaper title saying "Lucky to be alive" . I think refering to Cruise walking out of the house alive
one of the most underated movies ever....
The scene with the music is brilliant, very scaring and more with those deep and misterious notes of the piano.
An amazing movie totally.
I spoke to someone about this film who made a very good point. She said that the use of the piano in scenes like this was patronising to the viewer, telling them 'This is where you need to concentrate'
Now I know how women feel all the time...
John Doe
You & ..."peace on earth" iivphi:[how about kill me and us]fashion runway model
it's hard to believe that 2 little notes on the piano can produce such scary music!!!! this song is so freakin creepy :/
They're very close to each other, only a semi-tone apart. But they get more distinct the more we focus on them, just like the subtleties of the covert messaging that comprises the stalking in this scene. It's like you look at it from one angle and it looks ordinary but you look at it from a slightly different angle and there are horrors to behold. You just have to crane your neck a little bit to get a glimpse behind the curtain.
Cruise should have just ran up to that creep and karate kicked him
Kubrick- the master!! Great interpretation by Tom cruise!!
Stanley Kubrik was a genius, no sarcasm, no exageration, no lie. Stanley Kubrik was a genius.
It's especially interesting that the song first appears when Nightingale, the pianist, disappears!
I watched this movie in the cinema and came away feel disappointed / underwhelmed at the time, I must have been expecting something vastly different. But then over the next few years my appreciation for what I’d witnessed grew and grew without actually watching the movie again. There is someone truly special about it.
This movie is an utter masterwork and a film that succeeds in giving us a new form of film. One view isn't enough. Two viewings aren't enough. The movie literally wants you to study the film. It has so many layers to even a dozen views won't answer everything nor will a millions. It's a film about ideas, hidden messages, and true dream logic.
Collative Learning on UA-cam has a great video on this
A million... really...🤦♂️🙄
Hitchcock should approve,Tom is even good again, lots of layers, as always makes you want more.
this scene is scary, nobody can denied!!! fuck, the piano is freaking amazing!!!!! and the face of Cruise all fucked up is great!!! I'm agree with mcnuggetblablabla , you go to see transformers 2 , this kind of things are way too much to handle for you.
Love the shop he goes into. The whole mood, walking around nearly empty streets late at night on what is clearly a stage, the lighting, lights shining through windows, Christmas lights, and overall darkness sets this movie apart
The only slow movie I can watch...amazing movie.
@jutubaeh All Kubrick films are slow in an addictive way. The correct way.
When you see the teacher you dont like in public
What is THAT supposed to mean?!
Every Kubrick film is high art horror.
You guys all know the man following bill is wearing the same jacket as Nicole Kidman at the end of the movie right? The word hint is literally visible on screen.
I didnt realize how good this film was until years later, of course at face value, ignorant people are going to think is about sex cause they see tits and ass, very ignorant audience, but the film is about something else, Kubrick was trying to tell us something, scene like this one here are very profound and unless u study and research occult meanings and occult secret societues u will never get the meaning of this films, as far as Im concerned this was one of his best films, really poignant.
I willl never have anything to do with occult societies.
All evil will perish by the mighty name of Jesus Christ.
It's been so log since i watched this movie, i still get the chills
Always suspected that Kubrick still had to edit the music before he died because that piano piece is over utilized, (even though it is very effective)
Turns out that according to Michael Herr, Kubrick's close friend and collaborator, Kubrick told him over the phone that music still needed to be added and looping to be done. Unfortunately he passed away a few weeks later.
One of those amazing Kubrick scenes in which a long, complicated visual sequence perfectly follows a pre-existing piece of music. Though it looks as if the music must have been scored to the edited picture, it was the other way around. This technique allowed K to use music by the world's greatest classical and avant garde composers (as opposed to, say, John Williams).
lucky to be alive
Great scene. Probably the best in the movie.
Masterpiece!
Can anyone tell me why his scenes of New York (which were shot in England) look so interesting? The streets look... too perfect. But there's something 'off' about them. I don't know what it is.
I keep watching the exterior shots and it feels surreal. I thought it might be a lack of traffic. Could that be it?
It's probably the width of the streets...
In New York the roads are like 10 lanes wide...whereas here in the UK the streets are much narrower.
2:23 Hidden message (Kubrick was a perfectionist - remember!
Notice the titles of the shops/restaurants
A hint of Jace (Jace means Healer)
Verona Restaurant
(Verona means truth in Italian)
The stop sign has CBM written on it which stands for the three holy kings (Casper, Melchior, Balthasar) that went to Jesus birth
What do you think Stanley wanted us to know? Exactly! That Jesus is the healer as you can read in the new testament, that he is the truth (Verona) and that the kings really went there.
Jesus is the truth and the way into heaven. Stanley wanted to say that these satanic elites have a weakness and thais Jesus Christ. Stanley found that out as well and kept his soul. Pay attention to details guys. This part the illuminati could not cut out of the movie, as they did with the other 10 minutes. Be blessed and find to God asap before it's too late brothers and sisters. Watch Chris Lasalas videos for a start on UA-cam to get going. May god bless you all!
Hardest song to master on piano,
but after years of constant, rigorous practice, I think I've got it.
f f# ....... then ....... DAMN IT
....back to the rehearsal room....
So what are people doing about it?
It's obvious in 2020 this movie is 100% real, the occult and masonic order rule the world.
Why do we accept them?
For instance, I would've rushed that dude following me and make him step up bruh.
Because 90% of the world’s population doesn’t understand or care that is happening.
Eyes wide shut my brotha …..
@@Ryuk____ Scary. This movie is so important.
reee aterrorizante escena- suspenzo tremendo!!! jajajaj ta buenisima, tremenda pelicula !!! Tom Cruise un idolo !! :D
Totaly frightfull scene! One of the best in movie!
This scene actually terrified me when I watched it years back😱
so simple but effective music...
I count 13 taxis...
yes my friend, illuminati 13.....
eyes wide OPEN.............
you missed a couple of them
I count 14 taxis including 0:41
probably my favourite kubrick film
@Neppersgate It is Musica Ricercata 2 by Hungarian composer Gyorgy Ligeti - it was composed in the 1950's. Other pieces by Ligeti (Atmospheres, Requiem, Lux Aeterna and Aventures) were used (unpaid!) in 2001.
the music is scary. i love it^^
One thing missing in this movie are scenes where the main characters sit down and eat breakfast, lunch or dinner. But I believe this clip would be where an Italian restaurant scene goes in a typical movie. And that is Kubrick's Italian chauffeur behind the newstand counter, but we don't get a good look at him.
Great film and that piano piece is wonderful.
I love it. This movie is wonderful
This movie is simply fantastic.
Just Kubrik.