Patrick Bartley turns into Cannonball Adderley

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📹 Original video: • Emmet Cohen w/ Bruce H...
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🎵 Saxophone: / patbartmusic
🎼 Transcription: / leocarricaburu

[@BlissDelight69]

I came for pat bartley transcriptions, i stayed for Bruce's reactions

[@OliverWolfe]

I loved them too 😁

[@landonkelly8953]

I personally think he is the best jazz saxophonist right now!!

[@OliverWolfe]

He's actually one of my favourites :D

[@ConnorJazz]

Listen to Aaron Johnson

[@davidschauer8861]

him and joel frahm are some of my favorites right now.

[@noahpettibon]

Personal “bests” are okay, so long as the distinction is made from a fictitious actual “best”. That idea should leave our vocabularies.

[@brandonichavez5700]

kinda hard to top Chris Potter

[@William_35]

bruce harris' reactions are on point

[@OliverWolfe]

Yes, I was watching his face whilst transcribing!

[@simonsays525]

The line just after 0:55 and then the slight stank face after is hysterical!

[@voltagestorm1787]

He even did that one lick Cannonball played in Straight no Chaser crazy

[@OliverWolfe]

Need to check that!

[@bryandickerson5365]

With that kind of talent I just hope Patrick maintains his composure and continues to bless us all for years to come. Wow..just wow!

[@brycewalburn3926]

So good. Cannonball is my favorite saxophone player of all time, and I just love how easily you can hear that influence in Patrick's playing yet how fresh and unique his ideas are!

[@OliverWolfe]

Yes!!

[@amilisom]

That blues scale at 1:18 was so greasy, and it was just the blues scale

[@OliverWolfe]

Mind blowing , the power of simplicity

[@CarpPine]

The sharp edged articulation reminds me of Jackie McLean.

[@OliverWolfe]

Me too!

[@jorymil]

Cannonball did a lot of blues w/ bridge tunes as well, so even the song choice fits.

[@aarongumeraarriagada3254]

Patrick is the reincarnation of cannonball

[@AljoniMusiCo]

Hard serious swingin' here!

[@diogoalmeida8462]

The best living saxophonist.

[@LuanneFose]

I am smiling from ear to ear! So fun!

[@rich4444hrsm]

DAMN!!!!!!!!!! You weren't kidding!!!!!

[@aleksweeden2443]

Awesome transcription!

[@OliverWolfe]

Thanks!!

[@TheSaxophoneTroll1764]

Love his playing style!!!

[@OliverWolfe]

I'm with you on that. 😁😁

[@nickcox3906]

It’s amazing that as a high schooler, I would’ve been like, even if I miss the changes, just don’t play an F natural, and I’m good. And then those are the best notes of his solo 😂

[@benoitvigneault961]

So accurate to compare him to Cannonball!!!

[@jayramsey690]

Damn son!

[@therealappl3]

NAASTTYYYY MAN !
that was great !!!

[@OliverWolfe]

🔥🔥

[@TomySpot]

this is very good buddy

[@OliverWolfe]

Thanks so much Tomy!

[@amilisom]

It's tracks like these that make me want to do nothing but practice bebop blues

[@OliverWolfe]

Same 😁

[@amilisom]

@@OliverWolfe The tragedy with that though is it doesn't always help with more modern styles. Like I've been trying to find ways to solo over more triad-based tonal progressions and while bebop can help sometimes, I'm really better off looking elsewhere.

[@91productions35]

emmet cohen posted this!

[@musicality8425]

❤ Joe Taylor ❤

[@OliverWolfe]

❤❤

[@legaleagles3654]

👌🎼

[@OliverWolfe]

👌🎼👌🎼👌🎼👌🎼👌🎼

[@ernstaugustvonsachsen6925]

Quoting Marmaduke by Bird and Op. 102 No 6 by Mendelssohn here what a guy

[@OliverWolfe]

Can you timestamp for us please?!

[@marcosgimenez9074]

Nice, i love bruce harris faces xD Although, too strong on the downbeats to sound cannonballish,

[@user-kv5vq6tl5o]

🎷❤‍🔥

[@jopeckproductions782]

YOOOOOOOO

[@OliverWolfe]

❤️❤️❤️❤️

[@insidejazzguitar8112]

Could be my favorite living musician

[@monoswinger]

At the last chorus these are the right chords on the chart? I dont get these extra G maj parts, is it coming from the tune, or its some "inside joke" from the scene, what i dont know? Thanks for the transcript anyway 🙏

[@OliverWolfe]

Yes, it's a bridge added in the composition!

[@monoswinger]

hey, thanks, I will check it than!@@OliverWolfe

[@ScottPaddock]

😎😎😎💣💣💣

[@OliverWolfe]

❤️❤️

[@alvarolblanco]

What is the name of this tune

[@Tdub764]

Some changes are wrong: before the last chorus, you have written only 6 bars of the Gmaj7(#11) bridge instead of 8, so the changes for the last chorus are all written 2 bars early.

[@Tdub764]

All the notes, articulation, comments, etc. are all good! Very good work, and an amazing solo of course by Patrick.

[@OliverWolfe]

Thank you!

[@jazzpiano_studio]

Thank you for great transcription!
But i think some chords(every bars after GM7 vamp) are wrong.

[@OliverWolfe]

Please can you explain the mistakes?

[@tioliak]

The liccc 1:19

[@DaDarkGuy]

Definitely not the lick

[@tioliak]

​@@DaDarkGuyit is

[@DaDarkGuy]

@@tioliak Are you sure you have the right timestamp? The "lick" is scale degrees 1-2-3-4-2-7-1 in minor mode, and that is nowhere to be found where you timestamped.

[@tioliak]

@@DaDarkGuy the licc in dominant context

[@PepperWilliamsMusicBlend]

Seriously great solo, but not quite Cannonball ❤❤

[@thomashightower7881]

I think he channels Cannonball a bit more on "Scotch and Water" from the same Emmett's Place session

[@chevrecommuniste2880]

@@thomashightower7881 this solo is his solo on Scotch and Water...

[@psyarts8687]

No one will ever be quite like Cannonball but if I were to listen to this recording blind without knowing who played it, I would assume Cannonball somehow came back to life to rip a few choruses.

[@critic8587]

@@psyarts8687I agree. That first chorus alone could literally be a cannonball solo.

[@GeoffBournes]

This is the closest i have ever heard to actually being cannonball.