Wolfram XY Think is not the right word. It’s written for a more spinto sized kind of soprano but with agility. Her two arias are very different. This is still better than when she’s sung by light coloraturas.
@@draganvidic2039 Do we really know what kind of voice Mozart write this for..? Really? Did you know him personally? I'm sure Siurina's voice is three times bigger then the original Donna Anna's voice in Mozart's time. Let's not put every part into a category when historically many different voice types sing many different roles.. I've heard many bigger voices sing this and crash and burn as well.. so.. you know.. just enjoy it or don't.. but your knowledge is not really better then anyone else's.
@@roadscholarwarrior I think you make an excellent point. I don't believe it's possible to know what kind of voice Mozart had in mind. According to MC, there used to be less classification of voices than today {"today" meaning 20th century in this context}. She showed as one example a program in which Maria Malibran sang "Fidelio" and "La Sonnambula" in one night! Personally, I think Siurina does a beautiful job based on this scene. I must admit I'm biased. I think she's an extraordinary vocalist and artist.
Beautiful.May not be a Donna Anna voice but it is a great one Ekaterina.❤
Please credit the tenor!
Not a Donna Anna's voice.
See below...
I didn’t know Donna Anna was written for a soubrette... 😜
For whom you think?
Wolfram XY Think is not the right word.
It’s written for a more spinto sized kind of soprano but with agility. Her two arias are very different. This is still better than when she’s sung by light coloraturas.
@@draganvidic2039 Do we really know what kind of voice Mozart write this for..? Really? Did you know him personally? I'm sure Siurina's voice is three times bigger then the original Donna Anna's voice in Mozart's time. Let's not put every part into a category when historically many different voice types sing many different roles.. I've heard many bigger voices sing this and crash and burn as well.. so.. you know.. just enjoy it or don't.. but your knowledge is not really better then anyone else's.
@@roadscholarwarrior
Cannot help you listen to the music
@@roadscholarwarrior I think you make an excellent point. I don't believe it's possible to know what kind of voice Mozart had in mind. According to MC, there used to be less classification of voices than today {"today" meaning 20th century in this context}. She showed as one example a program in which Maria Malibran sang "Fidelio" and "La Sonnambula" in one night!
Personally, I think Siurina does a beautiful job based on this scene. I must admit I'm biased. I think she's an extraordinary vocalist and artist.