Record Labels vs. DIY Culture ON THE RECORD | Metal Injection
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- Опубліковано 25 сер 2024
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On this episode of ON THE RECORD we discuss whether or not music labels still play an important role in a band's success, the growing DIY culture of self releasing, and the future of music distribution. Interviews with Nuclear Blast Records, Century Media Records, Relapse Records, Brutal Panda Records, eOne Music, Red Distribution, Pirates Press, Intronaut, The Dillinger Escape Plan, Periphery, Crowbar, Trivium, Primitive Weapons, Cloudkicker, Candiria, Revocation, MetalSucks, Metal Injection, Rolling Stone, and more!
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Metal Injection definitely needs to do more of these video. Very interesting to see what people have to say on these topics.
My 2 piece band has released 2 albums, about to release our 3rd in December 2016, and already has up to a 7th album already written with an 8th now beginning. We make no money. We spend about $1,200 -$1,500 an album for studio time and give away our music for free. We have no ambitions to get signed. We don't really play live shows. Our goal is simply to release music that we believe is worth listening to and voicing our political views. Just thought I'd share our testimony with you all so that people know that bands such as mine exist out there, quietly writing music. My band's name is "Nightmare of Sovereignty".
Most bands get ripped off by labels. It's always been that way. You're listening to industry insiders here. Remember that.
Greetings from Angola, headbang to this african/angolan metal band SINGRA🤘🤘
Great video with lots of interesting opinions.
It's Monte! Love that guy! A+++
Love this series guys, freaking awesome
This series is excellent!
Good video. Some of the video qualities were waning but this one is wonderful.
"Friends in the right places." Bingo.
decadepast decadepast it's not what you know, it's who you know
I, myself, am learning on where to go. Truly, independent grass roots label? Or do I go and find a label who can get this to the next level.
…I feel networking and distribution is key and is the big hurdle.
Still a great and relevant video!
very interesting.
Interesting. This is just a new reality of the music business.
8:49 he is like old petrucci
70% of all the revenue generate from steaming sites goes to the top 1% of the music industry.
It's brutal. That's why we focus on in-person CD sales at the shows.
My conclusion after watching this video is that the DIY method is too elitist. It´s like "if you have money and time, you can do". How is it possible to have time? With money in your bank account supplying your basic necessities. In the end of the day, this method says that the rich can do and the poor cannot. This discussion of course changes from country to country. I live in an underdevelopment country, and it imposes us some conditions that someone from Europe or the US will never understand. It´s freaking insane! We can´t buy nice instruments because it´s too expensive, we don´t have places do play, and if we do, people won´t go to see us. Why? Because the equipments sucks, the house sucks, and due to our education, that sucks, our bands are never critical, and they suck. DIY is a symptom of a world where you´re the boss of yourself, and if you can´t do something, fuck off, not my problem!
Music industry sucks. What I think we have to do? Fight for a better industry! A more supportive one, leaded by people that understand the force and importance of our craftsmanship! Art saves people from deceases, sadness, put them in a group which shares some vision of life, can be therapeutical, provide reflections about what life can be... I mean... it´s fucking important! We love it and we are here of it! We just can´t be disrespected!
Its realy hard to get the word out for your band they say the best thing to do is play shows
Nowadays, labels sign everything. It seems they dont care about quality. the important is the fashion because it sells better. its normal, they want to preserv their profit. but in the other side we have new artists wanting to play, fueled with metallica, pantera, ac/dc dreams, they know that they have to sacrifice many things to be in a certain position. Fact...... i know many huge quality bands that quit from nuclear or century because at the end of the tour they had bills to pay! they had to work and many of them are from countries that support artists in many ways like in scandinavia countries. When you have to work to support your musical career you just wont be an artist in full time. In the and you will be an hobby artist or you simply quit it!
labels dont respect work, they just see profits. its simple..... record your stuff, go out in the internet and spread your work out! if you have the thing..... of course we metal fans will be happy to help, and go to your gigs
to conclude... the main business of a record label is to watch a band potential, help it rise and profit with it! why is that man saying that its difficult to see if a band have the potential or not? isnt that his work??? he should be the professional in his business..... again, i say.... you are your own label!
if you start something, end it! it sucks to do everything but its our dream to compose, to create music, listen it and build more!
Maybe bad labels sign everything.
People have always had the ability to do what labels did on their own. Well people with money always did and always have.
Kickstarter hahahahaha
Most labels anymore are only good for distribution anymore, only the bigger ones offer tour support, most tell you ok, you record and mix and master your album then come to us, its like for what? We did all the work,,,, just so they can cash in on your hard work, you dont need labels anymore, you have the internet, you can do everything, yourself now days
If by "Leveling the playing field" you mean making the value of a record fall to zero than yea I guess so. It's so much better now lol
Nobody has a stranglehold on the industry anymore because it's in free fall
Crowd-funding only works if you're already famous.
"You could not get a CD in a store years ago." Yea no shit. We bought them out of catalogs and at shows. Unlike what the vast majority of people are doing now which is either streaming or downloading.
"As long as you have the budget." Yea most people don't have that kind of money.
Before I started GOML, I was charging $300/day. A well rehearsed band can get an album done over a weekend.
This episode felt a little bland compared
to the others. Still good stuff nonetheless
chiefmachine24 I disagree because it tells of the truth of what is going on with music labels.
xXAscendingPhoenixXx I didn't mean it as in lacking coverage, I meant the overall ambiance. Just felt like it was lacking continuity the way it was edited.