I LOVED his reaction right when the fugue ends in the coda. The fugue is the best thing about this symphony and is probably the greatest fugue ever, but so much tension is built up during those 20 seconds, so that when homophony is restored, the listener feels a sense of relief. It's just masterful music. It's Mozart at its best. And this conductor feels every note of it. This is a very good performance. Reminds me of one of Boehm's recordings with the BPO that I own.
The undisputed king of all symphonies, the magnificent grand luscious Jupiter Symphony composed by the greatest master, Wolfang Amadeus Mozart. Goosebumps and a sensation of universal freedom. Thanks Mr. Yamada.
"Oh the greatest performance EVER!" on every weird YT post of the classics gets tiring. What I most love about this one, though, is the ultra-pure clarity between the string parts. Obviously there isn't a single more important factor in executing a fugue, and I don't know of anyone who equals Yamada's work at accuracy between sections. Tonal purity (which is often a real "achievement" in itself,) is a Given, and his nuace begins with perfect intonation and rhythmic stability then goes far beyond
@UlfenDaddy In performance a conductor seeks not only to direct musicians to bring out what they've practiced, but to engage audience Especially those less familiar with it, into the full beauty of pure Sound. A certain "cue" tells player one thing, but also hints to how a part relates to the central concept, the Conductor's. Audience's inclusion is aural but VISUAL too; the 'ka-ta' is invaluable to show details of tension, phrase, dynamics. AND meter. MORE than Just a time-beater, but not Less.
Yamada's achievements at that accuracy in crossover is evident in several other YT vids as well (compare both Sawallisch performances of B'ven 7th, IV mvt for example.) Regarding the Jupiter, you might have another "favorite" for any number of reasons, the one which best strikes your musical pleasure is "best." But I have never heard one overall that's "better" even on details, much less as a total presentation.
@contrerados Yes, but it's the RESULTS, the Sound. There are some great clips of men such as v. K rehearsing, showing How they achieve what they do. A plebian view of a conductor as a kind of metronome is typical but misleading, but so is the idea that flash and style on the podium makes a "great" maestro. An observant pal of mine (who's tone-deaf but a 3rd degree black belt) attended 1 of my concerts said, They way you do that is almost like a 'Ka-ta,' and I think he's quite right.
素晴らしいジュピターです。名だたるN響名誉指揮者が指揮してもこれほどの演奏にはならなかった。
山田一雄はそれほど凄い音楽家だった。N響のメンバーも惚れていたのが分かる。
もっとたびたび山田一雄の指揮でN響を聴きたかった。
音が跳ねてる、嬉しそうに。これぞ、モーツァルトが望んだ音達への賛美。
この映像挙げてくださったことにまず感謝いたします。私はこの演奏を当時TVかFMで一度聴き、第2楽章でモーツァルトが聴き楽譜にした音楽に、山田一雄NHK交響楽団の皆様のおかげで初めて出会わせていただいた感じでした。
41番の第4楽章は、私にとって全ての交響曲のなかでも最もこだわりのある楽章で、ベートーヴェン第9第7第3の終楽章以上に難しい気がします。1人1人の音楽家が死の直前まで人生かけて楽譜と向き合う芸術行為をこの楽章は2楽章と共に求めている感じがします。
山田一雄さんの後の新日フィルとの録音、ブリュッヘンの最後の録音、などなどそれぞれの音楽家の最晩年の録音をもっと聴いてみたいですが。
それでもこの時点での4楽章のこの演奏は、日本だけでなく世界中のオーケストラ・指揮者の歴史的演奏含めても、なかなか出会えるものではない気がします。
つい数日前に続けてまた聴いてしまいました、この演奏会後の放送聴いた機会含め3度目ですが。
この、山田一雄NHK交響楽団による演奏……私の聴いて来た同曲演奏のなかで、モーツァルトが聴いていたこの音楽の、1音1音の、核心に全身全霊かけ向き合った、ホント数限られた演奏のひとつであること、ハッキリいたしました。
放送された時、山田一雄さんがインタビューに応え「この交響曲のもつ生命力を新たに現したい」…言葉通りではありませんが、そのようなことをおっしゃっておられましたが。音楽家にとってもなかなか辿り着けない…この交響曲この楽章の1音1音の深み「生命力」にまで降りて行って、私達の前に明かしてくださった……。
コロナウイルス禍の渦中にあって、私達日常で意志の伝達手段になってしまっている言葉のやりとりをどれだけ重ねるより、
このような一瞬一瞬に籠められている芸術行為と出会うことが、たとえ難しかろうとも、生きる上での確かなエネルギーになっていくのを感じます。
ヤマカズ先生、私にとっては今も最高の指揮者です。
こんなに生命力に溢れたジュピターは聴いたことがありません。
まるで、今、曲が生まれたかのように、新鮮さと瑞々しさに溢れています。
間違いなく名演です。
山田先生の指揮カッコ良すぎる。
あまりに素晴らしさに涙が止まりません
空前の名演とはこういう演奏を言うのでしょうね
I LOVED his reaction right when the fugue ends in the coda. The fugue is the best thing about this symphony and is probably the greatest fugue ever, but so much tension is built up during those 20 seconds, so that when homophony is restored, the listener feels a sense of relief. It's just masterful music. It's Mozart at its best. And this conductor feels every note of it.
This is a very good performance. Reminds me of one of Boehm's recordings with the BPO that I own.
i have a friend who emulated 1st movment a better arr. he might go supernova lol
この指揮でこんなスケールの音楽が出てくるのが本当に不思議。ヤマカズ先生、すごいです。
生きてるって素晴らしい!
涙が止まりません。すばらしい❗
ソリストの集まり暴れ馬N響とそれを束ねる山田先生これぞオーケストラ!生で聞いたら最高だろう!
It's just breathtaking. The conductor Yamada passed away the next year of this performance.
The undisputed king of all symphonies, the magnificent grand luscious Jupiter Symphony composed by the greatest master, Wolfang Amadeus Mozart. Goosebumps and a sensation of universal freedom. Thanks Mr. Yamada.
I agree!
山田一雄先生、没後30年です。私は、山田一雄先生が好きです。
This movement always makes me wanna cry...
始めて見たヤマカズ、すごいな!
山田一雄先生、最高です。
若杉弘先生も、最高です。
こんだけスケールの大きな「ジュピター」を聞いたのはバーンスタイン/ウィーンフィル以来ですわ。すごい、凄すぎる!
素晴らしいジュピター!
水を得た魚のように音楽が楽しそうに踊っている。
羞恥心を捨て全身全霊で音楽を奏でようとする、70代の動きとは思えないヤマカズさんの指揮を生で堪能したかった。
I love the conductor's acting, really. ;)
He lives Mozart´s ingenious music! Bravissimo! I want Mozart would hear it!
日本人で一番の指揮者はと聞かれたら迷うことなく山田一雄を挙げる
excellent. Mozart is the greatest!!
"Oh the greatest performance EVER!" on every weird YT post of the classics gets tiring. What I most love about this one, though, is the ultra-pure clarity between the string parts. Obviously there isn't a single more important factor in executing a fugue, and I don't know of anyone who equals Yamada's work at accuracy between sections. Tonal purity (which is often a real "achievement" in itself,) is a Given, and his nuace begins with perfect intonation and rhythmic stability then goes far beyond
¡Como disfruta el director dirigiendo música de Mozart!
¡Fantastico!
the greatest coda ever for me
Hello @Rafal Wisniewski
トッププロは裏拍をセンスよく掴んでるなぁ。アマチュアですがこれを目指します。
1:40 サビが素敵です。
Imagine you were born in 1912 in Japan, studied European classical music, and would become a conductor.
@UlfenDaddy In performance a conductor seeks not only to direct musicians to bring out what they've practiced, but to engage audience Especially those less familiar with it, into the full beauty of pure Sound. A certain "cue" tells player one thing, but also hints to how a part relates to the central concept, the Conductor's. Audience's inclusion is aural but VISUAL too; the 'ka-ta' is invaluable to show details of tension, phrase, dynamics. AND meter. MORE than Just a time-beater, but not Less.
一番喜んでんのは 天国のモーツァルトではなかろうか
Yamada's achievements at that accuracy in crossover is evident in several other YT vids as well (compare both Sawallisch performances of B'ven 7th, IV mvt for example.) Regarding the Jupiter, you might have another "favorite" for any number of reasons, the one which best strikes your musical pleasure is "best." But I have never heard one overall that's "better" even on details, much less as a total presentation.
Conductor is the best part of this video, you can watch him without music :)
much better that way
Bell'esecuzione, massiccia esecuzione!
Excelente version, se ve que habia estudiado a Bohm, very nice!
@contrerados Yes, but it's the RESULTS, the Sound. There are some great clips of men such as v. K rehearsing, showing How they achieve what they do. A plebian view of a conductor as a kind of metronome is typical but misleading, but so is the idea that flash and style on the podium makes a "great" maestro. An observant pal of mine (who's tone-deaf but a 3rd degree black belt) attended 1 of my concerts said, They way you do that is almost like a 'Ka-ta,' and I think he's quite right.
Where is the love button?!
銀河英雄伝説を思い出します。
Fugue mozart oh man 🎉🎉
love to play to marybeth
山田一雄のCDは全部持っているはずだが、何故かN響がない。この曲とかベートーヴェンsy9とかも名演だと思うから是非CDを出して欲しい。N響は外人指揮者大好きで、山田一雄の評価が低いんだよね。まあNHKには音楽の分かる人がいないんだからしょうがないが。この曲はちょっと音が悪い気がしなくもないが、N響いい加減に演奏してないか?
私は、ヤマダカズオの、生演奏を聴いた、が、自慢話です。
ワハハ、参ったな。
だまされたぞ。
グエン・バン・ヒュー
☺️😁🌻🍑
Che poco elegante nel dirigere. però la musica va.
曲があまりよくないんで、山田一雄氏も苦労するね。
あまり良い音楽教育を受けて来られなかったようで,同情いたします
Mozart always number 1! Forveer