This trio, written at the very beginning of WW1, id a choke point between a period when Ravel conceived the harmony as a sophisticated organization of chordal roots with complex pedals, unsolved appogiaturas, anticipations, etc. and a further period, starting just immediately after WW1 with his sonata for violin and cello,
Wonderful clarity and sensibility in performance! Oistrakh was ever a genius. I wish the sound were a bit more balanced. Often the piano is buried when it shouldn't be
Wunderschöne Aufführung dieses anspruchsvollen Klaviertrios mit perfekter Mitwirkung aller Solisten. Danke fürs Hochladen dieser historisch wertvollen Aufnahme mit möglichst hoher Tonqualität!
Maurice Ravel:a-moll Zongoratrió 1.Moderato 00.00 2.Pantoum:Abbastanza vivace 09:15 3.Passacaglia:Molto largo 13:37 4.Finálé:Animato 20:50 David Ojsztrah-hegedű Szvjatoszlav Knushevitsky-gordonka Lev Oborin-zongora
This trio, written at the very beginning of WW1, id a choke point between a period when Ravel conceived the harmony as a sophisticated organization of chordal roots with complex pedals, unsolved appogiaturas, anticipations, etc. and a further period, starting just immediately after WW1 with his sonata for violin and cello,
Bravo!🌹🌹🌹
Kharacho, ocin kharacho ! Russkaya interpretatzié : fantastik !
Важны не "интерпретации", а Личности!
Wonderful clarity and sensibility in performance! Oistrakh was ever a genius. I wish the sound were a bit more balanced. Often the piano is buried when it shouldn't be
Perfect performance
Wunderschöne Aufführung dieses anspruchsvollen Klaviertrios mit perfekter Mitwirkung aller Solisten. Danke fürs Hochladen dieser historisch wertvollen Aufnahme mit möglichst hoher Tonqualität!
Maurice Ravel:a-moll Zongoratrió
1.Moderato 00.00
2.Pantoum:Abbastanza vivace 09:15
3.Passacaglia:Molto largo 13:37
4.Finálé:Animato 20:50
David Ojsztrah-hegedű
Szvjatoszlav Knushevitsky-gordonka
Lev Oborin-zongora
Спасибо!
Бесподобно!