Thanks for the comment! I wouldn't call it Ogunde-esque at all. I think this 2000s, early 2010s synthesized melodious soundtracks led by the likes of Tope Alabi was (or is) an 'era' of its own. You can definitely see the transcendence from the 90s, what with the "Koseegbe" (1995), "Igbanladogi" (1998), and co. To compare it to Ogunde's Aiye, or Jaiyesinmi, might be a stretch too far. This one, Alani Fere Bi Ekun is similar to those of the time, ('bout a decade ago), 2013 films such as "Omo Afe" and "Omo Ole" or the likes of "Maa Ko Fun E" (2012), Asiri Nla (2010), and many more. I was so interested in one but I can't remember the name, I had it looped here: ua-cam.com/video/bnuOSdAz4ZY/v-deo.html
@@tnfmusiclab3389 Actually I did mean Hubert. I have a best of Hubert CD many of these folk song types come directly from his plays as a matter of fact the call and response chant that Baba 70 used in Teacher don't teach me nonsense is from a Hubert play.
@@gasdemup And while that might be true, I still maintain that the sheer difference in melody caused by the auto-tune synthesized soundtrack music of the late 2000s Nollywood films still differs from that of Ogunde's films. While the lyrics might come from Ogunde, well-known proverbs, pop culture /(of the times), folklore and the like, I insist that there is too significant a difference to align them that closely.
@@tnfmusiclab3389 Yes of course, keep in mind after SAP nigerian musicality went on a steep decline. Kind of like Jazz made by art Blakey differs from Fela but the energy and origin are the same. I tend towards a continuation of thought as opposed to differential diagnosis. Other than that, I want to thank you for the valiant work with Fela May the ancestors guide you Provide peace and blessings to you and your family Ase
Good stuff, sounds like those old Hubert records
Very folksy
Thanks for the comment! I wouldn't call it Ogunde-esque at all. I think this 2000s, early 2010s synthesized melodious soundtracks led by the likes of Tope Alabi was (or is) an 'era' of its own. You can definitely see the transcendence from the 90s, what with the "Koseegbe" (1995), "Igbanladogi" (1998), and co. To compare it to Ogunde's Aiye, or Jaiyesinmi, might be a stretch too far. This one, Alani Fere Bi Ekun is similar to those of the time, ('bout a decade ago), 2013 films such as "Omo Afe" and "Omo Ole" or the likes of "Maa Ko Fun E" (2012), Asiri Nla (2010), and many more. I was so interested in one but I can't remember the name, I had it looped here: ua-cam.com/video/bnuOSdAz4ZY/v-deo.html
My bad btw, I realized you did not actually say Hubert Ogunde. I apologize brother.
@@tnfmusiclab3389
Actually I did mean Hubert. I have a best of Hubert CD many of these folk song types come directly from his plays as a matter of fact the call and response chant that Baba 70 used in Teacher don't teach me nonsense is from a Hubert play.
@@gasdemup And while that might be true, I still maintain that the sheer difference in melody caused by the auto-tune synthesized soundtrack music of the late 2000s Nollywood films still differs from that of Ogunde's films.
While the lyrics might come from Ogunde, well-known proverbs, pop culture /(of the times), folklore and the like, I insist that there is too significant a difference to align them that closely.
@@tnfmusiclab3389
Yes of course, keep in mind after SAP nigerian musicality went on a steep decline.
Kind of like Jazz made by art Blakey differs from Fela but the energy and origin are the same. I tend towards a continuation of thought as opposed to differential diagnosis. Other than that, I want to thank you for the valiant work with Fela
May the ancestors guide you
Provide peace and blessings to you and your family
Ase
For the first time ever, I was able to upload on all 3 channels on the same day.