Let me know if you were making any of these mistakes? Next try Watercolor Mixing Tutorial (Green Shade vs Red Shade EXPLAINED!) ua-cam.com/video/u9OtRl1prHE/v-deo.html
I have a tip of my own: Some time ago, I started writing (gently, in soft pencil) on the backs of my paintings: 1)Paper used, 2) Paints used; brand, colors, and any mixes. I finally got tired of looking at a painting thinking "I wonder what that wonderful color is; I want to use it again!" And not having the slightest idea. I still have a swatch of a blue mix that haunts me to this day. 😟
I’m guilty of starting with the wrong color and wasting paint. I do have a huge binder of swatches. So glad I did that. I’m guilty of owning too many paints but you didn’t ask that question. 🤪
I love the tip about swatching your colors. I recently gifted a semi-professional pan set to my 13 yo granddaughter. We do art sessions a LOT! Before she started with the new set I suggested that she swatch each color and label it, which she did, and was very surprised to see the actual colors compared to what she had anticipated them to be. At the same session, I opened a new professional pan set from a new-to-me manufacturer. However, I did NOT swatch because of course "I've been doing this for quite a while so I think I know what will be." HA!!!! I can not explain the MESS I had before I just gave up for the day! I have changed my work habits! :)
Lol Michele, sometimes I feel like you’ve got a camera in my home. I’m guilty of never swatching any of my colors. Although, I do try out my blends on a scrap piece of paper. Excellent video. Thx as always. 🥰💕🐶💕🥰
A year ago I would have struggled to understand this instruction. But I found it today and I’m gobbling it up like a warm biscuit! Just what I needed! Thank you!
Thank you, Michelle! I have learned so much from all of your videos and am always excited to see when new ones arrive. Your tip about stirring mixes with granulating colours was helpful. Also, your further explanation of knowing undertones when mixing helped me understand this better, and gave me a better sense of neutralizing colours and why this happens. 🌈
So helpful! Trying to get my 70 year old brain back into gear on colour theory 50 years after art collage! Thank you Michelle it all coming back to me with your help 😊
I"ve been watercolouring for one year now and I think I went through all these mistakes and learned by myself I shouldn't do the way I did. When I get a new colour or if I notice I never use one colour I swatch it mixed with every color of my palette. I've learned a lot this way about my paints.
I must tell you how helpful this and all your color mixing videos have been for me. I do urban sketching in a sketchbook -- I am not a fine artist and don't aspire to be. But I still want to have some understand of color mixing so that I can get the effect I want without having to carry around a large number of paints, and so that I don't waste paint on undesirable color mixes.
I’ve only seen a few of your videos but always great tips. Not that I am any great painter, but I’ve managed to avoid all those mistakes as I spend a lot of time just tinkering with colors, mixes, how they interact, always have a little patch of paper for tests all in an effort to make my actual painting effort more effective and less stressful. I’m actually just waiting for two more colors to add to my three color palette… I gave away my first set as it had too many colors for me. I’m expanding my green range and bringing my yellow intensity up… we have a local flower that I cannot duplicate the colour of with my current yellow as it is inherently too orange leaning.
*very helpful information...especially with the distressing and layering techniques i've been using for sketch journals...sometimes hard to restrain how much i add to one page to prevent a muddy mess but when the layers fall into place the results are gratifying*
Very useful reminder particularly about mixing which red and blue to get a decent purple. While we are on the subject of phthalo green I did find that a watered version was the perfect color for a green that occurs in the ocean around here. The reminder about limited pallets is very well taken
My fault is trying to decide which colour palette to use - Buying art supplies is a separate and wonderful hobby in itself lol, but it does get overwhelming at times when you want to use them all at once or can’t decide which group of things to use, especially in mixed media . Thought I’d be a grown up by now. But no. Lol love your videos so much - they set a great example to a scatterbrain like me! So we’ll organised its almost hypnotic and you don’t bang about you keep it moving - it’s great, thank you!
Hi Michelle, I don't usually comment but you are so easy to follow and you aim your camera properly so that we can perfectly see all that you are teaching us. When you speak you totally remind me of Elizabeth Hurley lol. Anyway, really enjoying your flower videos, and I haven't even searched yet for your fur or animal tutorials. It's exciting when you find a teacher as good as you are. Thank you Thank you Thank you !!!
Thank you again for another great video! And let me just say: Pay no attention to those rude, boorish slobs who rush to criticize you! We, your loyal and sweet, grateful followers love you, and that's what really matters. You are awesome! 😊💐♥️
Ohh yes, I am guilty of 2, 3, 4, & 5. Definitely learning a lot from the color mixing journey. Thanks for explaining these things & the correct solution to fix them.
Watercolors hate me (I’m an acrylic artist.) While I have a solid understanding of color theory, this was very helpful as it applies to using watercolors. Thanks!
Hi Michele 👋. I've been following you from Canada and I love your videos. I'm in my 70s and a complete newbie. I've learned quite a lot from watching you but I'm still very cautious to try new things. Not sure why except fear of failure I suppose. Going to try the wonderful tips and I will be watching for all your upcoming videos. Thank you for posting 🙂
This was very helpful. I make a few of these mistakes. Color mixing is hard for me. Still trying to learn which of my paints are considered warm and cool and which ones I should mix or shouldn’t mix together.
When I first learned colour theory and all that, I remembered by thinking of cool colours as being light and pastel-like, and warms being dark and heavy-like
I have only just after 2 years worked out that I need to add a to b rather than the other way around. I still get it wrong often especially when mixing greys. I use pans made from my tubes but I think I must use a limited palette as some colours are used more than others and when I look at my paintings side by side they mainly harmonise well Really helpful video. Thank you
Thank you Michelle for an interesting video, but I confess that it blew my mind. I didn't know the first thing about colour mixing, because I learned years ago that I am red/green colour blind and was dismissed at school as stupid and have been afraid all my life to learn to overcome the problem. I know I could have ignored the resulting mistakes but dare not:. Even drawing or sketching is a similar no no. So I can only envy those who can and do. So I thank you for sharing your talent and skills.
You are so welcome! Many men are colour blind to an extent, it's genetic. I have taught some very severe cases. The main thing is not to get frustrated or upset about it. Accept it as part of how you see the world. Colour doesn't really exist, our brain just interprets light bouncing off surfaces, we all see something different, animals more so, there's no wrong or right. One chap told me he thought the family cat was green growing up, and he used to paint pink shadows on snow.
Wonderful info, thanks - I've noticed these things but never knew the 'why' or 'how' behind a lot of them. I wish I had seen this just over a year ago when I first picked up a paintbrush. I can laugh now, but imagine ... favorite color = purple, beginner painter who thinks every color the human eye can see can be mixed from from 3 tubes of paint (one red, one yellow, one blue). Not knowing anything at all, I started with manganese blue, cadmium red, and a cadmium yellow. LOL, you know how that worked out! Happy to say I carried on, learned a little color theory, and own a few more paint tubes (none of which say 'purple'). I find that I learn MORE with LESS materials. Your videos are always excellent information and examples! I love that you show us the results of something and ways to make it better or worse (great learning for us!) rather than saying what a person must do or not do.
I've not started any painting yet, as I'm 60 yrs old and I've got early onset Alzheimer's, it's so hard to concentrate on anything for long, but I've subscribed to your channels & love your teaching methods, blessings from Glasgow X
In a video quite a while back, you recommended that we get a pink for our palette. I bought Opera Rose and thought, "Eh, I might use this. But somehow I doubt it." I reach for that Opera Rose all the time for mixes. The tube is nearly empty. And, wow - I LOVE the Opera Rose + Ultramarine mix--such beautiful purples from that! Another helpful video. Thanks!
I'm a beginner so my journey hasn't evolved enough to know how I should do many things... I realize I need to color swatch on good paper, as it does look different on copy paper - lol! BTW, I love the Phthalo Green to practice 🍃 leaves... Winsor Green... thank 😊 you Michelle... loved the picture of the Abbey your daughter took... love to hear you process your painting! A California Gramma ♥️
This was very helpful! I switched all my colors years ago but never really did a mix chart. And switching colors in a painting, very hit-and-miss. As I've started painting again as I've recovered I'm rediscovering the old tools I used to use and it's helping. The tips about granulation, very helpful! Don't think I ever heard that one before!
Having watched a lot of your other videos I have managed to avoid most of these problems. However, I did recently come up against the granulation problem. I had a mix of 3 colors, 2 of which granulated. I did stir every time I went into it, but the mix separated again on the paper! Since it was used on a distant mountain side, it looked great-very natural. The painting is very amateurish but it was a great learning experience. I made a swatch and a note of the mix for future reference because I have found my memory to be unreliable at times🥴
Thank you so very much for being so with the beginners as we discover what works and what doesn't work. Your tips make it so much easier to get better at this. Blessings!
Yes I'm afraid so ! Particularly guilty of choosing the wrong colour first! Thanks for showing me what I've been doing wrong - going to save such a lot of paint now !
I paint with a "less is more" idea. I don't use a lot of different colors in a painting (unless it's a wildflower theme) nor do I paint every square inch of the paper. I like and paint simple themes, sometimes a single object on the page. However, I'm much too impatient to swatch my color collection, though I DO swatch while I'm painting and never touch my paper with a color unless I check it out first on scrap paper. Thank you for your very informative videos.
Swatching can be boring. I am about to re-do mine. The trick is just to swatch one per day, or just the ones you are using. That way you don't have to commit hours to it :-)
Oh yes, the wrong colour first... Happens sometimes. Lately I wanted a nice neutral grey and I had some leftover to start from. I always use the same colours for that (I was painting a bird, so I had browns and some Payne's grey already on the palette for this), but this time it got to be a huge puddle of a lovely warm mud colour instead of my desired grey. I just stared over in an other clean space of the palette to get the colour I needed. But I still have the leftover mixture, it turned out lovely, I just need to find something I can paint that colour 🤣 It is sometimes hard to estimate how much paint I get from the pans on my brush, especially if I worked some time and it is fairly softened up already with water. For adjusting greens I usually use burnt Sienna, it works great to get a lovely natural warm green. I like my happy accident colour mixtures, I sometimes save them for later use if they inspire me. They happen less and less though, I learned a lot from you (and others here on UA-cam)
Hello Michele, I started drawing about 18 months, and pretty soon I found your videos and I've learned an awful lot from them - thanks! I kept to drawing because I am colour-blind, but then I met someone else who was colour-blind and he has been working in colour for years. So, I was inspired and I am now working almost entirely with watercolours. But what I am short of is some help and guidance, and I would love one of your excellent videos on the subject!
@@IntheStudiowithMicheleWebber Hi Michele, The number one problem for me is to make any use of subtle colours. The colours I am confident with are strong, clear colours, such as most blue, red, yellow and green. It starts to get uncertain, when those colours are mixed in some way. So I know (because I've been told) that purple is a mixture of red and blue, but it usually looks blue to me, and if it's pale it tends to look grey. So you can imagine how frustrating swatching is - there are a lot of similar colours, which are given fancy names for no obvious reason! But I do like colour (even if I can't put a name to the colour I'm seeing), and I do a lot of paintings that are abstract, and even some that are more realistic. The more realistic ones are (I hope) those where exact colours aren't that important. But I would like to extend my range a bit, if possible. That's why I posted on your 'How to mix watercolours' video.
Great video and information! You are very organized. Like the color charts in your notebook. I am going to start swatching my paints for quick reference. I did not know that the color on the front of the tube is not true color when painting. Thank you!
Really useful, i have been mixing muddy colours and wondering what has gone wrong. Swatching colours before putting them on the painting sounds a brilliant idea.
Okay so thank you very much for this video its a good technique to know go from light to dark.....enjoyed video..will be rewatching this video alot to really grasps the concepts i due keep a sscrap near me before i paint so i can try out colors that was the one thing i learned from you three years ago......Mikelle art mom 👩🎨🎨✍
Your video is full of great tips and right on time for me bc I'm currently in the process of swatching and charting - if not all - 90% of my watercolours. I have a ton so it takes foreeeever, but it's also so rewarding! And it's a good exercise to see and understand how your paint work like, I mixed my Red Sennelier and WN Cobalt turquoise light and somehow the pigments separated on the paper? Idk if I stirred well enough or not (I kept stirring so I thought it was ok), but it was most interesting to see that.
Granulating pigments will always separate on paper, stirring doesn't stop that happening, but it gives consistency and means you aren't applying a totally different colour 10 minutes after you made the mix.
The primary colours are not red yellow and blue. The primary colours in subtractive mixing, are cyan, magenta and yellow. To these we add neutral tones white and black. It is exactly the same as the primary inks on your inkjet printer. When using transparent watercolours the paper is the white and as it shines through the paint the white paper enriches the colour. Because Cyan, Magenta and Yellow when mixed create a dark grey or mud colour black is added to create deep tones. Paints are made with pigments, powdered colour, bound together with a binder (water based glue). These pigments are not perfect and exact primary colours so we use the closest thing to the primary colours. Opera Rose in W&N (Winsor and Newton) is closest to Magenta. Mixed with Cadmium yellow it makes brilliant reds and oranges. The problem is it is a fugitive colour, meaning it will not last as long as W&N permanent rated colours. It is okay for illustrations that will be photographed and reproduced, but not for paintings to sell. Opera rose mixed with Ultramarine Blue makes great purples and violets. Sadly there is no Cyan in W&N. The W&N Blue is close to cyan and comes in a red shade and green shade. To make greens it is better to use cadmium lemon with W&N blue green shade. Because greens in nature tend to be nearer to olive green, khaki, army jungle green. the colours are chromatically impure, so mixing with a warm yellow like cadmium yellow and a warm blue like ultramarine blue is often preferred. Cadmium is a dangerous pigment and must not be ingested, which can easily happen if you keep getting paint on your hands, W&N offer alternative colours that are not quite as permanent. If you are painting for personal pleasure it may be use the safer colours. Nothing lasts forever. Look to Phthalocyanine Blue as nearest to Cyan in some brands and Quinacridone Magenta or Quinacridone Rose (Daniel Smith W/C Paints) as near to primary Magenta options in different brands.
I must swatch my colors. I'm learning so much from you!!! My hardest part is shadows and highlights, it's hard for me to imagine how the light will fall and where all the shadows should be. I'm trying to imagine a light source but it doesn't help yet, I'm utterly mooing for help!!!
It's hard to say without seeing your subject. Do pop over to my facebook group (same name as the channel if you haven't already joined). It's easier for me and others to advise you when we can see photos :-)
Great insights and tips as always. 1. Yes, swatching is very helpful. I use my sketchbooks to swatch my palettes, which I mainly make up myself from tube paints and/or pan paints from brand palette sets. I also swatch all paints I have, over 150 now (OMG! - I need help...). I group them into each primary colour, secondary colour, tertiary colour and earths. 2. Mixing paint is something I have been doing more and more over the last 2 years. Prior to that I used paints straight out of the pan. Mixing is a skill that takes a lot of practice, but I find it's best to do with good quality paints (artist grade) and only use single pigment paints where possible. 3. I wasn't aware of the effect with granulating paints, although I would always re-stir whenever I see inconsistency in the puddle mix. 4. I like trying mixes of two colours mainly, occasionally adding a third if I'm trying to get a specific earth or shade tone. Warm and cold colour awareness is also helpful when mixing colours. 5. Colour charts are a great tool, again I use these in my sketchbooks. It makes sense to keep a record of the mixes that work for you and avoid the ones that don't. My colour charts are quite small, but I have some specific ones for greens and greys. I've found some wonderful mixes that are far better to use than straight out of the tube paints. 6. Ready-made greens are handy and wonderful to use, but I also tend to add another green, or yellow, or blue to the mix to give more variety for foliage, grass and trees for example. Great tip about the Pink to neutralise. I have Opera Pink and Potter's Pink that I'll try next time. 7. I have a few limited palettes now, which I occasionally swap out some colours. It's great to focus on mixing and values instead of going COLOUR CRAZY (a well-known illness of the newbie watercolour painter like me!) Michelle, you should easily smash 100k subscribers, just keep at it. Top tip: ask viewers to share and copy link, even if they don't send share link itself, as it also helps the algorithm.
Regarding which color to start with when mixing purple- I find that phthalo blue is the most powerful color on my palette, and it makes a brilliant purple when combined with a cool red. I usually start with red and add a tiny amount of the blue at a time. Ultramarine, on the other hand is much less strong and I might start with it and add red in small diluted amounts.
It occurs to me that those people you mentioned who comment about your usage of terms like “hue”, or what colour their local vegetation is, are still contributing to your audience interaction. They probably are just, like me now, saying what’s on their mind without any malice. 🙂
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Let me know if you were making any of these mistakes? Next try Watercolor Mixing Tutorial (Green Shade vs Red Shade EXPLAINED!) ua-cam.com/video/u9OtRl1prHE/v-deo.html
I was definitely noticing the granulation separation but I didn't realize why it was happening!
I still make mistakes especially with colors from different brands, however your videos are
so helpful thank you.
@@debh3404 First time I used a granulating color, I thought the paint was defective. ;-)
Michele, thank you so much for this video. I was going about mixing entirely wrong, now I have a plan!
I have a tip of my own: Some time ago, I started writing (gently, in soft pencil) on the backs of my paintings: 1)Paper used, 2) Paints used; brand, colors, and any mixes. I finally got tired of looking at a painting thinking "I wonder what that wonderful color is; I want to use it again!" And not having the slightest idea. I still have a swatch of a blue mix that haunts me to this day. 😟
I do that too, but on the tape along the edge of the paper :-)
Now there’s an idea 💡 😊
I’m guilty of starting with the wrong color and wasting paint. I do have a huge binder of swatches. So glad I did that. I’m guilty of owning too many paints but you didn’t ask that question. 🤪
That's because I think it's fine to own lots of paints!
I love the tip about swatching your colors. I recently gifted a semi-professional pan set to my 13 yo granddaughter. We do art sessions a LOT! Before she started with the new set I suggested that she swatch each color and label it, which she did, and was very surprised to see the actual colors compared to what she had anticipated them to be. At the same session, I opened a new professional pan set from a new-to-me manufacturer. However, I did NOT swatch because of course "I've been doing this for quite a while so I think I know what will be." HA!!!! I can not explain the MESS I had before I just gave up for the day! I have changed my work habits! :)
I do that with my sewing, think, oh I don't need to read the instructions (find unpicker!)
Even knowing those things, is good to be reminded of, from time to time, to not forget. 😊 Thank you!!
Yes we all need reminders, thanks for watching!
Great video as always. It's clear you're not just an artist, but a teacher too.
Thank you!
Lol Michele, sometimes I feel like you’ve got a camera in my home. I’m guilty of never swatching any of my colors. Although, I do try out my blends on a scrap piece of paper. Excellent video. Thx as always. 🥰💕🐶💕🥰
Check the pot plant ;-)
Hop to it , Missy! You won’t be sorry. 🥰
@@IntheStudiowithMicheleWebber 🤣🤣🤣🤣
A year ago I would have struggled to understand this instruction. But I found it today and I’m gobbling it up like a warm biscuit! Just what I needed! Thank you!
Excellent!
Thank you, Michelle! I have learned so much from all of your videos and am always excited to see when new ones arrive. Your tip about stirring mixes with granulating colours was helpful. Also, your further explanation of knowing undertones when mixing helped me understand this better, and gave me a better sense of neutralizing colours and why this happens. 🌈
You are very welcome!
Color mixing is really difficult for me. This helps quite a bit. Thanks
You’re welcome 😊
Thank you, Michele, for these brilliant tips. I am reminded how important it is to keep making those colour charts. And so much more!
So helpful! Trying to get my 70 year old brain back into gear on colour theory 50 years after art collage! Thank you Michelle it all coming back to me with your help 😊
You can do it!
I"ve been watercolouring for one year now and I think I went through all these mistakes and learned by myself I shouldn't do the way I did. When I get a new colour or if I notice I never use one colour I swatch it mixed with every color of my palette. I've learned a lot this way about my paints.
Swatching is most helpful!
Your videos are by far the most informative and useful art videos on UA-cam.
Thank you for the hard work🌷💗
Wow, thank you!
I must tell you how helpful this and all your color mixing videos have been for me. I do urban sketching in a sketchbook -- I am not a fine artist and don't aspire to be. But I still want to have some understand of color mixing so that I can get the effect I want without having to carry around a large number of paints, and so that I don't waste paint on undesirable color mixes.
Ah that's great Sharon, glad I could help!
I’ve only seen a few of your videos but always great tips.
Not that I am any great painter, but I’ve managed to avoid all those mistakes as I spend a lot of time just tinkering with colors, mixes, how they interact, always have a little patch of paper for tests all in an effort to make my actual painting effort more effective and less stressful. I’m actually just waiting for two more colors to add to my three color palette… I gave away my first set as it had too many colors for me. I’m expanding my green range and bringing my yellow intensity up… we have a local flower that I cannot duplicate the colour of with my current yellow as it is inherently too orange leaning.
*very helpful information...especially with the distressing and layering techniques i've been using for sketch journals...sometimes hard to restrain how much i add to one page to prevent a muddy mess but when the layers fall into place the results are gratifying*
Glad it helped!
Very useful reminder particularly about mixing which red and blue to get a decent purple. While we are on the subject of phthalo green I did find that a watered version was the perfect color for a green that occurs in the ocean around here. The reminder about limited pallets is very well taken
Thank you.
You're welcome!
My fault is trying to decide which colour palette to use - Buying art supplies is a separate and wonderful hobby in itself lol, but it does get overwhelming at times when you want to use them all at once or can’t decide which group of things to use, especially in mixed media . Thought I’d be a grown up by now. But no. Lol love your videos so much - they set a great example to a scatterbrain like me! So we’ll organised its almost hypnotic and you don’t bang about you keep it moving - it’s great, thank you!
Hi Michelle,
I don't usually comment but you are so easy to follow and you aim your camera properly so that we can perfectly see all that you are teaching us. When you speak you totally remind me of Elizabeth Hurley lol.
Anyway, really enjoying your flower videos, and I haven't even searched yet for your fur or animal tutorials.
It's exciting when you find a teacher as good as you are. Thank you Thank you Thank you !!!
Well thank you for your lovely comment! And you are very welcome :-)
I've been selling my watercolors for years and today I learned new things that will definitely help. Thanks.
Wonderful!
Thank you so very much for the wonderful helpful information Michele! So helpful
Glad it was helpful!
Thank you again for another great video! And let me just say: Pay no attention to those rude, boorish slobs who rush to criticize you! We, your loyal and sweet, grateful followers love you, and that's what really matters. You are awesome!
😊💐♥️
Bless you, you are all awesome too!
Great tutorial, thank you!
Glad you enjoyed it!
Ohh yes, I am guilty of 2, 3, 4, & 5. Definitely learning a lot from the color mixing journey. Thanks for explaining these things & the correct solution to fix them.
Happy to help!
I found your Demonstration of how you set up your color chart to be Extremely helpful . Thank you
Watercolors hate me (I’m an acrylic artist.) While I have a solid understanding of color theory, this was very helpful as it applies to using watercolors. Thanks!
You are welcome Sally!
Hi Michele 👋. I've been following you from Canada and I love your videos. I'm in my 70s and a complete newbie. I've learned quite a lot from watching you but I'm still very cautious to try new things. Not sure why except fear of failure I suppose. Going to try the wonderful tips and I will be watching for all your upcoming videos. Thank you for posting 🙂
You can do it! Failure is part of learning, accept it, there is always another day, and another piece of paper and you WILL get better :-)
This was very helpful. I make a few of these mistakes. Color mixing is hard for me. Still trying to learn which of my paints are considered warm and cool and which ones I should mix or shouldn’t mix together.
I do have a video on warm and cool colours if you have a search :-)
When I first learned colour theory and all that, I remembered by thinking of cool colours as being light and pastel-like, and warms being dark and heavy-like
I adore your watch,with that beautiful green strap,it is a delight❤️
thank you so much for yet another great video. as a beginner for me your tips are always very helpful :)
No problem!
I have only just after 2 years worked out that I need to add a to b rather than the other way around. I still get it wrong often especially when mixing greys. I use pans made from my tubes but I think I must use a limited palette as some colours are used more than others and when I look at my paintings side by side they mainly harmonise well Really helpful video. Thank you
You're welcome!
Thank you Michelle for an interesting video, but I confess that it blew my mind.
I didn't know the first thing about colour mixing, because I learned years ago that I am red/green colour blind and was dismissed at school as stupid and have been afraid all my life to learn to overcome the problem. I know I could have ignored the resulting mistakes but dare not:. Even drawing or sketching is a similar no no. So I can only envy those who can and do. So I thank you for sharing your talent and skills.
You are so welcome! Many men are colour blind to an extent, it's genetic. I have taught some very severe cases. The main thing is not to get frustrated or upset about it. Accept it as part of how you see the world. Colour doesn't really exist, our brain just interprets light bouncing off surfaces, we all see something different, animals more so, there's no wrong or right. One chap told me he thought the family cat was green growing up, and he used to paint pink shadows on snow.
Wonderful info, thanks - I've noticed these things but never knew the 'why' or 'how' behind a lot of them. I wish I had seen this just over a year ago when I first picked up a paintbrush. I can laugh now, but imagine ... favorite color = purple, beginner painter who thinks every color the human eye can see can be mixed from from 3 tubes of paint (one red, one yellow, one blue). Not knowing anything at all, I started with manganese blue, cadmium red, and a cadmium yellow. LOL, you know how that worked out! Happy to say I carried on, learned a little color theory, and own a few more paint tubes (none of which say 'purple'). I find that I learn MORE with LESS materials. Your videos are always excellent information and examples! I love that you show us the results of something and ways to make it better or worse (great learning for us!) rather than saying what a person must do or not do.
So glad you liked it!
I've not started any painting yet, as I'm 60 yrs old and I've got early onset Alzheimer's, it's so hard to concentrate on anything for long, but I've subscribed to your channels & love your teaching methods, blessings from Glasgow X
Thanks William, glad you are enjoying the videos, take care :-)
I never knew many of these concepts. Thanks!!
You are an Amazing teacher. Everytime I watch a video I learn so much.
Wow, thank you!
In a video quite a while back, you recommended that we get a pink for our palette. I bought Opera Rose and thought, "Eh, I might use this. But somehow I doubt it." I reach for that Opera Rose all the time for mixes. The tube is nearly empty. And, wow - I LOVE the Opera Rose + Ultramarine mix--such beautiful purples from that!
Another helpful video. Thanks!
You are very welcome!
I'm a beginner so my journey hasn't evolved enough to know how I should do many things... I realize I need to color swatch on good paper, as it does look different on copy paper - lol! BTW, I love the Phthalo Green to practice 🍃 leaves... Winsor Green... thank 😊 you Michelle... loved the picture of the Abbey your daughter took... love to hear you process your painting! A California Gramma ♥️
Thanks Ann!
Fabulous video with so much helpful information! Thank you!
Thanks so much!
This was very helpful! I switched all my colors years ago but never really did a mix chart. And switching colors in a painting, very hit-and-miss. As I've started painting again as I've recovered I'm rediscovering the old tools I used to use and it's helping. The tips about granulation, very helpful! Don't think I ever heard that one before!
Glad you liked it :-)
The info on granulating colors w as new to me and. This will help me to keep from more mistakes in the future. Thank you.
I'm so glad!
Thank you, very useful information for someone new to watercolor.
Having watched a lot of your other videos I have managed to avoid most of these problems. However, I did recently come up against the granulation problem. I had a mix of 3 colors, 2 of which granulated. I did stir every time I went into it, but the mix separated again on the paper! Since it was used on a distant mountain side, it looked great-very natural. The painting is very amateurish but it was a great learning experience. I made a swatch and a note of the mix for future reference because I have found my memory to be unreliable at times🥴
Even with stirring granulation will still happen on the paper. The trick is using it when you need it :-)
Super idea with the mixed colour chart.
Thank you so very much for being so with the beginners as we discover what works and what doesn't work. Your tips make it so much easier to get better at this.
Blessings!
Happy to help!
I agree color charts are most necessary.
I find them really helpful!
Yes I'm afraid so ! Particularly guilty of choosing the wrong colour first! Thanks for showing me what I've been doing wrong - going to save such a lot of paint now !
That's great!
Great video as always. So useful and I enjoyed seeing the progress of your new painting 😁
Thank you!
I paint with a "less is more" idea. I don't use a lot of different colors in a painting (unless it's a wildflower theme) nor do I paint every square inch of the paper. I like and paint simple themes, sometimes a single object on the page. However, I'm much too impatient to swatch my color collection, though I DO swatch while I'm painting and never touch my paper with a color unless I check it out first on scrap paper. Thank you for your very informative videos.
Swatching can be boring. I am about to re-do mine. The trick is just to swatch one per day, or just the ones you are using. That way you don't have to commit hours to it :-)
@@IntheStudiowithMicheleWebber Oh! Excellent idea! Thanks.😊
Loved the demonstration about granulating colors settling. Thank you 🙏💙🌵🌵🌵🌵
Thank you for watching!
Thanks for your efforts in making us all a little better with each new video 🦋
My pleasure 😊
Loved the info. Thank you 🦋
Thanks for watching!
Thanks Michele, always great tips from you.
Thx Michelle
No worries!
Oh yes, the wrong colour first... Happens sometimes. Lately I wanted a nice neutral grey and I had some leftover to start from. I always use the same colours for that (I was painting a bird, so I had browns and some Payne's grey already on the palette for this), but this time it got to be a huge puddle of a lovely warm mud colour instead of my desired grey. I just stared over in an other clean space of the palette to get the colour I needed. But I still have the leftover mixture, it turned out lovely, I just need to find something I can paint that colour 🤣 It is sometimes hard to estimate how much paint I get from the pans on my brush, especially if I worked some time and it is fairly softened up already with water. For adjusting greens I usually use burnt Sienna, it works great to get a lovely natural warm green. I like my happy accident colour mixtures, I sometimes save them for later use if they inspire me. They happen less and less though, I learned a lot from you (and others here on UA-cam)
That's great. I used to keep little swatches of colours I made by accident!
Hello Michele, I started drawing about 18 months, and pretty soon I found your videos and I've learned an awful lot from them - thanks! I kept to drawing because I am colour-blind, but then I met someone else who was colour-blind and he has been working in colour for years. So, I was inspired and I am now working almost entirely with watercolours. But what I am short of is some help and guidance, and I would love one of your excellent videos on the subject!
Do let me know what in particular you struggle with, many men are colour blind I know, it's genetic :-)
@@IntheStudiowithMicheleWebber Hi Michele,
The number one problem for me is to make any use of subtle colours. The colours I am confident with are strong, clear colours, such as most blue, red, yellow and green. It starts to get uncertain, when those colours are mixed in some way. So I know (because I've been told) that purple is a mixture of red and blue, but it usually looks blue to me, and if it's pale it tends to look grey. So you can imagine how frustrating swatching is - there are a lot of similar colours, which are given fancy names for no obvious reason!
But I do like colour (even if I can't put a name to the colour I'm seeing), and I do a lot of paintings that are abstract, and even some that are more realistic. The more realistic ones are (I hope) those where exact colours aren't that important. But I would like to extend my range a bit, if possible. That's why I posted on your 'How to mix watercolours' video.
Great video and information! You are very organized. Like the color charts in your notebook. I am going to start swatching my paints for quick reference. I did not know that the color on the front of the tube is not true color when painting. Thank you!
Glad it was helpful!
I would love to see a figure drawing video showing us how to use the "bean" technique for understanding form and gesture
Great suggestion!
Thank you Michelle. You have given me so many useful tips and explanations, I’ve lost count! 👩🎨🎨🖌😻
Happy to help!
Wonderful instructions! Thank you.
Really useful, i have been mixing muddy colours and wondering what has gone wrong. Swatching colours before putting them on the painting sounds a brilliant idea.
Glad it was helpful!
Very informative . Made me very aware of how I can so easily improve . Thanks.
Great to hear!
An excellent tutorial. Thank you.
Thank you for all that you do to help us! (I got my other eye fixed recently, too!). 😊
Thank you so much! Glad to hear!
Okay so thank you very much for this video its a good technique to know go from light to dark.....enjoyed video..will be rewatching this video alot to really grasps the concepts i due keep a sscrap near me before i paint so i can try out colors that was the one thing i learned from you three years ago......Mikelle art mom 👩🎨🎨✍
Glad you enjoyed it!
A great tutorial Michele, thank you for sharing.
No problem!
I love your hair Michelle.
Thank you :-) I am growing it again! It just doesn't feel like 'me'. Everyone else likes it though (!)
Thank-You Michele!!!!
Any time!
I love your color mixing videos. Very informative!!
Thanks so much!
Very helpful
Very helpful. Thank you💜🌹
Great tips, professor!
Why thank you!
Excellent lesson. So helpful.
Glad you think so!
Your video is full of great tips and right on time for me bc I'm currently in the process of swatching and charting - if not all - 90% of my watercolours. I have a ton so it takes foreeeever, but it's also so rewarding! And it's a good exercise to see and understand how your paint work like, I mixed my Red Sennelier and WN Cobalt turquoise light and somehow the pigments separated on the paper? Idk if I stirred well enough or not (I kept stirring so I thought it was ok), but it was most interesting to see that.
Granulating pigments will always separate on paper, stirring doesn't stop that happening, but it gives consistency and means you aren't applying a totally different colour 10 minutes after you made the mix.
The primary colours are not red yellow and blue. The primary colours in subtractive mixing, are cyan, magenta and yellow. To these we add neutral tones white and black. It is exactly the same as the primary inks on your inkjet printer. When using transparent watercolours the paper is the white and as it shines through the paint the white paper enriches the colour. Because Cyan, Magenta and Yellow when mixed create a dark grey or mud colour black is added to create deep tones.
Paints are made with pigments, powdered colour, bound together with a binder (water based glue). These pigments are not perfect and exact primary colours so we use the closest thing to the primary colours. Opera Rose in W&N (Winsor and Newton) is closest to Magenta. Mixed with Cadmium yellow it makes brilliant reds and oranges. The problem is it is a fugitive colour, meaning it will not last as long as W&N permanent rated colours. It is okay for illustrations that will be photographed and reproduced, but not for paintings to sell.
Opera rose mixed with Ultramarine Blue makes great purples and violets. Sadly there is no Cyan in W&N. The W&N Blue is close to cyan and comes in a red shade and green shade. To make greens it is better to use cadmium lemon with W&N blue green shade. Because greens in nature tend to be nearer to olive green, khaki, army jungle green. the colours are chromatically impure, so mixing with a warm yellow like cadmium yellow and a warm blue like ultramarine blue is often preferred.
Cadmium is a dangerous pigment and must not be ingested, which can easily happen if you keep getting paint on your hands, W&N offer alternative colours that are not quite as permanent. If you are painting for personal pleasure it may be use the safer colours. Nothing lasts forever.
Look to Phthalocyanine Blue as nearest to Cyan in some brands and Quinacridone Magenta or Quinacridone Rose (Daniel Smith W/C Paints) as near to primary Magenta options in different brands.
Wonderful tips and so helpful!
Glad it was helpful!
Learned so much!
Great!
I must swatch my colors. I'm learning so much from you!!! My hardest part is shadows and highlights, it's hard for me to imagine how the light will fall and where all the shadows should be. I'm trying to imagine a light source but it doesn't help yet, I'm utterly mooing for help!!!
I'm going to have some simple tutorials later in the year, should help with shadows.
Thanks for asking the question
This was incredibly helpful, thank you!
No problem!
I love the clear explanations and examples!
Glad you like them!
I have wasted a ridiculous amount of paint when I should have thrown it out and started again.
We all have!
Awesome, I have just found your channel. Thank you for sharing
Awesome! Thank you!
thanks for the videos. Very helpful!
My pleasure!
Thanks!
Thank you so much!
You are always so helpful, and a delight to watch. Thank you so much for sharing your skills and your time with us.
Thank you!
Thank you so much for this video!
You are so welcome!
Thank you
You're welcome :-)
Dear Michele do you have any guide on painting dark or foggy weather backgrounds? Thank you
It's hard to say without seeing your subject. Do pop over to my facebook group (same name as the channel if you haven't already joined). It's easier for me and others to advise you when we can see photos :-)
almost there!
I know!
Great information
Glad you think so!
Great insights and tips as always.
1. Yes, swatching is very helpful. I use my sketchbooks to swatch my palettes, which I mainly make up myself from tube paints and/or pan paints from brand palette sets. I also swatch all paints I have, over 150 now (OMG! - I need help...). I group them into each primary colour, secondary colour, tertiary colour and earths.
2. Mixing paint is something I have been doing more and more over the last 2 years. Prior to that I used paints straight out of the pan. Mixing is a skill that takes a lot of practice, but I find it's best to do with good quality paints (artist grade) and only use single pigment paints where possible.
3. I wasn't aware of the effect with granulating paints, although I would always re-stir whenever I see inconsistency in the puddle mix.
4. I like trying mixes of two colours mainly, occasionally adding a third if I'm trying to get a specific earth or shade tone. Warm and cold colour awareness is also helpful when mixing colours.
5. Colour charts are a great tool, again I use these in my sketchbooks. It makes sense to keep a record of the mixes that work for you and avoid the ones that don't. My colour charts are quite small, but I have some specific ones for greens and greys. I've found some wonderful mixes that are far better to use than straight out of the tube paints.
6. Ready-made greens are handy and wonderful to use, but I also tend to add another green, or yellow, or blue to the mix to give more variety for foliage, grass and trees for example. Great tip about the Pink to neutralise. I have Opera Pink and Potter's Pink that I'll try next time.
7. I have a few limited palettes now, which I occasionally swap out some colours. It's great to focus on mixing and values instead of going COLOUR CRAZY (a well-known illness of the newbie watercolour painter like me!)
Michelle, you should easily smash 100k subscribers, just keep at it. Top tip: ask viewers to share and copy link, even if they don't send share link itself, as it also helps the algorithm.
Thank you. I can help with the too many paints issue. Stop counting them ;-) ;-)
Regarding which color to start with when mixing purple- I find that phthalo blue is the most powerful color on my palette, and it makes a brilliant purple when combined with a cool red. I usually start with red and add a tiny amount of the blue at a time. Ultramarine, on the other hand is much less strong and I might start with it and add red in small diluted amounts.
For the first time I remembered to 👍 before you said ☺
And I am grateful!
I think it also helps if we "like" and comment on other peoples post as well. I could be wrong but I don't think I am.
I didn't know that, but it sounds logical. After all, the it YT algorithm works in mysterious ways :)
@@TheSebiestor You are SO right about YT algorithm. Creators can't even figure it out and are always confused about what the algorithm does.
Thank you!! Does it help push your channel if the people who reply "like" others' comments and comment on each other's comments?
Hard to say, but all interaction is seen as positive by UA-cam :-)
Nice hair.
Your a fox.
I love your mannerisms and the execution of your elecution.
Beautiful,
Wow.
Do keep eye.
BTW I love your videos and drop your name always in my FB groups!!!
Thank you, fb shares are a huge help for me!
Thanks! It wad ahmazzzing!!! 🥰 I'm going to follow you on IG now 😁
Thank you!
It occurs to me that those people you mentioned who comment about your usage of terms like “hue”, or what colour their local vegetation is, are still contributing to your audience interaction. They probably are just, like me now, saying what’s on their mind without any malice. 🙂
This is true! Even thumbs downs are good in UA-cam's eyes, I mean as long as you don't get thousands!