i love that we're slowly getting more and more gems like these thanks to the internet (and whoever decided to record/upload)... there are so many of us out there who only discovered her recently, this is amazing
This is unbelievably smokin. I discovered Emily's music way too late even though I have heard her name for years and years. So far, every recording I have heard has been top notch not only by her but the players she choose for her bands. What is sad is that there really isn't any documentary thing about her anywhere, at least not that ive found. But I am really grateful for the person that posted this video and to all the others who do similar to keep her music out there. She was really something else.
God bless Emily , God Damn Heroin.. So many greats stolen from the music & guitar world by this awful drug. Love this photo showing her easy side . One of the best we've ever had & what a fine set she lays down here. We will miss her awesome talent always.
had the pleasure of knowing her and listening to her many times live. Such a brilliant artist who left us before the world really knew about her, an underrated jazz great. So very sad to lose her - especially to that satanic serum that has ruined way too many and robbed all of us while doing it.
@@kmjofpdrey You are lucky to have known her. I only learned about Emily a couple of months ago, been a fan of fusion for many years. Thought this kind of jazz was not for me. Guess I was wrong about that. Emily knew how to play each note exactly where it hurts the most. It takes enormous amounts of precision and technique to make it sound so effortless and fluid. I think Miles would have loved her take on All blues. Totally blown away by this performance.
Andy-thank you SO MUCH for uploading this stunning Emily show. I'm only on the first tune and am totally enchanted, can hardly wait to hear "All Blues", love her version. You are so right about her being inspiring, everytime I heard her it happens to me too. Everything she plays is intensely heartfelt. God Bless Emily.
Tuve el privilegio de escucharla en vivo con Monty Alexander en caracas. Desde ese momento .for ever. Sere' fans de ella.para ese entonces compre' disco de ella. For ever Emily.
Young & super talented Emily R. delivers outstanding performance. Her interpretation of "Manha de Carnival" tune is of elegance and beauty. Thanks for uploading this CD/video. SL
Wow, I've loads of her recordings and love 'em but this is the best I've heard, thanx for posting. The first tracks do sound like a solid gtr or maybe that piezo pickup Ovation she used sometimes, the later ones more standard semi-acoustic. Like Wes & Kenny Burrell, it's bebop but the lix are often blues or 11th chord driven - what a great find, a keeper; thanx again.
Loads of her recording??? I can trade, always looking for more Emily boots. Email me at jazzguitarist@aol.com and I can send you a list of what I have (@30 recordings)
@@glueforall Yeah, it's her 335--she has the most gorgeous tone, it's always inspiring. Then there's her stellar technique and improv skills. Love her!
There'll never be another Emily Remler but her precious legacy lives on and there is no doubt it has and continues to inspire countless generations of guitar players and in particular the female variety. Tenakoe Andy Troyanos for sharing the treasure that you have and I wish you every success in making sure as many people experience it as possible!
Sweet energy at this show! Love that different guitar for her, perhaps a PRS? not sure but sounds so clean & crisp-ah those swinging mixed lead lines among the chord melody and double-stops at end of phrase!
Joe, I just grabbed that pic off the internet because I didn't have any pics from the actual concert. It looks like that's from a trade show where she might have picked up and tried different guitars. She is so swinging, isn't she? She had the greatest groove and feel.
In the photo Emily is holding a Zion guitar. Those are excellent guitars-I nearly bought one many years ago. I don't know what guitar she is playing in this recording, but in her hands, wasn't every guitar a magical vehicle of soulful artistic creativity?
You know---I once read a review about her--I forget by who--But it stated that she was a pretty valid voice or part of the jazz world---though she never broke new ground.. I definitely agree that she was a VERY valid part of the jazz world-that part wasn't incorrect, but----the other part was--because she was somebody who practiced, studied, played, and listened upward-for the music, and remained mostly ALL THE TIME--THE MUSIC AND THE GUITAR ---and an inspiration, for how to feel and play and what to do and land on and be, for whatever she was doing lead line wise!!!! and in the moment for when I practice and play myself, anything jazz, - which is what I play--especially for me a VERY VERY VERY BIG Martino fan and WES--haha!!! or Diorio
Part of her new ground was a woman instrumentalist, dominating in the field of jazz guitarist. But as a composer, her songs need much more attention than they have gotten. Great original songs, that have very interesting harmony and form. Playing wise, maybe not that much different than her bebop counterparts, but I'd argue she knew how to structure a solo, unlike any other jazz guitarist and in IMHO any jazz musician. She had a wonderful sense of storytelling, and part of the reason her playing still sounds amazing 30 years later. I've read a few books about the making of Kind of Blue, one of the authors, elevated Coltrane while beating up Adderley, both on the record and in their other recordings. But the same critique was used, Cannonball...not an innovator. I'd argue, but he swung and played great. And then if you dip into his late 60's catalog, he did experiment with new ideas and very outside playing. Unlike Coltrane, he didn't stick with it, but he did try different mediums and always played great. If you listen to Emily, particularly on her last albums, you could see her expanding her horizons. Part of her last album, sounds like the roots of smooth jazz. I'd hope she wouldn't have gone fully down that empty pathway, but you could see the lines of exploring styles and different grooves. Either way, Emily was a goddess and what she brought musically and personally into this world is still having a positive affect on all who get into her music.
@@andyguitar Ditto to all that. I find a lot of fine guitarists get pretty cerebral and don't swing the way Emily did. She had great ideas, great chops, knew how to make it all flow. She is my favorite guitarist to copy. I shouldn't say it, but I almost feel a bit angry at her for the way she died. I want to hear so much more from her.
She did do things from Wes and insert parts, like I said, she worked on it- and that was one of the ways, but a lot of what she also did came from the doing , even though the studying gave her what to draw from and used which she knew and liked. That also comes from knowing the earlier music in and of jazz!!!! These are just a few reasons that she musically was pretty authentic to the MUSIC---and the GUITAR. She could be really a pretty studied person and the later album was a bit like Martino's fusion albums, and quite good, with a bit of Lee Ritenour, not really a leaning towards a smooth jazz album--career though--haha!!.. She was not a story teller or an actress pre se----either----though SHE SPOKE AS A PLAYER--musically-!!( lines)-!!!!-- --she instead played with a feel -----unassumed------- that stayed a lead player- who stayed musical--- true to her leanings and studies--=definitely!!!!!!! You know---- Cannonball's only fault was being who he was, he sometimes relaxed on who he was-but---when he got up to be the music -he really could burn the instrument with the music and was explosive as all hell---filled with many things ( and that is another story) - and that reviewer--- i must tell you-------him and TRANE -you leave alone--haha!!!---and-as a woman--she could be treated like she was fluff or treated wrong even in the modern days.
i love that we're slowly getting more and more gems like these thanks to the internet (and whoever decided to record/upload)... there are so many of us out there who only discovered her recently, this is amazing
She is outstanding gifted guitarist
Wish this was on video too...!!!!!!!...Can't believe it'll be 34 years since the tragedy come May 2024..!!..What an awful loss...!!!!!!!
This is unbelievably smokin. I discovered Emily's music way too late even though I have heard her name for years and years. So far, every recording I have heard has been top notch not only by her but the players she choose for her bands. What is sad is that there really isn't any documentary thing about her anywhere, at least not that ive found. But I am really grateful for the person that posted this video and to all the others who do similar to keep her music out there. She was really something else.
She always sounds amazing but her playing here is on fire! I would love to have this on vinyl it sounds so good…. Fuck heroin
ua-cam.com/video/F87PuNmI5D0/v-deo.html
how dumb was she to use it
Relentlessly brilliant. Thanks for introducing me to Pat Martino and opening the door to understanding Jazz guitar. Sorely missed.
God bless Emily , God Damn Heroin.. So many greats stolen from the music & guitar world by this awful drug. Love this photo showing her easy side . One of the best we've ever had & what a fine set she lays down here. We will miss her awesome talent always.
had the pleasure of knowing her and listening to her many times live. Such a brilliant artist who left us before the world really knew about her, an underrated jazz great. So very sad to lose her - especially to that satanic serum that has ruined way too many and robbed all of us while doing it.
@@kmjofpdrey You are lucky to have known her. I only learned about Emily a couple of months ago, been a fan of fusion for many years. Thought this kind of jazz was not for me. Guess I was wrong about that.
Emily knew how to play each note exactly where it hurts the most. It takes enormous amounts of precision and technique to make it sound so effortless and fluid. I think Miles would have loved her take on All blues. Totally blown away by this performance.
ua-cam.com/video/F87PuNmI5D0/v-deo.html
RIP Emily. Gone but never forgotten.
❤ 💯
Thank you so much for uploading this concert, Mr. Troyanos!
Andy-thank you SO MUCH for uploading this stunning Emily show. I'm only on the first tune and am totally enchanted, can hardly wait to hear "All Blues", love her version. You are so right about her being inspiring, everytime I heard her it happens to me too. Everything she plays is intensely heartfelt. God Bless Emily.
A great one set. Man, she was (still is) a real giant
I agree----she was a GREAT!!!!!!!!! and an inspriration at all times------and her CD's should be much more accessible
Tuve el privilegio de escucharla en vivo con Monty Alexander en caracas. Desde ese momento .for ever. Sere' fans de ella.para ese entonces compre' disco de ella. For ever Emily.
Wow. Great sound feel everything. The real deal. Thanks for posting!
This is awesome music. Wes' best legacy with Jimmy Ponder, and jazz' s best legacy too at all, thank you very much, it's a masterpiece
What an incredible musician! Musical perfection!
Young & super talented Emily R. delivers outstanding performance. Her interpretation of "Manha de Carnival" tune is of elegance and beauty. Thanks for uploading this CD/video. SL
I was there with best friend Dave every body use to call him Rush
she always plays n phrases the cool things as if she couldnt fail being interesting
This is insane. I'm obsessed with Emily Remler at this point.
Me too. Her playing inspires me so much
Yea, this is about as exciting for me when I found Danny Gatton..
Same Here. I can't get enough of her.
@@donkkong5551 Exactly correct! 💯
Very energetic performance. I was pleasantly surprised. RIP Emily
What a beautiful artist, so musical, outstanding playing.
Thanks for this complete concert. I’m a total fan of Emily.
ua-cam.com/video/F87PuNmI5D0/v-deo.html
ua-cam.com/video/F87PuNmI5D0/v-deo.html
She was clearly going through a Pat Martino period at this time, great stuff!!
ua-cam.com/video/F87PuNmI5D0/v-deo.html
Thank you for these shows. Emily was up there with some of the finest jazz guitarist. Sadly, she left us way to soon.
Oh my god, the first tune! She is BURNING!
Her playing was fresh and inventive and she was still maturing. Thankful for what she gave us and sad to think how much more could have been.
Wow, I've loads of her recordings and love 'em but this is the best I've heard, thanx for posting. The first tracks do sound like a solid gtr or maybe that piezo pickup Ovation she used sometimes, the later ones more standard semi-acoustic. Like Wes & Kenny Burrell, it's bebop but the lix are often blues or 11th chord driven - what a great find, a keeper; thanx again.
Loads of her recording??? I can trade, always looking for more Emily boots. Email me at jazzguitarist@aol.com and I can send you a list of what I have (@30 recordings)
ua-cam.com/video/F87PuNmI5D0/v-deo.html
Listen to the lowest range when she's on the 5th and 6th strings. That distinctive thin hollowbody thud. I think this is her 335.
@@glueforall Yeah, it's her 335--she has the most gorgeous tone, it's always inspiring. Then there's her stellar technique and improv skills. Love her!
Thank you Andy for making this available. I'm really enjoying it.
ua-cam.com/video/F87PuNmI5D0/v-deo.html
so sad. such a great player, such talent. and pretty. RIP Miss Emily.
I love this woman
Me too ❤️❤️❤️
ua-cam.com/video/F87PuNmI5D0/v-deo.html
Got she sounds great on this.
There'll never be another Emily Remler but her precious legacy lives on and there is no doubt it has and continues to inspire countless generations of guitar players and in particular the female variety. Tenakoe Andy Troyanos for sharing the treasure that you have and I wish you every success in making sure as many people experience it as possible!
Thanks for posting this excellent music!!!
Sweet energy at this show! Love that different guitar for her, perhaps a PRS? not sure but sounds so clean & crisp-ah those swinging mixed lead lines among the chord melody and double-stops at end of phrase!
Joe, I just grabbed that pic off the internet because I didn't have any pics from the actual concert. It looks like that's from a trade show where she might have picked up and tried different guitars. She is so swinging, isn't she? She had the greatest groove and feel.
That is Emily playing her Es-330
In the photo Emily is holding a Zion guitar. Those are excellent guitars-I nearly bought one many years ago. I don't know what guitar she is playing in this recording, but in her hands, wasn't every guitar a magical vehicle of soulful artistic creativity?
@@Dang...Every time I listen to her I think about buying a 330… then I come to my senses.
What a gem! 💥💥
Wow, never knew this recording existed. She sounds fantastic! Is this some bootleg or something?
ua-cam.com/video/F87PuNmI5D0/v-deo.html
This is an amazing find! OP - were you at this show?
Was this a radio broadcast? Slightly unusual setlist for her, she and that band were SMOKIN’!!
Amazing version of Black Opheus.
A real treasure! Especially interesting to listen to her strong references to Pat Martino in "Black Orpheus".
You know---I once read a review about her--I forget by who--But it stated that she was a pretty valid voice or part of the jazz world---though she never broke new ground..
I definitely agree that she was a VERY valid part of the jazz world-that part wasn't incorrect, but----the other part was--because she was somebody who practiced, studied, played, and listened upward-for the music, and remained mostly ALL THE TIME--THE MUSIC AND THE GUITAR ---and an inspiration, for how to feel and play and what to do and land on and be, for whatever she was doing lead line wise!!!! and in the moment for when I practice and play myself, anything jazz, - which is what I play--especially for me a VERY VERY VERY BIG Martino fan and WES--haha!!! or Diorio
Part of her new ground was a woman instrumentalist, dominating in the field of jazz guitarist. But as a composer, her songs need much more attention than they have gotten. Great original songs, that have very interesting harmony and form. Playing wise, maybe not that much different than her bebop counterparts, but I'd argue she knew how to structure a solo, unlike any other jazz guitarist and in IMHO any jazz musician. She had a wonderful sense of storytelling, and part of the reason her playing still sounds amazing 30 years later. I've read a few books about the making of Kind of Blue, one of the authors, elevated Coltrane while beating up Adderley, both on the record and in their other recordings. But the same critique was used, Cannonball...not an innovator. I'd argue, but he swung and played great. And then if you dip into his late 60's catalog, he did experiment with new ideas and very outside playing. Unlike Coltrane, he didn't stick with it, but he did try different mediums and always played great. If you listen to Emily, particularly on her last albums, you could see her expanding her horizons. Part of her last album, sounds like the roots of smooth jazz. I'd hope she wouldn't have gone fully down that empty pathway, but you could see the lines of exploring styles and different grooves. Either way, Emily was a goddess and what she brought musically and personally into this world is still having a positive affect on all who get into her music.
@@andyguitar Ditto to all that. I find a lot of fine guitarists get pretty cerebral and don't swing the way Emily did. She had great ideas, great chops, knew how to make it all flow. She is my favorite guitarist to copy. I shouldn't say it, but I almost feel a bit angry at her for the way she died. I want to hear so much more from her.
It's one of those where you can tell it's Emily by her sound.
Carson Smith!
What he said!! Hadn’t heard him before, what a BEAST on bass!!!
Thank you very much!
Thank you.
Wonderful! Thank you.
Emily was awesome.
Thank you!
Grande sensibilita' , morta giovanissima, ha detto e avrebbe avuto molto altro d ire
Thanks
This rules. Thanks for sharing.
Thank you very much!
GRACIAS
Alles ihr zu ehren, very great, Ein großer Spaß, sie zu hören, liebe Emily!
Outstanding
Que genialidad esto muchas gracias !
Yes.... she had classical BASE....very young.......she had the RYTHME in his blad... she was a metronome
great
great artist !
Wow... this is really rare.
Plus the best guitar teacher ever!
yes. she was mine as well.
ua-cam.com/video/F87PuNmI5D0/v-deo.html
🌟🌟🌟🌟🌟 💙
Wonderful performance!
ua-cam.com/video/F87PuNmI5D0/v-deo.html
0:04
Hey Mr.T
Hi Trevor
She did do things from Wes and insert parts, like I said, she worked on it- and that was one of the ways, but a lot of what she also did came from the doing , even though the studying gave her what to draw from and used which she knew and liked. That also comes from knowing the earlier music in and of jazz!!!! These are just a few reasons that she musically was pretty authentic to the MUSIC---and the GUITAR. She could be really a pretty studied person and the later album was a bit like Martino's fusion albums, and quite good, with a bit of Lee Ritenour, not really a leaning towards a smooth jazz album--career though--haha!!.. She was not a story teller or an actress pre se----either----though SHE SPOKE AS A PLAYER--musically-!!( lines)-!!!!-- --she instead played with a feel -----unassumed------- that stayed a lead player- who stayed musical--- true to her leanings and studies--=definitely!!!!!!!
You know---- Cannonball's only fault was being who he was, he sometimes relaxed on who he was-but---when he got up to be the music -he really could burn the instrument with the music and was explosive as all hell---filled with many things ( and that is another story) - and that reviewer--- i must tell you-------him and TRANE -you leave alone--haha!!!---and-as a woman--she could be treated like she was fluff or treated wrong even in the modern days.
She was so imaginative musician!!!!