@@AntonisArfanis Very true, though Russel isn't on bass here. I was just struck by Emmet and Kyle in particular because the dynamic between piano and drums tends to be a bit more naturally obvious and easy to pick up on.
Old soul tenor tone and killer tenor playing...if Abidas makes it to Chicago or St. Louis I gotta catch him live. Thanks for bringing that sound and keep it comin'!
@@willstonier5895 He's one of the only players I can think of who sounds a little like early Sonny Rollins to my ears. I feel like a lot go guys built on what Trane did and sometimes to great effect, but it sounds like Abidas is building on early Rollins and I love it.
@@willstonier5895 my personal favorite is Way Out West. Saxophone Colossus is a classic. Now that you pose the question, I realized that all of my favorite Rollins recordings are between 1956 and 1958. I had no idea all of those albums were from a two-year stretch.
@@selmertime I'd add Sonny Rollins vol 1 and 2 on Blue Note, Worktime on Prestige (unfairly overshadowed by Saxophone Colossus I think) and the Verve album (i think it was Verve/Emarcy) with Sonny Stitt and Dizzy Gillespie with the long version of After Hours. I'd go for those over Way Out West, but it's personal I guess.
Omg!! Im so so so happy you’re on Emmet’s place! I am obsessed with new jazz underground!! Your talent is crazy! I would kill to be there! So excited to see y’all grow more and more! 💚 Love from TX 🤠
First video I watched from Abdias was "This beat switch got my parents back together" but he changed the name late. 😂 I loved the title though. And the beat switch
This one blew me away, way, far away! What kept me especially engaged were: 1) your drummer and how the kicks showed up on different beats, and with such conviction; 2) how together you are, as you all built the intensity; and 3) how carefully you seem to be listening to each other’s ideas. Are musicians better listeners to start with or did playing in bands make you better listeners over time? Does this skill cross over to your personal and professional relationships, too? (in verbal conversations) Your musical personalities all came shining through on this one, with such a wide diversity of grooves, colours & textures! You’re all pushing the boundaries of the genre, while maintaining respect for the writing, the genre and each other. Wonderful! I’m so glad to have heard you play today. I look forward to more. Congrats!
YEAH, that was really really good Abdias. The tone, phrasing and the feeling of the jazzrhythm is extraordinary. Have had Stan Getz, Zoot Sims, Sonny Stitt and Charlie Parker as idols but for me Abdias is in the same division…. AND the trio… no words needed just ears!!! //Steffe, jazzmusician from Sweden🎷👍🇸🇪
I really dig how Abdias was able to get a crescendo in excitment there. Pole got into it from the begining; and Philip Norris pulse was always there to make sure nobody would fall to the ground. Congrats, Emmet!
As much as I love the Dex Gordon version of this tune, this version is my new favorite. Thanks for playing this music. Would you ever release some of these tracks on Spotify?
... Hermosa versión jazzistica de este tema que formaba parte del repertorio del cuarteto vocal THE FOUR ACES. Cuando los músicos están inspirados, y aquí lo están, surgen obras como ésta. Notable el "sólo" de saxo tenor y, también, el apoyo de la "sección rítmica", integrada por un pianista y contrabajista de altísimo nivel. Maravilloso.
I find Abdias' tone to be so incredibly interesting. To my ears it's quite rough around the edges, ex his tone breaks a lot...but yeah, I like it. I don't know what to make of it. Fascinating.
Hi, what do I have to do to get on your show next time I'm in NYC? I've played tenor for about twice as long as this young man (who sounds very nice) has breathed air. Met you briefly st Newport last year, you told me you play some sax. I also play piano, Thanks.
@@Theomcgaugheybass Not an effective methodology. I'm 66, no time to waste on such meandering. My concrete question was how to get on this show. I look forward to a response! I can play as well as anybody in the world.
És complicat expressar el que passa aquí. Primer, la integració i complicitat entre els músics. El saxo fa un solo ben estructurat, lògic, honest i viscut. Sincer! Sense pretensions. Em recorda les gravacions dels 40-50 on tot era espontani i universal. Jazz en majúscules. Sense egos.
It’s interesting how his 1953 version has a lot more restraint in his playing. He still plays incredibly fast, but it feels much less for virtuosic reasons and more artistic reasons
What? Dementia? I forgot. What? Dementia? I forgot. What? Dementia? I forgot. What? Dementia? I forgot. What? Dementia? I forgot. What? Dementia? I forgot.
![Gregory Porter - Full Concert [HD] | Live at the North Sea Jazz Festival 2016](http://i.ytimg.com/vi/EiSX71ja35M/mqdefault.jpg)
I wish music like this would play everywhere until the end of time
I see what you did there
New Jazz Underground in the house!
yessir !!
I’m a 71 year old tenor player - thank God the spirits of old school jazz tenor players live on!
Heck yeah thanks for bringing us good songs sir!
Emmet and Kyle probably represent the highest level of communication between two players there is
add Russell please
@@AntonisArfanis Very true, though Russel isn't on bass here. I was just struck by Emmet and Kyle in particular because the dynamic between piano and drums tends to be a bit more naturally obvious and easy to pick up on.
I LOVE the tenor player's tone so, so much.
sounds old school, texas tenors stuff. really love it too
Old style tenor how refreshing lockjaw coltrane hawk and pres all in there
ABDIAS TAPPED IN! YESSIR!
Old soul tenor tone and killer tenor playing...if Abidas makes it to Chicago or St. Louis I gotta catch him live. Thanks for bringing that sound and keep it comin'!
What are some other examples of this tone
@@willstonier5895 He's one of the only players I can think of who sounds a little like early Sonny Rollins to my ears. I feel like a lot go guys built on what Trane did and sometimes to great effect, but it sounds like Abidas is building on early Rollins and I love it.
Which records should I dig
@@willstonier5895 my personal favorite is Way Out West. Saxophone Colossus is a classic. Now that you pose the question, I realized that all of my favorite Rollins recordings are between 1956 and 1958. I had no idea all of those albums were from a two-year stretch.
@@selmertime I'd add Sonny Rollins vol 1 and 2 on Blue Note, Worktime on Prestige (unfairly overshadowed by Saxophone Colossus I think) and the Verve album (i think it was Verve/Emarcy) with Sonny Stitt and Dizzy Gillespie with the long version of After Hours. I'd go for those over Way Out West, but it's personal I guess.
Thanks!
I love how focused Abdias is on his instrument!
Holy cow Abdias, that was freaking awesome. Love the tone and phrasing...dude can tell a story.
Sounds like different saxophonists' tones at different moments? Like high register sometimes getz, middle sometimes dexter,
So nasty, phresh, emotional, old-school, motivic, funny and swanging! Love this guy
I hear Colman Hawkins in your tone, and some Coltrane licks- Fantastic melodic interpretation in you solo, so fun. Thanks Mr Cohen.
Great sax solo.
A popular tune from my childhood in the 1950s. Wow! These guys are cooking. What more can I say.
Sure as hell puts a smile on your face!
Omg!! Im so so so happy you’re on Emmet’s place! I am obsessed with new jazz underground!! Your talent is crazy! I would kill to be there! So excited to see y’all grow more and more! 💚 Love from TX 🤠
thanks so much !
Jazz is so great. ❤
I have been going through some tough things lately and this brought deep joy to my heart. I was actually laughing out loud...thank you all so much.
First video I watched from Abdias was "This beat switch got my parents back together" but he changed the name late. 😂 I loved the title though. And the beat switch
Killing sax solo
Abdias sounds great!
Abdias is a pure gem !!!!
There's always an excellent warm atmosphere in here that heals any heartaches. Thank you! 🎼🎵🎶🎶🙋
This one blew me away, way, far away! What kept me especially engaged were: 1) your drummer and how the kicks showed up on different beats, and with such conviction; 2) how together you are, as you all built the intensity; and 3) how carefully you seem to be listening to each other’s ideas.
Are musicians better listeners to start with or did playing in bands make you better listeners over time? Does this skill cross over to your personal and professional relationships, too? (in verbal conversations)
Your musical personalities all came shining through on this one, with such a wide diversity of grooves, colours & textures! You’re all pushing the boundaries of the genre, while maintaining respect for the writing, the genre and each other. Wonderful!
I’m so glad to have heard you play today. I look forward to more. Congrats!
I could listen to this cat all day.
WOW! Nope- no words 🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥
Abdias’ ideas just flow so well man god damn
my god. love this! reminds me of patrick bartley's playing with the blues type of sounds, but still has his own unique spin on things. well played!
My kind of progressive music by the best.
YEAH, that was really really good Abdias. The tone, phrasing and the feeling of the jazzrhythm is extraordinary. Have had Stan Getz, Zoot Sims, Sonny Stitt and Charlie Parker as idols but for me Abdias is in the same division…. AND the trio… no words needed just ears!!! //Steffe, jazzmusician from Sweden🎷👍🇸🇪
I really dig how Abdias was able to get a crescendo in excitment there. Pole got into it from the begining; and Philip Norris pulse was always there to make sure nobody would fall to the ground. Congrats, Emmet!
Incredibly inspiring to see Abdias killing it! Time to practice :)
Love in the house!!! Thank you all!!!
I wish I had the words to convey how much I enjoyed this! Nothing short of brilliant.
As much as I love the Dex Gordon version of this tune, this version is my new favorite. Thanks for playing this music. Would you ever release some of these tracks on Spotify?
bro just kept GOIN 🔥🔥🔥🔥🔥🔥
goddamn on that sax solo...just wow
You guys sound good!!!🎹🎷🥁🎶👍
Great talent and great sound and sax phrasing.
... Hermosa versión jazzistica de este tema que formaba parte del repertorio del cuarteto vocal THE FOUR ACES. Cuando los músicos están inspirados, y aquí lo están, surgen obras como ésta. Notable el "sólo" de saxo tenor y, también, el apoyo de la "sección rítmica", integrada por un pianista y contrabajista de altísimo nivel. Maravilloso.
Absolutely top class, cheers Emmet 👍
Abdias !!! What a great storyteller
most aesthetic ligting in a video ive seen
Good lord that was so good
Super, Super!👍🏽👍🏽👍🏽👍🏽
Some great and very tasteful tenor playing ....band is outstanding as well Congrats ..keep em coming !
wooo !! very nice !
Loved this set! Sounding amazing!!!
I find Abdias' tone to be so incredibly interesting. To my ears it's quite rough around the edges, ex his tone breaks a lot...but yeah, I like it. I don't know what to make of it. Fascinating.
Excellent tempo!
Everything at the end of time what what
Everything at the end of time but you don't alzheimer
Amazing
やっぱりこういうやつが一番なんだよなぁ
It`s glitter ! Thanx !
Thank you for this ❤
Un bonheur!
Génial ❤
Awesome!!
Killer feel!
2:00
May the ballroom remain swingin'
Superb
🇨🇺🇨🇺🇨🇺🇨🇺🇨🇺🇨🇺🇨🇺
Hi, what do I have to do to get on your show next time I'm in NYC? I've played tenor for about twice as long as this young man (who sounds very nice) has breathed air. Met you briefly st Newport last year, you told me you play some sax. I also play piano, Thanks.
Just keep living your life and the more jams and concerts you go to and gigs you do the more gigs you’ll get.
@@Theomcgaugheybass Not an effective methodology. I'm 66, no time to waste on such meandering. My concrete question was how to get on this show. I look forward to a response! I can play as well as anybody in the world.
Everywhere at the end of jazz
Real
És complicat expressar el que passa aquí. Primer, la integració i complicitat entre els músics. El saxo fa un solo ben estructurat, lògic, honest i viscut. Sincer! Sense pretensions. Em recorda les gravacions dels 40-50 on tot era espontani i universal. Jazz en majúscules. Sense egos.
It’s interesting how his 1953 version has a lot more restraint in his playing. He still plays incredibly fast, but it feels much less for virtuosic reasons and more artistic reasons
this cat adidas is ight.. lol
I would love to see Sebastion Rios on one of these!
GOOD MORNING HERTACHE - ESTA NO ES VERDAD ?
Ben Webster Vibes
I forgor 💀
💀💀💀
💀💀💀
do you know who else suffers from dementia? do you know who else suffers from dementia? do you know who else suffers from dementia?
what’s the bridge again
💀
What? Dementia? I forgot.
What? Dementia? I forgot.
What? Dementia? I forgot.
What? Dementia? I forgot.
What? Dementia? I forgot.
What? Dementia? I forgot.
Aware wokege
Everywhere at the end of time . Stage 0 . Sooooo swinging
What? Dementia? I forgot.
Too bad that the piano is not well tuned !
another cat on the coleman hawkins type thing…..hhhhmmmm
Tenor tone is absurd
Very nice !! even with this "A" completely out of tune on the piano hahahaha
Yes! He can play! Beautiful!
I forgor 💀