The totality of the nuances of this sound architecture is like a flight in the Sublime, it is one of the most divine and evocative music I have ever listened to so far. It's played with a feeling of tremendous inner power. A delightful listening experience!
I am beginning my first harp concerto and I wish only to hear harp music so wonderfully composed like Nikolai. He could write if he wished very energetically and excessively dissonant. In this instance it is written differently. Pleasant and dreamlike as a Nocturne should be and this blows me away.
I like this. It's a Nocturne in the same way that is the first movement of Shostakovich's 1st Violin Concerto. Definitely unlike the 19th century piano Nocturnes. I can just feel a breeze from a spring night while listening to this.
This piece is a sharp contrast to the traditional dark and brooding style Roslavets employed in his "other" compositions, namely his piano and chamber music with piano. It also has unusual instrumentation too.
Check out his some of his sonatas for violin and piano, (especially the one in C minor. Can't remember what number it is [6?]), or his piano trio no. 2 (it's on Spotify); they break away from that traditional dark style as well. In fact, he was composing very tonal pieces while he was composing his atonal pieces. He experimented with both tonalities and in some instances, created tonal bridges in his atonal music, or vice versa. I don't think he gave tonality/atonality equal prominence in any of his pieces though, unlike Sorabji, however.
+Alexander Sevda-Hess This record is performed by The Soloists of Bolshoi Theatre orchestra (USSR)It was made in 1986 and recorded on "Melodia" records.
This man at the end of the day was a big miss for the music historians. Thanks for your futile attempt. I still have known about this man for years. Of course not thanks to you but Luigi Verdi from Bologna, Italy.
The totality of the nuances of this sound architecture is like a flight in the Sublime, it is one of the most divine and evocative music I have ever listened to so far. It's played with a feeling of tremendous inner power. A delightful listening experience!
His In the Hours of the New Moon chamber work is another that is deeply interwoven with sounds that create a similar feeling.
I am beginning my first harp concerto and I wish only to hear harp music so wonderfully composed like Nikolai. He could write if he wished very energetically and excessively dissonant. In this instance it is written differently. Pleasant and dreamlike as a Nocturne should be and this blows me away.
No question. The incredible consistency of Roslavec composing is even here to wonder in full glory!
Wow. Incredibly beautiful.
I like this. It's a Nocturne in the same way that is the first movement of Shostakovich's 1st Violin Concerto. Definitely unlike the 19th century piano Nocturnes. I can just feel a breeze from a spring night while listening to this.
i know I am kind of off topic but does anyone know of a good site to stream newly released tv shows online?
My favorite part is from 1:01-1:32. It's so plaintive, yet peaceful, nostalgic, ephemeral, and dusky. 💙
I concur. It reminds me of something out of a Zelda video game.
Nice
Beautiful
God this is a nice one!
Angelic.
So inciting the harp at the beginning of this piece. You must listen to it therefore.
This piece is a sharp contrast to the traditional dark and brooding style Roslavets employed in his "other" compositions, namely his piano and chamber music with piano. It also has unusual instrumentation too.
Check out his some of his sonatas for violin and piano, (especially the one in C minor. Can't remember what number it is [6?]), or his piano trio no. 2 (it's on Spotify); they break away from that traditional dark style as well. In fact, he was composing very tonal pieces while he was composing his atonal pieces. He experimented with both tonalities and in some instances, created tonal bridges in his atonal music, or vice versa. I don't think he gave tonality/atonality equal prominence in any of his pieces though, unlike Sorabji, however.
Do you have any information about the performers?
+Alexander Sevda-Hess
This record is performed by The Soloists of Bolshoi Theatre orchestra (USSR)It was made in 1986 and recorded on "Melodia" records.
This man at the end of the day was a big miss for the music historians. Thanks for your futile attempt. I still have known about this man for years. Of course not thanks to you but Luigi
Verdi from Bologna, Italy.
Cute