Відео

Thank you so much!

Thanks a lot for watching my videos!

Thank you for watching!

Thanks you for watching my video!

Thank you!

Hi Shruti, thank you for watching my videos! Actually, there is no specific repeat size for the jacquard, because its size depends only on the weaving machine which your factory uses. I think, they may vary the repeat size, so I would recommend to ask them what is there repeat sizes range before starting your design. Take a look at the link below- here is one of the factory website where they provide their repeat options: revolutionfabrics.com/blogs/gotcha-covered/jacquard-weaving-101

Repeat size depend jacquard hooks

Thank you Lucille for watching my videos! I'm happy to be helpful. About watercolor cleaning- actually, this video "Chapter 12..." is for all type of prints. However, I understand that the print I use as an example is not complicated enough. So, I suggest it as a main template, but I'm giving some tricks in my other videos, which you can use for watercolor cleaning. I'm trying to not overwhelm my students, so in each video I'm concentrating for only few details. You can take a look at "Chapter 4. HOW TO DO COLOR REDUCTION IN PHOTOSHOP. Part II- WATERCOLOR"- there are some explanations about watercolor prints. Also, "Chapter 14. HOW TO DO REPEAT FOR WATERCOLOR PRINT IN PHOTOSHOP"- would be helpful. And, finally, my last video "Chapter 25. HOW TO USE NOISE PHOTOSHOP FILTERS IN TEXTILE DESIGN"- is about how to use some filters to reduce print pixilation, this method also can be use for cleaning.

thank you for watching!

Hi Elisaveta, sure, you can represent each color as a separate layer with a transparent background. Or, with a contrast background. There are no rules, it just for your vendors, and you can discuss the method with them. The main idea- all color placements need to be clear enough for the engraving process. For example, my vendors prefer when I represent very light color with a bright blue background. Thank you for watching my videos!

You're welcome!

Happy to help!

Glad to hear that

thank you for watching my videos! Glad it was helpful!

hi Vishal, thank you for watching my videos. Please clarify you question. This video is for matching colors using Photoshop action. So, do you want me to create another one? is it something not clear in this video? which part?

Thank you for watching my videos! I'll continue to make videos about Photoshop filters

Thank you for watching my videos and for the great review!

Thank you so much, Preethi! Glad it was helpful!

Hi Mohammed, thank you for watching my videos! About your question- can you provide a more detailed explanation? if you want you can e-mail me : mouseweaver4you@gmail.com

Hi Ally, Thank you for watching my videos! For the request above please see my videos: Chapter 1. HOW TO DO STRAIGHT REPEAT IN PHOTOSHOP and Chapter 2. HOW TO DO HALF DROP REPEAT IN PHOTOSHOP Please let me know if it's helpful

Hi Roxanne, thank you for watching my channel! No, it doesn't have to be rasterized, just finish your artwork in Illustrator, save it, and then open the file from Photoshop

Always welcome!

you can e-mail me : mouseweaver4you@gmail.com

Hi Everton! thank you so much for watching my videos! About your question- do you mean you'd like to increase the size of pixels? the easiest way- reduce the resolution. It always work opposite- you are increasing the resolution- all pixels become smaller, and if you are reducing resolution- pixels become bigger. Because the resolution is the amount of pixels per inch

@@MouseWeaver That makes a lot of sense! thank you. We work with silk screen process. I've seen that you use 200 pixels/inch in your designs. We usually use 127 or 150 pixels/inch as resolution. I will make some tests and check which resolution works better using "diffusion dither", though. I intend to watch all your videos. It's been very elucidating. Thank you!

@@MouseWeaver I've been looking for a solution to create smoother transitions of colors, in order to avoid the color banding. I believe that the diffusion dither is an interesting way to do that. Do you agree? I always use halftones with angles, but, the result regarding to transitions of colors is not smooth enouth.

Thank you so much!

Hi Everton. Yes, I think the diffusion is a great tool for smoothness. You can also try "noise" under Dithering drop-down menu, but be careful with this tool, it gives you a lot of stray pixels, which might be a problem for the factory

Thanks a lot for watching!

Большое спасибо, Ирина! Я так рада, что мои видео смотрят мои соотечественники. Да, в самом деле, в плане подготовки файлов существует некий пробел, потому что индустрия производства принтов на компьютере относительно молодая, еще 20 лет назад в Америке многие художники рисовали руками, а в школах Фотошоп не преподавали. На данный момент часто выходит так: художник считает-мое дело нарисовать, а они там на фабрике сами разберуться. А на фабрике думают- как же нам это делать, мы в Фотошопе не рисуем, пусть художники дадут более исчерпывающую информацию... Вот я и пытаюсь помочь и тем и другим:)

You're very welcome! I'm so glad it's helpful for you! thank you for watching

Thank you for watching!

Most welcome! Thank you for watching!

Thank you for watching!

Thank you! Will do!

Hi Soni, Thank you for watching! Please see my video "Chapter 17. HOW TO USE PHOTOSHOP ACTIONS FOR TEXTILE DESIGN"

Thanks a lot 😊

Glad I could help! Thank you for watching my channel!

Glad it was helpful! Thank you for watching!

Glad you like them!

Most welcome 😊

Thank you too!

Thanks for watching!

Many many thanks!

Most welcome 😊!!

Thanks a lot!

Thank you for watching my channel! Can you please explain what do you want to know about pantone colors? My lessons are mostly about using Adobe Photoshop for textile design, I'm mentioning pantone only as one of the design tools...

Glad it was helpful!

You're so welcome!

Glad you think so! Thank you for watching!

Glad it was helpful!

So glad!

Glad it was helpful!

I'm so glad!