It just doesn't get better than her Cleopatra. The high Baroque was an era for decorating and ornamenting as much as possible. If you had high notes, you added high notes; if you had fast notes, you added fast notes; basically if you had it, you flaunted it, and Sills certainly had it all then.
Boy, does this ever take me back, to my high school days in the early '70s! That's when I became an opera fan, and the 3 sopranos I listened to incessantly were Maria Callas, Joan Sutherland, and Beverly Sills! The recordings of Sills that I would listen to over and over when I first became familiar and enamored with her were an album of Bellini and Donizetti arias, and the full recording of Giulio Cesare! I was enamored with the clarity of Sills tone, her silvery coloratura, and her dramatic expressiveness! And in particular, Da Tempeste was my favorite aria from Giulio Cesare! I would listen to it over and over! Thank you for posting this!!!!
One of the most genuine opera singers of all time who can do imbelishments, coloratura, melismas and a PROPER TRILL, most of which cant do to save their life. She is perfect for Baroque roles!!!
She’s extremely talented, no doubt… it’s just for me, at times, she sounds like the recording has been sped up..almost a little Snow White-ish. But like I said, there’s no denying her incredible gift, and the agility of her voice.
I’ll just add that I hated opera, although I come from a musical family, until college, when I saw Beverly Sills on the Johnny Carson Show. Early 1970s. I told my parents that I’d agree to go to a performance if Sills was in it. So my very first operas were the Three Donizetti Queens! Then I became a big opera aficionado!
In those days u switched TV on and you saw in a major popular american show Beverly Sills ? or Ella Fitzgerald with dame Joan Sutherland? Unbelievable... and today we see Buttholes with 40 Grammys :D
@@purtigodo Ooooh, she wrote in her memoirs that she hated those performances! She adored the Colon theater and the public, but loathed Karl Richter, the conductor. She said he sucked the lifeblood out of the opera and the artists.
It just doesn't get better than her Cleopatra. The high Baroque was an era for decorating and ornamenting as much as possible. If you had high notes, you added high notes; if you had fast notes, you added fast notes; basically if you had it, you flaunted it, and Sills certainly had it all then.
That's why I'm drawn to it the freedom and the technical richness.
@@luisnunes3863 She once said she only sang it in 1 perf. that was perfect....&, never again....I can't believe it.
I have heard a few recordings of her live performances of this aria. This is probably the best. She sings this with such ease and unrushed clarity.
the artist at her Ultimate Peak
Boy, does this ever take me back, to my high school days in the early '70s! That's when I became an opera fan, and the 3 sopranos I listened to incessantly were Maria Callas, Joan Sutherland, and Beverly Sills! The recordings of Sills that I would listen to over and over when I first became familiar and enamored with her were an album of Bellini and Donizetti arias, and the full recording of Giulio Cesare! I was enamored with the clarity of Sills tone, her silvery coloratura, and her dramatic expressiveness! And in particular, Da Tempeste was my favorite aria from Giulio Cesare! I would listen to it over and over! Thank you for posting this!!!!
One of the most genuine opera singers of all time who can do imbelishments, coloratura, melismas and a PROPER TRILL, most of which cant do to save their life. She is perfect for Baroque roles!!!
She really made this role hers. Brava!!
Cleopatra for me is her best role (of course along with Pamira from L'assedio)
Pamira for me is her masterpiece
omg, all I have to say is I was listening with my jaw UNDERGROUND the whole time
@@MacDinolandtrully great singers always shine more live...
RAVISHING ASSOLUTA SINGING. THE BEVERLY WAY.
She's my favorite Cleopatra. Brava❤
Every inch a Queen 👸
A gal has to get up pretty early in the morning to compete with that trill. Fantastic performance.
Grazie Theo ❤La Sills non aveva certo difficoltà nei trilli
Thanks for this one. Subscribed! 🤘
So Wonderful! Thank you!
Only a self created queen would object! 🤪🤪🤪
In a nutshell. Brilliant!
A very happy Cleopatra
The. TRILLLLLLLLLLLLS
She’s extremely talented, no doubt… it’s just for me, at times, she sounds like the recording has been sped up..almost a little Snow White-ish. But like I said, there’s no denying her incredible gift, and the agility of her voice.
the vulnerability, fragility and melancholy of her interpretations....
Many have commented that her voice was rounder and fuller live in the house. She could be heard in the top back of the house no problem.
Conosco poco questa cantante, ma trovo che qui aveva una coloratura fantastica, una voce chiara ed agile, ricca di trilli.😍🌺🌺🌺
I’ll just add that I hated opera, although I come from a musical family, until college, when I saw Beverly Sills on the Johnny Carson Show. Early 1970s. I told my parents that I’d agree to go to a performance if Sills was in it. So my very first operas were the Three Donizetti Queens! Then I became a big opera aficionado!
In those days u switched TV on and you saw in a major popular american show Beverly Sills ? or Ella Fitzgerald with dame Joan Sutherland? Unbelievable... and today we see Buttholes with 40 Grammys :D
Mi sembra più espressiva della Sutherland e direi che alla fine incanta di più
Se non sei brava non canti cosi´, Beverly un vero talento
Ultra Talent
@@LohengrinO
I fully agree. Thank you for the post.
@@aetion Grazie a voi
♥️
Her Da Tempeste has been a huge favorite of mine for two decades. I am quite obsessed with it and gladly overlook her goat vibrato.
From what opera please?
Giulio Cesare, by Haendel.
@@fan2jnrc Thanks you so very much.
And she is in the role of Cleopatra.
Giulio Cesare, Haendel. I saw her 21/9/68 Teatro Colon.
@@purtigodo Ooooh, she wrote in her memoirs that she hated those performances! She adored the Colon theater and the public, but loathed Karl Richter, the conductor. She said he sucked the lifeblood out of the opera and the artists.