Відео

Yeah i think the reason for the lack of tempo changes in electronic music is definitely because of DJing. Autechre did a little bit of that back in the day, like on confield

Love hearing Ben talk about music making and process

Great discussion!

❤ A very nice overview.

Ben comes across as such a stand-up guy (and an excellent communicator). Thanks for sharing this

will the project file work with version 11

You have made us re-think about AI MUSIC , great video ! . We enjoyed the album too.

Ct is for cents

The first part got me thinking "Ah yes, been there in logic" but then seeing how to make "garble" loops yourself and how to chop them back up really helped me understand the genius behind not just giving way to chaos but shaping it and making it work for you. Very pleasant to see it all come together!

Behringer 2600 and midi

Another brilliant video!

Super helpful! Thank you

thank u, so helpful

Great demo. I love FM8 but don’t program my own sounds much. There’s just so many good presets, plus FM8 reads DX7 sysex files, which I have 200+ more presets (you can download for free). I have an old DX7 in my studio, but never use it.

Very inspiring! Thank you :)

I dislike how scientific modular enters into the realms of becoming. Your non-scientific examples makes modular look fun and easier to understand. Modular companies ought to simplify their modules and not complicate them.

Wibbly wobbleys, love it :)

This is fantastic. Thanks.

Exactly what i search, thanks

Really enjoying listening to this interview but unsure whether you are aware of all the adverts spoiling it! I’m only 9 mins in and there have been two wedged in (on top of the one before the interview starts)

Ned Rush makes the world a better place.

I have TextAloud a tts program , it works fine , tts to .mp3. But of course the actual speech has "stress and intonation creation" . I dont want any prosody . I just want a monotone output , ie. one frequency . It sounds very robot-ish . Which is exactly what I want . Monotone , only one frequency out . Perhaps there is an ancient tts that does that . Once I have a monotone voice .mp3 , perhaps I can change that 1 frequency to 420 Hz. So I am asking "can Audacity change the frequency to one I want" . Thanks for your Help... * i want a tts monotone robot-voice output freeware or online

Do you have any insight on how to use this in pro tools? It doesn't show as a plugin after I have downloaded it.

Great video. I’ve been trying to find a short, concise explanation. And here we are

How exactly do you get or load the traditional e-piano sound from the 80s? None of the 32 presets seem to be the correct one.

0:22 impeccable pronunciation, I'd think you were Swedish -- but it means waterfall or rapid(s), not stream.

Ik hou van je, Danny.

Or just get a digitakt or some tracker.

Can I use this with Cubase?????? Please say yes!??

An easier way to do it is using a comb filter that has key tracking, and sending an impulse or noise blast to it. Also fors had a really cute free karpluss strong m4l device. The device you made sounds cool and unique tho

wow, this was very useful. thank you so much!

Isn't Cycles more capable than Opal?

can I find this in your patreon?

Prob it's Live version 11 or 12 that you use, right? I don't have Pitch & Modulation in my list. Luckely i purchased Valhalla Shimmer and Room for 80 euros. Upgrading to Live version 11 price is 109 and 379 euro to version 12. So, I guess I'm smarter. Live 10 is perfect enough tho. To figure it all out takes a long time anyway. I wanna produce music, right. But i must tell, Valhalla sounds better combining with Room and Replika from Arturia. As well I have a Strymon BigSky so it's all fine But Thx for the review, m8 🍻

Can we modulate the ratio (that pitch thing) in each of their envelopes?

Stage 2 on the envelopes still confuses the hell out of me

Hi! How do I automate volume and switching on/off of individual voices without splitting it to different audio channels?

Very helpful! Best explanation on UA-cam 🙂👍

What was the intro video when you were intelroducing

I actually think the gate in and trigger in "problem" makes perfect sense. They are two different things. One is a momentary thing, the other is a held thing. Your triggered note won't be held if there is no gate voltage. And a gate voltage won't affect anything until the note is triggered. The simple solution is just to plug into the jack to the left of those (where S/H Clock is hardwired) and flip the switch down. I just noticed at least one other has pointed this out.

People assume that sound is a strict progression of cause to effect, but actually from anon-linear, non-subjective viewpoint it’s more like a big ball of wibbly-wobbly, soundy-woundy… stuff iykyk

I own a DX7 Synthesizer 😊

putting this on while making some coffee, i know its gonna be great :D congrats juha mate

Brilliant

thank you TFP and thank you Juha, very very good content here!

Cool stuff, and funny how much things we do (and think) in the same way. Thanks for this Juha and Fellow Passenger very inspiring.

Fascinating... Thank you for this

Great content. Thanks!

...and THAT'S why you need an oscilloscope to design sounds for FM (or VPM) synthesis.

LEGOWELT o yeah!