Live Sunday Riyaz session with guruji Sanjay dewale raag Raag Gurjari Todi (23/10/2022)
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- Опубліковано 28 жов 2024
- Miyan ki Todi, often simply referred to as Todi or Darbari Todi (IAST: Toḍi), is a Hindustani classical raga which gave its name to the Todi thaat, one of the ten types of classical music according to the musicologist Bhatkhande. Ragas from the Todi raganga (class of ragas) include Todi (a.k.a. Miyan ki Todi) itself, Bilaskhani Todi, Gujari Todi (also called Gurjari Todi), Desi Todi, Hussaini Todi, Asavari Todi (more commonly known as Komal Rishabh Asavari), and Bahaduri Todi.
The equivalent raga in Carnatic music is Shubhapantuvarali. But in Todi, the pancham is omitted in the Arohana, whereas Shubhapanthuvarali uses the panchamam in both the arohana and avarohana. The Carnatic Melakarta Hanumatodi is the equivalent of Bhairavi thaat, but the Hindustani Bhairavi raga is the equivalent of Carnatic Sindhu Bhairavi. Carnatic Todi does not have any similarity with Hindustani Todi (Miyan ki Todi) raga. Though the Swarasthana orders of Carnatic Thodi are similar to Hindustani Bhairavi thaat, but when the Carnatic Todi is sung it has no similarity with Hindustani Todi, Bhairavi, or Carnatic Sindhu Bhairavi.
Aroha & Avaroha
Arohana
S Ṟ G̱ M̄ Ḏ N Ṡ
Ḏ̣ Ṇ S Ṟ G̱ M̄ Ḏ N Ṡ
S Ṟ G̱ M̄ Ḏ P,M̄ Ḏ N Ṡ
S Ṟ G̱ M̄ P,M̄ Ḏ N Ṡ
Avarohana
Ṡ N Ḏ P M̄ G̱ Ṟ S
Ṡ N Ḏ P M̄ Ḏ M̄ G̱ Ṟ G̱ Ṟ S
Vadi and Samavadi
Komal Dha and Komal Ga.
Re, ga and dha are intoned slightly low, and tivra ma is very sharp.[2]
Pakad or Chalan
The distinctive phrase is r/g-
\S, where r may be subtly oscillated.[3]
Pa is omitted in ascent, but present and often sustained.[4] Kaufmann mentions that some musicians would call Todi with Pa Miyan Ki Todi, but others would see no difference between Todi and Miyan Ki Todi.
Sometimes the ascent is performed without Sa, starting from Ni.
Organization and relationships
Miyan Ki Todi is similar to Gujari Todi and many movements are common, but in Gujari Todi Pa is omitted and there is more emphasis on Re and Dha.
Like Miyan Ki Malhar Miyan Ki Todi is said to be composed by Tansen, but this seems unlikely as the Todi scale in Tansen's time was the scale of today's Bhairavi and the name Miyan Ki Todi appears first in the 19th century literature.[5]
Samay (time)
Ragamala painting of Todi, circa 1775-1800.
Todi should be performed in the morning, approximately 8-10AM.[6] In overnight concerts, Todi is performed as early as 4AM.
Raga
Todi is nearly always shown as a gentle, beautiful woman, holding a veena and standing in a lovely green forest, surrounded by deer. Kaufman cites the Sangita-Darpana "With a fair erect body like the white lotus, and delicate like the gleaming dew drop, Todi holds the vina and provides fun and frolic to the deer deep in the forest. Her body is anointed with saffron and camphor".
Rasa in Indian classical music is understood as mood of the raga. Miyan Ki Todi is mostly pervaded by a pensive, mournful mood which is then relieved in the drut (faster tempo) part, by a festive piece, possibly to alleviate the heavy pathos in the earlier stages of rendering, though not always. The composition is such as to afford an artist of high calibre to mould it in either the inherent pensive mood or to entirely present a festive mood.
Raag Gurjari Todi (Raag Gujari Todi)
Swar Notations
Swaras Pancham Varjya, Rishabh, Gandhar and Dhaivat Komal, Madhyam Teevra. Rest all Shuddha Swaras.
Jati Shadhav-Shadhav
Thaat Todi
Vadi/Samvadi Dhaivat/Rishabh
Time (9 AM - 12 Noon): 2nd Prahar of the day: Din ka Dwitiya Prahar
Vishranti Sthan r; g; d; S’;
Mukhya-Ang S r ,N ,d S ; r g M d ; M d N d ; N d M g r ; g r S;
Aaroh-Avroh S r g M d N S' - S' N d M d M g r g r S; ,d ,N S;
Raag Description: Eliminating Pancham in Raag Todi results in the melodic atmosphere of Raag Gurjari Todi. This Raag is also known as Gujari Todi. It is very effective in producing Karunya or Karuna Ras.
As compared to Raag Todi, Komal Rishabh is strong in Gurjari Todi and is rendered Deergh. This can be expanded in all the three octaves. The following combinations are truly representative of this sweet melody:
S ; ,N ,d ; ,M ,d ; ,M ,N ,d ; ,N ,N S ; S r ; S r g ; g r ,N ,d ; ,d ,N ,N S ; S r g M ; d M d ; M d N S' ; d N S' ; d N S' r' ; g' r' N d ; M d N S' r' ; d S' ; d S' r' N d M ; d N d M ; g M d ; M g r S;
Gujari Todi is a very common morning rag in Todi That. There are a number of popular film songs in Gujari Todi, including Ik Tha Bachapan.
There are fundamental differences between Mian Ki Todi and Gujari Todi. Where Mian-ki-Todi has a Pa that is very weak, Gujari Todi has no Pa at all, therefore they sound very similar. The absence of Pa makes this rag shadav - shadav jati. As is typical of the vadi / samvadi theory there are differences of opinion concerning the vadi and samvadi; Dha, Ga, and Re have variously been declared to occupy these positions.
This has got to be one of the most precious videos on YT 🕉️🕉️🕉️🕉️
Guruji satokoti pronam Sir
Jai jai ho guruji 🙏🙏🌹🙏🙏🙏
साक्षात् दंडवत गुरूजी आ हा हा बंदिश का साहित्य जितना उच्चकोटि का है उतना ही उच्चकोटि का आपका प्रशिक्षण है और आपके बाल,तरूण सभी साधक भी कमाल के हैं तिस पर आपका मधुर स्वर संवाद क्या कहने सुनते सुनते रोंगटे खड़े हो गए . हे सारे काही ह्रदयाला भिडणारे आहे . आपको और आपके साधकों को हार्दिक हार्दिक हार्दिक शुभेच्छा. 🥀🌺👏👏👏👏👏👏👏👏👏💜💜💜💜💜💜💜💜💜🕊🕊🕊🕊🕊🕊🕊🕊🕊🦚🦚🦚🦚🦚🦚🦚🦚🦚🌺🥀
Pronam Gurudev ❤🎉🙏🌷
Satkoti pronam Gurudev 🙏🌷🙏
Guruji ko Dandwath parnam
Guru ji ko parnam
Naman guruji🙏🙏🙏
Pranam Guruji 🙏💐. Today I am practicing this video. 🙏
HAPPY DIWALI GURU JI
God bless ji.
अहा धन्य हो गुरुजी सादर प्रणाम इतना सुंदर रियाज़ सत्र 🙏🏼🙏🏼🙏🏼🙏🏼💐💐💐💐💐💐💐
Khup chhan riyaz 🙏🙏
🙏🙏🙏🙏🌹🌹🌹🌹
गुरूजी आपण पाठवलेल्या प्रत्येक रियाज session barobar chaan practice karat ahe Ani tyachamala चांगला उपयोग होत आहे धन्यवाद आणि प्रणाम .🙏🙏🙏🙏🙏
साधु!आपकी संगीत सेवा अद्भुत है.आपका जीवन स्वस्थ व समृद्ध हो. कभी दर्शन प्रlप्त हो🙏
दिवाळीच्या हार्दिक शुभेछा🙏💐 मी हा व्हिडियो प्रॅक्टीस करीत आहे. 🙏💐 प्रणाम गुरुजी
आपके और मेरे अंतर्मन का संगीत, साधना की ज्योत बनकर भावविश्व को समझने में सहायक सिद्ध हो इसी मनोकामना के साथ हार्दिक शुभकामनाएं ...🙏🙏
🙏
प्रणाम गुरू जी आप सरलता सिखाते है
🙏
प्रत्येक रविवार सुबह आठ बजे लाइव रियाज़ सत्र में आपका स्वागत है .
Hum lock down ke time se apke class me thi Guruji.
धन्यवाद .
waah....waah....sirji
Thnx
Guruji hum apke pas shikhna chahete hey ji, madat kariye Guruji
Guru ji live session me nahi jhud pata hu .. main videsh me rahata hu but aapke purane videos roj delh ke practice karta hu. Aapka bahut dhanyawad. Or patron bhi banaiye jise ya aap use kare ya ghareeb bacchon ki fee ke liye use kare
9406581651 पर बात करें .
How can i contact with your regular class,online, please inform me.
Pranam Guruji 🙏💐. Today I am practicing this video. 🙏