Can anyone provide some insight into what is going on at the G7 at 1:18? I hear Baptiste use this sound a lot and really like it. Is he substituting the G7 for a Bmaj7 as a backdoor 5 or something?
Well thats a hellava job well done! Working out the time changes and even some fingerings! Thanks, a ridiculous piece of playing and a ridiculous piece of transcription. Theres a lifetime of study material in there! @@danfw9222
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My favorite Baptiste Herbin dealer
I will never get over how clean his articulation is. Incredible.
Great solo 😲. And great transcription 😲. Thanks 👍👍👍
I think, only Herbin and Brecker have such clean lines at speed that you don't need to slow it down to hear the line clearly.
whats going on with that multiphonic at 8:22!! sounds so cool. kinda looks like he's fingering a low C# and lifting up right hand middle finger?
Can anyone provide some insight into what is going on at the G7 at 1:18? I hear Baptiste use this sound a lot and really like it. Is he substituting the G7 for a Bmaj7 as a backdoor 5 or something?
I think that's it. Bmaj7 for nice voice leading into Cmaj7.
It's the same idea like the cadence at the end of the bridge of The Song is You, going back to the last A section
great transcription, how long did this take?
A couple of hours a day for about a week and a half.
Well thats a hellava job well done! Working out the time changes and even some fingerings! Thanks, a ridiculous piece of playing and a ridiculous piece of transcription. Theres a lifetime of study material in there! @@danfw9222