- 15
- 27 111
Nick McCall
Приєднався 24 лип 2014
Eumig 810D Motor Noise
Rattling noise inside motor when running in forward, but not yet in reverse. Noise can be heard after turning off the power.
Переглядів: 55
Відео
60FPS - Nosferatu Blu-ray Comparison - Kino and Eureka
Переглядів 6 тис.3 роки тому
Comparison that highlights the frame rate and stabilization problems of Kino's BD release of "Nosferatu." No sound.
The Ten Commandments (1923) - Color - 1080p60
Переглядів 14 тис.6 років тому
Color sequence reinserted. Encoded at the correct frame rate (be sure to enable 60fps). This video will sync up to the score on the BD. No sound. Public domain.
60FPS - Frankenstein (1910) - Corrected Frame Rate - 1080p60
Переглядів 1556 років тому
The version by the Library of Congress, now with the proper pulldown for smooth motion. Music by Donald Sosin. Public Domain. Source: www.loc.gov/item/2017600664/
60FPS - A Trip to the Moon (1902) - Corrected Frame Rate
Переглядів 4706 років тому
A Trip to the Moon (1902) Removed incorrect pulldown, then encoded at 60FPS for smooth motion. (No sound)
Alignment Demo - 3D SBS - Jaws 3D
Переглядів 5236 років тому
The original stereo photography is misaligned throughout the entire movie, giving "Jaws 3D" a reputation for having painful 3D. Once aligned, the 3D, overall, is pleasing. (No sound)
DVD/BD Color Comparison: The Hunchback of Notre Dame (1996)
Переглядів 3,7 тис.8 років тому
Split-screen comparison of the DVD and BD releases of "The Hunchback of Notre Dame" (1996), showing how the colors changed for the BD release. (No sound)
Plague of Helicopters: Los Angeles - Reasons for Regulation
Переглядів 1589 років тому
Some of the most irritating things that helicopters do, and which need to be banned. Visit lahelicopternoise.org to help quiet the skies. 0:31 Hovering 0:43 Circling 1:33 Large Circling 2:25 Using Freeways as Routes (Good) 3:00 Loosely Following Freeways 3:18 Following Freeways, but Cutting Corners 3:57 Swarming 4:26 Multiple Circling Helicopters 5:35 Terrorizing Jerk 7:28 Heli-Noise-LA tracks ...
Plague of Helicopters: Los Angeles
Переглядів 559 років тому
A look at LA's helicopter-noise problem and how the FAA's Heli-Noise-LA website comes up short. 0:40 Heli-Noise-LA's 20% coverage 8:27 Charts 10:09 Full-coverage approximation
(60FPS) How 1080p Ruins Silent Film on Blu-Ray
Переглядів 3 тис.10 років тому
An explanation of why 1080i is better than 1080p for presenting silents with nonstandard speeds on Blu-ray. DOWNLOAD LINKS 1080i BD ISO: tinyurl.com/ny8y4bm 1080p60 MP4: tinyurl.com/lnshm3k
I don't see much to be concerned about here as they both look acceptable to me. It is a 100+ year old movie afterall, but maybe someday someone will be able to do a restoration process that smoothes out the frame rate issue and remove the scratches on the film. I've seen what people can do with footage from this time period and it's incredible.
Thank you so much for sharing this. My dream is that one day someone will give Nosferatu a really well done and thorough restoration. With what Peter Jackson accomplished in his WW1 documentary, it makes me wonder why the same can’t be done for some of these great classic silent films. Are you aware if there is any better release that has come out since you posted this video? Thank you again.
@@intheblink The BFI disc has a wonderful score. What Peter Jackson did is not restoration. I'm not a fan, and will leave it at that.
Is this a common issue with Kino Blu-rays or is this the only movie with issues like this?
A lot of their releases have issues, not just Nosferatu.
@@AwesomeTitanic Good to know.
NO MUZAK.....?????
Hi Nick, just curious how you achieved this image alignment? Was it done via corner pinning, or something more complex. Cheers, Oliver
Nope, just manually moving the eyes up and down until there was minimal vertical parallax
@@nickmccall1536 oh wow interesting. Are there a lot of shots in the movie that are unfixable?
Not a lot. A few effects shots where nothing really matches, but they're similar to the opening titles, in which you have to choose what elements to align. One or two effects shots in the climax are out of sync by a frame. The lenses they used mean that it will never have perfect 3D, but it's pretty good for the most part.
Watching this on Disney+, seeing the gritty vibe being overly joyfully colored, i remember a much and much darker colorgrading. Maybe it was just that old tv of us 😅
The film is now available on UA-cam in a tinted print: ua-cam.com/video/lGUVUUCr_Qg/v-deo.html
Can't find any reviews of the "100th Anniversary Edition" that's out now. Anybody have any thoughts as to how it compares to these previous editions?
I spoke with someone who was a Nosferatu video expert and he told me the 100th Anniversary Edition was sourced from a 16mm print of Nosferatu. In other words, you're STILL better off getting a Region B release -- either the BFI or Eureka Blu ray. Eventually, I'll probably get both. I ordered the Eureka but it takes like 2 weeks to get it because it's import. As far as region-free goes, either get a new Blu ray player or software that supports Region B decoding. They're out there but you have to pay for them.
@@AvengerII Thanks for the reply, and the information!
Thanks for posting this. I spent about an hour yesterday researching this online. The "Brenton Film" site compared multiple restorations and Blu-Rays, and said that of the "top 5" versions, 4 of them were REGION B LOCKED, and suggested getting a "region free" player (not so easy for everybody, a region-free Blu-Ray player is still a PRICEY item!). And then they TORE the Kino Lorber disc a new one, warning anybody who really cared to avoid it. I found this shocking, as until now, I was under the impression they had a good reputation. Their final summation said: "Of the 2006 restoration BDs, I’ll give Eureka the nudge on image, as close inspection shows they’ve performed additional work on their master to minimise the effects of dirt and scratches. But if you want to watch a horror film and not study a work of art, pick the BFI. " I suspect they said this because the BFI version contains a JAMES BERNARD music score! As a result of all this, at the moment, I'm thinking of just springing for a USED disc from 2001... I don't mind paying a bit more from time to time, but when I do, I want to make sure it's the BEST-POSSIBLE option out there.
There is no best. While the FWMS version has better source material, both it and the Photoplay version suffer from interpolated frames and frozen temporal cloning. The digital restoration work on both is pretty rotten and overdone. All the BDs have motion problems, since the film is transferred at 18fps but encoded at 24fps. However, the Bernard score is truly wonderful and really makes the movie come to life. 220-Electronics has region-free BD players for as low as $100. That's the price of a few new BDs.
does a copy of the full movie exist with corrected alignment?
@@nickmccall1536 Wow I had never heard of this site before, thank you I will!
I don't mind it being more stable, but the frame issues are a deal breaker.
I prefer the DVD version because of the film grain and it looks just like 1996.
I prefer it in black and white than the colour slides
The black and white versions are from safety films are or later dupes/public domain. The original release of Nosferatu had tinted footage and most of the later restorations have this.
So you are fine with Orlok walking in broad daylight?
What is better in general Eureka or kino? Or does it depend?
The Eureka release or BFI Blu rays are better. The edits are different, though. They've discovered and added new footage since the early 2000s to later DVD and Blu ray releases. the BFI Blu ray is based on a mid-1990s restoration but probably has the better score. The score on the BFI Blu ray was created by the same composer who worked on the Hammer Dracula movies. The Eureka Blu ray release has an edit that Kino used as well but Kino screwed up their Blu ray release. The earlier pre-2010 Kino DVDs are better than the Blu ray and current edition DVDs of Kino. The earlier Kino DVDs are out of print. The 2-disc Ultimate Edition (2007) of Kino is more expensive. The better Blu rays are still the British editions.
Photoplay/BFI because it has the James Bernard's score
Is Kino's German disc the same as the English disc in terms of picture quality and frame rate?
No. I no longer have the set, but I spot-checked Kino's German disc, and it looked ok, if not as nice an encode as Eureka's. Its shortcomings didn't smack me in the face like the English disc did.
You can find the org movie set in the Guadalupe desert in California. Steel cables, plaster, wood from massive set.
It’s a silent film from 1922, of course the frame rate should not be stable
When projected from film prints, the frame rates of all silents are completely smooth.
@@nickmccall1536 But it's not being projected from a film print here, as it's been upgraded to a disc, so the frame rate issues are still acceptable!
It’s still baffling to me that Kino gave this an okay.
I see the difference big time but idk how to change it when I watch with blu ray player on TV 😭
You can't, it's hard-encoded into the video. I had to use some scripts and programs to remove the bad frames and output new files
where is the audio
It's silent. The movie is public domain, but the Gaylord Carter recording is still under copyright.
Amazing
Most hand-cranked films aren't being corrected for speed, they're being presented in the original framerate. I see that on all the blu-rays that I own. They're supposed to stutter slightly because they're not shot smoothly, the film is hand-cranked.
I have seen many silents, including some of these, in 35mm. They do not stutter. Furthermore, I have seen hand-cranked 35mm presentations, and they don't stutter, either. If a silent has stuttering motion, then the presentation is broken.
The DVD looks more close to the original print, and the Blu-Ray is not only a mediocre transfer, it’s also cropped
@@Oliver-sb1tf The laserdisc is actually 1.85:1, which is the original and intended ratio. The original negative was 1.66:1, which is more of an open matte.
is this a silent movie?
Yes
I hope Mary and Jonny got married.
They obviously did and fortunately they took their time with it unlike her marriage to Danny. You know what they say, a rushed marriage is always doomed to turn out badly.
@@hunterolaughlin 😃
The Blu-ray has the better aspect ratio but that about it, watch Disney sell you another Blu-ray of this film in few years time with more accurate colors and another ratio more close to the actual filmed frame.
4k UHD Bluray will do it.
I can see a difference in some, in others not so much. The diffs in Birth of a Nation are obvious, but in Black Pirate, one must really concentrate. I have not noticed it in the Cohen "Thief of Bagdad" but I will look for it next time. I do not think the new 4K Cohen Buster Keaton films display this problem.
This was very well-made for its time.
Miriam, as a slave, still had time to do her makeup, apparently. How anyone believes in this nonsense story defies logic.
It's a movie, it's not going to 100% spot-on with historical accuracy.
@@dakotagere8358 Accurate and believable are two separate issues.
Who are you, CinemaSins?
Why isn't the score included? Is that still under copyright?
Yes. The movie is public domain; the Gaylord Carter score is not.
@@nickmccall1536 Ok, fair enough. Thanks for replying.
@@Myself23512 Thanks, unfortunately that isn't as good picture quality as this one though.
SEB1991SEB Perhaps you could play them both at the same time. That way, you can see the good picture and here the good music. It really isn’t the same without the music.
@@Myself23512 Yeah I guess I could try that, it'd be tough to play them at the same time though so the music is synchronised properly. But I guess it'd be ok. It's just annoying that we have to resort to such measures to get around a 97 year old copyright.
DVD color is much better and natural.
I see the difference right away!
Do more, please?
Literally no matter how hard I look I can't see the difference
Did you check that 60fps is enabled and that your browser can run UA-cam at 60fps? If they're not, then the video gets collapsed to 30fps, so you wouldn't see much, if any, difference. UA-cam also has a tendency to drop frames and micro-stutter. The download links I put in the description are frame-accurate and have side-by-side comparisons. You should definitely see the difference in "The Black Pirate," which is the worst of the bunch.
All the settings are right. And playing the video at 1/4 speed I can clearly see that there are repeated frames. But at normal playback speed the difference is literally invisible to me. I wouldn't be able to pick which footage has the repeated frames if my life depended on it and it makes me worry something's wrong with my vision.
I don't know what the best is. In some scenes the Dvd looks better, in others maybe the Bluray is better. What is the best in your opinion? Finally I apologize for my bad English, but I am Italian and I can not speak this language very well
The DVD is made from a print and has more accurate colors. The BD looks entirely re-colored. Movies from the 90s have vibrant realistic colors. This tendency to dull and tint is a recent trend
That's a great point. I think that the Blu Ray version is mostly likely sourced from the original files, since alot of the film was inked and painted on the computer. It's also worth noting that at 3:34, the end credit layout has slightly been adjusted and the Walt Disney Records section is retyped. Sorry to be a nerd, but I find opinions on Blu Rays and DVDs interesting.....
Honestly my main beef with this Blu Ray is that it has to share a disc with its piece of shit sequel.
Dvd is better and has the original colors.
@@katethemikufan9109 don't apologize for being a nerd man. (or woman) Only nerds would watch this. (no offense to who made this) There's a reason i'm reading your comment.
Thank you for posting this on UA-cam. It's really good to see the differences between the Dvd and blu ray for, you know, reviewing sake.
Okay, I'm convinced. Seems the best for non-24 / silent film is to telecine (or convert from a 24 frame-frame telecine) and archive at 1080p/60. It's a trivial matter to downconvert to 60i for Blu-ray or broadcast. (For film / 24p I always master at 24p, and derive 3-2 60i subs as needed -- same idea.) Nice job -- cheers!
That doesn't seem like many helicopters to me. Especially considering that the majority of those helicopters operating at that time are probably EMS or police helicopters operating for the benefit of the residents of Los Angeles.
At the time I made this video, only 20% of helicopters were tracked, so the number of helicopters was grossly underrepresented. Next, helicopters flying to or from EMS are relatively few, and they fly much higher than most. Police helicopters almost always fly below 500ft above ground level, low enough to wake the dead. What little evidence of effectiveness of police helicopters there is shows that any benefit is meager, and there is no reason that they can't get better binoculars and do their joyriding at a higher altitude.
Well, I happen to be very familiar with the volume of EMS helicopter operations. In most major Metro areas the majority of helicopter traffic are EMS flights. As far as Law Enforcement operations, most major Metropolitan communities have less than 8 helicopters (and that is a lot) and rarely keep more than two or three airborne at any given time. I can't speak to the efficacy they provide to law enforcement operations but I suspect that it is significant because helicopters are very expensive to purchase, maintain and insure. If they weren't effective, I doubt most agencies would invest the capital into their use.
+Douglas Hensley LAPD has 18, more than any other police force in the world. The tracking briefly included flight IDs. In the middle of the night, they were almost all police.
Okay so, lets say at night they keep six aircraft airborne at night every night (which I find unlikely). Los Angeles is about 460 square miles. that is 1 helicopter for every 76 square miles of Los Angeles. Again, not too congested in my humble opinion. Besides that, if they are adding to the ability for your police to keep you and your family safe then that might just be a price to pay for your safety and piece of mind. Otherwise, elect council members who will de-fund the aviation department of the police deparment (at your own peril)
How do you know they were police ID's anyway? Police and EMS operators have "discreet" transponder "squawk" codes that are generally not published for obvious reasons.