I tried to download your free sheet music, but then this showed: Oops! There was an error submitting the form: An unexpected error occurred. Please try again later.
I really like the way you taught this one Julian! Could you do another one with the same methods for All the Things you Are? Or some other standard(s)? Thanks!
I dont quite understand when on c7 and the a is played you went for d major triad or inverted a major. I understand the end result just wondered your thought process behind picking those two triads? Both sound good and an excellent lesson
I want to know how the Gm7 or any of those are made of and how they are created like how u know its makes Gm7, Im learning so Im kinda confused, its there more combinations that it makes more like Gm7?
the video people see first is what they click on. that's what works better. but if they see two videos that are basically the same and are just cluttering their homepage, that's when the overall clickrate degrades.@@jazztutorial
Love this idea of just breaking down a standard’s voicings! If you do this again could you tackle Autumn Leaves?
Could you slide tackle autumn leaves?
…YOU ARE TALKIN TO ME ?
This is exactly the kind of demonstration this medium works so well for. Great explanation!
You talk to much 'and you repeat too much. I don't have the time to hear you say the same thing over and over.
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I tried to download your free sheet music, but then this showed: Oops! There was an error submitting the form:
An unexpected error occurred. Please try again later.
I was able to download the free sheet music if you want to try again. Good luck.
This is exactly what I've been looking for! A reservoir of wisdom! - "Life's challenges are stepping stones to self-discovery.."
This is quite the concept. Do you have a worksheet that lays out which voicings could be used for when a particular note is the TNOV on each quality?
I really like the way you taught this one Julian! Could you do another one with the same methods for All the Things you Are? Or some other standard(s)? Thanks!
I dont quite understand when on c7 and the a is played you went for d major triad or inverted a major. I understand the end result just wondered your thought process behind picking those two triads? Both sound good and an excellent lesson
I want to know how the Gm7 or any of those are made of and how they are created like how u know its makes Gm7, Im learning so Im kinda confused, its there more combinations that it makes more like Gm7?
It’s such an emotional score.
So beautiful, and an amazing movie.
You are a mots master of jazz thanks you
Wellcome back my friend
Great lesson, thanks. 🎹
would you mind if I upload this a third time? xD
I'm sorry - I was doing some A/B tests on this last batch of videos. Whether having an intro or no intro works better.
the video people see first is what they click on. that's what works better. but if they see two videos that are basically the same and are just cluttering their homepage, that's when the overall clickrate degrades.@@jazztutorial
Thx
This brought me back to Calculus I in college... both gibberish!! 🙂
Does it really sound any better than if you played it straight? Piano snobbery or fact? Would be good to hear a side by side comparison.