Three useful ways to use Minor 7 flat 5 Arpeggios - Nicky V
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- Опубліковано 7 сер 2024
- Let's unlock the hidden potential of Minor 7 flat 5 / Half-Diminished arpeggios! Ever wondered why we learn them but rarely put them to use? In this video, I'll show you three practical ways to incorporate these colorful arpeggios into your musical vocabulary. From jazz to rock, these techniques can help lift you from an intermediate guitar player to an advanced intermediate guitarist. Don't forget to Like and Subscribe if you find this video helpful!
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Truly appreciate all of you!
-Nicky V
0:00 Intro Jam
0:45 Intermediate To Advanced Intermediate
1:21 Drop 2 Shapes and Arps
3:41 Learn This Shape
4:59 Minor Application
6:27 Blues Application
8:51 Five Chord Application
10:37 Quick Review
11:41 Be Musical
12:06 Signal Chain
13:07 Outro Jam
Just discovered your channel. Love it. As a guitar and bass player for 50 years, I love watching younger guys like you that bring a fresh take on things. Really enjoyed your videos a getting gigs and touring. I went to Nashville in the early 80’s with a band looking to get “discovered “. I was living near ATL and gigging every weekend and thought we were really good. It didn’t take long to see what really good really sounded like. Very humbling and eye opening for an 19 year old. We limped back to ATL with our tails between our legs! We did get to play on the Ralph Emery Show and met Lorrie Morgan. She was singing backup for George Jones at the time and was also trying to “get discovered”. Well, she got discovered and we got to crawl back home. Everything happens for a reason. I joined the Army and became a helicopter pilot for 28 years. Great career and loved it. I was still able to play some and now in retirement life I’m back at it again with a band doing local gigs. I know my place now at least. Continued good luck to you and your career. Seems like you have it together. I know, too much rambling around in this post. Sorry.
You are fine man. Thank you for sharing and checking the video out. Appreciate you
Excellent again, Nicky. I’m a player who understands a little theory, but doesn’t really want nor has the patience for all the deep dive stuff. Your tips and tricks give me new areas to explore that I didn’t realise were there. Simple enough to be instantly useable and yet with enough pointers to find additional aspects for further experimentation and creativity. You’re a terrific teacher and educator!
And personally I’d like more ‘out of the box/ Jazz concepts for non- Jazz players’!
Thank you so much for taking the time to comment on this. This is the exact feedback I’m looking for. Im sitting here with my wife discussing what I think people might like to learn next and this is exactly the kind of feedback I was looking for.
Thank you!
Very enlightening and thanks very much!
You got it!
Sounds great! Love your feel and tone. 335 rules😎!
Man thank you! Appreciate you watching and so glad you enjoyed it!
Brilliant stuff. I love these kinds of tips as a non theory person that I am I can still digest and apply it after a few rewinds. Totally dig the outside sounds it creates. Your videos really challenge me and up the proverbial anti on what I expect of myself as a player. The outro really highlights that wonderful outside sound it makes. Great content.
Comments like this are why I put the effort into making these videos. So happy it helps and thank you for the kind words!
Amazing!
You rock. Thanks for watching!
Sounds great :)
Awe you are too sweet
Fret explained 🎉😮😊
Thanks for watching!
Killah, Nicky V!! Who did you learn guitar from?
I think I learned the minor trick and blues trick at the Musicians Institute probably from my private instructor Vadim Zilbershtein. The 5 chord thing I think I came up with myself (I’m sure I’m not the first though).
Thanks for watching!
Not to nerd out too bad on this but fyi if you play that voicing and just add the open E string(s) you get an Emsus9 - cool chord that’s also used in ELP’s From the Beginning.
Love it!
@@NickyV Oof! Flat 9. But you knew that. 😊
Sounds good. I am narrow-minded & prefer only major chords. Shared on Twitter. No Serial Killer.
I gotcha :)
Thank you!
One fun little trick you can do, is take any dim7 chord, and randomly raise one note of it by a half-step (it doesn’t matter which). Whatever note you chose just became a b7 of a Min7b5 chord. So any dim7 chord can be 4 potential min7b5 chords.
Conversely, if you lower any pitch of that dim7, it becomes a root of a Dom7…. So, every dim7 chord can be 4 potential min7b5 chords, or 4 potential Doms.
Ahh, symmetry…
I literally was working on this with a student yesterday haha. We were working on tritone subs and I hit them with the Herbie Hancock trick (I know he didn’t invent it but his name is tossed around when talking about it). For those reading this and need letter examples.
If you take a C#diminished and lower any note in the chord a half step it gives you four different Dominant 7 chords that are all three frets apart which would be C7, Eb7, F#7, and A7.
@@NickyV Right on!!
Awesome solo! How do you learn all these scales and positions?
Systematically over time haha. Went to school for it and they had a good approach for digesting it.
What does a "drop 2" or "drop 3" chord mean?
I really appreciate what you're doing. It helps me to nail down some more sophisticated sounds I hear in my head, but don't know where they come from. Thanks.
Comments like this keep me motivated to put them out man. Appreciate you watching and so glad you found it helpful!
TRay's Diggin' It
Thanks man!