Mozart - Symphony no.25 (Takács-Nagy)
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- Опубліковано 10 лют 2025
- I decided to reupload this piece with better quality and sound, as it has been over five years since the first movement was uploaded on this channel. I actually find this specific recording so fresh, I hope you enjoy it. Thank you for your support!
Wolfgang Amadeus Mozart (1756-1791)
Symphony No. 25 in g minor, K.183
I. Allegro con brio 00:04
II.Andante 10:10
III.Menuetto & Trio 14:16
IV. Allegro 17:12
Weinberger Chamber Orchestra, Gábor Takács- Nagy
Live Concert, Zurich Tonhalle, 31 Jan. 2016
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Watch the live performance here:
• Mozart: Symphony No. 2...
Weinberger Chamber Orchestra's channel:
/ @weinbergerchamberorch...
Scores: imslp.org/wiki...)
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No copyright infringement intended.
![Mozart - Symphony No. 25 in G minor, K. 183 [complete]](http://i.ytimg.com/vi/rNeirjA65Dk/mqdefault.jpg)
![Mozart - Symphony No. 25 in G minor, K. 183 [complete]](/img/tr.png)
I learned the first movement thinking I was done excited I could play it because I had only started violin 2 years ago so I was proud of myself, but when I found this, my life crumble all this time wasted to realize I would never complete the actual symphony.
What part is ridiculously hard?
@@georgesalafatinos4301 Wow, thank you for replying to this, I had been trying to find this video again because somehow I lost it. This reply just saved me.
@Cave Player Okay answer the q then ?
@@georgesalafatinos4301XD
You actually can be really proud, that You can Play the First movement.
With some Hard work You will get it in Short time.
Just practice it very slowly for your Intonation and Then just accelerate in Tempo
You already did a Great thing by watching an Video of the Partitura to get yourself more in touch with the Music
Please excuse my writing skills on the IPad
Its so Bad, because my Auto correction Tool wants to use german words instead of english
My school’s Chamber Orchestra is currently working on this piece. I enjoy listening to them rehearse in the mornings before school starts.
Wolfgang Amadeus Mozart:25.g-moll Szimfónia KV 183
1.Allegro con brio 00:04
2.Andante 10:10
3.Menuetto 14:16
4.Allegro 17:12
Weinberger-i Kamarazenekar
Vezényel:Takács-Nagy Gábor
Köszönöm az értékelést
Na. Tök jó itt van egy magyar! Te amúgy Zenész vagy?
Jaj de jó találkozni magyar emberekkel.
Thank you! I have beeb waiting for the score of this mozart so long!
You know Mozart was bopping his head when writing this knowing it was straight up flames fr
Who doesn’t enjoy Mozart!?
Kingsley Amis
Bach was definitely NOT a fan of Mozart's music, in any way shape or form. when someone asked Bach to name a piece by Mozart that he liked, Bach gave no reply
Brian Bernstein which Bach? Johann Sebastian Bach was in the ground 6 years before Mozart was born
@@timothythorne9464 smh. yes, that was the joke
Basically this generation
0:09 a pretty coincidence with the opening bars of Beethoven opus 2 no 1 in F minor!
@Rana / Soren Mahmood / Rima that's not the point. The motif is just very similar.
@Ron A lot of early Beethoven motifs are copped from Mozart, and yes it's a Mannheim skyrocket. Beethoven's 2nd piano concerto begins with a reversed Mannheim rocket.
@Ron Beethoven had been a student of Mozart if I remember.
@@dungdt3433 Beethoven just met Mozart. He had never been his student
It's actually stolen by Mozart. But I think it was common practice by classical composers to take other composers' themes.
0:46 just amazing🤩🤩
I: Allegro Con Brio 0:00
II: Andante 10:11
III: Menuetto 14:16
Trio 15:27
IV: Allegro 17:13
thank you
The Andante is unbelivable.
This peace is metal af
THE TERRIBLE NIGHT 🔥🛶🇳🇴🧟♂️🧟♂️⛵️🇬🇧
The best symphonie ever for me
mozart: this is not even my final form!
Very nice! Thank you. Love your channel
0:49 경과구
1:27 제2주제
4:00 발전부
Estaba escapando de la Copenhague en llamas junto al resto de la infantería, nos fuimos en un bote y sonaba esto mientras luchábamos por nuestra salida.
Very nice.
I find it odd that they take the second repeat in the 1st movt, but not the others.
Why?
이 음악이 천재의 상징인가?...?
Mozart in Sturm und Drang mode.
De kommer! Hjelp oss!
Fantasticas cuatro primeras notas.un enigma se me imagina sol re mib fa#.
I'm just amazed of how good it sounds like. I would say it's MIDI, but the sounds are just too real. Marvelous recording!
In what world does midi sound better than a real orchestra?
This is a recording from a real orchestra playing. You can watch the performance in this link ua-cam.com/video/707oHEGF6l8/v-deo.html It was mentioned in the description. Enjoy the video 😊
@@hidayahsophian7947 Thanks! I'd say something about the description, but to be honest I didn't even remember this message.
Le cor en Sib doit se jouer normalement une octave au-dessous, et non comme on l'entend ici, dans l'aigu. Sinon, Mozart aurait indiqué des trompettes en Sib à la place. Les 2 parties de Cor Sib sont écrits dans une tessiture medium et grave, et sont écrits pour sonner en orchestration avec les violoncelles et contrebasses. Ces Cors graves Sib, qui pourraient également être joués aujourd'hui par des euphoniums Sib (tubas ténors).
5:59 sounds sooooooo good
is just a GREAT Symphony. Maybe the best of the small ones he compoesed? People never play that. Savatage mentions it on Poets and Madman album
Rule Britannia! The brig-sloop will never fall!
1:26 why do i hear someone saying "biu" 💀
I hear a little bit of Haydn's first symphony in here haha. I guess it makes sense, Haydn is G major and this is G minor
At 1:40 why are these played like grace notes and not appogiaturas? Every recording plays this and not the other way... what am I missing?
I didn't even know that appoggiaturas existed before seeing this comment, but after some research, I think the ones that appear in this score are considered grace notes because they don't have a slur between them and the principal note.
I think it sounds better that way because the complimentary melody in the strings afterward is on beat and doesn't have them. It sounds awkward and unintended imo when they sound different.
모차르트 - 교향곡 [25번]
빈을 여행하고 [질풍노도] 사조를 접하여 잘츠부르크로 돌아온 직후
[자신의 첫 단조 교향곡]인 [25번] 작곡
1.daļa
ievads 00:00
g.p. 00:20
bl.p. 01:27
0:03 ,
Todo en su respectivo lugar. Si le quitan o le añaden algo a la pieza se arruina completamente. No hay comparación; Mozart, Bach, Beethoven y Vivaldi son la mera esencia de la música del cielo. Claro, que, no hay menospreciar a los demás compositores pues ellos también producen algo inigualable con sus composiciones.
Posdata: Chopin es la mera melancolía que puede haber existido.
Ty Jenny
For this performance: im not a fan of the harmonic high E at 4:17
Me quiero comprar el CD de la sinfonía 25 y no lo consigo. Solo hay de las íntimas 40 41 😢
0:04
1:13
1:27
4:00
In the 3rd mvt, why is the trio twice slower than the rest ?
MAHESTUOSO !!!
0:03 1주제
1:28 2주제
Les 3 avant dernier Messere sont proche du duetto N°I des noce de figaro à 18 ans il avait déjà cette idée
Cortan los movimientos para meter anuncios!!!!!!!!!!! Qué bárbaros!!!
Please, what does mean "a 2." written there sometimes for oboes or horns?
Thank you😄
It means that there are two of that instrument playing the written line
Passages of this symphony are similar to the Yiddish Hava NaGillah.
Did the conductor interpret the menuetto as a scherzo? It seems rare to me that Mozart would go so fast on a 3/4 that it sounds like a 3/8 (except in the beginning of KV 186).
Das Menuett ist einfach zu schnell genommen - leider erlebt man oft diese überzogenen Tempi.
Glen Gould and Salieri.
Compare this to music today...
13:49 is someone starting a lawnmower in the distance, or just groaning?
No. They are farting at how bad this interpretation is.
Conductors do their grunting and groaning and sometimes it gets heard
Fine performance too!
Rather Sturm und Drang
0:14
Why only old classic on your channel ? What about this ?:
ua-cam.com/video/mLUguXpUIb0/v-deo.html
or this one ? :
ua-cam.com/video/IyFpZ5MZ7kk/v-deo.html
14:16
0:09
9:32
Too fast
0:10
Who jbows
*HQ*
Those horns are absolutely horrible.
Yes. I agree
They kind of smother the strings at 10:00 don't they?
Not a fan of the performance. Crescendos and diminuendos are done as per preference. I find this a bit sacrilegious; NO! It is very sacrilegious! Mozart was not dumb; if he wants a diminuendo, he will indicate it. I find no such thing even in URTEXT editions!
The first movement is played too lightly as per my liking, the minuet is played just too fast!! It just doesn't sound like a minuet anymore and the notes are also not emphasized enough at all!! The fourth movement: Again too light, doesn't have any ferocity, just like the first movement.
In the description, it is said, "this specific recording so fresh".
It is not even close to fresh! Have a better selection
Listen to other recordings ( I recommend ua-cam.com/video/YPzkl9NxMpY/v-deo.html ) to see what I mean.
This performance is certainly more experimental than most! However, I personally wouldn't call it sacrilege.
Firstly: Mozart, like the majority of composers, would surely have felt that some elements of performance would have been obvious to performers of his time and therefore need not have explicitly written them. Some of those implicit techniques, although obvious to the late 18th century performer, may not be common knowledge to 20th or 21st century performers. Furthermore, over the intervening centuries, new performance practices and traditions have arisen which have influenced what listeners of today expect from certain periods, styles, and even individual compositions.
Secondly: as reasonable as it may be to take the Urtext as gospel - and I applaud referring to Urtext editions to inform performances - there is nonetheless something to be said in support of experimentation, of "making an old song new", of injecting a bit of imagination and "what if" into old classics. The public may find the experiment effective, they may not not, or (as in this case) their opinion of it may be divided. Such is the risk of art.
You said “sacrilegious.” Is that a TwoSet Violin reference? 😂
The notes are there in the manuscript, is the job of the conductor to perform it at his vision
No interpretation is better or bad
They are as i said *Interpretations*
These are 250 yr old works. God knows how it was played.
This recording is plain and boring.
I don't like this version….
too nervous
@@0Videoteca0 I enjoy it precisely because it is so expressive/nervous. It is not true that Mozart is music for plants to grow to. The "beautiful" classical music never existed, it was always revolutionary, unsettling, disturbing, for its time. This performance has more truth to it than most.
@@nandoflorestan I'm not so sure about what you say (that it has to be nervous). But I admire the critical approach that you have about this subject and I share your opinion about the fact that Mozart's music (as most of the music of the past) is concieved today differently than it was at its time.
Thank you for your comment :)
@@nandoflorestan that' s true there is a lot of drama in it, but I also don' t like some aspects of this performance - like nearly omitting the ornaments in the second theme of the first movement and especially the F before the Eflat (maybe because I am used to other performance where they are treated as equal eight notes) ao the highest note, the F, gets lost. Also, about the tempo - while I agree there should be nervousness and drama and anger, I think that the Menuet must be slower. This nerve does not suit it. Such Menuets even sound more menacingly when performed at a slower tempo
4:56
9:33
9:45
1:27