Robert de Visée, suite D minor. Lex Eisenhardt baroque guitar
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- Опубліковано 14 січ 2019
- ALSO WATCH MY VIDEO OF VISÉE'S SUITE IN G MINOR: • Robert de Visée, Suite...
00:04 prelude
00:34 allemande
02:52 courante
04:03 sarabande
05:25 gavotte
06:15 bourée
07:00 menuet 1 and 2
09:40 gigue
10:59 passacaille
Lex Eisenhardt on Spotify: open.spotify.com/artist/3vIlp...
Lovely instrument and authoritative playing.
Bravoooooo!!!!!!!
I loved your choice of tempi in each movement. What a way to enhance the personality of each dance! I also noticed the change of order of the pieces - it does make sense to play the menuets together (changing the affetto with different tempo and mode mixture). Bravo!
One of the best version here on UA-cam! Thanks a lot!
Eine überragende und exzellente Einspielung - Kompliment!
I bought a book of music edited by a Karl Scheit of baroque pieces for guitar and over time realized it was my favorite of all music periods, but then there is so much music I could always change my opinion. My other music books are famous composers transcribed for guitar so I can't say for sure.
A very authentic version, wonderful!
Beautiful rendition.
So beautiful sound and great performance!
Beautiful sound and playing Classical guitarists cannot faithfully do justice to this music, Baroque Guitar is THE instrument
Beautiful.
Beautiful!
Que c est beau... Bravo !
Bravo !
heel mooi en inspirerend
THANK YOU THANK YOU THANK YOU!!
Bravo
Bravoooo.....
Nice one
Goed werk Lex. Dubbel genot: jou versie en de klank van Stradivari...prima
Lovely. Confirms to me that this suite should preferably be played on the Baroque guitar because of its delicacy of timbre - it loses so much on the modern classical guitar versions, however well they are played.
Sounds even better being played by a proper baroque guitarist using flesh instead of nails. Really brings out the timbre of the instrument much better!
There is good evidence, however, that some 'proper' baroque guitarists (such as Corbetta for example) played with nails.
I agree this sounds lovely on a baroque guitar but on modern guitar with nails my teacher says index finger strums with nails sound scratchy. On modern guitar I agree and so Scheidt’s 1944 Universal Edition arrangement of mainly two parts sounds better. This is what Bream played. Universal Edition’s “new Scheidt” (not edited by him) edition has more broken strummed chords. I have both scores but prefer earlier on modern guitar.
Lovely suite. What is that mic? It sounds a lot closer than it is!
This is wonderful, is that an AEA microphone?
Thanks. I don't know what mic they used.
Dear Lex,
Amazing! Could you tell who's the maker of your guitar?
Thanks! The guitar was made by Bert Kwakkel.
Was it pre recorded or totally live? Excellent.
Quel son magnifique !!!! J'aimerais bien connaître le nom du luthier ... En tous cas bravo !!!
Elle ressemble vachement à la "Sabionari" de Stradivarius : ua-cam.com/video/cVXD85Lcj1o/v-deo.html
Dans un commentaire un peu plus bas, l'auteur de la vidéo, secondolibro, répond qu'elle a été fabriquée par Bert Kwakkel
Who makes your baroque guitar?
I think the is probably the closest rendition to De Visee's original composition
Who made the guitar?
This young man is a fine, fine ambassador for this song for sure. I wonder if someday he'll cut his nails. 😉