This was quite entertaining for an older person who shot film at your age hearing your experiences in the digital age and film! Back then, film was expensive to develope and print too! Good vid, keep it up.
So true. It’s easy to be shocked by current film prices, especially colour film and slide, but you remind yourself of what a roll cost in the 1990s or early 2000s, remember how much you were earning at the time vs now, do a little inflation maths and in actuality, it’s not quite so bad. The difference being that back then, there was literally no other alternative short of whipping out the crayons (!). Today, well digital is essentially until you want a physical copy. I think the fact that most (though not all) cameras can be had today for a fraction of their new cost also plays into the mentality. Cameras that cost hundreds (or even thousands) new can now be had for less than the cost of one of the rolls of film you’re running through them. Kinda funny 😂
@@crtvfrdmhello can I ask you a question (?) maybe you can help me out, is it possible to filme cameras to take sunset photos just like the digital cameras do(?), I’m new on film camera , just got one canon Ae-1 a few days ago, and I’m scared of wasting a photo trying to take a sunset photo and end up getting the same that I get on my canon 600D 😅
@@hugooliveira8886 The best way to figure it out is to try I would say! although personally I think taking photos during sunset is way more interesting than photo's of the sunset itself. If you make sure you have the correct exposure settings the canon AE-1 should be able to do it! I would also try to see it as experimentation instead of 'wasting' a photo. the photo might not come out but you will get more experience with every 'mistake' and get slowly better over time! Have fun with getting into film photography, it's a very fun hobby!
As a older photographer here, in the 90’s it’s all that we used, film cameras. I would do shoots for the newspapers and weddings and never was concerned with my exposure, I had used my Nikon F3, and Nikon F5 with its built in meter was spot on. The F5 was like a digital camera that uses film. When we shot film, we didn’t really waste film, we weren’t click crazy like people today with digital cameras.
yea when I go out with my digital camera it's not unusual to come back with hundreds of photo's but I'll often only use a few. The canon eos 500N I briefly show in this video is very much like a digital camera in that way too, with the program mode it's fully automatic and delivers on point exposures every time. that being said though I do quite enjoy the fully analog process with the addition of the light meter app. Not something I would rely on for shooting a wedding or anything of the like though. Most of what I do would be considered street photography I suppose, I didn't really mention that in the video. I have heard good things about the F series nikon cameras, would love to try one someday
@@crtvfrdm I still have and use all my Nikon film cameras. They are very rugged. I have never had to repair any of them or even clean them. They just run. The F5 and 6 are just like digital cameras except they use film. The older ones use match needle or arrow lights for exposure.
I'm 62 and I've been shooting film since I got my first 'real' camera (Zorki 4) in 1978. My 'Top Tip' would be to always have a tripod handy and use a cable release (or the self timer) for slower shots. Also, if you're just starting out (with film), consider a night school photography course.
I was so lucky growing up before digital. I've shot 35mm, 120 and 4x5. I've been shooting digital in one for or another for 24 years with 26 years of film prior to that.
Excellent video. I've shot film and digital since the 1960s. The metal, mechanical, manual camera has a special place in my heart. That's how I learned photography. It made embracing digital easy, because I knew what the automation was trying to accomplish... and how to override it.
@@GreyGhost-r4z All my digital's have that P, like the film camera I started with. Hardly use it, but it is there when I am lazy or in company or not able to focus.
Great video! Just a tip: Developing your own films at home is really cost reducing and - in my opinion - half the fun of film photography. It is really easy to develop film, no skills required. 😊👍🏻
At the age of 66 and a hobbyist photographer I am going back to the future and going to re-learn film photography. Developing at home sounds like a blast!
Really loved this video! I'm just getting started in my analog/film journey and this was a super helpful starting place. Especially loved your point about a benefit being to get away from instant gratification. That is one of the many reasons I've decided to pick up this hobby.
I have been shooting film since using my mother's Brownie Hawkeye in the 1950s, owned a photo studio for 32 years and amused to see videos on low to load film, change a lens, etc and then I remember how I am with digital. I shoot and enjoy both, but still prefer film. A very well done video.
It’s cheaper to bulk load your black and white film, develop your film, and send it to your trusted lab to scan them for less than $12. I wish I knew that back in high school, and I only started after college. Also, Ilford Ortho can be spooled in red light which is super slick.
Good video. Yes, you are correct.... slow down, think , make good choices about the settings but most of all, enjoy the day. Take pictures and make memories.
I've been using serious (not point and shoot compacts) film cameras for the last 25 years or so and was curious to hear what you had to say... Nicely done. I think you covered most of the salient points in a clearly understood way.
Easily the best video i've seen on this topic. Not new to this, but it's fun to se this kind of videos once in a while, might even learn something new.
The 387S battery fits in the Spotmatic camera. Spotmatic cameras have special circuitry that allows you to use a 1.5v battery. I have used the 387S in my Spotmatic SP with excellent results.
if you open a camera with a film inside, it will not ruin all the film, only like 4 frames. Film when it is rolled is not transparent. Of course unless you open it and leave under the sun for hours, then yes gradually the light will soak in deeper layers of the film.
That's the thing I love the most on EOS 300. It winds all the film before use, and then rewind the exposed photograms back to the canister. So, if somehow the camera opens, you don't lose your pictures.
@@DaniloAMViana I normally shoot 38-39 frames per roll if using a camera with manual film advance. With automatic systems, it can be exactly 36, if DX code says so.
You flashed around a few cameras but if it is a Pentax k1000 that you need a battery for you can use a LR44 silver oxide battery. It is equivalent to the original. The numbers changed a bit over the years. I found on the internet what the equivalent was and the information is out there for numerous old button battery sizes.
Thanks for the suggestion! Since releasing this video I have tested several different batteries and have come to the conclusion the lightmeter unfortunately does not work, I have gotten quite accustomed to shooting with the light meter app on my phone though so it is managable!
@@crtvfrdmI know certain pieces like the Minolta SRT line used batteries that were constructed at 1.3 volts back in their era, which need to be met with exact replica batteries now
good advice! I started with photography back in the mid 80s when photography meant film. No other game in town. No Internet, no youtube. Lots of trial and error. I took my camera everywhere and shot anything and everything. Eventually I became a pretty good photographer. Got into digital around 2009 and put film on hold until recently. Dug up my film camera and want to give it another go. The film prices are eye opening to say the least. Many of the films I used are long gone. Have to reacquaint myself with the film world. Should be fun. Thanks for the video
@@crtvfrdm for portraits it was Kodak VPS 160 which I rated at 80. Fuji Reala was a nice film. For B&W I loved Ilford XP-1 because I could take it to a 1 hour lab. For slides I loved Kodachrome (of course) and Fuji Velvia. I did try many films though.
trying film has been a very fun process for me, I'm still quite new at this whole film thing so every time I get a new roll back, the surprise of what I will get has been really interesting. besides Kodachrome I haven't seen any of those! not surprising ofcourse as they are no longer around haha
Understanding some basics is a must. I've seen teenagers asked something like "how to achieve this bokeh... I'm using this Kodak point & shoot camera..." I simply assume they never use any camera beside their iPhones and usually my assumption is right. Well, time to teach them a bit of photography 101 :D
Thanks for this video. It's nice to see the film community grow and grow. I personally think that the Spotmatics are one of the best choices for a beginner: They're affordable, convenient to use, you'll definately learn about the exposure triangle and Pentax made great lenses. Last but not least they look neat and stylish. Just a hint about the Spotmatic (SP II) lightmeter, as there are in fact batteries you could use as a replacement today: I got perfect results with a zinc-air hearing aid battery type 312. They run with 1.45V instead of the originally required 1.35V but the SPII can handle the difference. One just has to use a little rubber O-ring (or something similar) around the battery for perfect fit and isolation. I also once used a Weincell PX400 with exactly 1.35V. They work great, but are far too expensive. The only downside with both battery types is that they don't last very long (up to 3 months). On the other hand hearing aid batteries are quite cheap.
Thank you for the reply! I'll have to get some of the hearing aid batteries, they look very affordable indeed! I ended up buying one of the weincell ones that for some reason doesnt fit in my spotmatic, however I tried it in my pentacon super tl2 and that one does take it! So not a waste after all. It's been a few months since I posted this video but I still absolutely love the spotmatic, it really is a fantastic camera
I just bought a Nikon FM2, and some of these tips don't only apply to film photography, just photography in general. Also the battery for your light meter, if it's like the one on the FM2, you can stack 2 button batteries on top of one another.
In years gone by we shot bw and developed it at home as this was so much cheaper. Now can scan at home cheaply. You must not forget that taking and scanning was only half of the process and the second half was printing in a darkroom. Part of the process was selecting image to print from the contact sheet. Many of best photographers would only print one or two frames from contact sheet of 35 images
I think this is still the cheaper way to go honestly. I dont have the room to set up a dark room currently, so dark room printing will be out of the question for a while. I do plan on getting into scanning at home soon as that is my main expense in shooting film now
Yes. Best of luck. You still can get film style experience with some digital camera including Fuji xe cameras with manual controls. Fit manual lens though adaptor.Set jpeg type to bw film and view bw image on back. I have a few vintage lens if you want ago
I have a takumar smc 55 1.8 and a carl zeiss jena 50 2.8. The takumar is my favorite so far and I love shooting it wide open! If you check the first video on my channel you can see some of the photo's I've taken with it
Sunny 16 is helpful to check the light meter in your camera (besides damages or wrong adjustment, the light metering in the camera can be tricked quite easily depending of what's in the frame). It is a good idea to learn the basic "rules" of it (it can get really complicated, I would rather stick to the simple rules - or what is printed inside the film packaging, where there's still a simple chart with some film stocks).
Unfortunately the light meter in my pentax appears to not be working. I've checked several different batteries and I can't get the indicator dial to move. Perhaps it is time to train my sunny 16 knowledge some more
@@crtvfrdm I think there are some "cheat sheets" available somewhere. Wanted to create my own one (already collected some data for that), but never got around to doing it - I also use a light meter app on my phone (more than one, but mainly the LUMU lightmeter app for iOS, which might be no longer available, but sometimes "MyLightMeter" by David Quiles, because it has a classic mode which lets me read aperture/shutter speed combinations in an instant). Or I use a "real" light meter (a small Sekonic, or the spot meter from Reveni Labs).
CF, Nice succinct video on the perils of film. As an older commercial photog let me say this: a colleague of mine once said, "Photography is a good way to make a small fortune out of a larger one." Every time I bought a box of 4x5 Polaroid film, I was proving him right. Before digital, we became addicted to Polaroid film, especially in large and medium format. It's a substitute for the digital screen. However, very few photogs had Polaroid backs for 35mm format, but some did. I guess those photogs felt a little insecure or they were trying to impress the client. Yet, one art director told me that 35mm size Polaroids were so small they were all but useless.
I still use my Pentax Spotmatic with Fomapan 200 and develop my own using Rodinal developer. Light, looking and lens. My experience as a Lifetime of photography. I am 78 now. The three essential Ls. The L that is not essential is a Leica!
I've been shooting quite a bit of fomapan myself, it's definitely the most affordable stock out there today, and honestly I like how it looks. Not gotten into developing myself yet, but I'm sure it won't be long before I do. What lenses do you prefer shooting with?
The three essential L s are Looking, Light and Lenses. I prefer my Rikenon 28mm 2.8 and 100mm 2.8 Pentax on my Pentax K mount cameras. I only use the fantastic 55mm f 1.8 Super Takumar on my Spotmatic. The best lens I have ever owned. The colour rendition and bokeh is second to none. For digital I use a 2005 Ricoh GR digital 1 with it's 28mm equivalent f2.4 lens.
Great video, the only thing I would disagree on, is that everyone will open the back with film in, in all the years I have been using film cameras, and that is well over 30, I have never done this, it just depends on the concentration, but then again, I grew up on film, and developing my own.
For your first 35mm SLR that will be a buy one that does it all would be a Nikon FE because it has a basic auto feature and it has an excellent light meter plus double exposure and apature preview, everything you will need.
What a fantastic video - thanks. I'm 56 and found my old Rollei 35B when we were having a sort out. I'm going to put a film in and take it from there. Wish me luck.
Great video .. After finding digital photography in my late 50's as a hobbyist photographer it was a fun and challenging journey. During that period in my photography hobby, I would pick up film cameras here and there at yard sales, thrift shops etc. Never intending to use them, except for display in my office. Maybe it is being nostalgic, but I am wanting to go back to film photography. I enrolled in a photography 101 class back in high school and I really enjoyed that class. I have a Canon T70, EOS Rebel XS and a Mamiya 1000 DTL that are all in excellent shape. I appreciate you making this video and sharing your thoughts and advice on film photography. Being retired, I am excited in going back to the future with my photography! I am subscribing :)
Hello. Nice to see a video about the drawbacks of film photography, but in a positive manner. I see you have an original Pentax Spotmatic, but resigned on using thits lightmeter. You should give it a try, mabe it works. After all it was the TTL lightmeter that defined this camera from its predecessors and competitors. The original mercury battery is not produced anymore in any shape or form. But a small alkaline or silver button cell can fit inside. You will need a toric rubber washer for proper positioning and isolating the battery from the side wall of its compartment. A battery of 8mm diameter like the Varta V392 / SR41 fits nicely. Cheers.
thank you for this info! I had heard that the original battery isn't made anymore, and after some googling I found a possible replacement battery: the MRB625 from Wien. but after ordering one it ended up not fitting in the battery compartment, I also tried some other batteries that I had on hand and several at some camera stores but none of the ended up fitting the compartment either. I had not heard of the Varta V392 / SR41. I'll have to see if I can get my hands on these. Thanks for the tip again!!
I like your video, a great introduction to anyone new to the subject of analog photography! By the way, some of those hearing aid batteries are (1) small enough and (2) deliver the perfect voltage for the light meter in your Pentax Spotmatic! I've got a couple of Spotmatics and these batteries are super easily available and work just fine.
Thanks Tom! Do you happen to know the type of battery specifically? I've tried a couple and they all seem either too tall or too wide for my battery compartment
One thing I would like to add is with digital photography few actually print their images, and there most likely will come a time when they simply delete them. With film the negatives will always be there. Think of all the old photographs and negatives dating back decades or even a century that people discover and enjoy. Another thing to consider is in years to come will it be possible to retrieve digital images, will the technology be available? Time will tell.
I hope more of the younger folks would also find printing in darkroom. Using film for digital scans only is just half of the fun. Even color printing is possible without any computers. Color paper is also dirt cheap if you buy it in rolls .
I am looking to get (back…one black and white class in college) into photography and really I just want to get to spend time with a technology I feel was robbed from me that I was fascinated with in my youth and take what I consider to be “real” photos of my fiancee and I on our camping trips. So, some art, and some or most practical. I recently purchased a Bell and Howell Dial on ebay but have not used it yet. (It didn’t occur to me til after i purchased it that in order to stop using my phone as a camera, I got a camera that looks like a phone.😂) Now, the only thing that worried me was, because it is a half frame camera, getting through enough shots to be able to switch to a different film for night photography by the fire would be tough. Solution: today my Mom showed me that she has my Grandma’s ( who was 103 til last year) Olympus superzoom 2800 dlx point and shoot. So, perfect, while I’d like to be artsy and learn, now I feel I have the opportunity to do both that and easy quick photography. Now my question for you is this: Which one do you think would be better to designate for a “night” camera and put the faster film in?
Wow I just looked up the dial camera as I had never heard of it before, that is one crazy looking camera! Very unique! I would say the olympus is probably preferable for taking shots at night, as from my brief searching the dial will only really take film up to 400 iso. For anything at night I would recommend 800 iso at least! Good luck with both cameras though!
Well after getting my digital set up to the point it overqualifies my skill and needs as a hobbyist and finding my old point and shoot film camera, a new journey begins 'till at least the development stage if not printing as well. Can't wait to shoot a full manual slr and develop the film for better or worse
I bought an old Canon AE-1 back in April (2024) with a 50mm lens for $85 US. I bought a 28mm lens from someone on fb market place. It looks new. A couple of weeks ago I bought an old Minolta SRT 202 with a 50mm for $40 US. That 50mm has fungus though. I have a friend that has a lens repair kit. I'm going to borrow it and see if I can save that lens. He landed me one of his 50mm and 28mm lens to use for now. It takes the 1.3v battery that they don't make anymore. There's a conversion kit you can get to use newer batteries but I think I'm going to buy a light meter that goes into the hot shoe. That way of I buy any other old cameras that the light meter doesn't work in I can just put that light meter on it.
Seems like analog photography has really got its hooks into you as well! I think the external light meter is a great solution, although personally I dont enjoy the look of having them on top of my camera. They do seem very practical though
@crtvfrdm I grew up with point and shoot film cameras. Most were those flat rectangular 110 cameras. Later 35mm cameras. None of them had controls for the settings. I always wanted an SLR. 7 years ago I got my first DSLR. I'm on my 4th digital. One died at the beach so I replaced it. I currently still have the other 3 plus the two film cameras. I have a Canon T2000 rebel film camera someone gave me a few years ago but I've never tried it. The kit lenses were junk. I have 2 EF lenses that will probably work on it. It was probably one of the last film cameras Canon made before going digital.
I knew all this (been shooting film since the 1990s), but it was still interesting. I'll just say this about the light meter apps on smartphones : be a little wary of them. I have the same one you're recommending, but I also have a "traditional" hand held light meter, and they do not give me the same results. And in every situation, the hand held light meter is right, and the app is wrong. On the rare occasions when I relied solely on the app, my negs came back underexposed, sometimes enough to make the image unusable, so more than 1 stop... so beware :) But keep shooting film ! It's expensive, it's a pain, but it's so rewarding, and so much more beautiful than digital :)
I was talking to somebody who works in a camera shop about this recently, he said that it greatly varies per phone and the quality of the camera in the phone that will give different results. For me the light meter still gives me good results to this point although I have not tested it against a physical light meter
Back in the 90s i took a friends camera to the alps climbed mt blanc through the night to get the sunset, took 15 to 20 shots so excited with how they would turn out got back opened it and realised i hadnt loaded the film 😂
Not a bad video , however you can still get batteries to fir the Pentax Spotmatic , also praktica’s etc. Infact there are a number of battery hacks you can do on older cameras , granted there are still the odd camera you can not get batteries for . As for cost film photograph did go through a phase of being cheap but its never been very cheap hobby infact I’ve brought and own cameras now as a kid growing up using my Praktica MTL5 with a number of second hand lens could only dream of owning such as a Hasselblad SWC and 500cm and Leica . To be fair I own one digital camera a Pentax Kx which I use as a preview camera thus saving a wasted number of frames and time especially when I am using Medium Format . All in All good advice ! Actually never opened the back of my own cameras by mistake loaded a medium format film wrong once ! however brought a contax RF from a second hand shop the other day tried it as I thought dry fired etc. opened the back to put in a film and there was one already in from the previous owner ! Should have checked the frame counter and loooked for the spindle moving when I wound on !
Well done for such a whirlwind tour of film photography. I particularly like #5 -- rite of passage. Also, your comment that it's a god way to train yourself to get over the need to instant gratification -- insightful. What you say about slowing down follows, and is a refrain pervading interviews, discussions, blogs, documentaries on the resurgence of film photography over the past 8+ yrs or so, both among new film photographers and former ones returning to it. I'll look forward to your coming videos.
Film cost can be greatly minimized by buying bulk film. After the initial cost of a bulk film loader (Watson)- about 40 dollars- and a few reloadable film cassettes you are good to go. You can load your film very easily. Kentmere film (same folks who make Ilford) is reasonably priced in 100 foot rolls. Probably knock your film cost down to 3-4 dollars a roll. Then if you develop your film yourself you can save tons on developing costs! PROBLEM with developing your own is that the chemicals have a shelf life and unless you are shooting on a fairly regular basis the chemistry can become exhausted. But if you are a photoholic it is definitely the way to go. That is assuming you have a film scanner of course. If not then you can just invite friends over to look at your negatives.
@@crtvfrdm Advice from a 68 year old photographer: 90% of your film shots will be mediocre at best. Tons of waste. Even the greatest 35mm shooters have Truckloads of crap shots. But the 1 in a hundred made it worth the pursuit. The thrill was in the hunt. Back then there were no options. Today there is. The cost/reward ratio doesn’t make sense unless you go the distance and print your work in a real BW darkroom
@@genernator a nice added benefit of making youtube videos about film photography is that I can write off the cost of film as a business expense for now. I have been shooting digital for years and I find the success rate on film is a little higher than on digital. but that shouldn't surprise anyone, with digital shots being practically free
I've been a photographer for half a century. Anyone taking up film photography really needs to develop and scan, and if possible darkroom print their own films. Paying a lab to develop black and white films will only give you half the experience. Developing your own film costs pennies per film. So yes get a cheaper camera and a developing tank and some chemistry. You can develop your own film in your own way, giving you your own look. It takes time so be patient.
Good luck , Follow the book to begin with and then experiment with films, developers and developing times. Take your time, it's a fantastic journey. When experimenting only change one thing at a time. (time agitation, film stock etc) then you know the exact effect of each change. Use fotoflo/wetting agent to prevent streaking/drying marks.@@crtvfrdm
I heard you said you don't have a battery for your spotmatic. You can just pop in one LR44 battery. The internals can handle de voltage difference. Another battery you can try is the PR675 battery, it's 1.3 volt and I use them to create the 5.6 volt battery for my Minox camera.
An interesting overview from the perspective of someone brought up on digital. I am old enough to have started photography when manual film cameras were the only cameras, so this brings back a lot of memories, especially popping open a camera to find the film hadn't rewound into the cassette! On many old cameras you can see the spool head on top of the camera rotating when the film moves. Use this to check that your film is winding on between shots and also that it is winding back into the cassette when the roll is finished. One word of warning about exposure...while you can overexpose negative films to some extent, doing the same with slide (positive) film is guaranteed to wreck your photo. With slide film you have to expose for the highlights. Good luck with your film adventure.
Film Photography is NOT EXPENSIVE. People make it expensive by having their film processed. Learn to do EVERYTHING yourself. Any pastime you involve yourself in will cost some kind of money to get set up. Photography or Golf etc. Film Photography costs me maybe less than $300 a year. I shoot 35mm, Medium Format, and Large Format. I take my time.
For some people $300 is still expensive. After all, it's more expensive than the $0 it costs to process digital photos, even if you include the $10 it costs to get a storage card
@@arvindhmani06Ok, then just sit on a bench in NYC and squint and pretend you are taking photos with your eyes by blinking and saying out loud “click, click”. That way you can pretend and it’s free. 😉😛
@@arvindhmani06 It’s all free choice. I chose film because I got to play with the film cameras. Plus I like taking apart the cameras and rebuilding them to like new condition to use for awhile then I sell them to others so they can have a positive experience. I originally started because buying broken cameras allowed me to buy great gear at bargain prices compared to functional more expensive working ones. For instance I could buy Mamiya RB67 lenses for $13 USD and do a tear down and rebuild and have a perfectly good lens. It became a huge challenge to find a big piece of junk and resurrect it, but that was back 15 years ago when cameras were “inexpensive”. Used cameras nowadays are ridiculously priced. I think digital is probably cheaper but personally I like the process. I also prefer an analog image but digital is definitely more convenient unless you pixel peep.
as someone who's looking into trying out film photography from 2 years doing digital, i might have to take some time to get used to overexposing photos as a chronic underexposer
These opinions are popular among film photographers, but many are very detrimental to people who are new to film photographers. It is so overwhelming I don't even know where to start.
I am very new myself still! I have only done it a few months so far, and trust me it seems intimidating at the start but if you just go and do it, you will figure it all out step by step
@@crtvfrdm for example, fully mechanical camera scares people away. At least recommend something with built in metering. Gears also matter a lot. Cameras with unreliable rewinding mechanism ruins film, which can severely discourage people from shooting film. The cost of film is very high nowadays, so cameras which don't play well with bulk loaded Vision 3 film should also be avoided. The list goes on...
The beauty of a quality mechanical camera though, is that it will not fail. Electronics have a way higher chance to stop working in my opinion. So far I have only had issues with film not advancing on electronic cameras, while my mechanical one works, every time. So I do stand by my recommendation of mechanical cameras, even if they are intimidating
There is a button at the bottom of the jamera that you have to press to wind up the fibre again. Unfortunately, this information came a little too late for me.
It's incredibly cheap... The savings from investing in the hardware is going to keep you going for years before the net costs get up to the level of comparable digital. It's also not that hard. It's no different from shooting manual or with priority mode with digital interchangeable systems. Learn the exposure triangle applies to all forms of photography.
The app I use is called "light meter - lite" by WBPhoto on the android app store. I don't know if it will be available on the apple store as well. But any lightmeter app that will allow you to change the iso and aperture should work! Hope you can find it
As a beginner can i shoot street photography with my olympus om1? It has internal light meter but it takes a while to figure out how to set it all up. Myb i should get a digital for a street?
If you want to use the OM1 for street photography I think it would work perfectly well. It might seem intimidating to start but just give it a try and you will figure everything out along the way. Look up some tutorials about your specific camera and get some cheap black and white film and give it a try. Practice is the best way to learn
"Light meter - lite" by WBPhoto on the android app store. I'm not sure if it is available on apple as well but pretty much any app will work I think. Good luck!
Not only cheap but last decades so the depreciated cost per year of a film camera is tiny unlike the latest expensive DSLR or m43 or similar mirrorless camera. How many years can you use them before they fail? Then look at the capital expenditure on AF lenses that can also fail.
Just don't. I used film and digital ePhotography is way better. The environmental damage caused by processing film is terrible, and all us older photographers are guilty. Toners like selenium, potassium ferrocyanide were all washed down the sink along with developing, fixing and stop bath chemicals. My motor drive did 3.5 fps (frames per second). The cost of each photo, film, developing and contact prints would be about $2. Each. Just to get a 6x4 print and that $2 goes to $3/frame. And that's negative film. Using transparency film was even more expensive. So 1 sec is over $10. A 36 exposure film would cost over $100 all up. I did sports photos, and that cost was always holding me back. I'd hesitate, and the moment is gone. With digital, I don't have to worry, and I now take exceptional sports images. (I didn't have auto focus either, so that could be costly). A 30mp digital camera blows 35mm film away in quality. I still have a 4X5 sinar (takes film sheets 4 inches by 5 inches), and when I was working as a pro, I'd also use a 10-inch by 8-inch camera. Those sheets of film were eeeeeeexpensive, and mistakes weren't tolerated. A contact print off a 10x8 neg or tranny is exceptional, but these modern 100mp studio cameras are more than a match. Digital images have better dynamic range than any film and raw images simply have way way way more information than film can capture. My personal technique was to shoot 4x5 images on transparency film (usually velvia 50 or 100asa), then contact print onto line film which I then developed in paper developer to get a contone (continuous tone) black and white negative. I'd usually contact print the B&W neg on a double weight fiber based paper, then selenium tone them to archival standards and make limited runs of "artistic" images for sale. They will last over 500 years before any sign of deterioration, fading, etc. I didn't make much money.
Blessings, Jesus loves you. “For God so loved the world that He gave His only begotten Son, that whoever believes in Him should not perish but have everlasting life.” John 3:16
Wrong you want to give people a leg up in photography don’t you? I would recommend a more modern SLR with accurate shutter speeds and extremely good light meters and then later they can progress. The last thing you want is a new photographer to be discouraged and disappointed! You don’t throw new swimmers into the deep end of the swimming pool right off the bat.
+1 When I started out, was discouraged learning how to do it manually with no meter, quit rather quickly. Picked up a modern film SLR and shot mainly on program mode. It built my confidence and after many shots, transitioned into full manual. I agree w/ a lot the advice of this youtube, but also agree that having a leg up can make all the difference
My enjoyment in film photography does not stem from the comfort of having the most optimal equipment. If I wanted to have the most seamless photo experience I would shoot on my phone. For me the enjoyment comes from persuing mastery in something that is more difficult. People who want comfort and ease of use have plenty of options, but if people really want to enjoy shooting film, I stand by my recommendation, get a manual SLR and learn something
This was quite entertaining for an older person who shot film at your age hearing your experiences in the digital age and film! Back then, film was expensive to develope and print too! Good vid, keep it up.
So true. It’s easy to be shocked by current film prices, especially colour film and slide, but you remind yourself of what a roll cost in the 1990s or early 2000s, remember how much you were earning at the time vs now, do a little inflation maths and in actuality, it’s not quite so bad. The difference being that back then, there was literally no other alternative short of whipping out the crayons (!). Today, well digital is essentially until you want a physical copy.
I think the fact that most (though not all) cameras can be had today for a fraction of their new cost also plays into the mentality. Cameras that cost hundreds (or even thousands) new can now be had for less than the cost of one of the rolls of film you’re running through them. Kinda funny 😂
thank you!
I'm glad the cameras are cheap now! who knows, maybe in another 20-30 years the same will happen to today's digital cameras :D
@@crtvfrdmhello can I ask you a question (?) maybe you can help me out, is it possible to filme cameras to take sunset photos just like the digital cameras do(?), I’m new on film camera , just got one canon Ae-1 a few days ago, and I’m scared of wasting a photo trying to take a sunset photo and end up getting the same that I get on my canon 600D 😅
@@hugooliveira8886 The best way to figure it out is to try I would say! although personally I think taking photos during sunset is way more interesting than photo's of the sunset itself. If you make sure you have the correct exposure settings the canon AE-1 should be able to do it! I would also try to see it as experimentation instead of 'wasting' a photo. the photo might not come out but you will get more experience with every 'mistake' and get slowly better over time!
Have fun with getting into film photography, it's a very fun hobby!
As a older photographer here, in the 90’s it’s all that we used, film cameras. I would do shoots for the newspapers and weddings and never was concerned with my exposure, I had used my Nikon F3, and Nikon F5 with its built in meter was spot on. The F5 was like a digital camera that uses film. When we shot film, we didn’t really waste film, we weren’t click crazy like people today with digital cameras.
yea when I go out with my digital camera it's not unusual to come back with hundreds of photo's but I'll often only use a few. The canon eos 500N I briefly show in this video is very much like a digital camera in that way too, with the program mode it's fully automatic and delivers on point exposures every time. that being said though I do quite enjoy the fully analog process with the addition of the light meter app. Not something I would rely on for shooting a wedding or anything of the like though. Most of what I do would be considered street photography I suppose, I didn't really mention that in the video.
I have heard good things about the F series nikon cameras, would love to try one someday
@@crtvfrdm I still have and use all my Nikon film cameras. They are very rugged. I have never had to repair any of them or even clean them. They just run. The F5 and 6 are just like digital cameras except they use film. The older ones use match needle or arrow lights for exposure.
I'm 62 and I've been shooting film since I got my first 'real' camera (Zorki 4) in 1978. My 'Top Tip' would be to always have a tripod handy and use a cable release (or the self timer) for slower shots. Also, if you're just starting out (with film), consider a night school photography course.
I was so lucky growing up before digital. I've shot 35mm, 120 and 4x5. I've been shooting digital in one for or another for 24 years with 26 years of film prior to that.
Excellent video. I've shot film and digital since the 1960s. The metal, mechanical, manual camera has a special place in my heart. That's how I learned photography. It made embracing digital easy, because I knew what the automation was trying to accomplish... and how to override it.
Funny, starting with digital make embracing film easier for me. But it is nice to have a better understanding of the fundamentals for sure
Exactly. I have never used that Auto dial.
And that is exactly it. You can do the same thing with digital as you can with film. Just know what you are doing.
@@GreyGhost-r4z All my digital's have that P, like the film camera I started with. Hardly use it, but it is there when I am lazy or in company or not able to focus.
Great video! Just a tip: Developing your own films at home is really cost reducing and - in my opinion - half the fun of film photography. It is really easy to develop film, no skills required. 😊👍🏻
Thank you! I do plan to get into that at some point! Getting into scanning my film first
Monotone, maybe.
Color processing, not so much.
At the age of 66 and a hobbyist photographer I am going back to the future and going to re-learn film photography. Developing at home sounds like a blast!
Really loved this video! I'm just getting started in my analog/film journey and this was a super helpful starting place. Especially loved your point about a benefit being to get away from instant gratification. That is one of the many reasons I've decided to pick up this hobby.
Glad you found it useful! Enjoy the process! :D
I have been shooting film since using my mother's Brownie Hawkeye in the 1950s, owned a photo studio for 32 years and amused to see videos on low to load film, change a lens, etc and then I remember how I am with digital. I shoot and enjoy both, but still prefer film. A very well done video.
I'm glad to see someone with this much experience still get enjoyment out of my beginner perspective! Happy you enjoyed the video!
It’s cheaper to bulk load your black and white film, develop your film, and send it to your trusted lab to scan them for less than $12. I wish I knew that back in high school, and I only started after college. Also, Ilford Ortho can be spooled in red light which is super slick.
Why not develop it at home?
Good video. Yes, you are correct.... slow down, think , make good choices about the settings but most of all, enjoy the day. Take pictures and make memories.
Very realistic view on the hobby. Thanks!
glad you liked it!
I've been using serious (not point and shoot compacts) film cameras for the last 25 years or so and was curious to hear what you had to say...
Nicely done. I think you covered most of the salient points in a clearly understood way.
Had a darkroom in 1960 so have shot film for over 60 years. Shooting film without an lcd is taking the training wheels off for hipsters.
Easily the best video i've seen on this topic. Not new to this, but it's fun to se this kind of videos once in a while, might even learn something new.
Glad you enjoyed it!
The 387S battery fits in the Spotmatic camera. Spotmatic cameras have special circuitry that allows you to use a 1.5v battery. I have used the 387S in my Spotmatic SP with excellent results.
Thanks for the suggestion!
if you open a camera with a film inside, it will not ruin all the film, only like 4 frames. Film when it is rolled is not transparent. Of course unless you open it and leave under the sun for hours, then yes gradually the light will soak in deeper layers of the film.
That's the thing I love the most on EOS 300. It winds all the film before use, and then rewind the exposed photograms back to the canister. So, if somehow the camera opens, you don't lose your pictures.
true. opened the camera once. only one frame was not really useable. 1 was even more cool, with a nice arty light effect 🙂
@@DaniloAMViana I normally shoot 38-39 frames per roll if using a camera with manual film advance. With automatic systems, it can be exactly 36, if DX code says so.
You flashed around a few cameras but if it is a Pentax k1000 that you need a battery for you can use a LR44 silver oxide battery. It is equivalent to the original. The numbers changed a bit over the years. I found on the internet what the equivalent was and the information is out there for numerous old button battery sizes.
Thanks for the suggestion! Since releasing this video I have tested several different batteries and have come to the conclusion the lightmeter unfortunately does not work, I have gotten quite accustomed to shooting with the light meter app on my phone though so it is managable!
@@crtvfrdmI know certain pieces like the Minolta SRT line used batteries that were constructed at 1.3 volts back in their era, which need to be met with exact replica batteries now
good advice! I started with photography back in the mid 80s when photography meant film. No other game in town. No Internet, no youtube. Lots of trial and error. I took my camera everywhere and shot anything and everything. Eventually I became a pretty good photographer. Got into digital around 2009 and put film on hold until recently. Dug up my film camera and want to give it another go. The film prices are eye opening to say the least. Many of the films I used are long gone. Have to reacquaint myself with the film world. Should be fun. Thanks for the video
interesting to see you coming back to film after switching to digital! what film stocks were your go-to back in the day?
@@crtvfrdm for portraits it was Kodak VPS 160 which I rated at 80. Fuji Reala was a nice film. For B&W I loved Ilford XP-1 because I could take it to a 1 hour lab. For slides I loved Kodachrome (of course) and Fuji Velvia. I did try many films though.
trying film has been a very fun process for me, I'm still quite new at this whole film thing so every time I get a new roll back, the surprise of what I will get has been really interesting.
besides Kodachrome I haven't seen any of those! not surprising ofcourse as they are no longer around haha
Understanding some basics is a must. I've seen teenagers asked something like "how to achieve this bokeh... I'm using this Kodak point & shoot camera..." I simply assume they never use any camera beside their iPhones and usually my assumption is right. Well, time to teach them a bit of photography 101 :D
everyone has got to start somewhere! I would say it's a good thing if teenagers even know the word bokeh :D get them down the rabbit hole!
Thanks for this video. It's nice to see the film community grow and grow. I personally think that the Spotmatics are one of the best choices for a beginner: They're affordable, convenient to use, you'll definately learn about the exposure triangle and Pentax made great lenses. Last but not least they look neat and stylish.
Just a hint about the Spotmatic (SP II) lightmeter, as there are in fact batteries you could use as a replacement today: I got perfect results with a zinc-air hearing aid battery type 312. They run with 1.45V instead of the originally required 1.35V but the SPII can handle the difference. One just has to use a little rubber O-ring (or something similar) around the battery for perfect fit and isolation. I also once used a Weincell PX400 with exactly 1.35V. They work great, but are far too expensive. The only downside with both battery types is that they don't last very long (up to 3 months). On the other hand hearing aid batteries are quite cheap.
Thank you for the reply! I'll have to get some of the hearing aid batteries, they look very affordable indeed!
I ended up buying one of the weincell ones that for some reason doesnt fit in my spotmatic, however I tried it in my pentacon super tl2 and that one does take it! So not a waste after all.
It's been a few months since I posted this video but I still absolutely love the spotmatic, it really is a fantastic camera
Thanks for the great tips! I’ll definitely keep these in mind to up my game with my Minolta X-700. Appreciate you sharing with the community!
Glad you liked it! Enjoy the process
Keep it up man, video quality good, audio is good, context has substance. I subbed
Thanks man! I appreciate it!
I just bought a Nikon FM2, and some of these tips don't only apply to film photography, just photography in general.
Also the battery for your light meter, if it's like the one on the FM2, you can stack 2 button batteries on top of one another.
In years gone by we shot bw and developed it at home as this was so much cheaper. Now can scan at home cheaply. You must not forget that taking and scanning was only half of the process and the second half was printing in a darkroom. Part of the process was selecting image to print from the contact sheet. Many of best photographers would only print one or two frames from contact sheet of 35 images
I think this is still the cheaper way to go honestly. I dont have the room to set up a dark room currently, so dark room printing will be out of the question for a while. I do plan on getting into scanning at home soon as that is my main expense in shooting film now
Yes. Best of luck. You still can get film style experience with some digital camera including Fuji xe cameras with manual controls. Fit manual lens though adaptor.Set jpeg type to bw film and view bw image on back. I have a few vintage lens if you want ago
I do have an adapter to fit my m42 lenses to my canon cameras, haven't gone out and shot with it yet though
do you have 50m f1.8. Try shooting this wide open. Choose something like train station bus queu.
I have a takumar smc 55 1.8 and a carl zeiss jena 50 2.8. The takumar is my favorite so far and I love shooting it wide open! If you check the first video on my channel you can see some of the photo's I've taken with it
Fantastic and informative video! Knowledge reduces intimidation
Sunny 16 is helpful to check the light meter in your camera (besides damages or wrong adjustment, the light metering in the camera can be tricked quite easily depending of what's in the frame). It is a good idea to learn the basic "rules" of it (it can get really complicated, I would rather stick to the simple rules - or what is printed inside the film packaging, where there's still a simple chart with some film stocks).
Unfortunately the light meter in my pentax appears to not be working. I've checked several different batteries and I can't get the indicator dial to move. Perhaps it is time to train my sunny 16 knowledge some more
@@crtvfrdm I think there are some "cheat sheets" available somewhere. Wanted to create my own one (already collected some data for that), but never got around to doing it - I also use a light meter app on my phone (more than one, but mainly the LUMU lightmeter app for iOS, which might be no longer available, but sometimes "MyLightMeter" by David Quiles, because it has a classic mode which lets me read aperture/shutter speed combinations in an instant). Or I use a "real" light meter (a small Sekonic, or the spot meter from Reveni Labs).
CF, Nice succinct video on the perils of film. As an older commercial photog let me say this: a colleague of mine once said, "Photography is a good way to make a small fortune out of a larger one." Every time I bought a box of 4x5 Polaroid film, I was proving him right. Before digital, we became addicted to Polaroid film, especially in large and medium format. It's a substitute for the digital screen. However, very few photogs had Polaroid backs for 35mm format, but some did. I guess those photogs felt a little insecure or they were trying to impress the client. Yet, one art director told me that 35mm size Polaroids were so small they were all but useless.
I still use my Pentax Spotmatic
with Fomapan 200 and develop my own using Rodinal developer.
Light, looking and lens.
My experience as a Lifetime of photography. I am 78 now.
The three essential Ls.
The L that is not essential is a Leica!
I've been shooting quite a bit of fomapan myself, it's definitely the most affordable stock out there today, and honestly I like how it looks. Not gotten into developing myself yet, but I'm sure it won't be long before I do. What lenses do you prefer shooting with?
The three essential L s are Looking, Light and Lenses.
I prefer my Rikenon 28mm 2.8 and 100mm 2.8 Pentax on my Pentax K mount cameras.
I only use the fantastic 55mm f 1.8 Super Takumar on my Spotmatic.
The best lens I have ever owned.
The colour rendition and bokeh is second to none.
For digital I use a 2005 Ricoh GR digital 1 with it's 28mm equivalent f2.4 lens.
Well put together and simplified. Has great information to be able to start and enjoy film and latter digital photography.
Glad you enjoyed it!
Great video, the only thing I would disagree on, is that everyone will open the back with film in, in all the years I have been using film cameras, and that is well over 30, I have never done this, it just depends on the concentration, but then again, I grew up on film, and developing my own.
For your first 35mm SLR that will be a buy one that does it all would be a Nikon FE because it has a basic auto feature and it has an excellent light meter plus double exposure and apature preview, everything you will need.
I just grabbed my first SLR! Nikon FE. I shoot with my Sony 7sii so this is new too me. lol but I’m excited.
Excellent! Enjoy the learning process!
What a fantastic video - thanks. I'm 56 and found my old Rollei 35B when we were having a sort out. I'm going to put a film in and take it from there. Wish me luck.
Good luck!
@@crtvfrdm thanks. Can't believe how much film costs now. Ordered 3 x Kodak Ultramax 400 and it was over £30! Stone the crows!!
excellent topics presented very Clearly. Good job. lots of info explained very well
Glad you liked it!
Great video .. After finding digital photography in my late 50's as a hobbyist photographer it was a fun and challenging journey. During that period in my photography hobby, I would pick up film cameras here and there at yard sales, thrift shops etc. Never intending to use them, except for display in my office. Maybe it is being nostalgic, but I am wanting to go back to film photography. I enrolled in a photography 101 class back in high school and I really enjoyed that class. I have a Canon T70, EOS Rebel XS and a Mamiya 1000 DTL that are all in excellent shape. I appreciate you making this video and sharing your thoughts and advice on film photography. Being retired, I am excited in going back to the future with my photography! I am subscribing :)
I'm glad you enjoyed the video! Dive back into film, it's very rewarding!
Great video! Clear and Concise! Thank you so much!
Glad you enjoyed it!
Hello. Nice to see a video about the drawbacks of film photography, but in a positive manner.
I see you have an original Pentax Spotmatic, but resigned on using thits lightmeter. You should give it a try, mabe it works. After all it was the TTL lightmeter that defined this camera from its predecessors and competitors. The original mercury battery is not produced anymore in any shape or form. But a small alkaline or silver button cell can fit inside. You will need a toric rubber washer for proper positioning and isolating the battery from the side wall of its compartment. A battery of 8mm diameter like the Varta V392 / SR41 fits nicely. Cheers.
thank you for this info! I had heard that the original battery isn't made anymore, and after some googling I found a possible replacement battery: the MRB625 from Wien. but after ordering one it ended up not fitting in the battery compartment, I also tried some other batteries that I had on hand and several at some camera stores but none of the ended up fitting the compartment either.
I had not heard of the Varta V392 / SR41. I'll have to see if I can get my hands on these. Thanks for the tip again!!
I like your video, a great introduction to anyone new to the subject of analog photography!
By the way, some of those hearing aid batteries are (1) small enough and (2) deliver the perfect voltage for the light meter in your Pentax Spotmatic! I've got a couple of Spotmatics and these batteries are super easily available and work just fine.
Thanks Tom! Do you happen to know the type of battery specifically? I've tried a couple and they all seem either too tall or too wide for my battery compartment
@@crtvfrdm Over here in Europe it’s called ZL 312. They are TINY but they do fit in the Spotmatic very well!
Awesome thank you! I'll see if I can find those
One thing I would like to add is with digital photography few actually print their images, and there most likely will come a time when they simply delete them. With film the negatives will always be there. Think of all the old photographs and negatives dating back decades or even a century that people discover and enjoy. Another thing to consider is in years to come will it be possible to retrieve digital images, will the technology be available? Time will tell.
I hope more of the younger folks would also find printing in darkroom. Using film for digital scans only is just half of the fun. Even color printing is possible without any computers. Color paper is also dirt cheap if you buy it in rolls .
I am looking to get (back…one black and white class in college) into photography and really I just want to get to spend time with a technology I feel was robbed from me that I was fascinated with in my youth and take what I consider to be “real” photos of my fiancee and I on our camping trips. So, some art, and some or most practical. I recently purchased a Bell and Howell Dial on ebay but have not used it yet. (It didn’t occur to me til after i purchased it that in order to stop using my phone as a camera, I got a camera that looks like a phone.😂)
Now, the only thing that worried me was, because it is a half frame camera, getting through enough shots to be able to switch to a different film for night photography by the fire would be tough. Solution: today my Mom showed me that she has my Grandma’s ( who was 103 til last year) Olympus superzoom 2800 dlx point and shoot. So, perfect, while I’d like to be artsy and learn, now I feel I have the opportunity to do both that and easy quick photography.
Now my question for you is this: Which one do you think would be better to designate for a “night” camera and put the faster film in?
Wow I just looked up the dial camera as I had never heard of it before, that is one crazy looking camera! Very unique!
I would say the olympus is probably preferable for taking shots at night, as from my brief searching the dial will only really take film up to 400 iso. For anything at night I would recommend 800 iso at least!
Good luck with both cameras though!
Well after getting my digital set up to the point it overqualifies my skill and needs as a hobbyist and finding my old point and shoot film camera, a new journey begins 'till at least the development stage if not printing as well. Can't wait to shoot a full manual slr and develop the film for better or worse
Often less is more! Enjoy the journey!
I bought an old Canon AE-1 back in April (2024) with a 50mm lens for $85 US. I bought a 28mm lens from someone on fb market place. It looks new. A couple of weeks ago I bought an old Minolta SRT 202 with a 50mm for $40 US. That 50mm has fungus though. I have a friend that has a lens repair kit. I'm going to borrow it and see if I can save that lens. He landed me one of his 50mm and 28mm lens to use for now. It takes the 1.3v battery that they don't make anymore. There's a conversion kit you can get to use newer batteries but I think I'm going to buy a light meter that goes into the hot shoe. That way of I buy any other old cameras that the light meter doesn't work in I can just put that light meter on it.
Seems like analog photography has really got its hooks into you as well! I think the external light meter is a great solution, although personally I dont enjoy the look of having them on top of my camera. They do seem very practical though
@crtvfrdm I grew up with point and shoot film cameras. Most were those flat rectangular 110 cameras. Later 35mm cameras. None of them had controls for the settings. I always wanted an SLR. 7 years ago I got my first DSLR. I'm on my 4th digital. One died at the beach so I replaced it. I currently still have the other 3 plus the two film cameras. I have a Canon T2000 rebel film camera someone gave me a few years ago but I've never tried it. The kit lenses were junk. I have 2 EF lenses that will probably work on it. It was probably one of the last film cameras Canon made before going digital.
I knew all this (been shooting film since the 1990s), but it was still interesting. I'll just say this about the light meter apps on smartphones : be a little wary of them. I have the same one you're recommending, but I also have a "traditional" hand held light meter, and they do not give me the same results. And in every situation, the hand held light meter is right, and the app is wrong. On the rare occasions when I relied solely on the app, my negs came back underexposed, sometimes enough to make the image unusable, so more than 1 stop... so beware :) But keep shooting film ! It's expensive, it's a pain, but it's so rewarding, and so much more beautiful than digital :)
I was talking to somebody who works in a camera shop about this recently, he said that it greatly varies per phone and the quality of the camera in the phone that will give different results.
For me the light meter still gives me good results to this point although I have not tested it against a physical light meter
@@crtvfrdm This is very interesting ! I had not thought about it... It definitely can make a difference.
Great video
Thank you!!
It's even cheaper if you buy 35mm bulk rolls (100ft/30m). You just have to get yourself a bulk film loader and 35mm empty/recycled 35mm cartridges.
very true, definitely something to consider if you want to stick with one filmstock for a while!
Back in the 90s i took a friends camera to the alps climbed mt blanc through the night to get the sunset, took 15 to 20 shots so excited with how they would turn out got back opened it and realised i hadnt loaded the film 😂
Ahh that hurts just reading it! Thats a mistake you only make once haha
Not a bad video , however you can still get batteries to fir the Pentax Spotmatic , also praktica’s etc. Infact there are a number of battery hacks you can do on older cameras , granted there are still the odd camera you can not get batteries for . As for cost film photograph did go through a phase of being cheap but its never been very cheap hobby infact I’ve brought and own cameras now as a kid growing up using my Praktica MTL5 with a number of second hand lens could only dream of owning such as a Hasselblad SWC and 500cm and Leica . To be fair I own one digital camera a Pentax Kx which I use as a preview camera thus saving a wasted number of frames and time especially when I am using Medium Format . All in All good advice ! Actually never opened the back of my own cameras by mistake loaded a medium format film wrong once ! however brought a contax RF from a second hand shop the other day tried it as I thought dry fired etc. opened the back to put in a film and there was one already in from the previous owner ! Should have checked the frame counter and loooked for the spindle moving when I wound on !
Well done for such a whirlwind tour of film photography. I particularly like #5 -- rite of passage. Also, your comment that it's a god way to train yourself to get over the need to instant gratification -- insightful. What you say about slowing down follows, and is a refrain pervading interviews, discussions, blogs, documentaries on the resurgence of film photography over the past 8+ yrs or so, both among new film photographers and former ones returning to it. I'll look forward to your coming videos.
thank you for the kind words!
Film cost can be greatly minimized by buying bulk film. After the initial cost of a bulk film loader (Watson)- about 40 dollars- and a few reloadable film cassettes you are good to go. You can load your film very easily. Kentmere film (same folks who make Ilford) is reasonably priced in 100 foot rolls. Probably knock your film cost down to 3-4 dollars a roll. Then if you develop your film yourself you can save tons on developing costs! PROBLEM with developing your own is that the chemicals have a shelf life and unless you are shooting on a fairly regular basis the chemistry can become exhausted. But if you are a photoholic it is definitely the way to go. That is assuming you have a film scanner of course. If not then you can just invite friends over to look at your negatives.
This is definitely the route I want to go! But I'll probably get there step by step, starting with scanning first
@@crtvfrdm Advice from a 68 year old photographer: 90% of your film shots will be mediocre at best. Tons of waste. Even the greatest 35mm shooters have Truckloads of crap shots. But the 1 in a hundred made it worth the pursuit. The thrill was in the hunt. Back then there were no options. Today there is. The cost/reward ratio doesn’t make sense unless you go the distance and print your work in a real BW darkroom
@@genernator a nice added benefit of making youtube videos about film photography is that I can write off the cost of film as a business expense for now. I have been shooting digital for years and I find the success rate on film is a little higher than on digital. but that shouldn't surprise anyone, with digital shots being practically free
Film photography is more complicated than I’d anticipated. Thank you for this
It seems complicated but it's totally worth it! Just take it one step at a time
I've been a photographer for half a century.
Anyone taking up film photography really needs to develop and scan, and if possible darkroom print their own films. Paying a lab to develop black and white films will only give you half the experience.
Developing your own film costs pennies per film. So yes get a cheaper camera and a developing tank and some chemistry. You can develop your own film in your own way, giving you your own look. It takes time so be patient.
I finally have the room to set up a dark room now! I'm excited to add developing to my arsenal of skills
Good luck , Follow the book to begin with and then experiment with films, developers and developing times. Take your time, it's a fantastic journey. When experimenting only change one thing at a time. (time agitation, film stock etc) then you know the exact effect of each change. Use fotoflo/wetting agent to prevent streaking/drying marks.@@crtvfrdm
Thanks for the tips!
I heard you said you don't have a battery for your spotmatic. You can just pop in one LR44 battery. The internals can handle de voltage difference.
Another battery you can try is the PR675 battery, it's 1.3 volt and I use them to create the 5.6 volt battery for my Minox camera.
Thanks! I'll have to see if I can get my hands on these
An interesting overview from the perspective of someone brought up on digital. I am old enough to have started photography when manual film cameras were the only cameras, so this brings back a lot of memories, especially popping open a camera to find the film hadn't rewound into the cassette! On many old cameras you can see the spool head on top of the camera rotating when the film moves. Use this to check that your film is winding on between shots and also that it is winding back into the cassette when the roll is finished.
One word of warning about exposure...while you can overexpose negative films to some extent, doing the same with slide (positive) film is guaranteed to wreck your photo. With slide film you have to expose for the highlights.
Good luck with your film adventure.
Thank you for the info on color positive film! I have not shot any yet, but this is good to know!!
Film Photography is NOT EXPENSIVE. People make it expensive by having their film processed. Learn to do EVERYTHING yourself. Any pastime you involve yourself in will cost some kind of money to get set up. Photography or Golf etc. Film Photography costs me maybe less than $300 a year. I shoot 35mm, Medium Format, and Large Format. I take my time.
That is a fair point
For some people $300 is still expensive. After all, it's more expensive than the $0 it costs to process digital photos, even if you include the $10 it costs to get a storage card
@@arvindhmani06$25 bucks a month is like… One case of beer
@@arvindhmani06Ok, then just sit on a bench in NYC and squint and pretend you are taking photos with your eyes by blinking and saying out loud “click, click”. That way you can pretend and it’s free. 😉😛
@@arvindhmani06 It’s all free choice. I chose film because I got to play with the film cameras. Plus I like taking apart the cameras and rebuilding them to like new condition to use for awhile then I sell them to others so they can have a positive experience. I originally started because buying broken cameras allowed me to buy great gear at bargain prices compared to functional more expensive working ones. For instance I could buy Mamiya RB67 lenses for $13 USD and do a tear down and rebuild and have a perfectly good lens. It became a huge challenge to find a big piece of junk and resurrect it, but that was back 15 years ago when cameras were “inexpensive”. Used cameras nowadays are ridiculously priced.
I think digital is probably cheaper but personally I like the process. I also prefer an analog image but digital is definitely more convenient unless you pixel peep.
as someone who's looking into trying out film photography from 2 years doing digital, i might have to take some time to get used to overexposing photos as a chronic underexposer
Depending on the film you actually have quite some latitude! And if underexposing is what you love don't let anyone stop you
Boy, that light meter app recommendation went by fast.
Really any lightmeter app will do the job fine I think! I have tried a couple of different ones and they all seem to work
your major camera shops sale those mercury batteries now
Nice one this
Glad you enjoyed it!
These opinions are popular among film photographers, but many are very detrimental to people who are new to film photographers.
It is so overwhelming I don't even know where to start.
I am very new myself still! I have only done it a few months so far, and trust me it seems intimidating at the start but if you just go and do it, you will figure it all out step by step
@@crtvfrdm for example, fully mechanical camera scares people away. At least recommend something with built in metering. Gears also matter a lot. Cameras with unreliable rewinding mechanism ruins film, which can severely discourage people from shooting film. The cost of film is very high nowadays, so cameras which don't play well with bulk loaded Vision 3 film should also be avoided. The list goes on...
The beauty of a quality mechanical camera though, is that it will not fail. Electronics have a way higher chance to stop working in my opinion. So far I have only had issues with film not advancing on electronic cameras, while my mechanical one works, every time. So I do stand by my recommendation of mechanical cameras, even if they are intimidating
If you open the camera back in mid roll by mistake, if you close it immediately, you will probably only ruin 1 or 2 frames.
I almost exposed my first roll to light early, and I would’ve lost my first film picture ever if it hadn’t been for my parents quick intervention.
Luckily it was saved!!
small tip: i put a small piece of duct tape over the button that opens the back, i'd ifdget with it and accidentally open it
Oh yea good idea for the fidgety among us!
Got a Canon AE1 with a 50mm and old Film (from 2005) for 5€. Seller had no idea if the camera works.
The camera works btw. I had luck.
Wow great find! Lucky you!
@@crtvfrdm just destroyed my first film😂
There is a button at the bottom of the jamera that you have to press to wind up the fibre again. Unfortunately, this information came a little too late for me.
Learning comes at a price sometimes 😅 well at least you will never make that mistake again!
Sehr gutes Video, Grüße aus Hamburg
It's incredibly cheap... The savings from investing in the hardware is going to keep you going for years before the net costs get up to the level of comparable digital.
It's also not that hard. It's no different from shooting manual or with priority mode with digital interchangeable systems. Learn the exposure triangle applies to all forms of photography.
Great video!
Glad you enjoyed it
does anyone know what app he uses as the light meter? because i can't find it
The app I use is called "light meter - lite" by WBPhoto on the android app store. I don't know if it will be available on the apple store as well.
But any lightmeter app that will allow you to change the iso and aperture should work!
Hope you can find it
i made the mistake of thrifting a polaroid and now im modding 35mm film to fit 126 kadaks and thrifting for an actual 35mm camera
I mean, you could just shoot polaroids?
@@crtvfrdm it costs 30 dollars for 8 shots. I aint shooting Polaroids
Ok yea fair enough, power to you!
As a beginner can i shoot street photography with my olympus om1? It has internal light meter but it takes a while to figure out how to set it all up. Myb i should get a digital for a street?
If you want to use the OM1 for street photography I think it would work perfectly well. It might seem intimidating to start but just give it a try and you will figure everything out along the way. Look up some tutorials about your specific camera and get some cheap black and white film and give it a try. Practice is the best way to learn
I have carena srh760 camera and I wanna know how to use it
I am working on a tutorial on how to use a camera like this with 0 experience! Will be out soon!
@@crtvfrdm ok
@crtvfrdm when Will it be uploaded
developing film actually is really cheap, and scanning is just one time payment
What is the name of the app please ?
"Light meter - lite" by WBPhoto on the android app store.
I'm not sure if it is available on apple as well but pretty much any app will work I think.
Good luck!
can you share the app you mentioned please? 7:38
I use the "light meter - free" by WBPhoto on android, hope that helps!
thank you so much for quick reply. I use ios device. so I may have to find an alternative@@crtvfrdm
Hey dude, you left some arugula on the lens.
T-max 3200 is not 3200 iso either
5:49
Toon late, I already started
I hope you got something out of the video anyway!
Not necessary to set it over one stop.
I wish I knew film was made with gelatin… 😱
but the cameras are cheap
Thankfully they are cheap indeed!
Not only cheap but last decades so the depreciated cost per year of a film camera is tiny unlike the latest expensive DSLR or m43 or similar mirrorless camera. How many years can you use them before they fail? Then look at the capital expenditure on AF lenses that can also fail.
@@jamesprivet I bought my Canon AE-1 from Japan. It was like brand new because the seller refurbished it.
I have a wife help prevent me from draining our bank account, but I have a lot of cameras but you don't have to spend a lot.
I mean, you dont HAVE to...
Have seperate accounts...
Just don't.
I used film and digital ePhotography is way better.
The environmental damage caused by processing film is terrible, and all us older photographers are guilty.
Toners like selenium, potassium ferrocyanide were all washed down the sink along with developing, fixing and stop bath chemicals.
My motor drive did 3.5 fps (frames per second).
The cost of each photo, film, developing and contact prints would be about $2. Each.
Just to get a 6x4 print and that $2 goes to $3/frame.
And that's negative film. Using transparency film was even more expensive.
So 1 sec is over $10. A 36 exposure film would cost over $100 all up.
I did sports photos, and that cost was always holding me back.
I'd hesitate, and the moment is gone.
With digital, I don't have to worry, and I now take exceptional sports images. (I didn't have auto focus either, so that could be costly).
A 30mp digital camera blows 35mm film away in quality.
I still have a 4X5 sinar (takes film sheets 4 inches by 5 inches), and when I was working as a pro, I'd also use a 10-inch by 8-inch camera.
Those sheets of film were eeeeeeexpensive, and mistakes weren't tolerated.
A contact print off a 10x8 neg or tranny is exceptional, but these modern 100mp studio cameras are more than a match.
Digital images have better dynamic range than any film and raw images simply have way way way more information than film can capture.
My personal technique was to shoot 4x5 images on transparency film (usually velvia 50 or 100asa), then contact print onto line film which I then developed in paper developer to get a contone (continuous tone) black and white negative.
I'd usually contact print the B&W neg on a double weight fiber based paper, then selenium tone them to archival standards and make limited runs of "artistic" images for sale.
They will last over 500 years before any sign of deterioration, fading, etc.
I didn't make much money.
A drug habit is less expensive.
Blessings, Jesus loves you.
“For God so loved the world that He gave His only begotten Son, that whoever believes in Him should not perish but have everlasting life.”
John 3:16
Wrong you want to give people a leg up in photography don’t you? I would recommend a more modern SLR with accurate shutter speeds and extremely good light meters and then later they can progress. The last thing you want is a new photographer to be discouraged and disappointed! You don’t throw new swimmers into the deep end of the swimming pool right off the bat.
+1 When I started out, was discouraged learning how to do it manually with no meter, quit rather quickly.
Picked up a modern film SLR and shot mainly on program mode. It built my confidence and after many shots, transitioned into full manual.
I agree w/ a lot the advice of this youtube, but also agree that having a leg up can make all the difference
My enjoyment in film photography does not stem from the comfort of having the most optimal equipment. If I wanted to have the most seamless photo experience I would shoot on my phone. For me the enjoyment comes from persuing mastery in something that is more difficult. People who want comfort and ease of use have plenty of options, but if people really want to enjoy shooting film, I stand by my recommendation, get a manual SLR and learn something
Are we not gonna mention the plant in the foreground of this video. Super distracting.
" I wish I had known", please.
No thank you
Move the plant
No
wtf is this plant in the frame LMAO