Ludwig Van Beethoven (1770-1827) Piano Concertos Nos. 2,3 by Glenn Gould (Live) ***Listen to our latest mastering update**** : bit.ly/3ACtuwo 🎧 Qobuz bit.ly/3Qjoba4 Deezer bit.ly/3A42PbO 🎧 Amazon Music amzn.to/3Qqvehi Tidal bit.ly/3Qsi8Qz 🎧 UA-cam Music bit.ly/3vuhCt2 SoundCloud bit.ly/3i5Ib4C 🎧 Apple Music - Spotify - 🎧 Naspter, Pandora, Anghami, LineMusic日本, Awa日本, QQ音乐 … Click to activate the English subtitles for the presentation (00:00-02:07) 00:00 Piano Concerto No. 2 in B flat Major, Op. 19 - I. Allegro con brio (Live 1960) 14:05 Piano Concerto No. 2 in B flat Major, Op. 19 - II. Adagio 22:03 Piano Concerto No. 2 in B flat, Op. 19 - III. Rondo, Molto allegro 28:06 Piano Concerto No. 3 in C minor, Op. 37 - I. Allegro con brio (Live 1962) 44:09 Piano Concerto No. 3 in C minor, Op. 37 - II. Largo 52:53 Piano Concerto No. 3 in C minor, Op. 37 - III. Rondo, Allegro Piano: Glenn Gould Detroit Symphony Orchestra Conductor: Paul Paray Live recordings in 1960 & 1962 New mastering in 2022 by AB for CMRR 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg ❤ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr If you listen carefully to these recordings, Glenn Gould is singing all the time while playing (even more so during the recording of the 3rd concerto). Even though this great artist is best known for his legendary interpretations of Bach, he is nevertheless an excellent "Beethovenian". He began playing the piano at the age of three with his mother and attended classes (1943-52) at the Toronto Conservatory with Alberto Huerrero. He also studied the organ and at the age of fourteen participated in an international competition for organists. That same year he performed Beethoven's Piano Concerto No. 4 for the first time in public with the Toronto Symphony Orchestra. In 1955 in New York, he signed a contract with Columbia Records. In 1957, he was the first Canadian pianist invited by the Soviet government to Moscow and Leningrad, where he triumphed with Bach's Goldberg Variations. At the age of thirty-two, he gave up performing and withdrew into solitude, even though his name was as well known in America as Bernstein's. {He now plays only for the record. A lecturer at the University of Toronto, founder and director of a chamber music association that creates new works, this pianist knows all the techniques of recording. His repertoire ranges from Bach to Schoenberg, his interpretation is always renewed and original; it is based on a very personal technique linked to his position in front of the keyboard, much lower than that of his colleagues. Click to activate the English subtitles for the presentation (coming soon) Bach - Goldberg Variations / Studio recording 1955 REMASTERED (recording of the Century: Glenn Gould): ua-cam.com/video/2RXZGklAMzs/v-deo.html Bach - Goldberg Variations / Live recording 1959 REMASTERED (recording of the Century: Glenn Gould): ua-cam.com/video/QvyOXoD28mg/v-deo.html Ludwig Van Beethoven PLAYLIST (reference recordings): ua-cam.com/video/WUYeYsLMLus/v-deo.html
If you listen carefully to these recordings, Glenn Gould is singing all the time while playing (even more so during the recording of the 3rd concerto). Even though this great artist is best known for his legendary interpretations of Bach, he is nevertheless an excellent "Beethovenian". He began playing the piano at the age of three with his mother and attended classes (1943-52) at the Toronto Conservatory with Alberto Guerrero. He also studied the organ and at the age of fourteen participated in an international competition for organists. That same year he performed Beethoven's Piano Concerto No. 4 for the first time in public with the Toronto Symphony Orchestra. In 1955 in New York, he signed a contract with Columbia Records. In 1957, he was the first Canadian pianist invited by the Soviet government to Moscow and Leningrad, where he triumphed with Bach's Goldberg Variations. At the age of thirty-two, he gave up performing and withdrew into solitude, even though his name was as well known in America as Bernstein's. {He now plays only for the record. A lecturer at the University of Toronto, founder and director of a chamber music association that creates new works, this pianist knows all the techniques of recording. His repertoire ranges from Bach to Schoenberg, his interpretation is always renewed and original; it is based on a very personal technique linked to his position in front of the keyboard, much lower than that of his colleagues. Click to activate the English subtitles for the presentation (00:00-02:07) 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg ❤ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr
Ich liebe Glenn Gould, vor allem für seine Bach Interpretationen. Für mich ist er der Beste, der jemals Bach auf dem Klavier gespielt hat. Vielen Dank und LG aus Montreal, Qc, Canada
Wunderschöne und spannende live Aufführung dieser beiden perfekt komponierten Konzerte mit klar artikuliertem doch elegantem Klang des technisch fehlerlosen Soloklaviers sowie gut vereinigten und perfekt entsprechenden Tönen der anderen Instrumente. Der intelligente und geniale Dirigent leitet das ausgezeichnete Orchester in verschiedenen Tempi und mit möglichst effektiver Dynamik. Die verbesserte Tonqualität ist auch ziemlich hoch als live Originalaufnahmen von mindestens sechzig Jahren vor. Alles ist wunderbar und atemberaubend zugleich!
Antonio Vivaldi composed music from scratch that was expertise to all other musicians that ever existed in the heavens above being such an expertise musician overlooking all other musicians that ever lived in the world knowing he was the greatest composer that ever existed in the world.
Antonio Vivaldi composed music from scratch that was expertise in the heavens above being such an expertise musician overlooking all other musicians that ever lived in the world knowing he was the greatest composer that ever lived in the world.
hmmmmm, another version of this live Concerto #2 on UA-cam clocks in at 29:03. This same performance here measures almost a minute quicker. No wonder it sounds sharp, it's been sped up.
@@charlotterose6724 Are you sure it's the same performance? A faster tempo does not automatically produce a higher pitch unless it's the exact recording spun faster. What evidence do you have that this is the case here? Of course, people with perfect pitch as our friend charlotterose6724 may possess would be made uncomfortable with a recording on the sharp side. But usually such prodigies complain of a disagreement of pitch between the piano (set to out-of-tune well-tempered) and perfectly tuned (at least potentially) scraped (strings) and blown (woodwinds and brass) instruments that comprise the orchestra.
Ludwig Van Beethoven (1770-1827) Piano Concertos Nos. 2,3 by Glenn Gould (Live)
***Listen to our latest mastering update**** : bit.ly/3ACtuwo
🎧 Qobuz bit.ly/3Qjoba4 Deezer bit.ly/3A42PbO
🎧 Amazon Music amzn.to/3Qqvehi Tidal bit.ly/3Qsi8Qz
🎧 UA-cam Music bit.ly/3vuhCt2 SoundCloud bit.ly/3i5Ib4C
🎧 Apple Music - Spotify -
🎧 Naspter, Pandora, Anghami, LineMusic日本, Awa日本, QQ音乐 …
Click to activate the English subtitles for the presentation (00:00-02:07)
00:00 Piano Concerto No. 2 in B flat Major, Op. 19 - I. Allegro con brio (Live 1960)
14:05 Piano Concerto No. 2 in B flat Major, Op. 19 - II. Adagio
22:03 Piano Concerto No. 2 in B flat, Op. 19 - III. Rondo, Molto allegro
28:06 Piano Concerto No. 3 in C minor, Op. 37 - I. Allegro con brio (Live 1962)
44:09 Piano Concerto No. 3 in C minor, Op. 37 - II. Largo
52:53 Piano Concerto No. 3 in C minor, Op. 37 - III. Rondo, Allegro
Piano: Glenn Gould
Detroit Symphony Orchestra
Conductor: Paul Paray
Live recordings in 1960 & 1962
New mastering in 2022 by AB for CMRR
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg
❤ If you like CM//RR content, please consider membership at our Patreon page.
Thank you :) www.patreon.com/cmrr
If you listen carefully to these recordings, Glenn Gould is singing all the time while playing (even more so during the recording of the 3rd concerto). Even though this great artist is best known for his legendary interpretations of Bach, he is nevertheless an excellent "Beethovenian". He began playing the piano at the age of three with his mother and attended classes (1943-52) at the Toronto Conservatory with Alberto Huerrero. He also studied the organ and at the age of fourteen participated in an international competition for organists. That same year he performed Beethoven's Piano Concerto No. 4 for the first time in public with the Toronto Symphony Orchestra. In 1955 in New York, he signed a contract with Columbia Records. In 1957, he was the first Canadian pianist invited by the Soviet government to Moscow and Leningrad, where he triumphed with Bach's Goldberg Variations. At the age of thirty-two, he gave up performing and withdrew into solitude, even though his name was as well known in America as Bernstein's. {He now plays only for the record. A lecturer at the University of Toronto, founder and director of a chamber music association that creates new works, this pianist knows all the techniques of recording. His repertoire ranges from Bach to Schoenberg, his interpretation is always renewed and original; it is based on a very personal technique linked to his position in front of the keyboard, much lower than that of his colleagues. Click to activate the English subtitles for the presentation (coming soon)
Bach - Goldberg Variations / Studio recording 1955 REMASTERED (recording of the Century: Glenn Gould): ua-cam.com/video/2RXZGklAMzs/v-deo.html
Bach - Goldberg Variations / Live recording 1959 REMASTERED (recording of the Century: Glenn Gould): ua-cam.com/video/QvyOXoD28mg/v-deo.html
Ludwig Van Beethoven PLAYLIST (reference recordings): ua-cam.com/video/WUYeYsLMLus/v-deo.html
Wonderful playing by the young Gould and a characterful accompaniment by Paray and the DSO. The 1st mvmt cadenza in the B-flat concerto is a treat.
If you listen carefully to these recordings, Glenn Gould is singing all the time while playing (even more so during the recording of the 3rd concerto). Even though this great artist is best known for his legendary interpretations of Bach, he is nevertheless an excellent "Beethovenian". He began playing the piano at the age of three with his mother and attended classes (1943-52) at the Toronto Conservatory with Alberto Guerrero. He also studied the organ and at the age of fourteen participated in an international competition for organists. That same year he performed Beethoven's Piano Concerto No. 4 for the first time in public with the Toronto Symphony Orchestra. In 1955 in New York, he signed a contract with Columbia Records. In 1957, he was the first Canadian pianist invited by the Soviet government to Moscow and Leningrad, where he triumphed with Bach's Goldberg Variations. At the age of thirty-two, he gave up performing and withdrew into solitude, even though his name was as well known in America as Bernstein's. {He now plays only for the record. A lecturer at the University of Toronto, founder and director of a chamber music association that creates new works, this pianist knows all the techniques of recording. His repertoire ranges from Bach to Schoenberg, his interpretation is always renewed and original; it is based on a very personal technique linked to his position in front of the keyboard, much lower than that of his colleagues. Click to activate the English subtitles for the presentation (00:00-02:07)
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/370zcMg
❤ If you like CM//RR content, please consider membership at our Patreon page.
Thank you :) www.patreon.com/cmrr
In 1957 he was the first CANADIAN....
@@jgamez5023 :)
Excusez-moi. But you missed the "G" for an "H." Gould's piano teacher's name was "Alberto Guerrero." Guerrero = Warrior .
@@molocious Thanks :)
Ich liebe Glenn Gould, vor allem für seine Bach Interpretationen. Für mich ist er der Beste, der jemals Bach auf dem Klavier gespielt hat.
Vielen Dank und LG aus Montreal, Qc, Canada
Wunderschöne und spannende live Aufführung dieser beiden perfekt komponierten Konzerte mit klar artikuliertem doch elegantem Klang des technisch fehlerlosen Soloklaviers sowie gut vereinigten und perfekt entsprechenden Tönen der anderen Instrumente. Der intelligente und geniale Dirigent leitet das ausgezeichnete Orchester in verschiedenen Tempi und mit möglichst effektiver Dynamik. Die verbesserte Tonqualität ist auch ziemlich hoch als live Originalaufnahmen von mindestens sechzig Jahren vor. Alles ist wunderbar und atemberaubend zugleich!
Великолепно! Какая чудесное исполнение, редкая запись. Благодарю сердечно за такой прекрасный подарок! 💕
아름다운 연주곡 잘 들었습니다~감사합니다~🎵🎻🎻🎹🌿🍀☘🌹🌹☘🍀🌿❤❤수고 많으셨습니다~☕
Peace. Superb! Kudos! Thank you! Peace.
Thanks for sharing: two truly legendary live performances! Gould's shining piano playing perfectly pairs with the vigorous sound of Detroit Orchestra.
Thank you so much for uploading!
Muy buen interprete de esta maravillosa musica que nos dejo Beethoven
Much better than the Bernstein version!...... splendid remastering.
thanks :)
grazie
What to say, great upload. TY
Antonio Vivaldi composed music from scratch that was expertise to all other musicians that ever existed in the heavens above being such an expertise musician overlooking all other musicians that ever lived in the world knowing he was the greatest composer that ever existed in the world.
Antonio Vivaldi composed music from scratch that was expertise in the heavens above being such an expertise musician overlooking all other musicians that ever lived in the world knowing he was the greatest composer that ever lived in the world.
🙇😀😍
🌹❤🌹
what is the date of this concert ?
look the video description :)
28:38 was it taken from a radio broadcast ?
your remark made us smile, it was a surprise on the band that we decided to keep :)
@@classicalmusicreference 😉
To my ears, I'm afraid, it's very sharp - at least the B flat concerto is; I haven't listened to the other one yet.
hmmmmm, another version of this live Concerto #2 on UA-cam clocks in at 29:03. This same performance here measures almost a minute quicker. No wonder it sounds sharp, it's been sped up.
@@charlotterose6724 Are you sure it's the same performance? A faster tempo does not automatically produce a higher pitch unless it's the exact recording spun faster. What evidence do you have that this is the case here? Of course, people with perfect pitch as our friend charlotterose6724 may possess would be made uncomfortable with a recording on the sharp side. But usually such prodigies complain of a disagreement of pitch between the piano (set to out-of-tune well-tempered) and perfectly tuned (at least potentially) scraped (strings) and blown (woodwinds and brass) instruments that comprise the orchestra.