Ludwig van Beethoven - Bagatelle No. 25 in A minor/Für Elise (Django Unchained)
Вставка
- Опубліковано 16 вер 2024
- Tema utilizado para la película "Django Unchained" realizada en 2012.
*** I do not own claim to own this material (Music & Photos).
This video is purely for entertainment purposes and not for profit,
I give full credit to the artist and to the owners of the song,
No copyright infringement intended! ***
*Song that played in the movie, but not included in the official soundtrack.
Scene: Broomhilda\'s Bill of Sale is written up and signed as the harp is played.
Composed: Ludwig van Beethoven
Arranged for harp and performer: Ashley Toman
(She is is the harpist seen and heard in the film)
Production Company: A Band Apart[, Columbia Pictures
Distributed:The Weinstein Company, Columbia Pictures
Django Unchained is a 2012 American revisionist Western film written and directed by Quentin Tarantino, starring Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Kerry Washington, and Samuel L. Jackson, with Walton Goggins, Dennis Christopher, James Remar, Michael Parks, and Don Johnson in supporting roles. Set in the Old West and Antebellum South, it is a highly stylized tribute to Spaghetti Westerns, in particular the 1966 Italian film Django by Sergio Corbucci, whose star Franco Nero has a cameo appearance.
Bagatelle No. 25 in A minor (WoO 59, Bia 515) for solo piano, commonly known as "Für Elise" or "Fuer Elise", English: "For Elise", (sometimes written without the German umlaut mark as "Fur Elise"), is one of Ludwig van Beethoven's most popular compositions. It is usually classified as a bagatelle, but it is also sometimes referred to as an Albumblatt.
The score was not published until 1867, 40 years after the composer's death in 1827. The discoverer of the piece, Ludwig Nohl, affirmed that the original autographed manuscript, now lost, was dated 27 April 1810.
It is not certain who "Elise" was. Max Unger suggested that Ludwig Nohl may have transcribed the title incorrectly and the original work may have been named "Für Therese", a reference to Therese Malfatti von Rohrenbach zu Dezza (1792-1851). She was a friend and student of Beethoven's to whom he supposedly proposed marriage in 1810, though she turned him down to marry the Austrian nobleman and state official Wilhelm von Droßdik in 1816. Note that the piano sonata no. 24, dedicated to Countess Thérèse von Brunswick, is also referred to sometimes as "für Therese". The Austrian musicologist Michael Lorenz has shown that Rudolf Schachner, who in 1851 inherited Therese von Droßdik's musical scores, was the son of Babette Bredl, born out of wedlock. Babette in 1865 let Nohl copy the autograph in her possession.
According to a 2010 study by Klaus Martin Kopitz, there is evidence that the piece was written for the German soprano singer Elisabeth Röckel (1793-1883), later the wife of Johann Nepomuk Hummel. "Elise", as she was called by a parish priest (she called herself "Betty" too), had been a friend of Beethoven's since 1808. In 2015 Kopitz published further sources about Beethoven's relationship to Elisabeth and the famous piano piece. It shows that she was also a close friend of Anna Milder-Hauptmann and lived together with her in the Theater an der Wien. The singer was the first who played the title role of Beethoven's opera Fidelio. In a letter to Elisabeth she called her indeed "Elise".
In 2014, the Canadian musicologist Rita Steblin suggested that Juliane Katharine Elisabet Barensfeld, who used "Elise" as a variant first name, might be the dedicatee. Born in Regensburg and treated for a while as a child prodigy, she first travelled on concert tours with Beethoven's friend Johann Nepomuk Mälzel, also from Regensburg, and then lived with him for some time in Vienna, where she received singing lessons from Antonio Salieri. Steblin argues that Beethoven dedicated this work to the 13-year-old Elise Barensfeld as a favour to Therese Malfatti who lived opposite Mälzel's and Barensfeld's residence and who might have given her piano lessons. Steblin admits that question marks remain for her hypothesis.
Source: Wikipedia.
I've always liked this classic.Several movies have used this song in a dramatic scene/ scenario.🌹🌹🌹🔥
Pray For those who are still Searching 🙏🙏
I can’t help but think Tarantino chose this to mock people that are obsessed by a certain culture or country but only have very superficial knowledge of that country and never been there.
Like Calvin Candy was obsessed with French culture but didn’t even know how to speak French,the title sounds french enough for him but i wonder if he knows it was actually composed by a German.
And of course Schultz is going to be outraged: The song is from Ludwig van Beethoven, a man who advocated for personal and national freedom....being played on a slave owner's house, which is the living embodiment of what Beethoven stood against.
Schultz is seeing first hand how they were defiling his culture....and perhaps that is also a point about why he wanted to kill Candie.
now were two :))
This song plays when a war is about to begin: Sopranos, Inglorious Basterds, and Django
Where in the Sopranos is this one? If you could please tell me!!
@@someanthooo when Phil Leotardo went out of line over a psycho Coco who wasn’t even made.
@@someanthoooI’m sorry when Carlo whacks Fat Dom
Serving red velvet cake instead of white cake in the library, calvin dies, Django and Hilda go home as well as our beloved German bounty hunter accomplice. Let's rewrite the screenplay to end even better
🍰
❤️
excuse me ma'm...
would you please stop playing ...
TAKE YOUR HANDS OFF THE HARP!!
Lmao without context this scene was funny.
But with context? No. Die inside or die physically in Chicasaw county, Mississippi, USA.
and he did just that. He died in Chicasaw County, Mississippi, USA. And inside.
*He couldn't take it anymore...* 😭😭😭😭😭
BEST character.
excuse me ma'am...could you please stop playing....TAKE YOUR HANDS OFF THE HARP....!
3
no one comment but me ?
7
4 :)):):)