The first movement sounds like the nightmare of every string quartet. He makes a string quartet sound like a string orchestra of symphonic proportions.
it was a nightmare when I played it. We practiced it so much though that we eventually got it down. Cant believe I played it freshman year of highschool.
This was one of the first quartets i played, I absolutely love this piece, how everything fits together. No matter how many times I listen to it or play it, it never gets boring. This quartet gives me a distinct vibe. It feels as if I'm on a ship on the ocean. I tend to get that feeling with most french composers. 2nd movement is really fun along with 4th. The following is from a first violinist viewpoint: Movement 1 gives me a ship vibe. i really like the beginning of it moving to the solo. 0:43 is hard but really satisfying to play. Header 1 is also cool. 1:34 is fun to play. 2:06 is really cool. 2:36 is fun. Small blurps at header 4 are cool. Header 5 is really fun to play those double stops. 5:35 juggling solos is cool. Very ending is cool. Movement 2 is probably my favorite one to play because the rhythm and timbre of the viola and pizzicato. I like the offbeats at 6:36 and 6:44, they're fun to finger. I really love to play the 16th notes. The small blurps at 8:13 are cool. 8:27 is also really fun. Header 11 with the offbeats again. 9:34 is a cool way to end. 3rd movement is majestic. Although its slow its still very beautiful. I love the juggling solos and the crescendo at 12:16 13:43 is a really fun duet and then the viola comes in with its solo and then cello. and then at header 13 the rhythms get a little hard. 14:52 is very fun and then at 14:58 I love how the cello harmonizes with the solo. Header 14 is a really nice break to wash it all down, and it's perfectly placed if you ask me. The very ending of 3rd sounds really nice. Intro of 4th movement sounds perfect. I love playing the double stops at 18:19. I like header 15 buildup 19:36 is fun to play if you get it right. For me, it's pretty hard. 20:05 is really really fun to play. I love the harmonies at 20:18. 20:50 is really fun to play. Key change fits perfectly at 21:17. 21:43 is really fun for me. I don't know why I like chromatic scales so much. I like the duet at 21:58. The dissonance works out alot at 22:13. At header 21, I like the stacking there and the violins doing the triplets and quarters. 23:01 sounds like a complete key change. I really like it. Especially the part at 23:05. 23:17 is a little hard for me but it sounds really good. 23:20 double stops are REALLY fun to play for me. I really like header 23. Especially the part where you shift up to the C. Header 24 has got to be, by far one of the greatest endings in all of quartet history. 24:40 and triplets at the end are cool. So, in conclusion, it has got to be one of my favorite string quartets by far. Everything fits together so perfectly. I wish Debussy made more
I really appreciate the way Debussy experients and develops the main theme in the first movement, almost like hearing an enormous riff being masterfully improvised for 6 minutes straight.
This incredibly passionate and musical performance of Debussy's great Quartet by The Kodály Quartet is like hearing it for the first time, an amazing experience.
It’s just my favourite quartet. I think it’s that Debussy was still very impressionistic with his harmonies but still respected the fragility of a string quartet and it resulted in this well-structured but beautifully harmonized piece of music.
The quartet is a great example of how Debussy would taylor his compositions to a particular idiom. Here, he composes not only FOR a string quartet, but creates music that comments on, and plays with, the form and texture of string quartets in general. He is, in essence, making a 'meta-reference' to the form itself as created by its classical progenitors. In this sense, he is truly one of the creators of 20th century music,
I mean, I like this piece too but I have no idea in what way this was some meta statement and "comments on the history of string quartets" and I'm not entirely sure you do either.
both Debussy and ravel string quartets are great ,so much colour and like vaughn Williams have a deeper kind of prophetic vision of what’s coming in the 20th Century .brilliant
Revisiting this masterpiece because I had the melody at 14:52 stuck in my head and specifically the bit at 14:57 makes me think of Dvorak for some reason ❤
It has indeed a kind of modal sound that Dvorak used in his "American" Quartet, and in his "New World" Symphony. Some well trained ears you've got there, bro!
00:00 I. Animé et très décidé (thème en mode phrygien) 01:17 : Deuxième groupe thématique (thème en mode phrygien) 02:01 : Développement 03:17 : Passage basé sur la gamme par ton 04:28 : Réexposition 06:12 II. Assez vif et bien rythmé (thème en diminution) 07:11 : Thème en augmentation 08:53 : Nouvelle présentation du thème 10:00 III. Andantino doucement expressif 17:57 IV. Très modéré
Actually yeah. I love the viola and it’s sound, it just has a bad rep because it’s usually lots of second rate violin players playing them and it’s not properly sized for projection so it’s strength is weaker. But it’s weak tone is often mitigated in large, decent ensembles. But as a soloist, it’s calm and withheld tones allows for the most intimate of sound.
On second hearing this is for me really the best performance ever heard of this marvellous quartet (never heard it live). Of course I realise the sound quality is very important for an evaluation and the quality here is very, very good.
In my own head I imagine each movement as a season: I. Summer, the main theme is full and lush with greens and blues, you can feel the energy and the heat in the chromaticism. II. Fall, I imagine the leaves turning color and falling ever so gently, playfully rustling in the wind III. Winter, i imagine walking through the snow, trees dead, trying to trek to the warmth of the cabin, you stop to make a fire, watch it blaze, continue on, and finally make it to the cabin IV. Spring, the trees have new leaves, flowers bud, showers drizzle and the main theme comes back in bursts, strong, playful, and reminiscent of birds chirping. The heat and energy is coming back around again.
It's surprising that this was written relatively early in his career; I would've guessed the 1900s-10s. It's also surprising that this only has 5,000 views!
Wow, this is so much better than the version I'm used to--It features a more principled pace, closer mic-ing, and a whole-bodied mix generous to the mids.
amazing piece, amazing performance, amazing recording. absolutely fascinating (not in a good way) how difficult it was to discern the name of the quartet playing. Kodaly Quartet.
Everyone in the comment section having a emotional connection with the music and understand it and here I am trying hard to understand it because if not I won't past my music 👉🥴👈
@@zaxapitsa You're probably confusing this with Ravel's Quartet in F? They both only wrote 1 quartet and were both Impressionists so that'd be understandable confusion
@@timotejbernat462 The intro to the second movements in these two pieces both contains quite a lot of pizzicato, maybe that's what caused the confusion.
Stealing this music took you two hours, compare that to the hours of practise and thousands of dollars that ensemble and label spent to create that record.
The first movement sounds like the nightmare of every string quartet. He makes a string quartet sound like a string orchestra of symphonic proportions.
it was a nightmare when I played it. We practiced it so much though that we eventually got it down. Cant believe I played it freshman year of highschool.
@@TheGreatSnuffleuphagWow that’s quite the achievement!
FUN FACT: this wasn't on your recommendations, you searched for it
You got me there...
yep, u catch me
En mi caso fue una recomendación de youtube... y fue una muy buena elección debo decir :D
Yep. Hannah doesn’t lie.
Actually, for once a friend came through with a good music recommendation.
00:00 I. Animé et très décidé
06:12 II. Assez vif et bien rythmé
10:00 III. Andantino doucement expressif
17:57 IV. Très modéré
Bless you
you are the person that holds up todays society.
unclejohnthezef when i open the comment i sneesed, so thank you
Thank you
Thank you! I'm so grateful for this!
This has to be one of the greatest string Quartets ever written
Could not agree more. The work of a transcendent genius.
As beautiful as this is, I can't agree when Beethoven, Ravel, Bartok, Schoenberg, and Berg are there.
@@segmentsAndCurves he said one of bruh literacy smh my head
@@segmentsAndCurvesI don't remember asking but ok I guess?
@@blackforestt3717 toxic
This was one of the first quartets i played, I absolutely love this piece, how everything fits together. No matter how many times I listen to it or play it, it never gets boring.
This quartet gives me a distinct vibe. It feels as if I'm on a ship on the ocean. I tend to get that feeling with most french composers.
2nd movement is really fun along with 4th.
The following is from a first violinist viewpoint:
Movement 1 gives me a ship vibe.
i really like the beginning of it moving to the solo.
0:43 is hard but really satisfying to play.
Header 1 is also cool.
1:34 is fun to play.
2:06 is really cool.
2:36 is fun.
Small blurps at header 4 are cool.
Header 5 is really fun to play those double stops.
5:35 juggling solos is cool.
Very ending is cool.
Movement 2 is probably my favorite one to play because the rhythm and timbre of the viola and pizzicato.
I like the offbeats at 6:36 and 6:44, they're fun to finger.
I really love to play the 16th notes.
The small blurps at 8:13 are cool.
8:27 is also really fun.
Header 11 with the offbeats again.
9:34 is a cool way to end.
3rd movement is majestic. Although its slow its still very beautiful.
I love the juggling solos and the crescendo at 12:16
13:43 is a really fun duet and then the viola comes in with its solo and then cello.
and then at header 13 the rhythms get a little hard.
14:52 is very fun and then at 14:58 I love how the cello harmonizes with the solo.
Header 14 is a really nice break to wash it all down, and it's perfectly placed if you ask me.
The very ending of 3rd sounds really nice.
Intro of 4th movement sounds perfect.
I love playing the double stops at 18:19.
I like header 15 buildup
19:36 is fun to play if you get it right. For me, it's pretty hard.
20:05 is really really fun to play.
I love the harmonies at 20:18.
20:50 is really fun to play.
Key change fits perfectly at 21:17.
21:43 is really fun for me. I don't know why I like chromatic scales so much.
I like the duet at 21:58.
The dissonance works out alot at 22:13.
At header 21, I like the stacking there and the violins doing the triplets and quarters.
23:01 sounds like a complete key change. I really like it. Especially the part at 23:05.
23:17 is a little hard for me but it sounds really good.
23:20 double stops are REALLY fun to play for me.
I really like header 23. Especially the part where you shift up to the C.
Header 24 has got to be, by far one of the greatest endings in all of quartet history. 24:40 and triplets at the end are cool.
So, in conclusion, it has got to be one of my favorite string quartets by far. Everything fits together so perfectly. I wish Debussy made more
Gracias por tu análisis. Es genial
Saludos desde España
I really appreciate the way Debussy experients and develops the main theme in the first movement, almost like hearing an enormous riff being masterfully improvised for 6 minutes straight.
This incredibly passionate and musical performance of Debussy's great Quartet by The Kodály Quartet is like hearing it for the first time, an amazing experience.
I think this is the one of the best string quartet in the world.
This is the most important piece since Beethoven's ninth because it started 20th century classical.
@@DreamlessSleepwalker None of your comment makes any sense.
@@SpaghettiToaster It's okay, I think I was high while typing that comment.
Lol
@@SpaghettiToaster The problem is that I don't do drugs, so how did I get high?
The ending of the first movement, now that's some early headbanging material.
Yeah. My family knows when I’m listening to this piece because I gesture so epically at the end of that movement.
I was surprised to hear pentatonics in something that old.
It’s just my favourite quartet. I think it’s that Debussy was still very impressionistic with his harmonies but still respected the fragility of a string quartet and it resulted in this well-structured but beautifully harmonized piece of music.
The quartet is a great example of how Debussy would taylor his compositions to a particular idiom. Here, he composes not only FOR a string quartet, but creates music that comments on, and plays with, the form and texture of string quartets in general. He is, in essence, making a 'meta-reference' to the form itself as created by its classical progenitors. In this sense, he is truly one of the creators of 20th century music,
Are you sure he didn't just write a well-written string quartet? 😝
@@maxgregorycompositions6216 lmao
I mean, I like this piece too but I have no idea in what way this was some meta statement and "comments on the history of string quartets" and I'm not entirely sure you do either.
both Debussy and ravel string quartets are great ,so much colour and like vaughn Williams have a deeper kind of prophetic vision of what’s coming in the 20th Century .brilliant
Revisiting this masterpiece because I had the melody at 14:52 stuck in my head and specifically the bit at 14:57 makes me think of Dvorak for some reason ❤
I thought the same! 😯 :)
It has indeed a kind of modal sound that Dvorak used in his "American" Quartet, and in his "New World" Symphony. Some well trained ears you've got there, bro!
@@luizcadu thank you so much! ❤️❤️
00:00 I. Animé et très décidé (thème en mode phrygien)
01:17 : Deuxième groupe thématique (thème en mode phrygien)
02:01 : Développement
03:17 : Passage basé sur la gamme par ton
04:28 : Réexposition
06:12 II. Assez vif et bien rythmé (thème en diminution)
07:11 : Thème en augmentation
08:53 : Nouvelle présentation du thème
10:00 III. Andantino doucement expressif
17:57 IV. Très modéré
Absolutely LOVE the second movement! Also; VIOLAS GOT A GOOD PART IN THIS YESSS!
you must get a lot of viola jokes
c a s h
Yeah, but mostly from middle-aged conductors, strangely...
the viola’s so good tho i love it when they get solos
viola gang
Actually yeah. I love the viola and it’s sound, it just has a bad rep because it’s usually lots of second rate violin players playing them and it’s not properly sized for projection so it’s strength is weaker. But it’s weak tone is often mitigated in large, decent ensembles. But as a soloist, it’s calm and withheld tones allows for the most intimate of sound.
On second hearing this is for me really the best performance ever heard of this marvellous quartet (never heard it live). Of course I realise the sound quality is very important for an evaluation and the quality here is very, very good.
0:00 I. Animé et très décidé
06:12 II. Assez vif et bien rythmé
10:00 III. Andantino doucement expressif
17:57 IV. Très modéré
it’s my first time to hear this for my music class,and i feel like i’m watching a show or something. it’s really beautiful specially in 11:00
and 11:43
A lucid reading of my favorite string quartet.
In my own head I imagine each movement as a season:
I. Summer, the main theme is full and lush with greens and blues, you can feel the energy and the heat in the chromaticism.
II. Fall, I imagine the leaves turning color and falling ever so gently, playfully rustling in the wind
III. Winter, i imagine walking through the snow, trees dead, trying to trek to the warmth of the cabin, you stop to make a fire, watch it blaze, continue on, and finally make it to the cabin
IV. Spring, the trees have new leaves, flowers bud, showers drizzle and the main theme comes back in bursts, strong, playful, and reminiscent of birds chirping. The heat and energy is coming back around again.
It's surprising that this was written relatively early in his career; I would've guessed the 1900s-10s. It's also surprising that this only has 5,000 views!
look again
Wow, this is so much better than the version I'm used to--It features a more principled pace, closer mic-ing, and a whole-bodied mix generous to the mids.
who performed it? I love the performance and the quartet so much.
Movement 3.... SO BEAUTIFUL!!
For decades I disliked this piece but try every once in a while to listen again and appreciate. Happy to say that the ice is melting a bit. Yay.
If I could live on youtube what I felt 1 hour ago when I've listen this quartet live...
5:19 is the most beautiful section of a movement I've ever heard.
Good comment, but the the 3rd movement of this work is the most beautifully composed slow movement of a String Quartet I've ever heard.
14:52 is so electrifying!
amazing piece, amazing performance, amazing recording.
absolutely fascinating (not in a good way) how difficult it was to discern the name of the quartet playing. Kodaly Quartet.
The slow third mov. is so amazing
Waving hello to the students who have no choice but to listen to this masterpeice for their schoolworks 👋😊
A little Slagobers never hurt anyone. Thanks for re-serving this early delicacy. Fine playing.
the maestro of Harmony!
Setuju, hanya sedikit yang menandingi.
The 2nd mvt in this quartet is wonderful!
Does anyone know who this is/what recording? It's one of the most dramatic I've heard!
Kodaly Quartet
DaKrotomo Thanks!
Indeed
@@DaKrotomo How do you know?
The Best Music never dies ...
14:54 Goosebumps❤
The best performance I ever heard !
3:25 motif of the 1st violin (first bar of the second system) apparent in Ravel's String Quartet in F Major (1903)
Ravel clearly took a *very* great deal of inspiration from this quartet.
I was happy to hear this in PHANTOM THREAD.
This is a great gift for Debussy enthusiasts
AWESOME STRING QUARTET ,Thanks
The second movement sounds like something from a spy movie or the Incredibles movie
Not a Ten - a One Hundred! Intravenous bliss.
the whole part at around 14:51 is so euphoric
What l would love to know is, if the 17 people who gave this a thumbs down received successful psychiatric treatment for their ADD.
14:53 lmao
Bailey Rickman the ad
Amazing! ❤
3:25 personal timestamp
First Movement and some passages very similar Ravel string quartet!
Sto ascoltando mentre leggo un libro di Antonella Boralevi come suggerito dall'autrice
Everyone in the comment section having a emotional connection with the music and understand it and here I am trying hard to understand it because if not I won't past my music 👉🥴👈
Lmao same
Reminds me of the “Rule of Rose” soundtrack.
my jam
14:52
03:24 Nocturne no. 3 ,,Sirénes"
Totally sublime
Second one is really good
2:50 underrated
Pourrait-on savoir le nom des interprètes ? Merci
1. Heart
2. One arm then wave
0:00
0:50
0:05
1:03
el tercer movimiento me desarma
Eileen sauer did an arrangement of this piece. I actually prefer it more than the original
[ЗДЕСЬ должна была быть ссылка на ролик на ютюбе] 😊
音樂史必聽~
Who's playing? Sounds really good.
Sovietique, RUSSIAN group, Borodin Quartet😊😉❤️
クソカッコイイ！！
00:01
Mainstream reference: The Simpsons 1st season near the first episode ones
06:12
5:10 sounds so romantic
That's ALL about Love❤
0:00
6:11
10:00
17:58
Any one here listening for School?
Does anyone here go to CMC(chamber music center)?
6:12
19:37
3:31
5:57
7:26
8:13
8:37
10:00
Ok they're right. This does sound like The Little Mermaid. Or rather TLM sounds like this.
22:12 wow
2:12
5:16
14:31 D# !!! no D natural, viola :’(
The violist is so gifted he changed a D# to a D natural
This looks damnably difficult to play.
Which quartet played here?
❤
13:01
13:41
4:30
5:10
I'm here for music 10 lesson
sol frigio compás 1 y 2 primer mov 0:00
Quel quartet joue svp ?
Borodin Quartet from URSS/USSR
@@nss4472 😂 mieux vaut tard que jamais...Merci 👍
CAPOLAVORO!!!!!!!!!
My tasks.......
5:53 Amazing
So beautiful this music. And beautifully played, although sometimes out of tune.
"Le han dado la llave"... xD
In my opinion Debussy's unique quartet has more valuable than any Beethoven's quartet.
Why razumovsky if there's this.
Bold guy right here. Very, bold.
After stealing some interprets record, it would be polite at least to write who you stole it from.
why does it say debussy if it´s ravel?
zaxapitsa
...because it's Debussy?
If that's a joke that this sounds a lot like Ravel, that doesn't work because this came before, so...
@@pegasusboots3594 I have no idea why I wrote that. I think I remember seeing Ravel on the score but it´s not now. Drugs probably. or dementia. Sorry.
@@zaxapitsa welp 👍
@@zaxapitsa You're probably confusing this with Ravel's Quartet in F? They both only wrote 1 quartet and were both Impressionists so that'd be understandable confusion
@@timotejbernat462 The intro to the second movements in these two pieces both contains quite a lot of pizzicato, maybe that's what caused the confusion.
Stealing this music took you two hours, compare that to the hours of practise and thousands of dollars that ensemble and label spent to create that record.
What’s the point of making a record if there’s no one there to listen to it?
ravel xd
Qué con ravel xd?
@@diegobuitragocamargo.7525 Ravel se inspiró en este cuarteto para hacer el suyo xd
To fast.
There was advertisement.
14:52