Quartet Casals. Webern op.5

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  • Опубліковано 28 січ 2025

КОМЕНТАРІ • 15

  • @lucioblanel69
    @lucioblanel69 14 років тому +1

    Interpretazione superlativa di un'opera davvero meravigliosa. Grazie!

  • @delahlin
    @delahlin 2 роки тому

    I really like this interpretation. Very nice!

  • @pageljazz
    @pageljazz 11 років тому +2

    It's great seeing this performed. I've never seen it in concert, and I probably never will. UA-cam is not always a bad thing.

  • @yennydenett3066
    @yennydenett3066 12 років тому

    es una pena que este autor no hay recibido su merecido reconocimiento en vida. Una obra perteneciente a sus comienzos en la musica atonal para luego ingresar al serialismo

  • @jdzzdj
    @jdzzdj 15 років тому

    De nuevo BRAVO...me quedo sin palabras

  • @tmsphere
    @tmsphere 7 років тому

    Beautiful Beautiful Bravissimo!

  • @danillys
    @danillys 15 років тому

    bella interpretazione ! bravi

  • @aarfeld
    @aarfeld 12 років тому

    Glorious!

  • @8474tim
    @8474tim 13 років тому

    Magnificent, thank-you

  • @gentle_goy23432
    @gentle_goy23432 11 місяців тому

    Чистый квартетный экспрессионизм

  • @dieztreet
    @dieztreet 14 років тому

    contempo0raneo a morir la embarro
    parece peli de terror
    es buenisima rama de la musica s
    solo hay que saber oirla

  • @phillipvietri8786
    @phillipvietri8786 6 років тому

    There is form, organisation, sonority and all the elements necessary to musical composition (excepting functional harmony). But I have never quite been able to convince myself that Webern's compositions are any more than cleverly arranged sound patterns, with no meaning at all.

    • @CameronGuarino
      @CameronGuarino 5 років тому +3

      isnt that what all music is

    • @Gwailo54
      @Gwailo54 2 роки тому

      For I consider that music is, by its very nature, essentially powerless to express anything at all, whether a feeling, an attitude of mind, a psychological mood, a phenomenon of nature, etc. Expression has never been an inherent property of music. That is by no means the purpose of its existence. If, as is nearly always the case, music appears to express something, this is only an illusion and not a reality. It is simply an additional attribute which, by tacit and inveterate agreement, we have lent it, thrust upon it, as a label, a convention - in short, an aspect which, unconsciously or by force of habit, we have come to confuse with its essential being.
      Igor Stravinsky