Raag Yaman and Bollywood songs (Anuja Kamat) - Vocal Coach Reacts

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  • Опубліковано 27 жов 2021
  • 🎵 My first song JUST DROPPED and I would appreciate it if you checked it out! 👉🏻 • H of The Stage - Will ...
    ----- Going on another ride with Anuja Kamat, this time exploring Raag Yaman used in various Bollywood songs!
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КОМЕНТАРІ • 233

  • @HofTheStage
    @HofTheStage  2 роки тому +102

    Edit - It seems that in one point I reversed the defination of Raag Yaman and Raag Yaman kalyan. It should be like this:
    Raag Yaman is the original raag and uses the Tivra(sharp) Ma
    where as
    Raag Yaman Kalyan uses Sudh (Pure) Ma.
    (Thank you Anuj Tiwari for bringing that to my attention!)
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  • @truthsayer5824
    @truthsayer5824 2 роки тому +87

    There is no separate Pakistani music .It is all Indian music sung by Pakistani artists. Remember Pakistan was part of India until recently has no separate musical traditions of its own.

    • @tayyabshahzad688
      @tayyabshahzad688 2 роки тому +4

      Very true.

    • @tayyabshahzad688
      @tayyabshahzad688 2 роки тому +8

      Songs like 'Ranjish Hi Sahi' and 'Aaj Jaane Ki Did Na Karo' have been sung the great Pakistani artists Mehdi Hassan and Farida Khanum respectively and are based on Raag Yaman/Aiman.

  • @goredjay
    @goredjay 2 роки тому +103

    Your grasp of the raag is surprisingly accurate. Enjoyed your video.

  • @krb1087
    @krb1087 2 роки тому +33

    The instrument playing the "base note" is a taanpura, however you can also hold chords on a harmonium and sing to that base note only👍✨

  • @abhiget000
    @abhiget000 2 роки тому +39

    The second song she sung JAB DEEP JALE is my all time favourite bollywood song. It is composed by Ravindra Jain, sung beautifully by Yesudas and Hemlata.

  • @theacechip
    @theacechip 2 роки тому +78

    You are spot on about the positive vibes around this raag. In fact it is usually sung in the early evening hours, just after dusk, and if you listen to a nice classical rendition, it also gives off the vibes of a warm incandescence of a lamp.

    • @YashodhanBhale
      @YashodhanBhale 2 роки тому

      Subodh Bhave.. hmm.. "Kahin ye woh to nahi?" ;)

    • @theacechip
      @theacechip 2 роки тому

      @@YashodhanBhale woh as in?

    • @YashodhanBhale
      @YashodhanBhale 2 роки тому

      @@theacechip As in THE Subodh Bhave

    • @ruchirjoshi8253
      @ruchirjoshi8253 2 роки тому

      Amazing

    • @theacechip
      @theacechip 2 роки тому

      @@YashodhanBhale we only share the first and last names.

  • @kat77717
    @kat77717 2 роки тому +11

    Fun fact: Rag yaman is evening raag, it's listened at sunset to end the day in pleasant note.

  • @WizInsight108
    @WizInsight108 2 роки тому +38

    Welcome to the wonderful world of Raag. I grew up listening to Western and Indian classical music especially Hindustanti (both vocal and instrumental). I later ended up learning Carnatic, the South Indian classical form. I just was curious about music and took western music classes at a community college.

  • @anujsoni3192
    @anujsoni3192 2 роки тому +25

    You should do a podcast with her... Her explanations make things simple to understand. 😀

    • @HofTheStage
      @HofTheStage  2 роки тому +8

      I would love that :) I'll try to get in contact with her

  • @DivineBansuri
    @DivineBansuri 2 роки тому +1

    12 Notes in Music
    Sa
    Komal Re
    Sudh Re
    Komal Ga
    Sudh Ga
    Sudh Ma
    Teevra Ma
    Pa
    Komal Dha
    Sudh Da
    Komal Ni
    Sudh Ni
    Sa' Higher
    If Sa is C Note, then All White notes in Keyboard are Sudh (Major scale Notes) and All Black notes are Komal or Teevra
    If Sa is any other Note , same formula continues , white and black notes changes there places as per formula.

  • @MsShanku
    @MsShanku Місяць тому +1

    She is my favorite, Her Personna & explanation makes all the difference.

  • @nidhinvinod4981
    @nidhinvinod4981 2 роки тому +3

    Indian Classical Music is very Underrated, thanks for showing its beauty to others. And Its so joy to see your face there is a lot of passion and joy in you

  • @anujtiwari6949
    @anujtiwari6949 2 роки тому +48

    You reversed the defination of Raag Yaman and Raag Yaman kalyan...
    Raag Yaman- Tivra(sharp) Ma is used, it's original raag...
    where as
    Raag Yaman Kalyan- Sudh (Pure) Ma is used.

    • @HofTheStage
      @HofTheStage  2 роки тому +17

      Oh, I feared I mixed those up, thanks for clarifying!

    • @yasaswynandavareek8399
      @yasaswynandavareek8399 2 роки тому +6

      @@HofTheStage there is small correction. Both Sudh Ma and Tivra Ma are used in Yaman Kalyan. But only Tivra Ma is used in Yaman.

    • @yudhispokemon
      @yudhispokemon 2 роки тому +1

      @@yasaswynandavareek8399 yes! Exactly what I wanted to say. Yaman Kalyan used both Ma (tivra & Shuddh)

  • @skk163
    @skk163 2 роки тому +28

    I often watch your vids/analyses to get a greater understanding of music. Your knowledge is so impressive and i appreciate it. I am not very musical myself.
    Even more impressive for me, is your humanity, your lack of prejudice and your appreciation of difference. We need more humans like you. Keeping going.

    • @HofTheStage
      @HofTheStage  2 роки тому +10

      Thanks man, comments like this one keep me going! Enjoy your day!

  • @kartikeytyagi2330
    @kartikeytyagi2330 2 роки тому +5

    "Chandan sa bandan" and "meri awaaz hi pehchan hai" are two of my favourite songs

  • @adityacreations5990
    @adityacreations5990 2 роки тому +1

    Anuja kamat is a gem. Proud Indian.

  • @uniquevoice7836
    @uniquevoice7836 Рік тому +1

    U r correct

  • @0anant0
    @0anant0 2 роки тому +4

    For Marathi folks, famous Ganpati aarti sung by Lata in raag Yaman: Sukha karta, dukh harta ... (pa pa ma* ga, ma* ma* ga re, re ga ga sa re ga, ga pa, re ga ga sa re ga, ...) Of course, tivra ma

  • @dweedum731
    @dweedum731 2 роки тому +4

    Brother, you're amazing in picking up the nuances of what she is saying (things like the 'chalan' of the raag, and 'teevr/sharp Ma', etc.). Love it. Love it.

  • @Caimedk
    @Caimedk Рік тому +1

    Although the total number of raags in Hindustani classical music was as big as 300, several of them have been lost over the centuries. About 100 raags are known and performed these days. The following list contains most of them and their specific performance time :-
    Adana Asavari Night
    Ahir Bhairav Bhairav Morning
    Asavari Morning
    Bageshri Night
    Bahar Night
    Bairagi Morning
    Basant Night
    Basant Morning
    Bhairav Morning
    Bhairavi Any Time
    Bhankar Morning
    Bhatiyar Morning
    Bhimpalasi Afternoon
    Bhinna Shadja Night
    Bhoopal Todi Morning
    Bhoopali Evening
    Bihag Night
    Bilaskhani Morning
    BilawalMorning
    Chandani Night
    Chandrakauns Night
    Charukeshi
    Chhayanat Night
    Darbari Night
    Desh Evening
    Deshkar Morning
    Desi Morning
    Dhani Any Time
    Durga Night
    Gara Khamaj
    Gaud Malhar Monsoon
    Gaud Saarang Afternoon
    Gorakh Kalyan Night
    Gunakri Morning
    Gurjari Todi Morning
    Hamir Night
    Hansdhwani Evening
    Hindol Morning
    Jaijaiwanti Night
    JanaSammohini
    Jaunpuri Morning
    Jhinjhoti Night
    Jogiya Morning
    Kafi Kafi Any Time
    Kalavati Night
    Kalingada Morning
    Kamod Evening
    Kedar Night
    Khamaj Evening
    Kirwani Night
    Lalit Morning
    Madhuvanti Afternoon
    Madhyamad Sarang Afternoon
    Malgunji Night
    Malhar Kafi Night
    Malkauns Night
    Malkauns Pancham Night
    Mand Bilawal Any Time
    Maru Bihag Evening
    Marwa Marwa Afternoon
    Miyan Malhar Monsoon
    Multani Afternoon
    Nand Night
    Nat Bhairav Morning
    Pahadi Evening
    Patdeep Afternoon
    Piloo Any Time
    Poorvi Afternoon
    Puriya Evening
    Puriya Dhanashri Evening
    Rageshri Night
    Sham Kalyan Evening
    Shankara Evening
    Shivranjani Night
    Shri Poorvi Afternoon
    Shuddh Kalyan Evening
    Shuddh Sarang Afternoon
    Sohni Morning
    Tilak Kamod Night
    Tilang Evening
    Todi Morning
    Vibhas Bhairav Morning
    Vrindavani Sarang Kafi
    Yaman Evening
    Yaman Kalyan Evening
    TimeDurgaBilawalNightGaraKhamajGaud MalharKafiMonsoonGaud SaarangKalyanAfternoonGorakh KalyanKhamajNightGunakriBhairavMorningGurjari TodiTodiMorningHamirKalyanNightHansdhwaniBilawalEveningHindolKalyanMorningJaijaiwantiKhamajNightJanaSammohiniJaunpuriAsavariMorningJhinjhotiKhamajNightJogiyaBhairavMorningKafiKafiAny TimeKalavatiKhamajNightKalingadaBhairavMorningKamodKalyanEveningKedarKalyanNightKhamajKhamajEveningKirwaniNightLalitPoorviMorningMadhuvantiTodiAfternoonMadhyamad SarangKafiAfternoonMalgunjiKafiNightMalharKafiNightMalkaunsBhairaviNightMalkauns PanchamBhairaviNightMandBilawalAny TimeMaru BihagKalyanEveningMarwaMarwaAfternoonMiyan MalharKafiMonsoonMultaniTodiAfternoonNandKalyanNightNat BhairavBhairavMorningPahadiBilawalEveningPatdeepAfternoonPilooKafiAny TimePoorviPoorviAfternoonPuriyaMarwaEveningPuriya DhanashriPoorviEveningRageshriKhamajNightSham KalyanKalyanEveningShankaraBilawalEveningShivranjaniKafiNightShriPoorviAfternoonShuddh KalyanKalyanEveningShuddh SarangKalyanAfternoonSohniMarwaMorningTilak KamodKhamajNightTilangKhamajEveningTodiTodiMorningVibhasBhairavMorningVrindavani SarangKafiYamanKalyanEveningYaman KalyanKalyanEvening

  • @meherhowji
    @meherhowji 2 роки тому +1

    I keep waiting for more of your take on the classical side of Indian music. Keep posting. Cheers!

  • @saratsaratchandran3085
    @saratsaratchandran3085 2 роки тому +2

    On a normal C scale Yemen has F sharp and all other seven notes! Chalan is the way notes ‘travel’ ! The drone is called Tanpura and it is set to the pitch of the singer as C G C-upper normally unless there are Raagas without G and in that case instead of G the new prominent note will apply. In Indian system, we work with a transposable C or Sa system, to match with the singer’s octave capacity! So G, B or D on a piano could be the new C or Sa! So when you say Sa it does not need to correspond with the Piano key C.

  • @harshpoddar6417
    @harshpoddar6417 2 роки тому +2

    ur spot on about chalan and raags @4:50... this raag is same as lydian mode..

  • @chaitanyakulkarni4276
    @chaitanyakulkarni4276 2 роки тому +3

    3:12 if you have noticed the notes of the songs were going very very similar. That's how you can identify raag. A set of notes in a specific or very closely similar manner

  • @GUPRPEET-Singh
    @GUPRPEET-Singh 2 роки тому +1

    She is back on youtube.. interview her👍

  • @BreakThroughBB
    @BreakThroughBB 2 роки тому +4

    Excellent reaction and interpretation 😍😍

  • @mythiliabburi3789
    @mythiliabburi3789 Місяць тому

    Its amazing how u r trying to understand something thats totally alien to u just becoz of ur love for music. Kudos🙏🏼

  • @samarjeetsingh7020
    @samarjeetsingh7020 2 роки тому +5

    I have been following you since I started watching reaction videos. I like your efforts to understand things. Also, your insights are helpful in comparative aspects. Like what's the equivalent in Western Music. It benefits both sides.

  • @suparnagoswami3906
    @suparnagoswami3906 2 роки тому +1

    Thanks for reacting, much love ❤️🙏

  • @sudhendugupte7562
    @sudhendugupte7562 2 роки тому +1

    Enjoy this songs as it is focused on Raag yaman so have fun thanks.

  • @nowkentapplegate5315
    @nowkentapplegate5315 2 роки тому

    Her voice! truly awesome and such effortless control. How 1 note changies the mood. 5stars for this review! Now I'm going to subscribe to her as well.

  • @theplanner166
    @theplanner166 2 роки тому +2

    It's more complex then maths 😲
    I thought I could sing evey song but when I went to the depth of music , I am nothing 🙏

  • @abilucksanvijeyakumaran891
    @abilucksanvijeyakumaran891 2 роки тому +1

    I'm not a classical student, but i'm learning with you. Thankyou for being the bridge

  • @ninas6732
    @ninas6732 3 місяці тому

    Peace 🕊 flying dove made with fingers ❤

  • @darshan7313
    @darshan7313 2 роки тому +1

    Very optly described. Loved this reaction

  • @pramedhindra5560
    @pramedhindra5560 2 роки тому +2

    Raga is a framework and the improvisation can be done within that framework

  • @himadribhattacharya3337
    @himadribhattacharya3337 2 роки тому +2

    In Yaman the note M is sharp. In Yaman-Kalyan, the note M is normal.

  • @arsnlin
    @arsnlin 2 роки тому +1

    Thank you! Very nice to see two of my favorite UA-camrs together on screen like this :)
    By the way, one of the most striking example of changing single note to change the mood is between raag Bhoopali and raag Shivranjani. Bhoopali - also known as Mohanam in South Indian classical style - is one of the most popular raag in film music for romance/happy/devotional songs while Shivranjani is *the* iconic raga for sad songs in film music. The scale of Bhoopali is Sa Re Ga Pa Dha Ṡa (all natural tones) while that of Shivranjani is Sa Re ga Pa Dha Ṡa (all natural except for ga which is komal = flat) .
    The mood change that comes with a single note change from 'Ga' (shudh = natural) of Bhoopali to 'ga' (komal = smooth/flat) of Shivranjani is mind blowing. A quick search in UA-cam will give examples.
    NB: In an octave consisting of "Sa Re Ga Ma Pa Dha Ni and Ṡa", the first and fifth notes (Sa and Pa) have only one variant which is the natural tone of them. The other five notes (Re, Ga, Ma, Dha, and Ni) have two variants each. In these, the notes Re, Ga, Dha, and Ni have natural (shudh) and flat (komal) variants, while Ma has a natural (shudh) and a sharp (teevra) variant. All together, therefore, there are 12 distinct pitches (shruti) in an octave when variants are included.

  • @pradumantripathi1524
    @pradumantripathi1524 2 роки тому +12

    I would advise that you watch some videos about the Sargam ( Sa re ga ma pa dha ni sa) notes and what they are called in western music. It will help you with understanding these videos better. Like in this video shudh Ma is Gb or F# and teevra Ma is G.

    • @HofTheStage
      @HofTheStage  2 роки тому +5

      Semitone difference as I thought. Thanks. I will check some videos about Sargam

    • @meropedelacourmd3348
      @meropedelacourmd3348 2 роки тому +1

      @@HofTheStage yes . Right . You can listen to Anuja kamat's video on SWARAS

    • @meropedelacourmd3348
      @meropedelacourmd3348 2 роки тому +1

      ua-cam.com/video/J-nUTYRyuqk/v-deo.html

  • @impeccable_anurag
    @impeccable_anurag 2 роки тому

    One of my favorite raags is rang yaman..and original note has (teevr)major ma

  • @mayankhhh4065
    @mayankhhh4065 2 роки тому

    You are understanding and learning deep classical Indian music...

  • @animecuts1661
    @animecuts1661 2 роки тому +1

    In India
    The person who owns great classical music skill or had taken classes are superior ones.. That's y it's so hard to tackle them even though u r great singer

  • @rpd-ut9rt
    @rpd-ut9rt 2 роки тому +2

    React to TED talk of Anuja Kamat. You will like it very much.

  • @000samsung
    @000samsung 2 роки тому +1

    Wow. You are learning Raag now. Excellent.

  • @asdflkjh4679
    @asdflkjh4679 2 роки тому +1

    There is a second part of this video. Please see that also. You grasp things very well!!!!

  • @Vedangi_
    @Vedangi_ 2 роки тому +2

    Aaj Ibadat from Bajirao Mastani is also based on this raag, I recognised after learning this raag 🙌

    • @vidya198326
      @vidya198326 4 місяці тому

      And it's not Yaman kalyan either ...its beautifully composed

  • @moumitamukherjee25674
    @moumitamukherjee25674 Рік тому +1

    Good music lesson

  • @sudhendugupte7562
    @sudhendugupte7562 2 роки тому

    You are right thanks.

  • @slowmusicworld5563
    @slowmusicworld5563 Рік тому +1

    I learned something today 👀

  • @notsoblueskyyy
    @notsoblueskyyy 2 роки тому +1

    So, we have a total of 12 notes in an octave ( the normal octave in which we sing is called as "Madhya saptak" which literally means middle octave, the octave below this (i.e. to the left in piano/ harmonium) is called as " Mandra saptak" and octave higher to this (i.e. to the right in a piano/harmonium) is called as " Taar saptak".
    So an octave has a total of 12 notes. So these include 7 pure( basic) notes called as "shuddha swaras" and 5 variants of some of them which are called as "ashuddha swaras". Pure notes include Sa, Re, Ga, Ma, Pa, Dha, Ni (These actually have their full forms: Shadaj, Hrishabh, Gandhar, Madhyam, Pancham, Dhaiwat, Nishad) The ashuddha swaras include komal Re, komal Ga, Teevra Ma, Teevra Dha and Teevra Ni. Basically Sa and Pa do not have variants and are called as "Achala Swaras" which means immobile Notes because they do not move from their places. "Komal" notes means slighly less than original. So Komal Re lies prior to Re in an octave just after Sa. " Teevra" means intensified. Teevra note is little higher than the original note. So, altogether we have following 12 notes in an. Octave stated from low to hight( left to right in a harmonium)
    Shuddha Sa, komal Re, Shuddha Re, komal Ga, Shuddha Ga, Shuddha Ma, Teevra Ma, shuddha Pa, Komal Dha, Shuddha Dha, Komal Ni, Shuddha Ni.
    We have notations for all these notes in devnagrai script. Pandit Vishnu Narayan Bhatkhane formalised all these notations in his books called Kramik Pustak Mallika.

    • @kunalmankame6711
      @kunalmankame6711 2 роки тому

      I guess just little correction is needed. Komal dha and komal ni. I guess teevra is only ma not dha and ni.

  • @chandrashivpuri1224
    @chandrashivpuri1224 2 роки тому

    Excellent explanation.

  • @deepaktruvesh4114
    @deepaktruvesh4114 2 роки тому

    This is my all time favourite raag. Yaman

  • @VikasKumar-yc7um
    @VikasKumar-yc7um 2 роки тому +1

    100/100 you got everything 🎇

  • @kedarchavan8412
    @kedarchavan8412 25 днів тому

    Incredible

  • @ashsalvation2674
    @ashsalvation2674 2 роки тому

    MORE !!!!

  • @praseethprabhakaran2951
    @praseethprabhakaran2951 2 роки тому +1

    There is a video by Dr Yesudas himself singing “Jab Deep Jale Aana” in raag Yaman live. He sang the original version and the “Ni Re Ga” part can be clearly understood in the middle of the song. Plus it is relaxing too.
    And if you want to notch it up a bit, there is Raag Hamsadhwani which is a very popular Raag in South indian music. Just listen to “Vatapi live” by Yesudas to see the real variations possible ( it might take 5 or 6 times listening to get it)

  • @dilipupadhyay
    @dilipupadhyay 2 роки тому

    Yes u r on right path , good keep it up , in few years u will able to understand Raag

  • @timmyasikin3953
    @timmyasikin3953 2 роки тому

    Awesome

  • @amishbhat3560
    @amishbhat3560 2 роки тому

    3:22. You are absolutely on point on this observation.

  • @nishthachatterjee2090
    @nishthachatterjee2090 2 роки тому +1

    You got everything rightt, just that yaman kalyan is the one with the 'natural' ma and yaman has the sharp 'ma'

  • @anuragC819
    @anuragC819 2 роки тому +2

    It is such a tragedy that she doesn't release videos on her channel any more. I do know she is teaching music somewhere, I saw a grainy video of her teaching. Can't remember the month, probably early March/April this year. Just sad that she isnt active on youtube anymore

    • @HofTheStage
      @HofTheStage  2 роки тому +2

      I think she might come back one day

  • @Jaipalsingh-wl8xm
    @Jaipalsingh-wl8xm 2 роки тому

    Excellent

  • @tayyabshahzad688
    @tayyabshahzad688 2 роки тому

    Some of my favourite songs are composed on Raag Yaman/Aiman.

  • @jeetsingh575
    @jeetsingh575 2 роки тому +1

    If you play raag yaman in the key of C : so that should be => C (sa), D (re), E (ga), F#(ma tivra), G (pa), A (dha), B(ni) and yaman kalyan be (C,D,E,F,G,A,B) and I am practicing it on Guitar. It sounds beautiful when you randomly play these notes (Rule is not to break the chalan and never get out of these notes) It is very melodic raga.

    • @jaygandhi218
      @jaygandhi218 2 роки тому

      Jeet bhai, I learnt playing Guitar a few years ago while I am now oriented towards Indian Classical Music (Vocals). I can totally relate to your explanation.

  • @rupa1027
    @rupa1027 2 роки тому +2

    Can you please react to Mahesh Kale.... You will be left speechless

  • @ananyasengupta
    @ananyasengupta 2 роки тому +2

    Loved your courage and open-mindedness to try very different music than you are used to. If you like the mood of the melody being changed by just one note, so listen to the difference between raag Malkauns and raag Chandrakauns. There is only one difference in Ni, wit Malkauns having the Komal (minor) Ni and Chandrakauns having the Shudhha (major) Ni.

  • @vaishnaviborulkar396
    @vaishnaviborulkar396 2 роки тому

  • @aaloke74
    @aaloke74 2 роки тому +4

    Yaman.. M is sharp. Yaman Kalyan M is medium

  • @girirajvyas1986
    @girirajvyas1986 2 роки тому

    Wish we could sit together I would clear some obvious things which arise due to the language barrier. I do practice Indian classical vocal music. Commendable that you are making this much effort in learning this ancient Indian heritage.

  • @jeetsingh575
    @jeetsingh575 2 роки тому +1

    If you play raag yaman in the key of C : so that should be => C (sa), D (re), E (ga), F#(ma tivra), G (pa), A (dha), B(ni).

  • @argmined
    @argmined 2 роки тому

    Indeed there is another raaga called Maru Bihaag - with the same scales (skipping two notes in ascent). Other ragas on the Kalyan/Yaman scale are possible.

  • @vidulasukrut
    @vidulasukrut Місяць тому

    Yaman Kalyan will have shudhha means normal ma and tivra ma is used in raag Yaman.

  • @cayetanodulay1614
    @cayetanodulay1614 2 роки тому +1

    Good evening sir kindly react po to (sobra ka inupuan lang ang she's gone)
    You will amazed and enjoy to this po😊😁😁

  • @tsram
    @tsram 2 роки тому

    In Hindustani Music, there are 12 notes.
    (Shuddha is the natural note, Komal is the flat and Tivra is the sharp)
    The 12 notes are Sa, Re_, Re, Ga_, Ga, Ma, Ma#, Pa, Dha_, Dha, Ni_, Ni, then back to Sa'
    If you take your Sa (tonic) as C,
    You get C,D_,D,E_,E,F,F#,G,A'_,A',B'_,B' and back to C'.

  • @prahladjadeja6544
    @prahladjadeja6544 2 роки тому

    👏

  • @rush-me
    @rush-me 2 роки тому

    There are two Indian classical music branches.
    Hindustani classical
    Carnatic classical
    Check out Abby V he is very comfortable and smooth with both the Indian classical branches.

  • @yakobjose4157
    @yakobjose4157 Місяць тому

    ❤❤❤

  • @varadtiwari760
    @varadtiwari760 2 роки тому

    Hi, a sharp note 'm' is in Yaman and the base "m" is yaman kalyan.

  • @meghapai5427
    @meghapai5427 2 роки тому +1

    It’s the other way around. Yaman uses sharp Ma and yaman Kalyan uses the pure Ma.

  • @sunnybadhan194
    @sunnybadhan194 2 роки тому

    U r very gud learner

  • @ANUSHRIVAN
    @ANUSHRIVAN 2 роки тому

    In yaman kalyan the ma is soft and in yaman it is sharp... She says if she uses tevra ma in the song it will change the mood from a romantic song to a angry mood.

  • @ChinmayaIyer
    @ChinmayaIyer 2 роки тому

    The notes of Yaman are basically the same as the Lydian mode.
    Sharp 4th and all other notes natural.
    Yaman Kalyan is Lydian+ natural 4th.
    So Yaman Kalyan uses both natural and sharp 4th with all other natural notes.
    Hope this helps.

  • @limasuneplongchar787
    @limasuneplongchar787 2 роки тому

    👍👍

  • @OmerMalik
    @OmerMalik 2 роки тому

    Sharp Ma is used in Yaman and both Ma in Yaman Kalyan

  • @Borishal
    @Borishal Рік тому

    Sometimes a similar technique is seen in church modes. With a raag, though, specific notes can be always omitted on either the ascending or descending parts of the piece.

  • @swalehapathan5014
    @swalehapathan5014 2 роки тому

    👍

  • @rkmusic1546
    @rkmusic1546 2 роки тому

    Nice

  • @user-ov8ei2ep8o
    @user-ov8ei2ep8o 2 роки тому

    react to indian classical music instrument like sitar, tabla, sarod, sarangi, santoor, bansuri, pakhawaj, and also some non classical instrument too like harmonium and indian banjo (bulbul tarang)

  • @amberchaturvedi9934
    @amberchaturvedi9934 2 роки тому

    Yaman Kalyan - MILD 'M"..........Yaman - INTENSE/SHARP 'M'

  • @parinatis80
    @parinatis80 6 місяців тому

    I think you got it a bit wrong.
    Raag yaman -
    ma or fourth note is sharp (one half note higher) sa re ga ma* pa dha ni sa
    Raag yaman kalyan - ma or fourth note is used in its actual place and the sharp ma* note is also used in the song in different phrases or parts of the song.
    So both ma and ma* are used in the song/composition.
    In the song she explained in the end, in the starting phrase, she used the simple or shudhh ma rather than the teevra ma (sharp) so as to bring out the emotions of romance and request. Making the song sound softer.
    As the hero is asking his lady love to stay back for some more time.. as he wants to spend more time with her..

  • @aseemshikhar9437
    @aseemshikhar9437 2 роки тому

    You are understanding really well. just one correction. Ma is not mi from do-re-mi, but its fa!! Do RE Mi Fa. Teevra ma (i.e.Fa) is just the immidietly next key to Fa!

  • @mrinalscorner4676
    @mrinalscorner4676 2 роки тому

    In the c sharp scale the tivra maa is g note
    It's changes with evry scale

  • @ig_ignite150
    @ig_ignite150 2 роки тому

    Shudh - means pure or natural.
    Teevra - means sharp (semi note higher)
    Komal - means flat (semi note lower)

  • @jvsuryanarayana
    @jvsuryanarayana 11 місяців тому

    Ma is sharp. Yaman uses Ma Sharp but in Yaman Kalyan Ma Natural also can be used. but the it would be a different Raga.

  • @paritoshratawal9671
    @paritoshratawal9671 2 роки тому

    Yaman kalyan
    Sa re ga ma pa dha ni - all notes are shudh or natural in guitar is (c# major scale)
    Yaman
    Sa re ga ma' pa dha ni - all notes are shudh or natural and it's C# major scale except ma is tivr means instead of f# g note will be there

  • @saifalam11
    @saifalam11 2 роки тому

    Check raag "Puriya Dhaneshree" by 'Parveen Sultana'

  • @ayanbhattacharjee3034
    @ayanbhattacharjee3034 2 роки тому

    Please do a video on 'Ayaat'. Not the live performance but the actual song in the film Bajirao Mastani

  • @searchmeinyoutube
    @searchmeinyoutube 2 роки тому

    See her bhimpalasi Raag based songs video. There's a surprise for you at the end 😆😉

  • @NikhilSaini38
    @NikhilSaini38 2 роки тому

    Shuddha(pure) swar = natural note
    Tivra(intense/piercing) swar = sharp note
    Komal (soft) swar= flat note

  • @manoramamannu235
    @manoramamannu235 3 місяці тому

    What a surprise..its 18:02