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Centre For Print Research, UWE Bristol
Приєднався 9 чер 2011
The Centre for Print Research (CFPR) is a distinctive centre of research excellence based at the University of the West of England. It is a unique, multidisciplinary group that combines knowledge and skills across traditional and digital techniques to reflect, innovate and find creative solutions for the future of print. Established in 1998, the CFPR has developed partnerships with world leading academic institutions and an outstanding record in working with collaborators across a wide range of sectors, including fine art, design, material science and engineering.
Відео
Fabio D'Agnano Lunchtime Seminar 1st May
Переглядів 323 години тому
Fabio D'Agnano Lunchtime Seminar 1st May
Rehan Bhatti LTS 1
Переглядів 923 години тому
To contact Dr Rehan Bhatti regarding the content of this seminar please email: Rehan.Bhatti@uwe.ac.uk
Lisa Sheppy Lunchtime Seminar 3rd April
Переглядів 25День тому
Lisa Sheppy Lunchtime Seminar 3rd April
R James Healy Lunchtime Seminar 10th July
Переглядів 17День тому
For more details on R James Healys' work please visit his website: www.rjameshealy.com/
Heather Green Lunchtime Seminar - Tidal Timespace: Imprints & Palimpsests
Переглядів 21Місяць тому
Heather Green Lunchtime Seminar - Tidal Timespace: Imprints & Palimpsests
In Praise of Birds - World Book Night 2024
Переглядів 2162 місяці тому
A selection of the 250 World Book Night postcards received for the World Book Night United Artists - In Praise of Birds, exhibition and mail art exchange. On show at Bower Ashton Library, UWE Bristol, UK, Friday 19th April - Tuesday 2nd July 2024. WBN co-organiser Linda Parr is posting all of the contributions on Instagram: lsp_books Participants in WBN 2024 are: Abbie Edbrooke, ...
The lives of artists' books in UK libraries and collections
Переглядів 14510 місяців тому
A short talk by Sarah Bodman about UK libraries and collections practices with artists' books for the seminar panel at: Kunstnerboken: unik og mangfoldig (Nordic Artists' Books) Kristiansand Kunsthall and Library Rådhusgata 11, 4611 Kristiansand, Norway SEMINAR - Friday 1st September 2023 1-6 pm EXHIBITION - 2nd September - 29th October 2023 Curated by: Codex Polaris (Rita Marhaug, Imi Maufe an...
CFPR In Conversation with Cecilia Mandrile
Переглядів 46Рік тому
Cecilia Mandrile (Argentina, 1969) is a visual artist whose print-based practice explores the fragmentation and fluidity of identity caused by displacement. She has exhibited in prestigious international venues such as The Victoria & Albert Museum, London; El Museo del Barrio, New York; WPA Corcoran, Washington DC; the National Museum of Fine Arts, Buenos Aires, Emilio Caraffa Museum and Genaro...
The place in which I’ll fit will not exist until I make it - for PROOF! 2023
Переглядів 131Рік тому
Sarah Bodman and Roelof Bakker are undertaking a mail art collaboration to produce a body of work for exhibition / artist's book. Along the way we will document and reflect upon our practice to produce written text for an article that will examine our inspirations, interaction and outcomes. We don't know yet where our collaboration will take us. We are using collage and mail art as a means to e...
Rodrigo Arteaga Mycelium Book - a look inside.
Переглядів 50Рік тому
Rodrigo is a Chilean artist who completed a MFA in Sculpture at the Slade School of Fine Art in 2018. His practice is concerned with the complex relationship between nature, culture and representation. His interest in working across different areas of thought has led him to collaborate with specialists in fields such as Microbiology, Bio-Fabrication, Mycology, Natural History, Botany, and Archi...
A Conversation with Rodrigo Arteaga regarding the inspiration for his Mycelium Book.
Переглядів 41Рік тому
Rodrigo is a Chilean artist who completed a MFA in Sculpture at the Slade School of Fine Art in 2018. His practice is concerned with the complex relationship between nature, culture and representation. His interest in working across different areas of thought has led him to collaborate with specialists in fields such as Microbiology, Bio-Fabrication, Mycology, Natural History, Botany, and Archi...
CFPR Mycelium Book Launch 1
Переглядів 24Рік тому
Rodrigo Arteaga's Mycelium Book is now available for sale. This is a brief overview of the processes and the items included in the book. Rodrigo is a Chilean artist who completed a MFA in Sculpture at the Slade School of Fine Art in 2018. His practice is concerned with the complex relationship between nature, culture and representation. His interest in working across different areas of thought ...
CFPR Editions Matt Smith
Переглядів 59Рік тому
Matt explores how history is a constantly selected and refined narrative, that presents itself as a fixed and accurate account of the past. Using techniques of institutional critique and artist intervention, his work investigates how museums can be reframed from an outsider, often LGBTQ, perspective by taking objects and repurposing them in new situations, or creating ‘lost objects’. Solo shows...
Sarah Bodman - What We Do in the Shadows - World Book Night events
Переглядів 369Рік тому
Sarah Bodman - What We Do in the Shadows - World Book Night events
Tracey Bush CFPR Artist Residency Project
Переглядів 67Рік тому
Tracey Bush CFPR Artist Residency Project
Flight of Fancy: Professor Stephen Hoskins Artist Talk at Hong Kong Open Printshop
Переглядів 37Рік тому
Flight of Fancy: Professor Stephen Hoskins Artist Talk at Hong Kong Open Printshop
Flight of Fancy: Professor Stephen Hoskins Demonstration at Hong Kong Open Printshop Exhibition
Переглядів 105Рік тому
Flight of Fancy: Professor Stephen Hoskins Demonstration at Hong Kong Open Printshop Exhibition
Navid Azimi Sajadi CFPR Editions Artist Talk
Переглядів 62Рік тому
Navid Azimi Sajadi CFPR Editions Artist Talk
Healthy Waters Ram Pressing Water Filter Pots
Переглядів 251Рік тому
Healthy Waters Ram Pressing Water Filter Pots
Alicia Paz Artist Talk for students at University of the West of England
Переглядів 95Рік тому
Alicia Paz Artist Talk for students at University of the West of England
Abigail Trujillo Vazquez Artist Talk for students at University of the West of England
Переглядів 102Рік тому
Abigail Trujillo Vazquez Artist Talk for students at University of the West of England
Tracy Hill Artist Talk for students at University of the West of England
Переглядів 157Рік тому
Tracy Hill Artist Talk for students at University of the West of England
I don't want to see degenerate art.
This is mindblowing stuff. I really appreciate it!
Thank you for this beautiful film!
Can we use food colors?
Thank you for your time. yes it is inspiring. I like your presentation.
Amazing thank you!
I started the Artists Way Pages recently... and failed. I couldnt find meaning in anything I wrote, I felt the pressure to write something meaningful. Then I realised that linguistic meaning didnt matter... and in art and music I have found that making marks that are initially meaningless then find meaning in the subjective later viewing very therapeutic. Great lecture, thankyou.
Wonderful lecturer
Great
Wonderful interesting artistic work with these products it's a subscribe for me kk from nz kia ora
Watch the pigments you use. If you’re getting your hands wet in a water soluble paint, you are softening your skin and some pigments can be absorbed. It is a myth that oil paints are toxic. It was real turpentine that was toxic. So people assume water based is safe. It is LESS safe because of the above reason. Just know your ingredients. Also flour can attract insects or rodents to your books. They don’t seem as attracted to pure starch. Wallpaper paste has fungicide and sometimes an insect repellent. Wear nitrile gloves.
Language is so weird that it may be that all writing is fundamentally asemic. Religious and political pundits seem to be regular practitioners of asemic speech and writings. 🤣
Maravilhoso.. gratidão por esta aula ❤
Why do you mix a paste/binder in with the pigmented paint when the paint already has a binder in it?
It helps to keep it wet, viscous, and workable. Otherwise, the paint dries out too fast.
Well done. I loved the handpan music in the background also!
This is a masterclass on paste papers. Thank you so much!
Great presentation with much food for thought!
I did semtic writing before I knew it was a thing...so interesting to hear about it and thanks for sharing your knowledge...Awesome!! øljnæ ojingødkhb åoiigjøadof øpokadøpgj !! 🥳🥳
Fantastic demo. Thanks so much for taking the time to be so thorough and informative!
Well done. Great tutorial. Appreciate the tips, storage,paper and all the steps towards a wonderful finished product. I’ll give it a go.
Hiii, there , can i have your business email or contact, i am also illustration artist from London,
What is the probability of mold or bugs? I mean, if you just added milk casein to the flour you'd be pasting with gravy glue as well as potato glue and wood cellulose glue... is this some of what attracts bookworms to old books?
In archival bookbinding, there are materials and methods used that reduce those risks. There's even bookbinding that doesn't use any adhesives at all. Most books only have these sorts of decorative papers inside the covers, not in the main book block which is the primary concern. 😊
The best tutorial I’ve ever seen on this subject!
I find it curious that asemic handwriting seems to have gained popularity at a time when the world in general is largely enamored with keyboards and computers.
My art has been based upon automatic creation of marks due to my neurological condition of Aphantasia. Whether ink drawings or painting, It is similar to channelling . I found this very interesting as I just started a new 12 month project of this form of writing and hey presto my UA-cam feed fills up with Asemic writing.
Every now and then, your "asemic" wandering through UA-cam, throws up some gems. This was an utterly captivating lecture. The clarity of his thought process on a difficult subject like this, is exceptional. In my exploration of this field, no one has come through with such effectiveness, Thanks, Steven.
I loved it. Thank you❤
No credibility. Cake flour has no protein. That's the whole reason flour paste works at all, what kind of ignorant bullshit are you sharing?
A delightfully melancholic meditation on a particular type of rainy day. Visually the artists have done a beautiful job. As an aside, I love to see knitting (often so underrated by those who don’t knit) used in this clever and poetic way. My heart is touched.
Great video - thank you, Did you have a preference between the three types of paste?
that poor slug!!!!
This was an amazing vídeo. Thanks for share all those techniques 😊❤
Beautiful!
Fascinating! I've contributed to several WBN call outs since 2017 so good to catch up on the earlier projects.
Thank you sir!
We have taken thousands of years to develop language - a massive vocabulary exists especially in English (borrowing or adopting words from other languages and cultures). Language allows us to communicate. So why not write poetry with language and leave visual art to others? Surely ascemic writing is just over complicating the medium? Its also a great way for bullshitters to pull wool over the eyes of the gullible.
Grow up
Incredibly inspiring! Thank you!🤩
👋, I like the inspiration you gave me 😊. Many thanks! Greetings from Austria 🇦🇹/Europe … Astrid 🙋🏻
❤Every second of it! The secret to ranking = P r o m o S M !!
As someone who uses deconstructed type marks as the base of my artwork, I’ve always struggled to explain it to others. I would say “it’s my brushstroke” - some splatter or do large broad paint strokes - but this is how I express myself. A collector of mine recently mentioned “asemic writing” to me and I immediately dived into researching it. That’s how I came upon this video. This video has so many gems for me as I begin to learn what the asemic is, but I immediately feel connected to what you are saying. I feel seen. Thank you so much!
Wow. Now I understand paste paper or paper paste. Well done. Truly.
This was a great tutorial. I appreciated the recipes for paste and the many different techniques. Thank you very much!
A very nice and clear demonstration. It's time I started making some anthotypes. I'm an experienced salt printer, but would like to extend a bit. Best wishes. :-)
I miss Eric so much. He was a gift to earth.
Inspiring, thanks! May I ask how you recommend flattening them? I have boards and weights that can do in lieu of a nipping press but I'm wondering about... perhaps if I let them dry 90% but not completely, they won't stick to something used as blotter in between them? And would an iron ever do, on a low temp, or would that inevitably curl them (and then toast them if hotter).
I usually let them dry first and then place them under heavy books for a couple of days. It works out well. I am hesitant to iron, as cornstarch or flour paste might react to heat. If you have time and patience, weight seems to do the trick naturally. Have fun!
yes I agree - brilliant!
Emozionante 🙏
Thank you Mr.Steven for this wonderful insight. I am a Poet, Music composer, Singer and a painter too. Could connect with a lot of ideas you spoke about.