Largely agree Graham - I think he and Alan both have a really tight/interesting rhythm section on this album. I also think you can hear the roots of where Steve Howe would take his sound with Asia.
The trilogy of GFTO, Tormato, Drama is my favorite from Squire in terms of his bass playing. Relayer is just insane as well (it being my favorite Yes album). Drama is definitely up there in my list of favorite Yes albums. I love how present both Squire and Howe were on this album and how much they could open up.
DRAMA is YES' most underrated album. Jon and Rick left and Trevor and Jeff from the Buggles joined, and in a sense it was a dream collaboration between the Buggles and a group of talented musicians who were freed from the shackles of Jon. The soundscape of this album is different from that of previous YES albums, but the positivity that underlies YES is still there.
YES was Jon, Chris, Bill/Alan, Steve and Rick. The bugles were a shit pop band. I saw them on this tour and it was no where near as good as the classic Yes lineup live.
"Are we done"? No Jim, Mr Squire is going to remind us why he's the greatest bass player in rock history. Absolutely loved watching the expressions of shock and joy on your face.
Who'd have thought that watching someone play an LP is almost as satisfying as playing an LP? Other than Tempus Fugit, I hadn't actually listened to this album since it came out (my copy got "borrowed" very early on.) Forgot how worthwhile it is. Thanks!
When this came out I was blown away at how good - and aggressive - this album was. It is, for me, a top 5 Yes album. I was worried there was no Jon Anderson, but I was pleasantly surprised and over time fell more and more in love with it. Howe hadn't played as dark as Machine Messiah since Heart of the Sunrise. Loved your visceral reaction to this album.
I’m a thorough Yes listener, and Drama is one of my favorites! It doesn’t get nearly enough love. I listen to it perhaps the most of any of their albums-well, it’s up there at least. Top 5 for sure. The rhythm section murders. And Horn and Downes are more than up to the task. It’s just splendid. And it rocks more than any of their albums! Howe is crazy on this album.
13:24 “Holy shit- sorry, holy…” My thoughts exactly. As a relatively new listener to Yes (age rather than time) Machine Messiah was a punch to the gut in the best way possible. Keep up the good work! Looking forward to 90125.
My thoughts exactly. Also as someone who is new to Yes as well (and was inspired by Jim doing this Yes series), I semi-blindly checked out 90125 from my library and I should warn you it's unapolgeticly 80's, definitely more pop than progressive. I still recommend checking it out, but temper your expectations if this is what you're expecting.
Your reaction to Machine Messiah made me laugh out loud. Going for the One, both the song and later the entire album, was my first serious introduction to Yes. Then a friend played Close to the Edge at a party sometime in the early 80's and I was hooked for the rest of my life. Drama, in my humble opinion, is a classic Yes and progressive album, wholly underappreciated by most Yes fans and underrated by fans in general.
Ok so onto this. The same lineup put out Fly From Here (Return Trip) in 2016 or so. After Chris died and a powerful Yes album as his bass and backing vox are there. This “Return Trip” one has Trevor Horn on vox. The non-Return Trip one is another JA replacement and not part of the family. Trevor Horn wanted to do his own vox later, so did. Written in 1980 and performed once or twice on the Drama tour, Fly From Here is among the top Yes albums ❤ Anyway. This one is also magnificent. Starting it now.
Very underrated album. One of favorites from Yes. Chris shares some lead vocals here as well, especially on Does It Really Happen. His vocals are underrated as well. Great vocalist
I was a metalhead in the 1970s (still am) and my friends tried for years to get me into Yes. I liked Yes better than Genesis or Pink Floyd, but it wasn't until I saw the promo video of Tempus Fugit on TV that I suddenly "got" Yes. I saw them live several times after that and Drama remains my favourite Yes album (Close to the Edge is a close second).
The story goes that The Buggles were recording in an adjoining studio to Yes when Anderson and Wakeman left and the other three carried on laying down some pretty heavy rhythm tracks (like It Can Happen) with Eddie Offord. Chris Squire dropped in on The Buggles session and asked Horn if they had any songs Yes could use. Horn offered Machine Messiah and was invited to demo it with band. He was flattered that he might be hustling a song onto the next Yes album, but still thought Anderson was going to sing it - and wondered would he mind - until Squire asked both Horn and Downes to join the band. Trevor Horn ended up finishing the production on the album and including another Buggles song, I Am A Camera. This is probably the most Squire heavy Yes album since Time And A Word. Many Yes fans were initially horrified at the news that The Buggles had joined Yes, but were eventually won over by the powerful result. (Sadly the following tour didn't go down well, but this material really came alive with a later lineup with Benoit David on vocals and Rick Wakeman's son Oliver on keyboards).
I saw Yes in 2011 and it was indeed very Drama heavy. They opened with Tempus Fugit which is probably the song that Yes could declare as a signature song. Benoit David was the singer but keyboards were Geoff Downes.
Fly from Here (2007) was more or less a later follow up to Drama, with material that did not end up on the original album. Especially the second Return trip version where Trevor Horn did the lead vocals. It is debated if the original version with Benoit David on lead vocals or the Horn version is the best.
Drama is sonic gold. It's certainly a guitar and bass driven album, but Downes and Horn add so much excellence to this wonderfully written and produced album. Great review Jim! I get watery eyed with your exuberant reviews! Thank You Jim!
When this came out, my friends and I were 16-17 and had been serious Yes fans for about 5 years. We had gone to the awesome 1979 concert in Fort Worth (oddly, Yes did not play Dallas, due to a lack of a reasonably sized arena that year). We bought this album with some trepidation, given the absence of Jon and Rick and the fact The Buggles were in the band. But we were die-hard and bought it the first day it was in the record store (Sound Warehouse, where are you now?). We were blown away at how good a record this was. Eagerly went to see the 1980 tour (in the then-new Reunion Arena), which was a great show. This shift was scary at first, but this is a really good album, among my favorites of the post-Bill Bruford era Yes. Edit to note that Squire's bass at the end of "Does it Really Happen" is very similar to his approach on his solo album from 1975, Fish Out of Water. Very strong and in your face, with incredible tone and extremely melodic.
We were also big Yes fans since High School. Shortly before the album release we saw a video of this lineup performing “Tempus Fugit”, and “Into The Lens”, so we were excited to get the “Drama” album. Always loved all their albums, and it was interesting listening to the “Fly From Here” album, the version with the “Drama” reunion lineup.
This record is pure polyphony-sheer contrapuntal, harmonic complexity. The baroque element was always in Yes, but on this album they turned towards a more orderly, metal, structured style that has more of the Rush side of progressive rock, and it allowed the counterpoint-focused progressions to take center stage. Less loose and open; more tight and machinic. Bach and fugues, with Steve and Chris mirroring each other harmonically on every track. Nowadays we call it math rock.
I was so lucky to be 17 in 77 with the punk movement and 20 in 1980 to embrace the futurist/synth bands - all the way through (from about 12) we also had Prog, Bowie and bands like the Who etc - looking back it was such a amazing time and we took it all for granted, expecting greatness! This album sums up the morphing of the two eras perfectly. Great reaction! Check out The Age of Plastic by the Buggles - a great synth pop album with prog influences.
While I understood the despair/anger etc of die hard Yes fans of "Yes without Jon", I was 11 when this came out, and this was my second full Yes album (after Tormato), having heard things like Roundabout and Long Distance Runaround on US FM Radio. As such, I still have a real soft spot for "Drama", and as I've grown older, think it's a really good album. "Machine Messiah", "Tempus Fugit" and "Did it Really Happen?" are big faves of mine
I knew you'd love this album Jim! You're right about us needing music and that's what's so great about YES, they take us on journeys of enjoyment that calm us and help us cope. Side 2 is a blast! By the way, your sound has vastly improved. "Holy Crap that was good!" after Machine Messiah says it all Jim.😁
Remember when this came out, was a little sceptical about it, no Jon Anderson. But I needn't have worried, was blown away. I have a friend who like me has been a fan for over fifty years, he refused to bye the album, and as far as I am aware has never heard it, his loss. Great stuff Jim.
Such a fantastic album, preceded by a shock announcement on Radio 1 by Tommy Vance, expectations were very low. As soon as I first played it I was utterly hooked. A big part of the sound and the material come about as Steve, Alan and Chris were freed from Jon Anderson's whimsy and ethereal influence for a while. They initially rehearsed as a three piece before recruiting Geoff nd Trevor. Such a shame they only made one album before parting ways. The live shows were phenomenal - even though poor Trevor's voice was shot to pieces by the time they landed for the UK leg. Amazing times and it was great to be there. Can't wait to see what you make of Side Two!!!
Great reaction you had me excited by this record again it is a fabulous return to form after the rather lost meandering Tormarto and I agree with all you say the prog has a bit of metal and new romantic and production has more space and punch
This was so much fun! Just a wonderful reaction to an incredible Yes album! This was definitely a different sounding band who were looking forward. I’ve always marveled at the change from Tormato to Drama. Alan White sounds incredible! Thx for this one Jim 🥁🎸☀️
So pleased that you like this one Jim. Always loved this album. It had a bad name due to the poppiness of the Buggles (Video Killed the Radio Star) joining such a classic lineup. A lot of the stalwarts disowned it as not being Yes. However, it is fabulous.
Jim, You are such a remarkably personable person with the feels for music, and an ear. Record producer is near of you good sir. :-) Thank you for you! -RR
Did YES have detractors ? YES always have had them from day one. They also have a group of fans that only like certain phases and others (me) that understand times and band members change so I just accept they are who they are and appreciate the journey.
I love Machine Messiah, but my mind always now hears, in a certain part of the lyrics "Now is the time on Sprockets in which we dance!" :) I have found that everything Trevor Horn touched is gold. I strongly recommend the DVD concert Slaves To The Rhythm. He is a great musician and a staggering producer. Truly a genius. Drama has always been a favorite of mine.
When it came out I was blown away... Not everybody agreed..I saw the band twice on the tour for the album...it was a tough time for Trevor horn...that aside...I think it's a cracking album...well recorded and slightly new wave and very heavy to boot..machine messiah is probably the heaviest yes were. After this album Howe went on to form the mighty asia along with Geoff Downes and Alan white and Chris squire went on to bring together anderson and Rabin to do 90125. It's nice to see these days..even without jon on vocals drama gets appreciated by yes fans young and old. Fabulous album
Great record, although at the time, people were upset about the lineup change. They are definitely reinvigorated and punchy here. The new preamp sounds great, immediately noticable. I'm thinking about getting one for my home setup as well. Perhaps one with tubes
Thanks for playing this album. The first time i heard (does it really happen) was in 1986 while driving and playing cassette tape cranked full blast, unbelievable sound!
I’m a little late to the video, but I am no stranger to this outstanding album. The vinyl crackling brings back fond memories of listening to this on my old copy. There are those who don’t view this album as being of any quality as compared to all previously released by the band, however this is fantastic. Headphones, or through good speakers, this is a very enjoyable listen. I do appreciate your time and visual enthusiasm. Thanks. I am trying to see more of your videos. Cheers
absolutely fantastic album. I remember when it was released. I didn't really care initially with key band members not on it. Until I listened to it at a friend's house, and I was in awe. In my top three of Yes albums. I am still in awe - what a perfect title for the album, too. Thank you for playing it here!
If there were no band members named on the album, this would rate as one of YES' finest (Top 5?) It's a fantastic album from start to finish and tops anything that came later, for sure. Loved the reaction!
I think they had some good albums after this but they also didn't really reach these heights again either. As Drama is an album from 1980 it benefits from still having some 1970's residue and youthful energy to cling to. There are a couple of tracks on the followup, 90125 that remind me a bit of Drama, It Can Happen, Changes and Hearts.
@@ChromeDestiny Loved those at the time... now the production on 90125 makes me cringe. Drama sounds a lot less dated to me. But, yeah... there were good songs afterward... just not an album that matches up, for me. Cheers!
I remember when this came out, I was livid that MY Yes was now this, and for the first time, ever, I did not see a tour...or buy this album. It took ages, but somewhere along the line, I listened to it as a standalone album...on its own, and to this day I think it is quite good. So...how did this all end? I saw the present guys play the whole album on CTTE... The circle is complete.
@@michaelbeerbados3291 I didn't go on the cruise to see them...I actually went to see Curved Air, Focus, Steve Hackett, Stick Men, Patrick Moraz.... But I knew the current guys were playing the whole album...so, I caught that, and left when they started dismantling, Tales. To me, anyone but Anderson singing that music is sacrilege.
Great reaction Jim, my sentiments exactly, I remember way back in 1980 checking out the new releases at the local record store & being thrilled to discover Yes were still alive & with these two new members, like you I was gobsmacked upon hearing Machine Messiah & side one. It was incredible how by chance Chris, Steve & Alan effectively teamed up with the Buggles & how they so seamlessly fit in & brought such energy, ideas, production knowledge & a new direction to the band, it was also amazing how good Trevor's voice was & how close in range he was to Jon's. Enjoy side 2, cheers
Hi Jim, me again, I think that looking back from 42 years this album can rightfully take it's place in the Yes cannon. I never understood some Yes fans who were ok with some of the replacements in the line up and dismissive of others. For me they have contributed to the band's history and catalogue. Pop into the Yesworld forum and the no Jon no Yes zealots are still at it after 18 years ffs. Looking forward to side 2 mate so much good Yesmusic still to come.
Caught up with this 2 hours after you posted and 49 comments in. Already a good representation of die hards have recalled their reaction to Yes without Jon and how it coloured many peoples attitude to the album both before release and immediately afterwards. Also pleased that so many now recognise its worthy place in the discography. I fall into the "Jon/Rick" camp a nd admit I held similar misgivings. However, this us a good YES Album and look beyond the change in vocalist and the dynamics of Chris, Steve and Alan hold up the tradition of the band; ably assisted by Geoff & Trevor. I also agree with previous comments that this was probably the last true YES sounding album. Little did we know.... Tempus Fugit!
Trevor Horn was a great fill in for Jon Anderson, they both have a similar sound (though Jon has better range) but what really sells it as sounding like Yes, and something many people don't realize is what truly makes the Yes sound, is Squire's background vocals. He made Yes sound like Yes and without it the vocals don't sound right. I can't remember which album it was but one of the more recent ones buried him in the production and it just didn't sound right because of it.
I love this album! I remember at the time feeling a lot of trepidation about the fact that Yes we're incorporating electro-pop duo The Buggles (of Video Killed the Radio Star fame) into the band. But wow! I wish they'd done a (immediate) follow-up with the same line-up (much as I wish they'd done another album with Moraz after Relayer). They've done some decent albums after this, but nothing to match it IMHO.
The second Buggles album, especially the expanded CD reissue has material that was originally intended for a second album from the Yes Drama lineup. Some of the material on the the CD bonus track version got revived for Fly From Here and Fly From Here Return Trip.
@@soundsfromthewestcoast9939 Me too, it's the best of the three post Magnification albums imo. The only thing is that I wish they had incorporated one or two of the songs that wound up on the From a Page EP cause those tracks had a lot of potential. The Quest is not a bad album but very front loaded, I think it would have helped a lot if Tony Kaye and Patrick Moraz had guested on it. I think for Yes to continue Steve has to be more forceful, why keep Billy Sherwood? He was there as a favour to Chris. Why keep Geoff Downes? He was brought in cause Trevor Horn wanted him there when he was producing Fly From Here but that was over ten years ago now.
@@ChromeDestiny Good points. I wish they'd kept Oliver Wakeman in the keyboard seat, and much as it saddens me I think it's time for Alan White to retire fully. I still think they have another excellent album in them but they need to take musical risks, and get in an outside producer who is rooted in prog.
"We need music more than ever" is a sentiment I wholeheartedly support. It's what makes us 'us'.That said, I bought this album within days of its release 41 years ago (yikes) and I suspect it's around 39 years since I last heard it. Actually, it's not bad!
It's One of the best Yes albums of all their albums. Certainly one of my favorites. Drama was given to me 😃 as a Birthday 🎂 gift in 80's. I lost it and now.... thanks 🙏 to you, I am going to buy the vinyl again!!! Love ❤️ your reaction 💗
Really interesting isn't it? And it shows you how much Chris, Alan and Steve really fire off each other musically, and transforming the songs provided by Trevor and Geoff provided. Great album.
I’ve decided to continue on while you experience each new Yes album!! I like that you listen to the entire album! Best way to listen to any band you’ve never heard before. Also really “Dig” that your the Only music listener/reactioner I’ve seen on UA-cam that actually listens to Albums!!! Woot! That’s how We heard them!!!❤ 🤘🥰✌️ I’m not a huge fan of Trevor Horn- but Chris’s Voice really is up front on this project! Love Machine Messiah And Tempus Fugit! Awesome Live!!!
"Yes with fresh paintwork". It took a little getting used to, but then it was awesome. By the way, while the "reshuffled Yes" were working on this album, Anderson did the first full album called "Short Stories" with Vangelis. I hope that makes you a little curious?
Yes saw They needed to change to survive so They hired Downes and Horn to replace Anderson and Wakeman to Get the Sound of the 80s. Having been a Yes fan since 1971, there was nothing I hated more than the Sound of the 80s. It was a New step down for Yes commercially and the band imploded, just to rise from the ashes with Trevor Rabin a few years later. I didn’t really return to Yes untill Magnification.
Your first words were “and that is not Jon Anderson”. I first heard this album at a party and almost everyone said a great joke had been played on us. Jon had never left and that could be no one else but Jon. Absolutely love your reaction to one of my most enjoyed Yes albums. So we’ll produced.
Very underrated album. In my mind, this is the album where Squire and White really connect to set up an amazing groove on every song. Espacially Tempus Fugit. Your reaction did not disappoint! Thanks Jim!
it was frowned upon by a lot of fans back then. but i loved it back then, and now. one of my favorite album from them. proof positive that Squire was the soul of the band.
I had been following Yes for years, didn't really gell with Tormarto, well the really didn't like it much either. Then Jon and Rick left and I thought, would we ever hear that magic again, after stuff like Awaken, I was shocked at how much I liked the change, and to this day enjoy the tracks from this album when I hear them. I have a mint copy of this in my record collection, once and a while i will bring it out, enjoy every minute of it. As always Jim, love your enthusiasm and insight into this, I look forward to your reaction to side two.
The part at the end where Squire starts 'walking' the bass line just kills me every time. Still my favorite Yes album (and the one that convinced me to listen to Yes in the first place)
@@JimNewstead No need to be torn. I love all of Yes' work (even Tormato). Drama was just the entryway I needed to open my mind up to the rest of their music.
Nice to come to this with fresh ears - apart from seeing the current Yes doing this live, it's a while since I listened to the album. Yes, it really is rather good. Without much research though, I wonder how high Chris Squire's voice is in the mix - Trevor Horn is a perfectly decent singer but I think the Squire backing vocals are what really sell this album (plus the bass of course!)
I love all things YES some of my Classic YES purist friends said no Anderson no way. Well until they heard this album it really brings it. Thanks for reacting to it Jim. OH! ps. sound way nice
Ah Drama, the album where Chris probably shines brighter than ever before. The bass work on this album is awesome throughout .
Chris is phenomenal. R.I.P. my friend. You are SO missed.⚘⚘⚘😎
Largely agree Graham - I think he and Alan both have a really tight/interesting rhythm section on this album. I also think you can hear the roots of where Steve Howe would take his sound with Asia.
The trilogy of GFTO, Tormato, Drama is my favorite from Squire in terms of his bass playing. Relayer is just insane as well (it being my favorite Yes album). Drama is definitely up there in my list of favorite Yes albums. I love how present both Squire and Howe were on this album and how much they could open up.
@@chacob3380 Steve never played as good as this again. This was his last recording as a guitar great.
Not only his bass, but his great vocal support.
DRAMA is YES' most underrated album.
Jon and Rick left and Trevor and Jeff from the Buggles joined, and in a sense it was a dream collaboration between the Buggles and a group of talented musicians who were freed from the shackles of Jon.
The soundscape of this album is different from that of previous YES albums, but the positivity that underlies YES is still there.
Chris Squire was YES
agree
YES was Jon, Chris, Bill/Alan, Steve and Rick. The bugles were a shit pop band. I saw them on this tour and it was no where near as good as the classic Yes lineup live.
Not anywhere near CTTE, Fragile, The Yes album, TFTO and GFTO.
@@lesblatnyak5947 and Jon Anderson.
"Are we done"?
No Jim, Mr Squire is going to remind us why he's the greatest bass player in rock history. Absolutely loved watching the expressions of shock and joy on your face.
I had no idea Drama was this good! Totally surprised! The preamp sounds fantastic! Your enthusiasm was a huge bonus. Thanks!
Awww, thanks! It’s easy to be enthusiastic when the music is this good.
@@JimNewstead Yes!😎
"Produced by the Band" - but the key being that the band included Trevor Horn. so that might explain why it sounds so good
Eddie had something to do with it.😎
Hugh Padgham was part of the production team for Drama as well.
@@ChromeDestiny I didn't notice any "Gated drum" sounds on Drama - he must have saved those for Peter Gabriel and Phil Collins! :-)
@@tomfabozzi6309 You can hear them a bit during the breakdown of Run Thru The light.
@@tomfabozzi6309 run through the light is gated
Who'd have thought that watching someone play an LP is almost as satisfying as playing an LP? Other than Tempus Fugit, I hadn't actually listened to this album since it came out (my copy got "borrowed" very early on.) Forgot how worthwhile it is. Thanks!
Its moments like this I realise what a yes snob I've been all these years. I have never even given this album a chance - its awesome!
..."White car" is about Gary Numan, who drove around in a white limo at the time....nice.
When this came out I was blown away at how good - and aggressive - this album was. It is, for me, a top 5 Yes album. I was worried there was no Jon Anderson, but I was pleasantly surprised and over time fell more and more in love with it. Howe hadn't played as dark as Machine Messiah since Heart of the Sunrise. Loved your visceral reaction to this album.
I’m a thorough Yes listener, and Drama is one of my favorites! It doesn’t get nearly enough love. I listen to it perhaps the most of any of their albums-well, it’s up there at least. Top 5 for sure. The rhythm section murders. And Horn and Downes are more than up to the task. It’s just splendid. And it rocks more than any of their albums! Howe is crazy on this album.
I consider this to be an unjustly overlooked MASTERPIECE of an album.
13:24 “Holy shit- sorry, holy…” My thoughts exactly. As a relatively new listener to Yes (age rather than time) Machine Messiah was a punch to the gut in the best way possible. Keep up the good work! Looking forward to 90125.
My thoughts exactly. Also as someone who is new to Yes as well (and was inspired by Jim doing this Yes series), I semi-blindly checked out 90125 from my library and I should warn you it's unapolgeticly 80's, definitely more pop than progressive. I still recommend checking it out, but temper your expectations if this is what you're expecting.
Your reaction to Machine Messiah made me laugh out loud. Going for the One, both the song and later the entire album, was my first serious introduction to Yes. Then a friend played Close to the Edge at a party sometime in the early 80's and I was hooked for the rest of my life. Drama, in my humble opinion, is a classic Yes and progressive album, wholly underappreciated by most Yes fans and underrated by fans in general.
Ok so onto this. The same lineup put out Fly From Here (Return Trip) in 2016 or so. After Chris died and a powerful Yes album as his bass and backing vox are there. This “Return Trip” one has Trevor Horn on vox. The non-Return Trip one is another JA replacement and not part of the family. Trevor Horn wanted to do his own vox later, so did. Written in 1980 and performed once or twice on the Drama tour, Fly From Here is among the top Yes albums ❤
Anyway. This one is also magnificent. Starting it now.
Very underrated album. One of favorites from Yes. Chris shares some lead vocals here as well, especially on Does It Really Happen. His vocals are underrated as well. Great vocalist
No doubt!
I was a metalhead in the 1970s (still am) and my friends tried for years to get me into Yes. I liked Yes better than Genesis or Pink Floyd, but it wasn't until I saw the promo video of Tempus Fugit on TV that I suddenly "got" Yes. I saw them live several times after that and Drama remains my favourite Yes album (Close to the Edge is a close second).
The story goes that The Buggles were recording in an adjoining studio to Yes when Anderson and Wakeman left and the other three carried on laying down some pretty heavy rhythm tracks (like It Can Happen) with Eddie Offord. Chris Squire dropped in on The Buggles session and asked Horn if they had any songs Yes could use. Horn offered Machine Messiah and was invited to demo it with band. He was flattered that he might be hustling a song onto the next Yes album, but still thought Anderson was going to sing it - and wondered would he mind - until Squire asked both Horn and Downes to join the band. Trevor Horn ended up finishing the production on the album and including another Buggles song, I Am A Camera. This is probably the most Squire heavy Yes album since Time And A Word. Many Yes fans were initially horrified at the news that The Buggles had joined Yes, but were eventually won over by the powerful result. (Sadly the following tour didn't go down well, but this material really came alive with a later lineup with Benoit David on vocals and Rick Wakeman's son Oliver on keyboards).
I saw Yes in 2011 and it was indeed very Drama heavy. They opened with Tempus Fugit which is probably the song that Yes could declare as a signature song. Benoit David was the singer but keyboards were Geoff Downes.
Fly from Here (2007) was more or less a later follow up to Drama, with material that did not end up on the original album.
Especially the second Return trip version where Trevor Horn did the lead vocals. It is debated if the original version with Benoit David on lead vocals or the Horn version is the best.
Drama is sonic gold. It's certainly a guitar and bass driven album, but Downes and Horn add so much excellence to this wonderfully written and produced album. Great review Jim! I get watery eyed with your exuberant reviews! Thank You Jim!
You are a righteous dude Jim.
When this came out, my friends and I were 16-17 and had been serious Yes fans for about 5 years. We had gone to the awesome 1979 concert in Fort Worth (oddly, Yes did not play Dallas, due to a lack of a reasonably sized arena that year). We bought this album with some trepidation, given the absence of Jon and Rick and the fact The Buggles were in the band. But we were die-hard and bought it the first day it was in the record store (Sound Warehouse, where are you now?). We were blown away at how good a record this was. Eagerly went to see the 1980 tour (in the then-new Reunion Arena), which was a great show. This shift was scary at first, but this is a really good album, among my favorites of the post-Bill Bruford era Yes.
Edit to note that Squire's bass at the end of "Does it Really Happen" is very similar to his approach on his solo album from 1975, Fish Out of Water. Very strong and in your face, with incredible tone and extremely melodic.
We were also big Yes fans since High School. Shortly before the album release we saw a video of this lineup performing “Tempus Fugit”, and “Into The Lens”, so we were excited to get the “Drama” album. Always loved all their albums, and it was interesting listening to the “Fly From Here” album, the version with the “Drama” reunion lineup.
This record is pure polyphony-sheer contrapuntal, harmonic complexity. The baroque element was always in Yes, but on this album they turned towards a more orderly, metal, structured style that has more of the Rush side of progressive rock, and it allowed the counterpoint-focused progressions to take center stage. Less loose and open; more tight and machinic. Bach and fugues, with Steve and Chris mirroring each other harmonically on every track. Nowadays we call it math rock.
Thank you Sir. my favorite album is DRAMA
I was so lucky to be 17 in 77 with the punk movement and 20 in 1980 to embrace the futurist/synth bands - all the way through (from about 12) we also had Prog, Bowie and bands like the Who etc - looking back it was such a amazing time and we took it all for granted, expecting greatness! This album sums up the morphing of the two eras perfectly. Great reaction! Check out The Age of Plastic by the Buggles - a great synth pop album with prog influences.
This album is one of my favorite ones. Steve and Chris are able to open up. Alan is great and the bugles are strong.
While I understood the despair/anger etc of die hard Yes fans of "Yes without Jon", I was 11 when this came out, and this was my second full Yes album (after Tormato), having heard things like Roundabout and Long Distance Runaround on US FM Radio. As such, I still have a real soft spot for "Drama", and as I've grown older, think it's a really good album. "Machine Messiah", "Tempus Fugit" and "Did it Really Happen?" are big faves of mine
I knew you'd love this album Jim! You're right about us needing music and that's what's so great about YES, they take us on journeys of enjoyment that calm us and help us cope. Side 2 is a blast! By the way, your sound has vastly improved. "Holy Crap that was good!" after Machine Messiah says it all Jim.😁
Remember when this came out, was a little sceptical about it, no Jon Anderson.
But I needn't have worried, was blown away.
I have a friend who like me has been a fan for over fifty years, he refused to bye the album, and as far as I am aware has never heard it, his loss.
Great stuff Jim.
Yes is yet another one I have not dug into, but am for sure liking this. I of course know of them and have them as one I must go through completely.
Machine Messiah...what an opening !!!
Thanks for reviewing this. I still remember the shock. Still unfer recovery of tormato . Still licking the wounds and the a yes without Jon and Rick
"You walk the way; You take the path; To be assured; You draw a graph."
Such a fantastic album, preceded by a shock announcement on Radio 1 by Tommy Vance, expectations were very low. As soon as I first played it I was utterly hooked. A big part of the sound and the material come about as Steve, Alan and Chris were freed from Jon Anderson's whimsy and ethereal influence for a while. They initially rehearsed as a three piece before recruiting Geoff nd Trevor. Such a shame they only made one album before parting ways. The live shows were phenomenal - even though poor Trevor's voice was shot to pieces by the time they landed for the UK leg. Amazing times and it was great to be there. Can't wait to see what you make of Side Two!!!
Machine Messiah and Does It Really Happen both get multiple high fives. With giant gloved mascot hands.
Great reaction you had me excited by this record again it is a fabulous return to form after the rather lost meandering Tormarto and I agree with all you say the prog has a bit of metal and new romantic and production has more space and punch
This was so much fun! Just a wonderful reaction to an incredible Yes album! This was definitely a different sounding band who were looking forward. I’ve always marveled at the change from Tormato to Drama. Alan White sounds incredible! Thx for this one Jim 🥁🎸☀️
My favorite Yes album. Hands down.
I have allways loved this album, Jim maybe you should consider doing " Fly from Here " as a next video, same Yes line up
Such a great album. And what a great reaction video Jim!!! Made my day
Hey, Jim! My first YES concert was the tour of this album back in 1980 at Madison Square Garden. Awesome show (in the round!)
America was much kinder to Trevor than the UK shows
The Madison square show was broadcast but it's poor quality
So pleased that you like this one Jim. Always loved this album. It had a bad name due to the poppiness of the Buggles (Video Killed the Radio Star) joining such a classic lineup. A lot of the stalwarts disowned it as not being Yes. However, it is fabulous.
Jim,
You are such a remarkably personable person with the feels for music, and an ear. Record producer is near of you good sir. :-) Thank you for you!
-RR
Awww, love you man! Thanks 😊
Did YES have detractors ? YES always have had them from day one. They also have a group of fans that only like certain phases and others (me) that understand times and band members change so I just accept they are who they are and appreciate the journey.
I love Machine Messiah, but my mind always now hears, in a certain part of the lyrics "Now is the time on Sprockets in which we dance!" :) I have found that everything Trevor Horn touched is gold. I strongly recommend the DVD concert Slaves To The Rhythm. He is a great musician and a staggering producer. Truly a genius. Drama has always been a favorite of mine.
BTW, I definitely notice the improvement with the preamp. This sounded awesome!
Nice! I’m glad 😀
This is a great album - can't wait for side two!
I’m very pleased with your reaction.😊 This is one of my favorite Yes albums, and probably the one I listen to most.
Brother, great choice! Drama is a classic!
When it came out I was blown away...
Not everybody agreed..I saw the band twice on the tour for the album...it was a tough time for Trevor horn...that aside...I think it's a cracking album...well recorded and slightly new wave and very heavy to boot..machine messiah is probably the heaviest yes were.
After this album Howe went on to form the mighty asia along with Geoff Downes and Alan white and Chris squire went on to bring together anderson and Rabin to do 90125.
It's nice to see these days..even without jon on vocals drama gets appreciated by yes fans young and old.
Fabulous album
Cool. One of my favorite Yes albums.
Drama is a great album. Definitely makes my Top 10 YES albums
Great record, although at the time, people were upset about the lineup change. They are definitely reinvigorated and punchy here.
The new preamp sounds great, immediately noticable. I'm thinking about getting one for my home setup as well. Perhaps one with tubes
One of the greatest Reprises in music history. Period.
Drama took me a while to get into but it has stood the test of time and sounds really super today.... glad you dug it....
I'm looking forward to what you think of Magnification when you get to it. 👍🙂
Me too!
Absolutely great album, nice video
Thanks for playing this album. The first time i heard (does it really happen) was in 1986 while driving and playing cassette tape cranked full blast, unbelievable sound!
The best YES album ever!
I’m a little late to the video, but I am no stranger to this outstanding album. The vinyl crackling brings back fond memories of listening to this on my old copy.
There are those who don’t view this album as being of any quality as compared to all previously released by the band, however this is fantastic. Headphones, or through good speakers, this is a very enjoyable listen.
I do appreciate your time and visual enthusiasm. Thanks. I am trying to see more of your videos.
Cheers
absolutely fantastic album. I remember when it was released. I didn't really care initially with key band members not on it. Until I listened to it at a friend's house, and I was in awe. In my top three of Yes albums. I am still in awe - what a perfect title for the album, too. Thank you for playing it here!
Isn’t it brilliant!
If there were no band members named on the album, this would rate as one of YES' finest (Top 5?) It's a fantastic album from start to finish and tops anything that came later, for sure. Loved the reaction!
Tops anything that came later is purely subjective.
They had many outstanding albums after this...
@@rcpsammy7186 Your opinion, also purely subjective. NOTHING they did after touches this, IMO. (added the ending to make you happy... Cheers!)
I think they had some good albums after this but they also didn't really reach these heights again either. As Drama is an album from 1980 it benefits from still having some 1970's residue and youthful energy to cling to. There are a couple of tracks on the followup, 90125 that remind me a bit of Drama, It Can Happen, Changes and Hearts.
@@ChromeDestiny Loved those at the time... now the production on 90125 makes me cringe. Drama sounds a lot less dated to me. But, yeah... there were good songs afterward... just not an album that matches up, for me. Cheers!
I agree 1,000%. If you closed your eyes, you could not tell the difference from the original members. I still rate it as one of their top albums.
I remember when this came out, I was livid that MY Yes was now this, and for the first time, ever, I did not see a tour...or buy this album.
It took ages, but somewhere along the line, I listened to it as a standalone album...on its own, and to this day I think it is quite good.
So...how did this all end? I saw the present guys play the whole album on CTTE...
The circle is complete.
sorry you had to see the "current" lineup..wow they are poor.
@@michaelbeerbados3291 I didn't go on the cruise to see them...I actually went to see Curved Air, Focus, Steve Hackett, Stick Men, Patrick Moraz....
But I knew the current guys were playing the whole album...so, I caught that, and left when they started dismantling, Tales.
To me, anyone but Anderson singing that music is sacrilege.
@@michaelbeerbados3291 also, if you think the current crop is poor, you should get a load of the new album.
Absolutely forgettable.
Great reaction Jim, my sentiments exactly, I remember way back in 1980 checking out the new releases at the local record store & being thrilled to discover Yes were still alive & with these two new members, like you I was gobsmacked upon hearing Machine Messiah & side one. It was incredible how by chance Chris, Steve & Alan effectively teamed up with the Buggles & how they so seamlessly fit in & brought such energy, ideas, production knowledge & a new direction to the band, it was also amazing how good Trevor's voice was & how close in range he was to Jon's. Enjoy side 2, cheers
I’m gonna have to get one of those hoodies or shirts! Love it! So stoked to get back into Yes! Thanks Jim!
Yes you are! I like them cos they don’t have my name or logo splattered all over them!
Hi Jim, me again, I think that looking back from 42 years this album can rightfully take it's place in the Yes cannon. I never understood some Yes fans who were ok with some of the replacements in the line up and dismissive of others. For me they have contributed to the band's history and catalogue. Pop into the Yesworld forum and the no Jon no Yes zealots are still at it after 18 years ffs. Looking forward to side 2 mate so much good Yesmusic still to come.
Caught up with this 2 hours after you posted and 49 comments in. Already a good representation of die hards have recalled their reaction to Yes without Jon and how it coloured many peoples attitude to the album both before release and immediately afterwards. Also pleased that so many now recognise its worthy place in the discography. I fall into the "Jon/Rick" camp a nd admit I held similar misgivings. However, this us a good YES Album and look beyond the change in vocalist and the dynamics of Chris, Steve and Alan hold up the tradition of the band; ably assisted by Geoff & Trevor. I also agree with previous comments that this was probably the last true YES sounding album. Little did we know.... Tempus Fugit!
One of the most underrated albums they ever did. It's brilliant..
Wow eh Jim, pretty fine performance of genius by Squire. Onward to two.
Trevor Horn was a great fill in for Jon Anderson, they both have a similar sound (though Jon has better range) but what really sells it as sounding like Yes, and something many people don't realize is what truly makes the Yes sound, is Squire's background vocals. He made Yes sound like Yes and without it the vocals don't sound right. I can't remember which album it was but one of the more recent ones buried him in the production and it just didn't sound right because of it.
I love this album! I remember at the time feeling a lot of trepidation about the fact that Yes we're incorporating electro-pop duo The Buggles (of Video Killed the Radio Star fame) into the band. But wow! I wish they'd done a (immediate) follow-up with the same line-up (much as I wish they'd done another album with Moraz after Relayer). They've done some decent albums after this, but nothing to match it IMHO.
The second Buggles album, especially the expanded CD reissue has material that was originally intended for a second album from the Yes Drama lineup. Some of the material on the the CD bonus track version got revived for Fly From Here and Fly From Here Return Trip.
@@ChromeDestiny Really rate Fly From Here as an album - one of the stronger post Drama albums.
@@soundsfromthewestcoast9939 Me too, it's the best of the three post Magnification albums imo. The only thing is that I wish they had incorporated one or two of the songs that wound up on the From a Page EP cause those tracks had a lot of potential. The Quest is not a bad album but very front loaded, I think it would have helped a lot if Tony Kaye and Patrick Moraz had guested on it. I think for Yes to continue Steve has to be more forceful, why keep Billy Sherwood? He was there as a favour to Chris. Why keep Geoff Downes? He was brought in cause Trevor Horn wanted him there when he was producing Fly From Here but that was over ten years ago now.
@@ChromeDestiny Good points. I wish they'd kept Oliver Wakeman in the keyboard seat, and much as it saddens me I think it's time for Alan White to retire fully. I still think they have another excellent album in them but they need to take musical risks, and get in an outside producer who is rooted in prog.
"We need music more than ever" is a sentiment I wholeheartedly support. It's what makes us 'us'.That said, I bought this album within days of its release 41 years ago (yikes) and I suspect it's around 39 years since I last heard it. Actually, it's not bad!
It's One of the best Yes albums of all their albums. Certainly one of my favorites. Drama was given to me 😃 as a Birthday 🎂 gift in 80's. I lost it and now.... thanks 🙏 to you, I am going to buy the vinyl again!!! Love ❤️ your reaction 💗
Awww, that’s great! I hope you enjoy it again 👍🏼👍🏼👍🏼
Really interesting isn't it? And it shows you how much Chris, Alan and Steve really fire off each other musically, and transforming the songs provided by Trevor and Geoff provided. Great album.
Fab album, really really strong.
Loved it from the moment I purchased it and heard the first notes.
This is a perfect album,now accompanied by a perfect reaction.
One of the reasons to do it even now. Music is freedom.
Their commercial success came in the mid 1980s with more lineup changes and "90125," which I am sure you'll get to.
What a great reaction video.
Makes me feel like the 1st time I heard it! Cheers.
Wow, thank you!
I’ve decided to continue on while you experience each new Yes album!!
I like that you listen to the entire album! Best way to listen to any band you’ve never heard before.
Also really “Dig” that your the Only music listener/reactioner I’ve seen on UA-cam that actually listens to Albums!!! Woot! That’s how We heard them!!!❤ 🤘🥰✌️
I’m not a huge fan of Trevor Horn- but Chris’s Voice really is up front on this project!
Love Machine Messiah And Tempus Fugit! Awesome Live!!!
This is a fantastic record. I don’t care what the others say, this is the best bass driven Yes record there is! So far…..
"Yes with fresh paintwork". It took a little getting used to, but then it was awesome. By the way, while the "reshuffled Yes" were working on this album, Anderson did the first full album called "Short Stories" with Vangelis. I hope that makes you a little curious?
Yes saw They needed to change to survive so They hired Downes and Horn to replace Anderson and Wakeman to Get the Sound of the 80s. Having been a Yes fan since 1971, there was nothing I hated more than the Sound of the 80s. It was a New step down for Yes commercially and the band imploded, just to rise from the ashes with Trevor Rabin a few years later. I didn’t really return to Yes untill Magnification.
He also brought out Song of Seven in 1980. Another work of art.
@@alangraham10 True, Anderson was very productive in 1980
Your first words were “and that is not Jon Anderson”. I first heard this album at a party and almost everyone said a great joke had been played on us. Jon had never left and that could be no one else but Jon. Absolutely love your reaction to one of my most enjoyed Yes albums. So we’ll produced.
Very underrated album. In my mind, this is the album where Squire and White really connect to set up an amazing groove on every song. Espacially Tempus Fugit. Your reaction did not disappoint! Thanks Jim!
Great reaction. Thank you.
it was frowned upon by a lot of fans back then.
but i loved it back then, and now.
one of my favorite album from them.
proof positive that Squire was the soul of the band.
I didn't get notified for this... But glad to see it! And you are right, music is our only break from the stupidity of the world atm
I had been following Yes for years, didn't really gell with Tormarto, well the really didn't like it much either. Then Jon and Rick left and I thought, would we ever hear that magic again, after stuff like Awaken, I was shocked at how much I liked the change, and to this day enjoy the tracks from this album when I hear them. I have a mint copy of this in my record collection, once and a while i will bring it out, enjoy every minute of it. As always Jim, love your enthusiasm and insight into this, I look forward to your reaction to side two.
My first yes album. bought it in 1980. an absolute masterpiece and sadly underrated.
I love it!
Should show the inner sleeve. A really strong album after Tormato. A great album, and it does sound better with your preamp Jim
This is my favorite Yes album. Certainly the one I listen to the most. Love the aggression and groove. Definite foreshadow for bands like Tool.
The part at the end where Squire starts 'walking' the bass line just kills me every time. Still my favorite Yes album (and the one that convinced me to listen to Yes in the first place)
I’m torn, because there are so many other amazing records they’ve made that I’ve listened to. This is certainly right at the top!
@@JimNewstead No need to be torn. I love all of Yes' work (even Tormato). Drama was just the entryway I needed to open my mind up to the rest of their music.
It's still YES indeed!
I can't wait for your into the lens reaction 😁
Nice to come to this with fresh ears - apart from seeing the current Yes doing this live, it's a while since I listened to the album. Yes, it really is rather good. Without much research though, I wonder how high Chris Squire's voice is in the mix - Trevor Horn is a perfectly decent singer but I think the Squire backing vocals are what really sell this album (plus the bass of course!)
Great to hear that you love it Jim! Many an old Yes fan are dissing it but I truly love it! (Maybe not quite as much as you seem to do though 😉)
I think I had it loud in my headphones and was excited to be listening to some music again!!!!
@@JimNewstead Really? Try again. Lol!🤣😎
At 7:43 of this video, Rabin quotes a little of Widor’s Symphony No. 5, a very jazz thing to do.
@@pbwbrian53 Rabin?
I love all things YES some of my Classic YES purist friends said no Anderson no way. Well until they heard this album it really brings it. Thanks for reacting to it Jim. OH! ps. sound way nice
You had to realize it was not Yes. But it was Yes now, and very very good.
Ooo...
This should be good. I'm interested to see your reaction to the change in the sound
It’s wonderful!
...no, that's Chris and Trevor singing. Chris is indeed shining on this album and takes up parts of the lead vocals...
Can’t wait for side two…. What an amazing album!
Fly From Here - Revisited is the only other album with the Drama line up. Chris Squire sings lead on one track on that album.
Can't wait to watch your reaction on side 2, Jim 👍