Peter Paul Rubens : A collection of 456 Paintings (HD) [Baroque]

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  • Опубліковано 9 вер 2024
  • Peter Paul Rubens : A collection of 456 Paintings (HD) [Baroque]
    #Peter_Paul_Rubens
    Sir Peter Paul Rubens
    - Born: June 28, 1577; Siegen, Germany
    - Died: May 30, 1640; Antwerp, Belgium
    - Nationality: Flemish
    - Art Movement: #Baroque
    - Painting School: Flemish School, Antwerp School
    - Field: #painting
    - Influenced by: Titian, Pieter Bruegel the Elder, Caravaggio, Hans Holbein the Younger
    - Influenced on: Gustave Courbet, Frans Hals, Rembrandt, John Constable, Théodore Géricault, Eugene Delacroix, Rosa Bonheur, Jenny Saville, Claudio Coello
    - Teachers: Tobias Verhaecht, Adam van Noort, Otto van Veen
    - Pupils: Anthony van Dyck, Jacob Jordaens, Frans Snyders
    - Friends and Co-workers: Diego Velazquez
    Wikipedia: en.wikipedia.org/wiki/Peter_Paul_Rubens
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    Sir Peter Paul Rubens (28 June 1577 - 30 May 1640) was a Flemish artist. He is considered the most influential artist of Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, color, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens specialized in making altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
    In addition to running a large studio in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diplomat who was knighted by both Philip IV of Spain and Charles I of England. Rubens was a prolific artist. The catalogue of his works by Michael Jaffé lists 1,403 pieces, excluding numerous copies made in his workshop.
    His commissioned works were mostly "history paintings", which included religious and mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the royal entry into Antwerp by the Cardinal-Infante Ferdinand of Austria in 1635.
    Rubens's depiction of males is equally stylized, replete with meaning, and quite the opposite of his female subjects. His male nudes represent highly athletic and large mythical or biblical men. Unlike his female nudes, most of his male nudes are depicted partially nude, with sashes, armour, or shadows shielding them from being completely unclothed. These men are twisting, reaching, bending, and grasping: all of which portrays his male subjects engaged in a great deal of physical, sometimes aggressive, action. The concepts Rubens artistically represents illustrate the male as powerful, capable, forceful and compelling. The allegorical and symbolic subjects he painted reference the classic masculine tropes of athleticism, high achievement, valour in war, and civil authority. Male archetypes readily found in Rubens's paintings include the hero, husband, father, civic leader, king, and the battle weary.
    Rubens was a great admirer of Leonardo da Vinci's work. Using an engraving done 50 years after Leonardo started his project on the Battle of Anghiari, Rubens did a masterly drawing of the Battle which is now in the Louvre in Paris. "The idea that an ancient copy of a lost artwork can be as important as the original is familiar to scholars," says Salvatore Settis, archaeologist and art historian.
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