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The de Vere Society
United Kingdom
Приєднався 28 січ 2021
WELCOME TO THE DEVERE SOCIETY
‘We all love Shakespeare, whoever he was.’ - Sir Derek Jacobi, Patron
The de Vere Society (founded 1986) is a registered charity promoting knowledge of the life of Edward de Vere, 17th Earl of Oxford (1550 - 1604), a Tudor playwright praised by Queen Elizabeth I for his ‘outstanding mind and virtue’ and hailed by King James I as ‘Great Oxford’.
His contemporaries awarded the ‘highest prize’ to his works, but what has become of them? If you are interested in the proposition that de Vere’s ‘lost’ plays are those which now bear the name ‘William Shakespeare’, please join us, participate, investigate and celebrate - new members and enquirers are very welcome! - Alexander Waugh, Chairman of The de Vere Society.
‘We all love Shakespeare, whoever he was.’ - Sir Derek Jacobi, Patron
The de Vere Society (founded 1986) is a registered charity promoting knowledge of the life of Edward de Vere, 17th Earl of Oxford (1550 - 1604), a Tudor playwright praised by Queen Elizabeth I for his ‘outstanding mind and virtue’ and hailed by King James I as ‘Great Oxford’.
His contemporaries awarded the ‘highest prize’ to his works, but what has become of them? If you are interested in the proposition that de Vere’s ‘lost’ plays are those which now bear the name ‘William Shakespeare’, please join us, participate, investigate and celebrate - new members and enquirers are very welcome! - Alexander Waugh, Chairman of The de Vere Society.
QUESTIONS & ANSWERS: The Food of Love
The de Vere Society, THE FOOD OF LOVE: Edward de Vere and the Music of the Spheres Autumn Webinar 2021
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Відео
ALEXANDER WAUGH: Oxford's Music and Poetry
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The de Vere Society, THE FOOD OF LOVE: Edward de Vere and the Music of the Spheres Autumn Webinar 2021
FULL EVENT: The Food of Love
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The de Vere Society, THE FOOD OF LOVE: Edward de Vere and the Music of the Spheres Autumn Webinar 2021
WILLIAM LYONS: The Food of Love
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The de Vere Society, THE FOOD OF LOVE: Edward de Vere and the Music of the Spheres Autumn Webinar 2021
THE SOCIETY OF STRANGE AND ANCIENT INSTRUMENTS, Nine Daies Wonder: The Food of Love
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The de Vere Society, THE FOOD OF LOVE: Edward de Vere and the Music of the Spheres
HOWARD GAYTON: The Food of Love
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The de Vere Society, THE FOOD OF LOVE: Edward de Vere and the Music of the Spheres
HANK WHITTEMORE: The Food of Love
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The de Vere Society, THE FOOD OF LOVE: Edward de Vere and the MUSIC of the Spheres Autumn Webinar 2021
SIR DEREK JACOBI AND RICHARD CLIFFORD: The Food of Love
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The de Vere Society, THE FOOD OF LOVE: Edward de Vere and the Music of the Spheres
Alexander Waugh and Elizabeth Pallett: The Food of Love
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ALEXANDER WAUGH AND ELIZABETH PALLET Discussion: The Food of Love
CHARLES BEAUCLERK: The Food of Love
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The de Vere Society, THE FOOD OF LOVE: Edward de Vere and the Music of the Spheres
ANNABEL LEVENTON: The Food of Love
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The de Vere Society, THE FOOD OF LOVE: Edward de Vere and the Music of the Spheres. Autumn Webinar 2021
ALEXANDER WAUGH: The Food of Love
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The de Vere Society Autumn Webinar 2021: THE FOOD OF LOVE, Edward de Vere and the Music of the Spheres
AMARYLLI: Vere in Song, Shakespeare's Musicke
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AMARYLLI: Vere in Song, Shakespeare's Musicke AMARYLLI performed this 1 hour concert - Vere in Song: Shakespeare's Musicke as apart of our 'THE FOOD OF LOVE': Edward de Vere and the Music of the Spheres Autumn Webinar 2021. Elizabeth Pallett and Hannah Grove, both experienced professional musicians, came together in 2017 with the aim of making accessible the lost music of our heritage from the ...
JANE AUSTEN AND SHAKESPEARE: MYSTERY WOMAN, MYSTERY PROBLEM
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JANE AUSTEN AND SHAKESPEARE: MYSTERY WOMAN, MYSTERY PROBLEM A Presentation by Heward Wilkinson (Vice Chairman DVS) "The claim: A century before Looney, in Emma, Jane Austen already understood the parameters and significance of the Shakespeare Authorship Question, with the identity of de Vere as author. She offers an interim report to history, obliquely and allegorically with plausible deniabili...
Heward Wilkinson: Mystery Woman Mystery Problem - Jane Austen and Shakespeare
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DAY ONE: HIDDEN AUTHORSHIP MYSTERIES, DVS Spring Meeting 2021.
Rosemary Loughlin: Brian Friel - Was one of Ireland’s most important playwrights an Oxfordian?
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Rosemary Loughlin: Brian Friel - Was one of Ireland’s most important playwrights an Oxfordian?
Live Event, Full Video 'Band of Brothers 1580' ZOOM Webinar.12th Dec 2020
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Live Event, Full Video 'Band of Brothers 1580' ZOOM Webinar.12th Dec 2020
Elizabethan Consort Music, 1558 - 1603: Alberto Soza
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Elizabethan Consort Music, 1558 - 1603: Alberto Soza
Charlie Limm: The Wind and the Rain, Twelfth Night. 'BAND OF BROTHERS' ZOOM Webinar. 12th Dec, 2020
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Charlie Limm: The Wind and the Rain, Twelfth Night. 'BAND OF BROTHERS' ZOOM Webinar. 12th Dec, 2020
Ron Destro: Our Mystery Guest. 'BAND OF BROTHERS 1580' ZOOM Webinar. 12th Dec, 2020
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Ron Destro: Our Mystery Guest. 'BAND OF BROTHERS 1580' ZOOM Webinar. 12th Dec, 2020
Derek Jacobi: Reading of Sonnet 33. 'BAND OF BROTHERS 1580' ZOOM Webinar. 12th Dec, 2020
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Derek Jacobi: Reading of Sonnet 33. 'BAND OF BROTHERS 1580' ZOOM Webinar. 12th Dec, 2020
Alexander Waugh: Edward de Vere & Marlowe, Lyly, Kyd. 'BAND OF BROTHERS' ZOOM Webinar. 12 Dec, 2020
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Alexander Waugh: Edward de Vere & Marlowe, Lyly, Kyd. 'BAND OF BROTHERS' ZOOM Webinar. 12 Dec, 2020
Frankie Paradiso: Sonnet 18 set to Music 'BAND OF BROTHERS 1580' ZOOM Webinar. 12th Dec, 2020
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Frankie Paradiso: Sonnet 18 set to Music 'BAND OF BROTHERS 1580' ZOOM Webinar. 12th Dec, 2020
Ian Johnson: Edward de Vere and Thomas Watson. 'Band of Brothers 1580' ZOOM Webinar 12th Dec 2020
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Ian Johnson: Edward de Vere and Thomas Watson. 'Band of Brothers 1580' ZOOM Webinar 12th Dec 2020
Annabel & Richard: Recitation - 'Much Adoe About Nothing'. 'Band of Brothers 1580' 12th Dec 2020
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Annabel & Richard: Recitation - 'Much Adoe About Nothing'. 'Band of Brothers 1580' 12th Dec 2020
Kevin Gilvary: The Theatres and the Folly. 12TH DEC 2020, 'BAND OF BROTHERS 1580' ZOOM Webinar
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Kevin Gilvary: The Theatres and the Folly. 12TH DEC 2020, 'BAND OF BROTHERS 1580' ZOOM Webinar
Charles Beauclerk: Introduction and Welcome. 12TH DEC 2020, 'BAND OF BROTHERS 1580' ZOOM Webinar
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Charles Beauclerk: Introduction and Welcome. 12TH DEC 2020, 'BAND OF BROTHERS 1580' ZOOM Webinar
Bella Música.
This matters for far more serious reasons than satisfying the idle curiosity of a few wannabe intellectuals. It shows that great lies and deceptions can and have been carried out by the very top of society and been perpetuated for many hundreds of years. WE WERE LIED TO and we still are being lied to. This was a systematically organised conspiracy to deceive. This involved not only top members of the English aristocracy but Elizabeth and James 1st. The consequences and motivations may have been reasonably benign but what this reveals should make us wonder how many other matters that have formed the foundations of our historical record are also fraudulent? We already know of some of them, but how many more exist that we have have not yet discovered? The truth is that we live in a world of lies and deceptions some of which are far older then this one. In my opinion virtually everything that we believe is the truth the whole truth and nothing but the truth is not. This applies to virtually all subject matters, to a great or greater degree. Knowledge is power. This is why our Owners retain so much of the latter and we remain with so little of the former. It is perhaps ironic that the greatest proponent of the Enlightenment namely Sir Francis Bacon was one of the Worlds greatest liars and deceivers as well as one of the smartest and most influential persons ever to have lived. Bacon and his co-conspirators may have had the best intentions in mind when embarking on this great project to deceive the masses, but the motivation is relatively unimportant with regards to its clear implications. This also amply demonstrates that it is far easier to fool someone than convince them that they have been fooled.
All this time used for nothing..im sure William who ever he was would not be happy with all of you with your heads in books and not living. Im reminded of another illuminated mind, that of William blake and his painting of Sir Issac Newton and how he has his head stuck in paper to busy counting up the numbers and letters that are hidden and misses the true beauty of creation and its illuminator the God above your tiny god
I listen to the music of Mr. Savall and the like everyday. Its as much a part of my life as is the air Im breathing right now.
why is it elisabethian... why not philippian...???!!!
Wo nicht ?
Intervista di grande interesse. Grazie!
ua-cam.com/video/qQWOD9fUGSQ/v-deo.html&ab_channel=EndoftheTownProductions
So happy to find this...
Soy Colombiano y misteriosamente esta musica transporta mi espiritu a otra época, de maravilla.
❤
Innocentio Alberti: Pavin Of Albarti 0:00 Innocentio Alberti: Gallyard 2:39 Anonyme: In Nomine A 5 4:39 Nicholas Strogers: In Nomine III A 5 6:59 Anonyme: Desperada 9:00 Anonyme: Gallyard 10:52 Anonyme. Allemande 13:34 Clement Woodcock: Browning My Dear 15:10 Robert White: In Nomine V A 5 17:29 Anonyme: Ronda 20:47 Anonyme: La Represa Anonyme: (Gallyard) 22:58 Clement Woodcock: In Nomine II A 5 25:13 Clement Woodcock: In Nomine III A 5 27:33 Anonyme: Allemana D'Amor 30:25 Anonyme: (Dance) 32:31 John Taverner: Quemadmodum A 6 33:48 William Daman: Sei Soprani 38:50 Anonyme: Pavana 42:24 Anonyme: Brandeberges 44:43 Anonyme: La Represa 46:07 Nicholas Strogers: In Nomine IV A 6 47:19 William Mundy: O Mater Mundi A 5 50:08 Anonyme: Pavana 53:20 Anonyme: Gallyard 55:21 Anonyme: (Dance) 56:3157:38 Robert Parsons: In Nomine IV A 7 57:38 Robert Parsons: The Song Called Trumpets A 6 1:00:32 Robert Parsons: In Nomine V A 7 10:02:31
Thanks for this beautiful Master piece
Musica modalis, non tonalis
Today’s banal mush that passes for music does not hold a candle to this.
Performed in an MFA production of his "Volunteers" which looked at the incarceration of insurgents during the troubles. I was the Gaoler. Supervising the Archeological dig. Mr.Wilcox, a presbyterian of the Anglo Norman, Scotch Irish ascendancy. It was an exploration of the inner and outer aspects of an intensely confounding psychological drama. Not to be missed.
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excellent
I have only just realised that plays and masques were the internet' of thise days.. A much bigger deal than I hitherto thought...
This is true chicken soup for the soul.
❤💋 Thanks 💋❤️
a million endorsements of duncan's words below
wonderful. Can I share it?
Edward Devere - The great elephant in the room that Stratfordians seemingly never see. At the highest levels they must know surely! That cannot be fools. At that level are they gatekeepers? Are they paid to keep this from the world? If so, by whom? Who is so powerful that they would want this kept secret?
Absolutely fascinating presentation Kevin. Many thanks. Love the use of old pictures and maps etc.
That was amazing, thank you all
Absolutely beautiful Alexander
I’m a musician who’s studied, played, and sung all kinds and periods of Western “classical” music, and I listen to it all the time. I really love the composers of this period from all over Europe, but when I hear music from the English Renaissance it always makes me feel I’ve come home. My ancestors came to America beginning in 1620 and ending in 1840-I’m still 100% English descent-so it’s weird that I identify with the music so strongly, but I do. Especially the Church music.
Quite understanding this so comforting "Welcome Home !" You feel with those musics as for me with this one and with many other even scottish or french folkloric musics so deeply can move you 😢❤ Thank you Anne
I relate and we have a number of these type of synchronicities or what have you in my family about various things. Very unbelievable synchronicities in fact. And I have similar things myself as you've described! It seems so mysterious, yet so familiar. A mysterious phenomenon how we are drawn to things, but yet it makes complete sense in some way we as yet don't fully understand.
@@anneborrel2378 Yes! Indeed 😌
Yeah, weird. It's definitely not that you're simply aware of your own ancestry and willfully identifying with periods that you find remarkable through that specific lens, no way.
Me pasa igual, me pregunto si la reencarnación en verdad existe por qué musicalmente al escuchar éstas obras, siento haber vivido en la Inglaterra Medieval.
Alberto Soza ceased his channel long ago, I think, isn't it? Or does he still have it under a different name? His channel was really great!
El gran mestre Savall, igualadí com servidor, ha dut a terme una magnífica i prolífica obra de conservació, restauració i embelliment del patrimoni històric musical d'arreu d'Europa. El mestre ha esdevingut EL pont que connecta la posmodernitat atrafagada amb l'eclosió renaixentista.
Bonjour, c'est une pure merveille: il y a un équilibre subtil entre l'expression des instruments et leur conduite: ni trop, ni trop peu. Certains trouvent cela lassant, pas moi.
Thanks for uploading this sublimely beautiful music! England was a center of western art-music & kultur until recent decades...The Elizabethan accomplishments will outlast momentary dysfunction & general wackiness in the UK!
and hopefully the world how wonderful it would be, along with other culture's versions of their masterpieces then nothing could generate the hatred of war
@@susanskelly7312 Are you assuming that every culture produces masterpieces? I'm not aware of any masterpieces coming out of a tribe of cannibal head-hunters.
We must remember that beauty is always in the eye of the beholder.
@@stevegebhart8388 The sentiment behind that old saw is noble but the physical world that relativistic aphorism just doesn't fly. Back in the days when there used to be Beauty Contests you never saw a fat, pimpley,, heavily tattooed contestant in a bathing suit or in an Evening Dress - even if she happened to be a beautiful woman "on the inside.". Plato was right in saying that in fact, Some Thngs are Better than Other Things.
@@excelsior999 Oddly enough, beauty standards vary widely by age and place. But if we're simply taking Europe, because you're clearly a raging racist, then consider the Venus of Willendorf, the scale-tickling waifs of Elizabethan England, then your post-war contest beauties. Pray tell why they just couldn't make their minds up if it's so objectively clear wherein beauty lies? More, do tell how these masterpieces of yours were made by people who only 15,000 years ago were cannibalizing each other in Cheddar Gorge? My dear sir, please take your masterpieces, insert, and spin yourself so hard you lose all will to spew nonsense on the internet.
Diese Musik ist wunderschön! BRAVO
Magnifique ! limpide, reposant...
This is such beautiful music!
👏🏿🤞🏿👍🏿👏🏿
Magnifique !! La musique tient ici le milieu entre la nature matérielle et la nature intellectuelle : elle peut dépouiller l'amour de son écorce terrestre, ou donner un corps à l'ange selon les dispositions de celui qui écoute, ses accords sont des pensées, des coups de fouet ou des caresses
so much better than the music of today.
Thank God I love all of it, every period, every country!
Absolutely!
Escuchar esta musica te relaja el espiritu,hermosa pieza musical,gracias por compartirla,saludos
GREAT I LOVE IT - ACTUALLE RESEARCH --- MY RESEARCH IS BASED ON ALPHAMALES WHO CAUSE THESE DOPPLERS ..EG WHO IS THE ALPHA MALE PROWLING VIKING TER OR EUROPA OR PERSIA OR CHINE WHO ORIGINATED & INSPIRED THESE PERFECT DOPPLERS ATTRIBUTED TO SHAKESPEARE - DAVID KAMRAN OF 2134KSCIENCES:REPLICANTS:RESEARCHUNIT
Megragad az előadás és végig nem enged el,csodálatos!!!
John Heminges, Henry Condell, and Richard Burbage, three actors of The Lord Chamberlain's Men, a famous acting company that included William Shakespeare, were given money by William Shakespeare of Stratford in his Last Will and Testament in 1616. Two of these actors, John Heminges and Henry Condell, were responsible for having 36 of Shakespeare's plays published in the First Folio in 1623. Ben Jonson's eulogy in the First Folio clearly praises Shakespeare as a great writer and refers to him as the “Sweet Swan of Avon.” This obviously designates Shakespeare as from Stratford upon Avon. Furthermore, Jonson states that "thy writings to be such, /As neither Man, nor Muse, can praise too much." Heminges and Condell also praise Shakespeare as a writer, stating that "he thought, he uttered with that easinesse, that wee have scarse received from him a blot in his papers. But it is not our province, who onely gather his works, and give them you, to praise him." These are "his works" and "his papers" that they are publishing. He is clearly presented as the writer of these works in the First Folio. The Last Will and Testament of William Shakespeare of Stratford clearly connects him with the 1623 First Folio through Heminges and Condell and it is clear that Shakespeare is presented as the author of the plays.
Very well said.
This stuff reminds us of how much "soul" is missing from contemporary popular music...It is food for the spirit just to listen for a few minutes to these works, but an hour is better. As Edward de Vere knew only too well, music is essential to soothe the troubled soul. Jordi Savall: one of my early music heroes!
Enjoy my modern-medieval music video, "Minstrel's Song" ua-cam.com/video/70qjwQKrA2Q/v-deo.html
I don’t believe you’ve listened to much popular music, bc there is still some really good stuff being made. Most people think only of rap or something when they deride “today’s music,” but there is so much, much more, even fabulous film soundtracks. It’s a little old, but the soundtrack from “The Lord of the Rings” trilogy by Howard Shore is absolutely stunning!
I agree; Duncan.. ..most manifestations of this so-called “contemporary” Pop Music is neither profound nor spiritually coded. [They achieve this in ancient cultures alone- including today's 'indigenous', and the musical area we call ancient music in their congenial formations with the recordings - such as this recording interpreted by Savall. But not just in the company of Heperion XXI. (What I do prefer: La Capella Reial de Catalunya).] In our time of the Anthropocene, we can consider ourselves lucky that, thanks to technological possibilities, we are lucky enough to have access to those musical eras , in which the aforementioned still evoked meaning that currently only seems to be due to commercialization.
Another NEW old song ua-cam.com/video/eWI707nJ_Pc/v-deo.html
@duncanmckeown1292 - The truth is, *every person who listens to music gets to decide what creates the ineffable in his/her soul.* It’s not anyone’s job to make that determination for the rest of the world. Because I’m a classically trained singer and flutist, you’d think that only music fitting into what is termed “classical” music would appeal to my soul, but you’d be dead wrong! My mood and situation determines what my mind and soul need at any given moment, and my interests range from the 14th through the 21st centuries and cover a huge number of genres. I also _REALLY_ dislike having my artistic taste dictated to me as though I’m an ignorant toad so please, leave people alone to love whatever music they want….that s*NOT* your job!
This kind of music will live forever ❤❤❤❤❤❤
Amen bro - so will Edward de Vere
No, it will not. Latest if man will disappear it will disappear too.
This is a panacea for the soul
The anti-Shakespearean faction certainly spend considerable time and effort - and obtain great satisfaction - from trying to prove Shakespeare was not written by Shakespeare. William Shakespeare was born in the small town of Stratford, Warwickshire, and his childhood was spent in a crowded household. In his dramas there are images of stopped ovens and smoking lamps, of washing and scouring, dusting and sweeping. And to boiling and mincing, stewing and frying, badly prepared cakes and un-sieved flour, along with other household work like knitting and needlework. Also carpentry, hooping and joinery, which was carried out in the back yard of the house. No other Elizabethan dramatist employs so many domestic allusions. Being a farmer’s son, he knew of grafting and pruning, digging and dunging. In his works he alludes to more than one hundred different plants. He uses local Warwickshire names for the flowers of the meadow, such as Ophelia’s crow-flowers and Lear’s cuckoo-flowers, also love-in-idleness for the pansy, bilberry for the whortleberry, honey-stalks for stalks of clover and golden lad for the dandelion. Shakespeare knew the rich folklore of his native Warwickshire from childhood. He learned of the witches who create storms and the Welsh fairies that hide in foxgloves. He knew of the toad with the medicinal jewel in its head and of the man in the moon who carried a bundle of thorns. In the Forest of Arden there were ghosts & goblins and the plots of these fairy stories can be glimpsed in his adult dramas. Pericles was one of the old tales told round the hearth and ballads and folk tales charge the plot of The Taming of the Shrew. Rural traditions were deeply embedded in his mind and he understood the country very well, with what Edgar in King Lear calls its ‘low fermes…poor pelting villages, sheep coates and milles’. He saw the sheep-shearing feasts at Snitterfield and resurrected one in The Winter’s Tale. The May-games of his youth return in A Midsummer Night’s Dream and stray details of his rural youth emerge in a hundred different contexts. Real places and people are enlisted in his dramas. The names of two business associates of his father, George Vizer of Woodmancote and Clement Perkes of Stinchcombe Hill, reappear in Henry IV, Part Two. The words and phrases of Shakespeare’s childhood are recalled in his writing. He uses ‘fap’ to mean drunk, ‘third-borough’ for constable, ‘aroynt’ for leave, and many others besides. The language spoken by Shakespeare in his native Warwickshire was nearer to Saxon than to Norman French, seemingly little affected by the foreign culture of the conquerors. Extra consonants were added to lend emphasis to certain words, vowels were lengthened too, making it sounded thicker and more resonant than the language of London. This was how Shakespeare spoke as a child and Stratford idioms were used in his writing, although the fussiness of successive printers and editors has curbed and flattened his native sonority. It seems, to say the least, something of a puzzle - more realistically an impossibility - that Edward de Vere, Earl of Oxford, could become familiar with all the above, which would be a closed book to somebody not native to Warwickshire. Let alone somebody in his position with a retinue of servants to meet his every need, relieving him of any thoughts (or knowledge) of mere everyday matters. It would, however, be second-nature to a farmer’s son raised in a rural environment. How could this aristocrat have become familiar with common dialect words from a different part of the country - and a very different strata of society - then substitute them in place of his own more refined language? More to the point, why would he want to do that anyway?
Exvellent. Thank you
Es war lebensgefährlich damals zu leben 😱
Nicht so viel wie jetzt
Ja...es war
יפה ‼ תודה.ГАРМОНИЯ И ПОКОЙ 👑
JORDI SAVALL - The Great
ГАРМОНИЯ И ВЕЛИЧИЕ 👑
The first pavane : "Belle qui tiens ma Vie"
I don't think so; this is not "Belle qui tiens ma Vie!"; not even close
England is the stronghold of my mind
The Music is the Stronghold of my Soul and Mind.
@@simonidastankovic2627 Thankyou From A corner of Tokyo , which Is full of delicious foods of 🍜🍜🍱🍱🍚🍙🥟🍲🍡🍥🍢🍘🍣🍣and unique to Japan of ㊗️🎌🇯🇵🎋👘🌊⛩️💮🀄🗼🗻🐈🎴👺🎍🗾🥋🎏🎎🌲🏯🔪🚅🎆🏮♨️