@@theboytheycalljonny1 Hate to be that person but: WHERE'S PART 2 lol No really this will help greatly, I think I can figure out multiple tracks myself.
@@Thassodar Just because i listed this as part one, doesn't mean there's a part 2 :) I will get around to it soon though i promise. Just super busy at the mo.
Hey. Afraid i dont have the time for tutorials at the mo but essentially all you have to do is create a shortcut to the tracks you wanna pull into the live set, the same way as adding a folder for samples (ie add folder shortcut), then drag the track project file into the arrangement (cut everything up like in this video) and that should create all the channels for you. I’d recommend grouping the track before bringing it in. Makes life easier. Automating tempo in master channel is a must too.
is part two going to involve just dragging all the finished songs into one master project? wondering if there's some additional special sauce you recommend
Hey Brendan. That can be the case but it depends on the tracks you want to use for a live set…ie tempo, energy, key, desired vibe. So for example, if there’s a key clash between two tracks you wanna use, you need to make some sort of transitional tool (s) to get from one track to the other. Noise filter sweeps, pinging resonant filters and drones are usually good for those type of tasks. It’s also good practice to work out which things you’d like to change on each channel and setup macros, so you can access them quickly / easily during performance. Master bus processing is another thing. Hope that helps somewhat until i sort another video :)
Great tutorial! Hope to see part 2 one day!
Consolidate time to a new scene! THAT is what I have been missing for so many years. Now I can start converting all my tracks to a live set up!
Welcome :)
@@theboytheycalljonny1 Hate to be that person but: WHERE'S PART 2 lol
No really this will help greatly, I think I can figure out multiple tracks myself.
@@Thassodar Just because i listed this as part one, doesn't mean there's a part 2 :) I will get around to it soon though i promise. Just super busy at the mo.
great tuto really thanks a lot, waiting for the part 2 !!!!!!!!!!!!
Sorry part 2 is still in my head :) As soon as i get a chance i’ll do it but it’ll be later in the year i’m afraid. Glad you liked part 1 :)
@@movinmusicacademyofficial +1 on Part 2! :)
@@movinmusicacademyofficial still no news on that part 2? :)
@@Bourgouche no sorry, i’m busy with other projects but will eventually get round to it.
Brilliant.👍🙂
very good tutorial, I have been watching so many of these and this is the only one that helped the most, where is part twoooo I need it
Sorry part 2 is still in my head :) As soon as i get a chance i’ll do it but it’ll be later in the year i’m afraid. Glad you liked part 1 :)
I'll get around to part 2 in the next few months i promise. You've already done the hard work. The rest is really straightforward :)
great one! really need that part 2 :(((
I'll get around to part 2 in the next few months i promise. You've already done the hard work. The rest is really straightforward :)
@@movinmusicacademyofficial thank you for part 1 - really looking forward for the second part!
Plz part 2!!!
Wonderful! Where is part 2? 😊
In my head :)
Came here to see how you would merge multiple tracks for one live set. Will part 2 be up soon?
Hey. Afraid i dont have the time for tutorials at the mo but essentially all you have to do is create a shortcut to the tracks you wanna pull into the live set, the same way as adding a folder for samples (ie add folder shortcut), then drag the track project file into the arrangement (cut everything up like in this video) and that should create all the channels for you. I’d recommend grouping the track before bringing it in. Makes life easier. Automating tempo in master channel is a must too.
is part two going to involve just dragging all the finished songs into one master project? wondering if there's some additional special sauce you recommend
Hey Brendan. That can be the case but it depends on the tracks you want to use for a live set…ie tempo, energy, key, desired vibe.
So for example, if there’s a key clash between two tracks you wanna use, you need to make some sort of transitional tool (s) to get from one track to the other. Noise filter sweeps, pinging resonant filters and drones are usually good for those type of tasks.
It’s also good practice to work out which things you’d like to change on each channel and setup macros, so you can access them quickly / easily during performance.
Master bus processing is another thing.
Hope that helps somewhat until i sort another video :)
@@theboytheycalljonny1 thanks for the wonderful reply!
@@brendana8069 My pleasure. I will get the video sone soon too :)