Daniil Simkin has so many great moments....his jump combinations are so original and so incredible, truly poetry in motion! The beginning pas de deux with Salenko was just marvelous, a really good pairing! All of the women in Pas de Quatres danced with such beauty and grace, in lovely attitudes, such control! I kept thinking during both ballets how lucky Berliners are to have these dancers to watch, truly amazing work!
Iana Salenko and Daniil Simkin are such a perfect match! They both have not only a stunning technique and artistry, but they also radiate the same passion for ballet. And they both look much taller than they actually are, lol 😂 👏❤️ Because they both have such beautiful long lines. Who would guess that Iana is only 5 ft 1?
Salenko and Simkin injected real passion into what can be a dusty old favourite. They both have soft, elegant and expressive upper bodies combined with legs of steel. Loved this version of the pdd.
Quasi simbionte alla leggerezza dell' aria che sembra filare la performance di questa ballerina che esprime in toto l'esprit de joie della danza e la sua armonia. Ottimo l'impadronimento imperativo del proscenio da parte del ballerino a balzi falcati amplissimi ed a torsioni aeree.Ottime le.pose figurali assunte nell'ensembe e la impressione di facilita' esecutiva d'acchito per entrambi.Ottimo il senso del continuum dato alla pièce danzante dai protagonisti. Superlativi. BIGHIN GIULIO RENZO 😊😊😊😊😊😊😊
The Grand pas de deux of Le Corsaire by Daniil Simkin and Iana Salenko was very wonderful . All the scenes of the two are beautiful and perfect, and each variation is also stunning . It's been a while since I've seen such a wonderful Le Corsaire Grand pas de deux. Their respective careers, very highest ballet technique, and expressiveness were perfect. I was deeply moved in every scene.Bravo !!!!!
I indulged myself into a binge-watching of Berlin dancers and i can't get enought. I had no idea that Simkin, Correa and Virellles are already there. And i also appreciate the diversity of styles/genres that you are trying to accomodate within one opera house. No wonder that so many of the great contemporary choreographers started their careers in Germany. Thank you for that from Ukraine
@@MrQbenDanny me too before ,it depends how you use it ,for us balletlovers is precious .off course many use it for silly things but for us balletlover is really a priceless help in many ways
Thanks for sharing!! Pas de Quatre is absolutely exquisite. I had the feeling that it was a young choreography. It used to be danced in a very old fashioned style. Here, the four ballerinas have the technique and body of today's dancers and that makes it look so young and refreshing.
The pas de quatre was danced beautifully by all four dancers, especially Yolanda who was so fluid and had great footwork. The music and costumes were also lovely. The Corsaire pas de deux was entertaining and energetic, especially Simkin with his awesome turns. Thanks for posting, C ❤❤❤
Amazing! GPDQ completely captured the style of the period (I think they even softened their pointe shoes so they would resemble those of the time) and, without overdoing it, the fact that the 4 ballerinas were not necessarily on good terms. Corsaire was just an OMG INCREDIBLE. I've never seen the movement that's like a barrel turn with the following leg brought around (is there a name for this?) done sequentially nor most of the male choreo for this pdd embellished to this extent, but where else could you embellish and have it look brilliant? And Iana---I just run out of superlatives trying to describe her technical finesse and elegance. Thanks so much for posting!
@Ian Roberson Thank you! I knew I'd heard a name for it somewhere but forgot. I felt like Simkin was doing some of the frills "because I can" (reminded me a little of some of the tricks a young Roberto Bolle would pull out, like posee to 5th , then extend to arabesque---and hold and hold and hold---whilst still on half pointe). But in a stand-alone pdd, there really is no better place to pull out all the stops. I've usually seen the 540s done as one barrel-type turn, then down to one knee, then rinse and repeat. I have never seen them done continuously like this. Pretty amazing! And I have nothing but rapturous sighs for everything Selenko does!
@@minissa2009 the first to perform 540 ,and probabily invented it ,was bolshoi dancer YURI VLADIMIROV here on you tube there are videos with him performing it in 1966 varna ibc
@@pediatrapaola Yup. Had to sit through lots of awards but the film eventually shows bits of the coda to Flames of Paris from many different perspectives, although I had to provide my own music by humming along lols! I wonder if 540 refers to number of degrees of arc?
@@pediatrapaola Yeah, I guess with 540 degrees of arc, you'd turn a complete revolution plus another hald, and that would leave you facing back the way you came. Barrel turn on steroids?
Wanderfull !!!!!!!!
Iana is the most beautiful ballerina in the world. Once again I am impressed.
Daniil Simkin has so many great moments....his jump combinations are so original and so incredible, truly poetry in motion! The beginning pas de deux with Salenko was just marvelous, a really good pairing! All of the women in Pas de Quatres danced with such beauty and grace, in lovely attitudes, such control! I kept thinking during both ballets how lucky Berliners are to have these dancers to watch, truly amazing work!
Iana Salenko and Daniil Simkin are such a perfect match! They both have not only a stunning technique and artistry, but they also radiate the same passion for ballet. And they both look much taller than they actually are, lol 😂 👏❤️
Because they both have such beautiful long lines.
Who would guess that Iana is only 5 ft 1?
Salenko and Simkin injected real passion into what can be a dusty old favourite. They both have soft, elegant and expressive upper bodies combined with legs of steel. Loved this version of the pdd.
I can watch him numerous times! He is the greatest dancer ever performing for the contemporary classic ballet!
I have watched the Pas de Quatre like 10 times! I love it! The dancer who dances Marie Taglioni, her name is Yolanda Correa is especially WONDERFUL.
Quasi simbionte alla leggerezza dell' aria che sembra filare la performance di questa ballerina che esprime in toto l'esprit de joie della danza e la sua armonia. Ottimo l'impadronimento imperativo del proscenio da parte del ballerino a balzi falcati amplissimi ed a torsioni aeree.Ottime le.pose figurali assunte nell'ensembe e la impressione di facilita' esecutiva d'acchito per entrambi.Ottimo il senso del continuum dato alla pièce danzante dai protagonisti. Superlativi. BIGHIN GIULIO RENZO 😊😊😊😊😊😊😊
The Grand pas de deux of Le Corsaire by Daniil Simkin and Iana Salenko was very wonderful . All the scenes of the two are beautiful and perfect, and each variation is also stunning . It's been a while since I've seen such a wonderful Le Corsaire Grand pas de deux. Their respective careers, very highest ballet technique, and expressiveness were perfect. I was deeply moved in every scene.Bravo !!!!!
Agree. Superb🌹🌹😍💕👏👏👏
@@reneerichero1219 Thank you very much.
I indulged myself into a binge-watching of Berlin dancers and i can't get enought. I had no idea that Simkin, Correa and Virellles are already there. And i also appreciate the diversity of styles/genres that you are trying to accomodate within one opera house. No wonder that so many of the great contemporary choreographers started their careers in Germany. Thank you for that from Ukraine
BRAVO!!!BRAVISSIMO!!!
Highlights for me are Daniil SIMKIN and Yolanda CORREA'S Taglioni, both understand STYLE and phenomenal techniques.
hi danny how are you ? are centuries you didn't comment on yt ? allright ? l am happy you are back
@@pediatrapaola Hi!, only commenting on things that inspire me to comment.
join facebook danny many of us previously on YT ARE NOW ON FACEBOOK
@@pediatrapaola I HATE Facebook.
@@MrQbenDanny me too before ,it depends how you use it ,for us balletlovers is precious .off course many use it for silly things but for us balletlover is really a priceless help in many ways
Simkin; flawless, exceptional.
Yes!!!!! Daniil Simkin is exceptional. An unforgetable dancer, we can include him in the group of the great ones of ballet
Loved the pas de deux.
Thanks for sharing!! Pas de Quatre is absolutely exquisite. I had the feeling that it was a young choreography. It used to be danced in a very old fashioned style. Here, the four ballerinas have the technique and body of today's dancers and that makes it look so young and refreshing.
Fantastic thank you
The pas de quatre was danced beautifully by all four dancers, especially Yolanda who was so fluid and had great footwork. The music and costumes were also lovely. The Corsaire pas de deux was entertaining and energetic, especially Simkin with his awesome turns. Thanks for posting, C ❤❤❤
Just pure excellence xx
This Pas de Quatre is absolutly wonderful! Thank you.
Bravissimi!! So wonderful performance. Thanks
La mejor pareja del Staatts ballet ❤️
Bellissimo ,bravoooooo. Viva el BALLET.
Salenko and Siimkin, exellents, i much prefer the Alonso version of the Grand Pas de Quatre for the Cuban National Ballet.
Thank you for the pleasant visual experience.
Bravo bravo bravo
Amazing! GPDQ completely captured the style of the period (I think they even softened their pointe shoes so they would resemble those of the time) and, without overdoing it, the fact that the 4 ballerinas were not necessarily on good terms. Corsaire was just an OMG INCREDIBLE. I've never seen the movement that's like a barrel turn with the following leg brought around (is there a name for this?) done sequentially nor most of the male choreo for this pdd embellished to this extent, but where else could you embellish and have it look brilliant? And Iana---I just run out of superlatives trying to describe her technical finesse and elegance. Thanks so much for posting!
@Ian Roberson Thank you! I knew I'd heard a name for it somewhere but forgot. I felt like Simkin was doing some of the frills "because I can" (reminded me a little of some of the tricks a young Roberto Bolle would pull out, like posee to 5th , then extend to arabesque---and hold and hold and hold---whilst still on half pointe). But in a stand-alone pdd, there really is no better place to pull out all the stops. I've usually seen the 540s done as one barrel-type turn, then down to one knee, then rinse and repeat. I have never seen them done continuously like this. Pretty amazing! And I have nothing but rapturous sighs for everything Selenko does!
@@minissa2009 the first to perform 540 ,and probabily invented it ,was bolshoi dancer YURI VLADIMIROV here on you tube there are videos with him performing it in 1966 varna ibc
@@pediatrapaola Yup. Had to sit through lots of awards but the film eventually shows bits of the coda to Flames of Paris from many different perspectives, although I had to provide my own music by humming along lols! I wonder if 540 refers to number of degrees of arc?
@@minissa2009 frankly l never knew why that step was called like that -
@@pediatrapaola Yeah, I guess with 540 degrees of arc, you'd turn a complete revolution plus another hald, and that would leave you facing back the way you came. Barrel turn on steroids?
Stunning 💞
Agree
Amazing.
Excelente !!!!!!
Bravoooo 👏👏👏👏 🎼🎶🎵🎀
Wow!!!thankyou amazing!
Want one of those romantic tutus!
Beautiful
21:25. Missed this the first time!
Fantasticno 💛
bravoooo
Were the ballerinas from Pas de Quatre nervous? cause I saw Mdme Taglioni her hands trembling
💙💙💙
Eccezionali ✌🏽
Formidabili ❤❤
🌹🌹🌹🌹
Superbes danseurs
Agree
🥰
这男舞者应该是大鸟吧？现在好像仍然无人超越他
Que bien ,pero oscura
Le Corsaire pas de deux awesome 👏 👏👏👏👏👏🌹
Pas de quatre 👎👎👎👎👎👎👎
Please try Pierre Lacotte for a real reposition, in every sense.
Yes!!!!!!! OMG!!!! Pas de deux Le Corsaire superb, wonderful dancers. Thanks so mucho from My Soul
NO BRAD. NO.