PRO MIXER Reveals His Exact Vocal Mixing Chain
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- Опубліковано 19 лип 2024
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Mixing LINKIN PARK Part II: • Pro Mixer Mixes LINKIN...
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Vocals can be one of the easiest things we have to mix on a record OR they could leave us beating our hands against the wall after a long mixing session.
Today, I'm going to help you make mixing vocals a much simpler task by showing you my go-to vocal chain.
More importantly, I'm going to talk a bit about what I'm thinking and WHY I choose certain plug-ins when I'm mixing vocals.
A few things you'll learn in this video:
- My exact plug-in chain
- EQ before or after compression
- The parallel compression setting I use on 99% of my mixes and how to set it up correctly
- A simple way to de-ess vocals and avoid harsh vocal mixes
- And more...
My hope is for you to not only steal my settings and deliver awesome vocals on your next mix but for you to learn the why behind this chain so you can begin to hear what a vocal needs and deliver professional-sounding vocals.
Donate ANY amount to my medical Go Fund Me campaign and I'll share instant access to a brand-new mixing course with included multitracks, start-to-finish tutorials, and more: gofund.me/ef8e8437
1st ingredient: great raw vocal
Absolutely. A few vocal related videos in the works with one being a poorly recorded vocal to showcase the difference. It all starts with the source! Thanks for watching!
Awesome job completely explaining the how & why in a short & to the point way. Plugin chain screen shots and the order of the plugins in your chains are spot on as well. And even though I already knew 98% of what you were teaching in the video I think I will subscribe now because I feel that in your other videos there will be something maybe I haven't learned yet. Thank you TheMixAcademy for the Video !
The vocals were tracked at NRG. Chester tracked in the live room, in a makeshift booth without a front wall. He used to crank his headphones, hence all the bleed. Great video, dude!
Right on! After watching back I rolled my eyes at me saying it sounded like monitors. Lol! Hence the booth comment right after. Thanks for sharing, bro!
Ya sure.
@@2cthetruth mmmyeees?
Do you know what the mic was?
@@officialWWM U87 or 67, I think.
Thanks bro 🙏🏼your tutorials are so informative. I always learn a lot every time 😎
Thanks, Sifiso!
I never get disappointed watching your channel. Thanks for being a blessing.
Thanks for the support! It means a ton!
Thank you, very very generous with your knowledge - great walk through.
Thanks, Robert! I appreciate you!
Best vocal tutorial lesson I’ve seen.
I’m going to scrap everything I’ve done on this track and start again!
Awesome work mate. Thanks
You're the man, Mick! I appreciate you! Go rock that mix!
Great video! Thanks for the explanation. Is there a way for people to get their hands on these multitracks?
Now this is content! thank you very much!
Thanks, Lionel! Pumped to have you!
Hi David. Could you do an in-depth video on your template? Specifically, the bussing, labeling and how you set up and bus to a Print track for the mixes and master. I know you've touched on it a little before, but there's a few things that are unclear. I've already added the, sending instruments to a widening bus for automation and that's been very cool and also some parallel 2-bus compression, but I'd like to learn more about your workflow.
Thanks, Dave! Have you seen this one? ua-cam.com/video/WMQMrDyV0Og/v-deo.html
Thanks I don't know if I will ever run into that type of vocalist, but I know he went $$$$$$$$$ smiling.
Rest In Peace Chester Bennington. Great video dude.
Absolutely. So sad. Thanks for watching, Cameron!
Great video. To achieve the sound of Mike Shinoda’s rapping verses what kind of microphone would you recommend? Also, did you ever release a part 2 with the FX portion? Much thanks!
thanks for sharing bro
Thanks for watching, Michael!
Each stage it just gets louder, and therefore better!
It JUST gets louder? Nothing else?
@@TheMixAcademy I'm suggesting maybe you could try it both ways and see if anyone can tell the difference.
10:50 REAPER has mix knob on every plug-in! ) No need to ask for it at plug-in makers )
On the parallel crush is it different in Logic? I think we have to use it as a send and add the level of it on the Lead Vocal?
WHAT???? Didn't expect Chester!!!!!
Hello and thanks for the video. Quick question I don`t see you using the hight pass knob on both the La-2A and and 1176 ... is there a reason
Thanks, Michel! By the point the signal has reached the compressor I've already shaped the tone (high-passed and cut lows) so the compressor is already reacting to what I want it to. Great observation, though! I use the high-pass/sidechain on the stereobuss and sometimes with kick or bass but not often on the vocal. Thanks again for watching!
how cool you explain :)
Thanks, man!
Thanks D,
Thanks, Aaron!!
Dope! I wonder how well this works across different genres. Trap music??? A video on a Young Thug or Gunna type of vocal would be more than appropriate now.
Works perfectly for trap, saturation, autotune, slapback delay and plate reverbs can fit very well too
Same techniques! This vocal was compressed to tape so you may need more overall compression but this is a solid chain for just about any style of music. Always tweak to taste, man! Thanks for watching!
That's funny as hell you just said that, with a name like Young Thug and Gunna!
@@assshakerstudios549 I thought it was only appropriate with the proceedings currently going on.
4:39 i wanna sample that and use it in techno
👏🏻👏🏻👏🏻👏🏻👏🏻🔥🔥🔥🔥🔥
so unfamiliar with the Kush EQ, wish I knew how those setting translated to a Maag EQ4.
Love the Maag! Air band to taste is similar to what I do with the Kush. Between 1-3khz is that lower band. We’re spoiled nowadays, eh? 😂
As far as the engineers that recorded the vocals, if I'm not mistake it was all done by Mike mostly wasn't it? Maybe one other guy worked on it I don't remember.
Whoever recorded them they did an incredible job. It wouldn’t surprise me if it was Mike! Thanks for watching!
🤘🤘🤘❤️🤘🤘🤘
Sorry but fabfilter pro-q when matching two equalizers always create resonance and makes the bass more harsh than before and the sound very distorted with much more bass.
Pro-Ds also makes the sound dirty when I try to de-ess songs from vinyls that have problem with sibilanc3
That's interesting to hear! I've never experienced that or heard of any issues. Thankfully, there are tons of tools out there. Which do you use in place of the ProQ?
I made a comment before that I didn’t receive the pdf but I got it now. Thanks!
Right on! I emailed you to be sure. Pumped to put that in your hands, Tommy! Thanks again!
I use pultec for top end
Can't go wrong with that! Thanks for sharing, man!
So, what's the difference between the "Vocal Crush" and the "Ld Vocal Level", how do they relate??
Great question. The vocal chain I use starts on an audio track. I route that audio track into 2 busses. The first is parallel compression "Ld Vocal Crush". The audio track and the "Ld Vocal Crush" meet at the "Ld Vocal Level" which I use to automate and send to effects.
Is the vocals you mix have light compression on hardware while recording or none?
This vocal was definitely compressed during the recording phase. Quite a bit. Thanks for watching!
@@TheMixAcademythanks man can you share the settings?
@@zachpitt9249 I would but I didn’t record it. It’s a feel/taste thing, but slow to medium attack, fast to fast(ish) release. Anywhere from 2-3 db of reduction all the way to 10+ db of reduction. I also like to use a second compressor to smooth things out. Sometimes, I’ll even use a parallel chain when recording vocals to deliver a mix ready vocal that sits on top right away. But… I’ll only do that when it’s a hard rock song where the vocal won’t need any dynamics. If there’s a softer section in any song I don’t recommend committing heavy compression as those sections will likely need less to feel more natural. I hope that helps!
can you create some mixing templates please?
I have them! I include my template in Behind The Glass: academy.themixacademy.com/offers/KKG7gpZw
And in my VIP membership! academy.themixacademy.com/vip-membership
rip chester
Tell me you watch film booth without telling me you watch film booth.
😂😂😂
😙
4:13 😔
what DAW are you using?
Pro Tools. Thanks for watching!
what is the point if you don't play it in the context of the mix and using already compressed vocals?🤨
That's fair criticsm! I was tight for time and my inbox was flooded asking me to break my chain down so I threw this together. Thanks for checking it out!
🤘🤘⚡️⚡️Breaking back to your original plugs?
With UAD Spark I’m able to use some of my UA plugs that I spent thousands on over the years. I haven’t had access to them since my Apollo fried. 😵💫
@@TheMixAcademy nice 👍 I forgot about the spark
Aren’t you mixing on already mixed tracks?
No sir! They were recorded incredibly well but if you check out my full series mixing this one you’ll see that much was needed to bring it all together.
@@TheMixAcademy Aha. So you received an unmixed session of that legendary track?
@@Miltersen I sure did! Someone anonymously sent it to my assistant who finally convinced me to do a mix and feature it. I mixed MJ last year and people seemed to like those vids so I went for this one as well. Fun times. Thanks for watching!
You look like Tom Segura in your thumbnail.
👀
40
SLM.la famille je veux t'en avis stp sur une musique que j'ai mix (zininioz numéro)
🎧 Grab your FREE Guide to Mixing on Headphones and learn how to deal with the drawbacks of mixing on cans so you can deliver high-quality mixes 👉🏼 academy.themixacademy.com/mixing-on-headphones
Very digital sounding bro. Perhaps adding some hardware gear before your DAW will improve the vocal flow. Love the tutorial thou.
Thanks for watching, man! This was an all-analog recording chain from one of the top studios in the world. I wish I could take credit but I didn't record it. Just goes to show how easily our ears can be fooled...
Its all about first class recording.
Absolutely. Even more so... It all starts with the singer. So many people get discouraged about gear but they're not starting with the best vocals.
Why are you making chester sounding thin?
What headphones or monitors are you listening on? It doesn’t sound thin here…
@@TheMixAcademy Let me ask this way: What type of sound do you expect from a 1176 on a 1176 or distressor in 1176 settings?
@@SexyLeaForYou are you referring to all buttons in mode on the parallel?
The vocal at the beginning hurt my hears...
Not Chester?! 🫣
Sorry, "world class vocal"? Hm. If you think that...
To each his own I guess?