Can somone please tell me how this amp compares in volume to a well known amp? For examlple is it louder then a Fender Deluxe? Everytime I ask this questian I get "Its loud enough" or "if its not loud enough run it through a PA" But no one so far has answered this question.
Scott Maple 2:40 onwards is the Raw Dawg clean for rhythm and with the Tube Screamer for lead. 3:44 onwards is the DV Micro using the clean channel for rhythm and dirty channel for lead. Hope that makes sense!
Chris Vinnicombe yes thanks, the rhythm is quite low in the mix and they sound very similar (in headphones at least). I like the bite of the CMT but of course it’s being driven harder. You can hear the compression / saturation and I think it must have a lot less headroom than the Raw Dawg. Could get messy if you add a distortion pedal to the front end, especially at rehearsal/ small gig levels?
Scott Maple I’d say if you are planning to get most of your drive from pedals then the Raw Dawg would be the one to go for. It definitely suits a bright guitar, too, as you’d expect with Mr Gales being a Strat guy.
#Boom
What cab did you use for the recording?
A DV Mark 1x12 cab with neodimium custom speaker (12") listen to 0:45 on the video ;D
Nice!
What happened to your icon channel? Is it just me?
Can somone please tell me how this amp compares in volume to a well known amp? For examlple is it louder then a Fender Deluxe? Everytime I ask this questian I get "Its loud enough" or "if its not loud enough run it through a PA" But no one so far has answered this question.
The Eric gales could literally knock a house down...... I have the 250 watt
The rhythm guitar is played through the Cirro Manna?
Scott Maple 2:40 onwards is the Raw Dawg clean for rhythm and with the Tube Screamer for lead. 3:44 onwards is the DV Micro using the clean channel for rhythm and dirty channel for lead. Hope that makes sense!
Chris Vinnicombe yes thanks, the rhythm is quite low in the mix and they sound very similar (in headphones at least).
I like the bite of the CMT but of course it’s being driven harder. You can hear the compression / saturation and I think it must have a lot less headroom than the Raw Dawg. Could get messy if you add a distortion pedal to the front end, especially at rehearsal/ small gig levels?
Scott Maple I’d say if you are planning to get most of your drive from pedals then the Raw Dawg would be the one to go for. It definitely suits a bright guitar, too, as you’d expect with Mr Gales being a Strat guy.