Can't choose one. Its such an extraordinarily beautiful song not one of these singers failed to do it justice. But I'm rather partial to Andrea Bocelli
I think Corelli sounded much better with the fast vibrato but he got so much flack for it they said he sounded like a goat that it sounded wobbly and unstable he ended up changing to a slower vibrato with an even lower larynx in the later recordings after 1958 resulting in a darker more scooping sound which I don't really prefer. Even though his vibrato was faster his voice sounded brighter and much more effortless before he made the changes.
@@sabbath7081i I agree that in some perspect Corelli sounded better earlier on his career, even though he gained more finesse in his singing later on.
@@c.a.g.3130 they have different techniques. To say about who would've lasted longer is foolish. Corelli knows how to hold high notes. This is just a B4flat then A4. Watch his O Soave fanciulla with Dorothy Kirsten and listen to how he held C5 in the end.
With Kaufmann you feel an attempt to do something great, with Corelli you feel the class and the elegance, with Pavarotti you feel the doors of heaven opening momentarily in that precise moment.🙌🏽
@@chezbe Nope, that is because you don't understand operatic voices. No, offence meant to you, opera is not exactly the best known genre and it is really difficult to tell the size of the voice from recordings. Corelli's voice was 5 times as large as Kaufman's voice, and 3 times the size of Pavarotti's voice. You might wonder why that would matter. It is because opera singers have to sing without a microphone. You have to be heard. Corelli had some of the biggest and loudest high notes of all tenors in living memory. He had a real dramatic voice. His recording is just a very low quality, that only captures the squillo in his voice, and not his full voice. Squillo makes your voice ring and project in a large space, it is the bright pining sound, and it gives a tenor a bright sound, to balance out the dark sound. A tenor should have squillo, Kaufman doesn't have squillo, his voice is more on the smaller side and does not project that well. Pavarotti obviously had squillo but nowhere not nearly as much as Corelli. Pavarotti was a great tenor but a different type of tenor. Here is a recording with good sound of Corelli singing Nessun Dorma; ua-cam.com/video/sE4EgIG0pew/v-deo.htmlsi=dpAnho0MeoTKUxJb This song/ aria is suppose to be sung by a dramatic tenor, Corelli performed this role over 100 times live.
All of the above. Just different textures. They all smashed it! 🎉👌 Corelli's tenure rings! Kauffman's thickens! Pavarotti's exhilarating! They were all marvelous. They put their hearts into it.
All three are tremendous men but Senore Pavarotti performance is able to tear your heart out while leaving you feeling like you conquered Everest at the same
Ye. See the whole Turandot performed by Corelli, and you'll see how better Corelli is compared to the others. Best acting. Best voice. The best Calaf!!
My father took me to the Opera at 8 years old because my mother was pregnant with my brother I will never forget the power in the voice . Thank you Franco corelli!!!!!!!
@@Nina-l2l1e Corelli is often known as the most emotional tenor of all time, he is known as the Maria Callas of tenors, because both of them sang with incredible emotion. The character that sings Nessun Dorma is being extremely over confident when he sings this aria. He sings that he will win and that he will even be more successful than simply winning the challenge, when he hasn’t won yet. If the aria is a mellow and particularly done in a nonchalant way it actually displays the feelings of the character perfectly in that moment. The character is saying that this is going to be a piece of cake. Watch whole version of Corelli singing this aria because his performance is taken from a full opera performance of Turandot. Pavarotti and Kaufman in this video are singing it more as a concert hit.
@@ZENOBlAmusic You forget that art is much more than technik of interpretation, art is emotional transfer and that is where Pavarotti has advantage. I know he was not educated, he could sing just italian, he wanted to be payed in cash etc. . . but art is not measurable , art is the amount of emotions that someone can awake or motivate. . . and only Pavarotti can provocate such a flood of emotios, only he can make the people cry at the end of "Nessun dorma". You feel something special and noone can make such a thing. So, please, let us not talk about vocals, clearness because it is a wrong way. Emotions are the most important.
@@Nina-l2l1e I did not say anything about technique, I explained the plotline of the aria. A singer is there to convey the message of the music. Corelli was a singer of pure heart and soul, he was known for having tears in the voice. Pavarotti's clip is left for longer in this example, if you watch the full Corelli version you will also see the emotional ending that has been cut out in this 20 second clip. Both singers could convey emotion very well. Corelli was known as very emotional tenor partly because of his incredible stage fright that always impacted his performances.
1st Corelli. 2nd Pavarotti 3rd Kaufman. In cleanliness and effortlessness. While the three of them are still amazing. I am Pavarotti fan. Thank you for sharing. 😊
I want to say Pavarotti, but Corelli is the cleanest I've ever heard in my life! He goes STRAIGHT into the note. I couldn't have imagined it could be sung this well.
I wasn't familiar with Corelli's performance and it blew me away. His voice is powerful and sweeping and yet also majestic and agile. Having said that, Pavarotti's expression and intensity gives me goosebumps every single time. He truly and completely embodies the most profound essence of the emotion conveyed by the music and lyrics, for a moment you can catch a glimpse of unmitigated and almost blinding triumph in his eyes which I am just transfixed by.
Pavarotti was not an overly emotional singer if you compare him to other tenors. If you compare Pavarotti to other lyric tenors such as Gigli and Di Stefano he was a more standard performer. Singers with more dramatic voices have more emotion naturally, Del Monaco was the most intense tenor you will ever hear. Corelli had emotion and a very virile sound. Of course you will not hear in 20 second clips.
@@rickardroach9075 needless to say, Jonas kaufmann has a very dark sound, Franco Corelli sounds very bright here but his voice favored the darker side of his got older and Pavarotti was an older man here and his sound was slightly worn out but still superb. The pitch battle with Opera has always been a thing.
As an opera singer Pavarptti always makes me cry tears of movement and sadness at his last Vincero... It's like the doors of Heaven opening just for a slight moment to feel his voice in your heart❤
I'd normally be a Pavarotti fan, and these clips remind us of his greatness. But Corelli is simply untouchable. Not in the barbaric Indian meaning. But in the fact that he's always perfectly on pitch; his vibrato is beautifully tight; you feel it as if you were getting a rogering.
The first guy looked like he was in pain. The second sang every note as written. Pavarotti did it effortlessly and with feeling. Bravo, Luciano! Bravo!
When Kauffman sang I thought it was phenomenal. Then Corelli sang, it was out of this world. And here comes Pavarotti, remarkable. All are amazing. No comparison needed as they are all great on their own ways.
Nono. There is a recording of Pavarotti on UA-cam where he holds that climax note for more than 15 seconds and is delivered with such power and emotion it makes hard hearted men run sap from their eyes. Truly magnificent. This aria has always been Pavarotti’s.
@@BoogWar01 Nah, Pavarotti voice wasn't fitting for this aria. His voice was too bright, too light and Nessun Dorma is meant to be sung by a tenor with a bigger voice with a hint of dramatic-ness.
@@MultiKamil97 how dare you compare different people’s voices that are too distinct and individual? even if you are so smart in terms of singing, just frickin go on stage and sing for yourselves!!!
@@MultiKamil97 I’m serious! Even if Pavarotti is famous for HIS unique performance of Dorma, this does not mean that you should belittle him or criticize him for his shortcomings!
Pavarotti did not have the voice/ instrument for this aria. the masses/ marketing & the money making machine. Domingo was worse &'Carreras was adequate.But only the great Spinto Corelli with that jenesequa in his voice could sing this very well almost well enough to resurrect the great Puccini. 🇫🇷🙏💙 Arnaud Bourbon Amaral
I saw both Corelli and Pavarotti live…two different voices. Corelli has the edge. Bigger sound, more heroic sound. One of the more beautiful Nessun Dorrmas was sung by Bjoerling, but he could not have sung it on stage.
Pavarotti was the last great tenor. He had a beautiful and unique voice. But Corelli’s voice was far more rare. Corelli was a real Italian heroic tenor there hasn’t even been anyone in this voice category for 70 - 80 years.
Espantoso kaufman!!! No sé ni cómo comparte video con dos verdaderos grandes de la lírica. El mejor calaf de la historia, corelli y el gran gran Pavarotti. Su deficiencia técnica ni siquiera le permite pronunciar … desde cuando se dice “vEncero” Solo para ignorantes
Corelli's voice is more flying, sonorous, even on the old recording he sings much more loudly than Pavarotti and Kaufmann. Kaufmann sings in a mask, he is very tense and you can see it on his face. This can be traced in Pavarotti. Corelli sings correctly, his face is relaxed, and his voice fits the aria. Old school is better
All three are incredible singers - but Corelli and Pavarotti - they just take you to a beautiful world. The talent of being able to sing arias such as Nessun Dorma always astounds me.
@@exile8111 "Calaf" is a name. The character who sings the aria "nessun dorma" in the opera "Turandot" has been given that name. The part needs to be sung by a tenor because of the score.
@@miriaminesphilippi6463Corelli claramente com uma voz mais poderosa em termos de projeção de ressonância harmônica, consistência e sua Impostação da nota foi mais controlada e sem esforço comparada a Pavarotti, principalmente comparando as épocas diferentes de ambos nessas comparações e que logicamente também é um fator determinante.
Todos maravillosos!, pero Pavarotti cruza la dimensión terrenal con esas notas, se vuelve etéreo, te arranca el corazón y unas lágrimas también, recuerdo haber llorado la primera vez que la escuché, bravo!!!
Corelli’s vibrato is something else. Unbelievable
Can't choose one. Its such an extraordinarily beautiful song not one of these singers failed to do it justice. But I'm rather partial to Andrea Bocelli
Corelli was probably the best tenor of his era.
I think Corelli sounded much better with the fast vibrato but he got so much flack for it they said he sounded like a goat that it sounded wobbly and unstable he ended up changing to a slower vibrato with an even lower larynx in the later recordings after 1958 resulting in a darker more scooping sound which I don't really prefer. Even though his vibrato was faster his voice sounded brighter and much more effortless before he made the changes.
@@sabbath7081i
I agree that in some perspect Corelli sounded better earlier on his career, even though he gained more finesse in his singing later on.
Premio a la Excelencia❤
Corelli might be the best tenor to ever grace this planet, he’s unquestionably top 3.
If he had Pavarotti's technique, Corelli would've lasted longer, but no one had his fire.
Corelli's a spinto tenor. Corelli did a lot of difficult roles that Pavarotti never touched. @@c.a.g.3130
No way! Corelli was good but he or any other tenor is not in the same league as Jussi Björling. Jussi was without equals.
コレルリは別格。カウフマンはコレルリに良く学んでる点が好感が持てる。生で聞くパバロッティはもっとソフトでスイートて明るい美声。
@@c.a.g.3130 they have different techniques. To say about who would've lasted longer is foolish. Corelli knows how to hold high notes. This is just a B4flat then A4. Watch his O Soave fanciulla with Dorothy Kirsten and listen to how he held C5 in the end.
With Kaufmann you feel an attempt to do something great, with Corelli you feel the class and the elegance, with Pavarotti you feel the doors of heaven opening momentarily in that precise moment.🙌🏽
Couldn't agree more with you! Profound statement indeed!
Yes, yes & yes ...esp Pavarotti, (he never fails to move me, deeply).
Perfectly stated
Lo has dicho muy bien, para mí Pavarotti está tan cerca de la Divinidad cuando entrega esa maravilla
Sono d' accordissimo 👍👍👍
The emotions running through Pavarotti's face is so intense/heartwarming. Edit: Wow... I didn't expect this many likes! Love the OG Pavarotti!!!
I am glad you noticed those emotions! That's quite a rush of a thousand feelings. Salute.
Please notice his eyes...a single tear ..left eye forms
Hoping he'll make the note!
kangaroo525 ECOUTEZ PAVAROTTI ET N'ÉCOUTEZ SURTOUT PAS LES AUTRES SVP
I'm not an opera fan but I think Pavarotti's version was the best overall
Franco Corelli makes it look so easy, Pavarotti is full of passion and heart.
Effortless
Corelli‘s vibrato is insane and incredibel!🎶❤️
Corelli is on a different world
nothing special in his voice, just respect to old school, nothing more, 1st guy nailed it not worse than Corelli
@@chezbeCorelli had far superior control, consistency and power.
My same thought! Sounded effortless.
sí sí.....
@@chezbe Nope, that is because you don't understand operatic voices. No, offence meant to you, opera is not exactly the best known genre and it is really difficult to tell the size of the voice from recordings. Corelli's voice was 5 times as large as Kaufman's voice, and 3 times the size of Pavarotti's voice. You might wonder why that would matter. It is because opera singers have to sing without a microphone. You have to be heard. Corelli had some of the biggest and loudest high notes of all tenors in living memory. He had a real dramatic voice. His recording is just a very low quality, that only captures the squillo in his voice, and not his full voice. Squillo makes your voice ring and project in a large space, it is the bright pining sound, and it gives a tenor a bright sound, to balance out the dark sound. A tenor should have squillo, Kaufman doesn't have squillo, his voice is more on the smaller side and does not project that well. Pavarotti obviously had squillo but nowhere not nearly as much as Corelli. Pavarotti was a great tenor but a different type of tenor. Here is a recording with good sound of Corelli singing Nessun Dorma; ua-cam.com/video/sE4EgIG0pew/v-deo.htmlsi=dpAnho0MeoTKUxJb
This song/ aria is suppose to be sung by a dramatic tenor, Corelli performed this role over 100 times live.
I want to say Pavarotti but Corelli sounds incredible. I’d have to say him. His vibrato is insane.
singing technik is not the most important, but emotions that are performed. Emotions are art.
@@Nina-l2l1e Corelli generally with far more emotion than Pavarotti.
All of the above. Just different textures.
They all smashed it! 🎉👌
Corelli's tenure rings!
Kauffman's thickens!
Pavarotti's exhilarating!
They were all marvelous. They put their hearts into it.
Franco Corelli’s voice sounded like a musical instrument. So beautiful!
My thoughts exactly, clear and precise.
All three are tremendous men but Senore Pavarotti performance is able to tear your heart out while leaving you feeling like you conquered Everest at the same
❤😂🎉🌲🌷💚🙏💚🌷🌲🫡🙋♂️👍
what a beautiful description
👍 Te comprendo, Lucciano tenía una voz muy potente, era una Bestia! era pura potencia que te hacía extremecer
There’s a moment where you can see him glimpsing eternity. He gets transported and it’s incredible.
Почему все оперные певцы такие замечательно красивые ? ❤
The power and emotion of Pavarotti just hits hard for me. What a voice, what a man!
Amen!
I would always say Pavarotti , but Corelli just shocked me… WOW!!
Ye. See the whole Turandot performed by Corelli, and you'll see how better Corelli is compared to the others. Best acting. Best voice. The best Calaf!!
Corelli just seemed effortless- Wow
Corelli better than Pavarotti.
Corelli's incredible. Always will be :)
Franco Corelli's tone and effortlessness are remarkable!
My father took me to the Opera at 8 years old because my mother was pregnant with my brother I will never forget the power in the voice . Thank you Franco corelli!!!!!!!
That is a great history y un hermoso recuerdo de tu padre.
Corelli was really great.
@@Daniela-pr7rz Word. Arnaud Bourbon Amaral
WOW, That would make you older than dirt! Just kidding… 🫵🏼😂🤣
@@123it15me you should apologize shame on you
On ne pas les comparer. Trois époques différentes., trois sons différents. Trois voix vraiment exceptionnelles. Merci à eux de tout coeur.
This is a real opera fan
Congrats
Well said.
Si possono confrontare e Corelli li lascia al palo
Yippee, I understand the French without translation. And I agree!
Corelli démontre une aisance déconcertante
All were spectacular, however Corelli was a surprising delight. I must go look for more of him.
Corelli got my vote. KEEP THESE VIDEOS GOING.
They all rocked it!!!! So amazing what talent with patience, determination and practice can achieve! Bravo!!!
Franco Corelli It is the perfect tenor, it is a gift that came down from heaven to delight our souls.
Pavarotti was a miracle sent by God. There will never be another like him. 😢
😂
@@nicdelange2900FU
Pavarotti there's no second.❤😊
You are very right never be another Pavarotti this man makes magic
Oh yeah, without a doubt, Corelli. And I'm a huge Pavarotti fan. Corelli just does it so effortlessly. ❤
Mistake.
@@Nina-l2l1e
Mistake how?
All three men nailed it beautifully. I could not choose one over the other. ❤❤ ❤
Corelli was smooth and seemed really effortless 💯
In that particular recording he was unbelievable.
yeah❤
Exactly!!!
Agreed. It was seamless
In the middle of the 1980s I heard and San Luciano Pavarotti in Stuttgart. This was breathtaking and overwhelming. I never will forget this recital.
ALL are magnificent! ❤❤❤ ... HOWEVER, Franco Corelli will forever be my personal favorite!❤❤❤
Gracias por descubrirme al Sr. Corelli, tarde pero al fin. Miles de gracias.
Estoy muy de acuerdo con su elección... Ya somos 2 😊
1958 Franco Corelli. His vocals are so mello and he makes this sound so effortless.
You are wrong because you are giving the value to ntechnical part and the most valuable are emotions.
@@Nina-l2l1e Corelli is often known as the most emotional tenor of all time, he is known as the Maria Callas of tenors, because both of them sang with incredible emotion. The character that sings Nessun Dorma is being extremely over confident when he sings this aria. He sings that he will win and that he will even be more successful than simply winning the challenge, when he hasn’t won yet. If the aria is a mellow and particularly done in a nonchalant way it actually displays the feelings of the character perfectly in that moment. The character is saying that this is going to be a piece of cake. Watch whole version of Corelli singing this aria because his performance is taken from a full opera performance of Turandot. Pavarotti and Kaufman in this video are singing it more as a concert hit.
@@ZENOBlAmusic You forget that art is much more than technik of interpretation, art is emotional transfer and that is where Pavarotti has advantage. I know he was not educated, he could sing just italian, he wanted to be payed in cash etc. . . but art is not measurable , art is the amount of emotions that someone can awake or motivate. . . and only Pavarotti can provocate such a flood of emotios, only he can make the people cry at the end of "Nessun dorma". You feel something special and noone can make such a thing.
So, please, let us not talk about vocals, clearness because it is a wrong way. Emotions are the most important.
@@Nina-l2l1e I did not say anything about technique, I explained the plotline of the aria. A singer is there to convey the message of the music. Corelli was a singer of pure heart and soul, he was known for having tears in the voice. Pavarotti's clip is left for longer in this example, if you watch the full Corelli version you will also see the emotional ending that has been cut out in this 20 second clip. Both singers could convey emotion very well. Corelli was known as very emotional tenor partly because of his incredible stage fright that always impacted his performances.
@@Nina-l2l1e
Your comments are ridiculous. Pavarotti sang French operas too. If you don’t know anything about opera, just say that.
Franco Corelli.....Phenomenal!!!!
Pavarotti for ever!
Pavarotti gritava muito ,!!!!
He scoops the note
Amen, baybee
Pavaroite❤❤❤❤
Pavarotti for sure unbelievably great
Mr. Corelli gave me immediate chills. 😊
1st Corelli.
2nd Pavarotti
3rd Kaufman.
In cleanliness and effortlessness. While the three of them are still amazing. I am Pavarotti fan. Thank you for sharing. 😊
I'm a Pavarotti fan, FOR LIFE ❤❤❤❤❤❤❤
And richness. More chiaro schuro
I agree with you . Amazing voices!
yes
David Phelps
Corelli è un'altra categoria.Il migliore in assoluto.
Nein.
Corelli. Power, passion, beauty.
I want to say Pavarotti, but Corelli is the cleanest I've ever heard in my life! He goes STRAIGHT into the note. I couldn't have imagined it could be sung this well.
Wow, I didn't know Corelli, he is special!
Corelli has a rich deep vibrato. Complete control. Magnificent. But I love Pavarotti.
All three are Awesome
I wasn't familiar with Corelli's performance and it blew me away. His voice is powerful and sweeping and yet also majestic and agile. Having said that, Pavarotti's expression and intensity gives me goosebumps every single time. He truly and completely embodies the most profound essence of the emotion conveyed by the music and lyrics, for a moment you can catch a glimpse of unmitigated and almost blinding triumph in his eyes which I am just transfixed by.
Yes it's true, Pavarotti is the best opera singer
You aree on the wrong way cause technical performance means not so much as emotional side.
Pavarotti was not an overly emotional singer if you compare him to other tenors. If you compare Pavarotti to other lyric tenors such as Gigli and Di Stefano he was a more standard performer. Singers with more dramatic voices have more emotion naturally, Del Monaco was the most intense tenor you will ever hear. Corelli had emotion and a very virile sound. Of course you will not hear in 20 second clips.
Corelli is effortless. They're all A's, but he's A+.
Też tak uważam, dla pozostałych dwóch to duży wysiłek
Por que el no llegaba al tono alto como el ultimo y es claro por que esta musica no me gusta
Indeed
They’re all B’s… B4 to be precise.
@@rickardroach9075 needless to say, Jonas kaufmann has a very dark sound, Franco Corelli sounds very bright here but his voice favored the darker side of his got older and Pavarotti was an older man here and his sound was slightly worn out but still superb. The pitch battle with Opera has always been a thing.
As an opera singer Pavarptti always makes me cry tears of movement and sadness at his last Vincero... It's like the doors of Heaven opening just for a slight moment to feel his voice in your heart❤
All so good, but Corelli seems so effortless.❤❤❤
Less it s more when you have such a voice as them.
Corelli owns this role.
I'm absolutely mesmerized by the middle fella. Effortless 👌
How can you choose who's better, when they all were blessed with angelic voices...
I concur. Sometimes critiques that breed competition is unnecessary!!!
All three are absolutely magnificent!
Is it just me or is Pavarotti the only one who bothers to enunciate so that I have a chance to understand the words?
Perfectly stated! ❤
Corelli ringing top note wins in my book,even though I love Pavarotti and Kaufmen.
I noticed that but I still go with Pavarotti… amazing
I'd normally be a Pavarotti fan, and these clips remind us of his greatness. But Corelli is simply untouchable. Not in the barbaric Indian meaning. But in the fact that he's always perfectly on pitch; his vibrato is beautifully tight; you feel it as if you were getting a rogering.
Corelli all the way!
Nein.
@@Nina-l2l1e Ja
The first guy looked like he was in pain. The second sang every note as written. Pavarotti did it effortlessly and with feeling. Bravo, Luciano! Bravo!
When Kauffman sang I thought it was phenomenal. Then Corelli sang, it was out of this world. And here comes Pavarotti, remarkable. All are amazing. No comparison needed as they are all great on their own ways.
Pavarotti will always be my favourite, both as an artist and as a human being.
Todos são muito bons
Corelli is unbeatable in this aria.
Nono. There is a recording of Pavarotti on UA-cam where he holds that climax note for more than 15 seconds and is delivered with such power and emotion it makes hard hearted men run sap from their eyes. Truly magnificent. This aria has always been Pavarotti’s.
@@BoogWar01 Nah, Pavarotti voice wasn't fitting for this aria. His voice was too bright, too light and Nessun Dorma is meant to be sung by a tenor with a bigger voice with a hint of dramatic-ness.
@@MultiKamil97 how dare you compare different people’s voices that are too distinct and individual? even if you are so smart in terms of singing, just frickin go on stage and sing for yourselves!!!
@@supernastja_art Lol
@@MultiKamil97 I’m serious! Even if Pavarotti is famous for HIS unique performance of Dorma, this does not mean that you should belittle him or criticize him for his shortcomings!
Franco Corelli's vibrato probably broke glasses. Amazing!
Franco Corelli-eterno principe!
corelli tutta la vita, voce pulita e rilassata, naturalezza assoluta
Corelli was probably a better tennor, but That Pavarotti performance has a special place in my heart. It brings tears to my eyes every time.
Most in our generation are partial to Pavarotti. But Corelli wins this one hands down as far as the three performances that we are shown here.
Core!li !!!! There are coming fast trembling silver flames out of his throat. I love it so much.
Franco Corelli? A great voice! Wonderful! Respect! A natural talent! Unfortunately, we do not have such a voice in our days!
Kaufmann brings power; Corelli brings emotion but Pavarotti brings your soul and everything U have in your heart!
Kaufman has no power. It is a small stuck, throaty voice. It is very hard to hear him live.
El mejor e irrepetible Pavarotti 🎉🎉🎉🎉🎉
@@RadamesAida2Operaloverstrue.
Kauffman is thousand floors below Corelli.
Corelli, of course!
Bueno, cada quién tiene sus propios gustos y preferencias no creen?
Love them all!!! Each has a unique and beautiful approach. Lovely.
Definitely Pavarotti, he also showed the most emotion in his eyes and his voice..❤
No. Corelli is better here
Pavarotti did not have the voice/ instrument for this aria. the masses/ marketing & the money making machine. Domingo was worse &'Carreras was adequate.But only the great Spinto Corelli with that jenesequa in his voice could sing this very well almost well enough to resurrect the great Puccini. 🇫🇷🙏💙 Arnaud Bourbon Amaral
😂
Kaufman got the deepness in his voice..... Pavarotti was actually screaming not simging
@@nicdelange2900😂 Kaufman darkens artificially his voice
Why compare,
they all have fabulous voices!❤
Yes each has his own unique style of magnificent singing
You said it perfectly… all are a delight to the ears. ❤
Pav is my favorite, but Kaufman can really hold his own with these 2 superstar powerhouses.❤
Muy sencillo: dos grandes y un mediocre que ni se meceré compartir video con ellos.
Corelli, every time. Effortless!
Pavarotti and Kaufmann looked like they were going to blow a gasket 💥
Pavarotti 100%! Especially that 94’ performance
Corelli, Corelli, Corelli, Corelli❤❤❤❤❤
El concierto de Pavarotti de Turandot
You mean the one in the video? He almost loses the note at the end 😒
No. Corelli is much more natural
@@MultiKamil97...sei un tifoso, ma chi ama il canto rispetta e ammira chi ha dato tanto lustro a questa disciplina.
Pavarotti for me, but Kaufman is still here and what an amazing voice has he...love him.
Corelli is the best tenor ever heard ..forever incredible voice easy and big and powerful and smooth in the same time ..
The second vincero on the 'CE' part Corelli's was the most powerful yet smooth. Perfect pitch no cracks.
Корелли даже глазом не моргнул! Гениально
They are all equally fabulous❤!
Second one is the best
It's just so beautiful, its like judging the prettiest of roses.
Maaan.....Franco come from another dimension and so simple and just right old school vocal technique. Best ever
I saw both Corelli and Pavarotti live…two different voices. Corelli has the edge. Bigger sound, more heroic sound. One of the more beautiful Nessun Dorrmas was sung by Bjoerling, but he could not have sung it on stage.
There is only ONE Pavarotti. It will be generations before we see a voice like this again if ever. The others are still stunning in their delivery.
Pavarotti was the last great tenor. He had a beautiful and unique voice. But Corelli’s voice was far more rare. Corelli was a real Italian heroic tenor there hasn’t even been anyone in this voice category for 70 - 80 years.
Franco Corelli. The dark tenor. #pure #true
❤still on of my Favorite voices...Bravissimo JONAS
I got chills on all three! Very talented people!
Corelli with all his emotion
Maravilloso qué chorro de boz prrfectoJonas Kaufman❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤
やはりコレルリの音色が冴えてる。デカイ声を出さずとも良く聞こえる。オケの邪魔にもならない。
Espantoso kaufman!!! No sé ni cómo comparte video con dos verdaderos grandes de la lírica. El mejor calaf de la historia, corelli y el gran gran Pavarotti.
Su deficiencia técnica ni siquiera le permite pronunciar … desde cuando se dice “vEncero”
Solo para ignorantes
All were amazing. Each with a different style. I love me some Pavarotti but Corelli. Wow
We all know pavoratti is the gold standard but Corelli just blew me away.
Золотой стандарт это Карузо, серебряный - Корелли, ну а остальные... остальные где-то там
КОРЕЛЛИ - ЭТО БОЖЕСТВЕННЫЙ ГОЛОС, КРАСОТА И АРИСТОКРАТИЗМ!!!
Corelli, extraordinario!!!
Corelli. Every day of the week and twice on Sundays....
❤
Absolutely, others may sing this well but Corelli is in another category altogether.
@@carolpaynter8181 That's called greatness mademoiselle. greetings from France 🇫🇷 Arnaud Bourbon Amaral
Corelli looks relaxed; Pavarotti is unbeatable; Kaufmann gave his very best.
Posiblemente , pero lo mejor de kaufman es muy muy malo
The young man sounded amazing g, Corelli had style n grace but my favorite is Pavarotti
Corelli's voice is more flying, sonorous, even on the old recording he sings much more loudly than Pavarotti and Kaufmann. Kaufmann sings in a mask, he is very tense and you can see it on his face. This can be traced in Pavarotti. Corelli sings correctly, his face is relaxed, and his voice fits the aria. Old school is better
You’re not 100% right
Sorry I used to say Pavorotti, 'til I heard Corelli
I love Pavarotti too, but Corelli hit the bullseye & Kaufmann was no slouch either
it's immediately obvious that you understand music
@janetannerevans2320lanza and Corelli are not in the same league sorry
@janetannerevans2320 Lanza had a nice tone of voice but he was a studio recording artist not a real tenor who sang live operas.
All three are incredible singers - but Corelli and Pavarotti - they just take you to a beautiful world. The talent of being able to sing arias such as Nessun Dorma always astounds me.
Corelli’s power and enduring vibrato is amazing
CORELLI is the best Calaf ever. And he is the only tenor ever being on the same level as Birgit Nilsson's Turandot.
Discordo. CORELLI é ótimo sem duvida eu adoro, mas PAVAROTTI em sua Idade avançada dá mais show com sua voz de diamante, inconfundível!
What is Calaf?
@@exile8111 "Calaf" is a name. The character who sings the aria "nessun dorma" in the opera "Turandot" has been given that name. The part needs to be sung by a tenor because of the score.
@@franziskaschindler7087 🙏
@@miriaminesphilippi6463Corelli claramente com uma voz mais poderosa em termos de projeção de ressonância harmônica, consistência e sua Impostação da nota foi mais controlada e sem esforço comparada a Pavarotti, principalmente comparando as épocas diferentes de ambos nessas comparações e que logicamente também é um fator determinante.
I'd agree that in these versions it's Corelli. But if you look you'll find the same ease in Pavarotti when he was younger.
Pavarotti is no 1 by far.
Kaufmann: VENCERÒ
Pavarotti: VINECERÒ
Corelli: the one and only!
Es verdad, pero no es el único defecto de kauffman, mientras que Pavarotti es una figura histórica
No matter how many times I hear nessun dorma I still get chills. Wonderful composition.
I AM NOT ABLE TO DIFERENCIATE THESE THREE GENIUSES
Todos maravillosos!, pero Pavarotti cruza la dimensión terrenal con esas notas, se vuelve etéreo, te arranca el corazón y unas lágrimas también, recuerdo haber llorado la primera vez que la escuché, bravo!!!
Kaufmann and Corelli's is for me emotionless it will always be for me Pavarotti you can hear emotion