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Fausto Ferreira
Portugal
Приєднався 13 лис 2012
Відео
Pure Upright improv
Переглядів 2162 місяці тому
Improvisation on Pure Upright. The instrument leads the way
Best pianos on iOS, 2024 update
Переглядів 5 тис.2 місяці тому
7 best acoustic pianos apps for iOS from the performer point of view. This is my list based on my own experience, considering playability, realism and overall sound. -Pianoteq, Modartt -Ravenscroft 275, UVI -Pure Upright, e-Instruments -Pure piano, e-Instruments -Just Piano, GSI -Oasys, Korg Module pro -Studio Grand, Apple Logic Pro Each app presents several adjustable parameters, presets and/o...
Pianoteq 8 improv
Переглядів 4842 місяці тому
Improvisation on Pianoteq 8, letting the instrument lead the way
Pure piano improv by Fausto Ferreira
Переглядів 2182 місяці тому
One take improvisation, going where the instrument leads me
Realistic Physical Modeling on iOS
Переглядів 4,2 тис.9 місяців тому
Overview of the main physical modeling apps for iOS, regarding authenticity and playability, both on MPE controllers and regular MIDI controllers. A broad range of instruments are covered in these video: cello, viola, violin, guitar, string ensembles, guitar, vibraphone, Hammond organ, transistor organs, clavinets, acoustic pianos, electro-acoustic pianos, harpsichords, trumpets, flute, clarine...
iOS music production and live performance
Переглядів 24 тис.11 місяців тому
Since the beginning, iPads revealed great potential for live performance. After 2018, iPad Pro has also proven itself as a capable, efficient and portable device for music production, thanks to a massive improvement in processing power, storage and file managing ( we now have old style “normal” direct drag and drop, copy/paste )and more importantly, mature and powerful software that finally unv...
6 de agosto de 2023
Переглядів 8 тис.Рік тому
The History of iOS is still very short, but lately things have been moving faster than ever, for musicians. Let’s check who are the main responsibles for that, starting with this comparative review of some of the best iOS Electric pianos on the App Store, and comparison with some not so accomplished ventures. Apps on this review/comparison: Legacy: IK Multimedia iLectric; Gospel Musicians Neo S...
iOS Hammond clones vs Hammond XK5 vs Nord Stage 3
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This is an overview of the main Hammond clones available for iOS: IK Multimedia/Hammond B-3X, GSI VB3, Yonac Galileo, and how they compare to Hammond XK5 and Nord Stage 3, with the following criteria; they have to have full reproduction of B3’s layout and functionality ( not simple sample playback ) and they have to be AUV3 compatible, which rules out some good sounding competitors, like Premie...
Studiologic Numa X Piano 88, a flawed Stage Piano or the best Stage MIDI Controller
Переглядів 21 тис.Рік тому
Studiologic finally did it: my dream Stage MIDI Controller. With my already mature setup for iPad, with so many great App's available, simple one cable USB connection working flawlessly, the Numa X 88 is probably the only solution available at any price point. Why? -Audio and MIDI interface via USB; Standard MIDI; 4 channel mixer; Pitch and modulation sticks; aftertouch; 14 kgs with metal const...
Pianoteq 8 for iOS vs All the rest
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Modartt’s Pianoteq 8 for iOS, review and comparison with Ravenscroft 275, Pure Piano, Colossus piano, Beathawk Studio Grand, Korg Module American D and Korg Module Ivory, focusing on sound and playability. Individual full blown reviews, considering features and editing possibilities coming soon. These are clearly the best acoustic pianos available on iOS. Short list but already with enough high...
Fausto Ferreira - What do you want for Christmas
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Merry Christmas! Fully produced on iPad Pro, using Cubasis 2, LumaFusion and a ton of high quality AUV3 plug-ins Segue-me nas redes sociais / Follow me on social media: Instagram: faustoferreira.official Facebook: faustoferreiramusic Spotify: sptfy.com/faustoferreira Letra e música - Fausto Ferreira Produção e mistura - Fausto Ferreira Video - Fausto Ferreira Guitarra...
Fausto Ferreira - Swinging Christmas - Merry Christmas Baby
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Swinging Christmas Merry Christmas Baby Fausto Ferreira - Piano Orlanda Guilande - Voz Segue-me nas redes sociais / Follow me on social media: Instagram: faustoferreira.music Facebook: faustoferreiramusic Spotify: sptfy.com/faustoferreira
Fausto Ferreira - Swinging Christmas - The Christmas Song
Переглядів 1162 роки тому
Swinging Christmas The Christmas Song Fausto Ferreira - Piano Orlanda Guilande - Voz Segue-me nas redes sociais / Follow me on social media: Instagram: faustoferreira.music Facebook: faustoferreiramusic Spotify: sptfy.com/faustoferreira
Fausto Ferreira - STRAIGHT TO THE HEART
Переглядів 10 тис.3 роки тому
Fausto Ferreira - STRAIGHT TO THE HEART
Nice playing,great piano tone.
Thanks! That's a trully great piano!
Is thins a 13" inch iPad?
Close, 12.9 M2
Hi Fausto, Studiologic just released a new version of the Firmware (2.4) that seems to be really promising.
Thanks for updating me . Will check it as soon as possible.
@@FaustoFerreira please give some feedback when you do.
@amitev I certainly will!
@@amitev Firmware 2.4 installed. String resonance got worst, with super short decay and buggy ( in long sustained passages it just quits ), although the notes sustain, the effect just vanishes. Sympathetic resonance is a nice thing, but not accurate at all, 8ve and 5th works, but the third don't. A real sympathetic resonance works almost with every interval, at different degrees, and harmonic results. Duplex resonance is not much better than before, sounding just like a short reverb through a high pass filter. Repeated notes got better, that is the best thing about this update, it saved the day. Playability is in the end the most important thing and in this aspect, the Numa X still delivers. But they should rework their sounds from the ground up, starting from the piano samples ( yes, they use samples, the modeled part is just for the resonances ) and going through its synthesys arquitecture, and finally through the moddeling part, that's why I consider it a great controller, but don't use its sounds. The Rhodes however, are completelly modeled, and they work very well!
@@FaustoFerreira thank you very much for the very detailed review! Offtopic: It's really amazing, what the Pianoteq guys have achieved. I just tested the sympathetic resonance there.
Rewatching this video now that I have a Seaboard, and it is so inspiring! I'd love to see a deep dive on how you configured the SWAM strings to work with your Seaboard. I'm struggling with that a bit, and I think seeing how you set things up might help me figure out what might work for me.
What do you think the best Piano Plug In is? I purchased the Pianoteq 8 app based on your recommendation. It’s amazing! Thank you for the awesome content.
❤❤
Have you played with Wurly by Audiothing? I'm curious how that stacks up against the others.
How would you compare this with the Casio PX-S7000? Heard a lot of great things about the Casio but it seems "plastic" to me. Perhaps I'm wrong.
@@kevindorry2869 Never tryed it. However, based on my research, there is still a reason that Casios are not even considered as pro level instruments. It looks that they have pretty up to date tech, that they are getting there, but they fail allways on the extra mile. For example, sustain resonance: they have it, but it sounds so unrealistic, failing in the most basic part like decay time, and filtering of the effect, with weird harmonics being prolongued out of place. Sustain of individual notes, better now but still sounding like 2010 entry level digital pianos (even Roland's RD300sx with be better at this). Baddly calibrated sample transitions, with sample switching clearly on wrong velocity values ( extreme example: you are still playing piano, with piano intensity volume, but the sample allready transitioned to mezzoforte, it's a very common mistake and comes from an era where sample memory was scarce and expensive. Today it doesn't make sense anymore, showing only poor sound design, and lack of attention to detail ). Yes you are right, all of this and many other sound design mistakes makes it sound "plastic". The Numa also shares some of this problems, but I think they did a much better job managing the extra mile on sound design given the budget nature of the hardware they were working on.
@@FaustoFerreira Thanks Fausto! I thought so. The Casio is also $600 more expensive than the Numa. I'm going to try and find one to see how it feels. Thanks again for the great review!
Definitely one of the best reviews I have ever seen and really very helpful. You talked about all the important things and what I wanted to know aswell in your experience as a player and technician. Your manner as a presenter combined with your playing ability, massive knowledge and obvious experience, provide an essential basis for your opinion. Excellent!!!! I will probably buy one unless I go for a cheaper digital piano only for the feel and buy a separate midi controller keyboard, but I'm 80% sold on this primarily because of the weighted Fatar Keybed and other features including build quality and price.
Thanks mate! You've convinced me to make the leap to full live ipad performance with a very minimalistic setup. I have a synth with built in audio interface which make my setup extremly portable. I prefer AUM though. Easy, seamless and perfect for my taste when it comes to routing effects, splitting keyboards and so on.
@@jenslempke7883 Thank you! Hope it works for you as it does for me.
best demo here in youtube ❤
@@hdihiiehei Thank you!
I gave pretty impressed with Pianoteq 8 I have Steinway and electric pianos. The electric pianos arebpretty fantastic…the effects are also good.
Fantastic comparison, very informative! Thank you, hope you keep making iOS videos!
Thank you! Not easy to keep up, with all other professional stuff, but there will be something comming soon!
@@FaustoFerreira Nice, I’ll be there! In the meantime I’ll dive into your previous videos ✌
Hope you enjoy them, and that they are helpfull!
Bravo!
Thanks!
Wow. Amazing playing.
Thanks a lot!
Thank you very much for your suggestion! Pianoteq 8 is really great! I was having some difficulty to find a piano software with good sound and, also, good response to key pressing (ppp, pp, .... fff). Pianoteq gives me what I wanted.
I like the Ravesncroft 275 better. Imho.
Im using korg module pro on my stage live performance im using almost a year now for my iPad Pro and Arturia Midi 49Keys MK3
Thank you very much for sharing your knowledge and experience! You are the most thorough and interesting reviewers of iOS keyboard instrument applications and sound reinforcement that I have ever viewed. And, you are an amazing musician, as well. It is a pleasure to view and listen to your videos. 👍🏻😁
Thanks for watching and for the compliments. It motivates me to continue doing this.
So much substance, so clearly explained, so helpful, so well made! Thank you very much for the upload.
Thank you for watching!
wait so does this mean you cannot use an audio interface with it due to the internal audio interface being preferred? is that right?
Yes, like allways, two audio interface in a system = confusion! My Volt 475 is also a MiDi interface, so I use Midi out from Numa to Midi in to Volt. That solves the problem. And no noticeable latency added. But it is a big problem for those who don't have Midi interface. It should be possible to turn audio interface off , not just the sound, but hide it completelly so that the computer/ipad does not even see it.
@@FaustoFerreira I see thanks!
If you're talented like Fausto You can play anynofnrhese organs, tweak the EQ settings , draw bars and play any old Hammond B 3 songs in a live settings and still put smiles on people's faces. Only musicians with trained sensitive ears and a broom stick up their noses will hear the subtle brightness, how thin, flat or warm rhe app or drawbar settings sound.
Gee, thanks, I hope that was a compliment. But you're right, any of this will work well on a live context, just as long as you take the most out of it, in terms of expression and placement in its especific context.
Some of the best and most useful gear reviews in all of music making, not just UA-cam. Exemplary. Very, very well done.
@@PeterJensen7 That's a very, very bold statement, Thank you! I will continue doing my best.
Here in the U.S. all of the GSi apps are on sale for the month of August. GSi does not have sales very often, so I think I will purchase Mini Orchestra (which is a very cool app) and perhaps Solo Trumpet (I like that it has a modeled flugelhorn).
Do you have a good process to setup instrument on iPad? I often find it hard to get them play in a consistent response and volume with different midi controller. For example, volume output of instrument, volume of iPad, input gain of mixer/PA then sensitivity setting in instrument and actual midi controller sensitivity. Eg. Korg’s E Piano vs Scarbee’s piano in Korg Module, scarbee is definitely more details with wider dynamic, but it also jump to very high level. And constantly distorted at the peak level when hit hard. This sort of inconsistency is quite frustrating to get a coherent sound.
@@paulyllow You can adjust volume individually for every app, and also inside AUM, Audiobus, Camelot or any other Daw, they have a mixer inside them, or just a simple per track adjustment. Every app is different from their output, so equalize them internally on setup. With some simple setups ( for example, just piano and Hammond gig ) I just use a keyboard with an easy way to change MIDI channel to change sounds, so they have to be equalized to start with. Or just use two keyboards with different Midi channels. Or just use a single app, like Korg Module. In this case you can create a Set List, with several predefined sounds, including simple Layer and split functionality, with independent volume settings for each. Some instruments on Korg Module have steep velocity curves, unfortunatelly the piano type are the worst. Play with the velocity curves in Module Pro to make it more suitable for you and your controller. And tou might sacryfice one effects slot and use a compressor. Some audio interfaces bypass the overall iPad volume, some don't. In that case, the iPad volume should allways be maximum. Finally, on sound check, talk to the sound guy or stage guy to find the correct DI settings. They usually have it on 0 DB, they might need to reduce it.
What is the software you use to host all the instrument?
@@paulyllow Camelot Pro
I have a huge problem. I bought Ivory American D and when I play a four note chord in the right and then play 1 bass note in the left hand, some notes go away. So polyphony is not enough for playing 5 notes (no pedal) or is there a way to increase that? I am using an iPad 10. Pianoteq is running fine on it.
Go to Advanced Settings. Turn audio latency ( buffer ) to 256. Turn voice number to 88 or more. Don't use auto. Turn off key animation. Kill every other app running in the background. Enable flight mode. Make sure there's no automatic update going on. I allways do it manually, when I want. Korg Module standalone is power and processor hungry, if you use it as a AUV3 you won't have this issues. If you use it in a Daw, make sure the induvidual Midi tracks polyphony is set correctly ( at least 64 notes for piano playing )
@@FaustoFerreira Thank you so much!!! I will try all your recommendations and report back on them.
@@FaustoFerreira I followed your instructions. Set iPad to flight mode. WiFi off. Went into adv. settings of Korg module: buffer = 256, voice #=88, key animation=off. American D was immediately playable! Even in standalone mode. And I even could set buffer=128 (lower latency). Thank you very much!!!
Glad I could help!
Descobri esta música há um tempo enquanto fazia compras num Continente. Acabei por explorar mais! Gostei muito. Continua o bom trabalho, Fausto! Um abraco! 💪
Obrigado! Vai haver mais em breve
What is the exact model of your Ipad? In Pianoteq, what's the buffer size and max polyphony? What's your average performance index? Thank you for the video, very interesting
Pianoteq even worked on an old iPad mini 4, although with a higher buffer size, and latency. With iPad pro M2, 1T, 16 Gb ram, it performs flawlessely, even with 128 polyphony, at 256 buffer. That is inside a Daw or a host like Camelot, with a lot other things going on. Buffer 128 works the same, no difference at all. By default I allways use 256, there's no noticeable latency and it is safer. On iPad pro 2018, 1T, 6Gb, it performs the same, although with less room or other tracks or instruments at the same time.
@@FaustoFerreira thank you !
Amazing! Thanks from Brazil.
@@Claudio_Cunha Thank you!
How does the overall and the instrument specific sound quality of those apps compare to a single synth like a Yamaha MODX (which can be had comparatively cheap)? Thank you!
There is no overall sound quality to differentiate. The quality of the audio interface might make the most difference here. Any Class Compliant USB interface will work. In some iPad models you have the headphones Jack, that might not be the best, but the cheap Headphones dongle from Apple is really good, if you don't want to carry an audio interface. The ones included on some USB hubs are in general very bad, and might not work well with your good interface, so, use a Hub without headphone jack. As for the apps, the sound quality is different from eachother. In all cathegories of sounds, you will find better on the iPad than in any hardware instrument, including Yamaha, Nord, Korg, Kurzweil, Roland, etc... but you will have to pay the right price for the right apps. You will have to configure your rig, explore and set it up the way you need it. It can be more powerfull and versatile than any hardware synth today. But also much more complex and time consuming. The Yamaha is very good, soundwise. But for me the main attaction of those synths is the simplicity and controll part. You have everything at hand, you have a fixed arquitecture which you need to master, but then it gets very easy to navigate. The iPad possibilities are almost endless, you have to decide for yourself what you want: the convinience of a workstation/stage keyboard or the complexity and extra power of the iPad. Both are good choices, depending on your needs and your character profile.
@@FaustoFerreira Thank you very much for your comprehensive answer! I am already using Cubasis on iPad together with my MODX, and mostrecently Montage. I prefer that very much to alternating between instrument and mouse-clicking on a PC DAW, which seems to destroy my music flow. Korg Module is on sale right now, so I will try that. Would you say Earthy EP rather than Scarbee 88? I already have Pianoteq (though not the Rhodes model) on iOS, which is a lot more responsive than keyboard internal sounds.
@@followyourpassion8378 You're welcome. Earthy EP is much better, in my opinion.
Bom dia Fausto; qual é a regulagem que você faz no Pianoteq para deixar ele mais orgânico ? Obrigado
@@agsteclas A primeira coisa é mudar o slider "Condition" para cerca de 30. Depois reduzimos um pouco o reverb. Em Action, subir um pouco "Damper noise" e "Key release noise". Em "Note edit", alterar aleatoriamente o parametro "Unisson Width" das notas mais agudas para um valor ligeiramente superior. Ficamos assim com uma afinação um pouco mais imperfeita com um pouco mais de release e um som um pouco mais seco e intimista. Vai depender muito do modelo e do preset.
Hi. What is with latency,is have in IOS?? I have Ipad 6 (2018). Can I will use Korg module ? Thanks.
Hi. Never had any issues with latency, since iPad 2, when Android was impossible to use for performance purposes. I'm very sensitive to latency, that's why iOS was and still is my only choice. iPad Pro 2018 can still handle a full production with 70 plus teacks. The 2018 regular iPad is sure able to handle Korg Module, and some other apps simultaneously.
Thanks 👍. Is it possible that iOS has a completely different sound design and architecture? interesting. Android and pure windows don't get sound like that.
Yes they work differently. The closed system from Apple has a big advantage here. Every part of the hardware and the OS are designed to work together. Android and windows have to deal with severall layers of software and deal with different components from device ro device.
Great great great review and thank you for taking the time to show all these units.
Thanks for watching!
Why don’t you use SL grand Studiologic instead of Numa X, since a Studiologic Specialist sad that it has the same keys of GT, with is the top? itamirbarros Have ever tried Numa GT or SL grand? How do you compare the X keys with them?
@@pianobis777 Here you have my review about the Numa X 88 ua-cam.com/video/dfH4qiCwCoQ/v-deo.htmlsi=SZqf_nG-UEYUzwcg But for a short answer, here it goes: weight ( 14 kgs vs 20 kgs ), usb audio and the keys on Numa X just works for me. It is personall choice and subjective. Also, the SL grand uses the TP40 wood, which I don't like, while the Numa X GT uses the new TP400 wood, which is very good, but the weight rises to a back breaking 22 kgs. 30 years in the business destroying my back and my fingers, Numa X 88 ( with iPad runing Pianoteq and other goodies) and Nord Stage compact just saved me.
@@FaustoFerreira as I’m not an professional pianist as you, I changed my Numa X for Dexibell S10 (also TP400w). Since I don’t have to care around. But I wish I could learn how to play like you. Do you teach? How can I get there?
Why don’t have Pianoteq for MacBook?
You can have Pianoteq wherever you want, I have it on my two iPad Pro, it works for me. Good that we have choices, no?
@@FaustoFerreira it’s no option on MacBook, just for iPad or windows
@pianobis777 "Pianoteq is an award-winning virtual instrument for PC, Mac, Linux and iOS. It can be used both in standalone mode and as an instrument plug-in in VST, AAX, and AudioUnits hosts." It's in their webpage www.modartt.com/pianoteq_overview?ref=cGFnZT1waWFub3RlcSZleHQ9
@@FaustoFerreira I think you are right : )
Thanks for the review walkthrough, excellent!! 👍🏻👍🏻👍🏻
Thanks for watching!
You need to try the 70's Earthy EPs and the Scarbee libs in KORG Module, there's a couple of really good Variations in those...
You need to watch the complete video. I did try and used them ! They are featured in this video. And yes, they are very good.
@@FaustoFerreira I watched, though I missed that it was those libs you tried... I use those two libs and have created a cpl of different style Rhodes with variations from those.
The Numa player is a joke, they should just license a subset of Pianoteq instead, and offer an upgrade for all owners of their boards to the full version...
I agree about Numa Player, I don't even understand why they bothered. About Pianoteq, I don't see why they would do it, they don't need that, they have their own amazing thing.
@@FaustoFerreira But not in their app... 🤪
Studiologic I mean... Pianoteq definitely have their thing together, that's my goto for acoustic pianos.
I've used the Numa player and it's decent when you dial in your own sounds. I find it somewhat sterile and very clean. It doesn't have a great deal of character.
Neosoul lacks bite, lots of detail but lame dynamics, and it fills up the drive with loads and loads of samples, seems there's no compression used at all.
Yes it does, but so does some real rhodes, it depends on the model, the work done on them, the amp used, the hammers etc... I also like my Rhodes with more bite though.
@@FaustoFerreira I should have kept at least one of the three I owned back in the 90's, one of them an amazing Mk I that I wouldn't mind having around today... 🤪
@jfn467 Personally never had one, allways played with friend's Rhodes, hired ones for big concerts or studio ones. That was enough to scare me off as I understood how fiddly it is to maintain such a sensitive animal. Kind like a dog that requires all of your attention. But hey, now I finnaly have my own dog, maybe it's time to finally get my own Rhodes:) And then my own Hammond B3, and my own leslie, and my own CS80, and why not, my own Steinway concert grand😅
@@FaustoFerreira Haha!! I have a dog too, much easier in maintenance than a B3, which I never owned but back in the days we were two keyboards players sharing the jobs and the other guy had a B3 and a 122, though I mostly used my ACE Tone GT7 and a 760 solid state. The MkI that I had was in great condition, sold it to a jazz drummer (stupid me..) hahaha!! I have played CS80 too, and CS60, back then as well, talk about high maintenance, and soundwise imho, not worth it! But it is for sure a great investment!! One day when I own a house, I will get myself a Grand Piano too, probably not a Steinway though unless kidneys would increase in value... :D
@jfn467 😂 Jokes aside, a Rhodes might be the least scary investment in vintage gear, it's on my near future wish list, with the help of my dog everything is possible!
Midiflow + AUM = Epic!
@@jfn467 Control freak! 😂
@@FaustoFerreira All midi setup and processing done in Midiflow, using virtual midi ports to communicate with AUM, and then AUM becomes a synth rack... Super slick!! (Midiflow has more processing options than AUM, like velocity curves etc.).
Right now I am sketching on a set up for all my hardware, where AUMs midi router grid will be used as a midi patch controller for my ESI M8U eX midi interfaces, kind of like a Conductive Labs MRCC...
waiting for fatar to make a keyboard with pivot length shorter than the key itself
😂
23:16 indeed hammond never liked the Leslie speakers, to the point that Leslie gave away the schematics for free and hammond never picked up, it wasn’t until 80s that hammond purchased the Leslie company and then sold it 10 years after. So, hammond completely disregarded the Leslie speaker up to this days. Hammond went as far as to put a proprietary connection to the speaker out to prevent the leslie usage. So, it’s not surprising that they still make a boring leslie effect this days
That would be self sabotage. Do you think Hammond Susuki/ Ik multimedia today are honouring Hammond's vision, making a bad leslie simulator? I just think some do it better than others. That being said, the Leslie simulator on new Hammond clones are not bad at all. The one on the XK5 is quite good and effective. Then there's the matter of taste, and the infinite variation in Leslies today, as well as recording techniques and acoustic environments. Don't think they are neglecting it for tradition's sake. They where far behind when Nord, Crumar, Ventilator competitors came up, but now I think they are just as good. Just each one is unique. As is each lealie and leslie recordings.
@@FaustoFerreira Not to the point of self sabotage, but Hammond was never keen on doing the best hammond ever. They adopted it later for popular demand, but not for the belief that it was a key part like leslie himself did since the beginning.
Thanks a lot for this video man! one question - is the latency in the piano apps as inperceivable as it seems or have you shifted the audio when editing?
Thank you! Latency is not an issue. For me, anything above 5ms is allready unbearable. Yes, I did sync audios/video manually, because I record everything individually, and for editing purpuses, but I can assure that latency is not a problem. That's why I started with iOS, and not android. 10 years ago Android was impossible to use for me. Don't know about how it works today, but iOS was since the beginning performing extremelly well.
Will there ever be sth like Korg Module from Yamaha, even if only with the Motif XF sounds?
It would be nice! Motif based even better.
@@FaustoFerreira I agree, the "only" was just put in, because there is a new generation sound engine (Montage). But I would think, the Motif XS/XF engine could be more easily transported to an iOS plattform and would still be a great performers or composers tool. If the app would also feature the Motif sequencer, wow 🙂 What do you think is the reason, that Yamaha didn't do it, yet? - they don't believe in the financial prospects? - too difficult? - they don't want to jeopardise/cannibalise their hw synth sales? And why did Korg come to different conclusions?
@followyourpassion8378 I see Korg as an inovative company, driving music technology forward. Although yamaha have done it in the past, it's for me a more conservative company. That being said, Yamaha is incredible bringing the highest standards in every area, from boat engines to the most exquisite concert pianos. Korg is allready deep in the iOS business, you can have all of the 90's and 2000's Korg synths on your iPad. Yamaha sees the ipad as a secundary device to help manage or control their hardware.
@@FaustoFerreira Thank you very much for this interesting inside. For me and my simple DAW needs, iOS Cubasis (which ironically is Yamaha 🙂) + iOS sound modules have become the solution I use most, though I have Cubase, Kontakt, ... on PC. I just hate switching from mouse/clicking to instrument, when recording.
@@followyourpassion8378 Exactly my feelings about iPad. Many complain about the price of the Apple, keyboard, how big and bulky it makes the iPad, or about the pen. I went iPad only because I just love to use touch screen. And it must be exclusive, with my fingers, or it is a big mess: grab the pen, leave the pen, grab the mouse, leave the mouse, type a few words on the keyboard, manage them on the screen, return to the Midi Keyboard... And many functions you can only access with two or more fingers on the screen, no pen or mouse can do it so easily. For typing long text ( which is rarely) I use an external keyboard, either usb or bluetooth, and it is just fine. People looking for an iPad to use it like they use a MacBook are misliding themselfes: buy a laptop instead. Or have both, for different applications. Me? I only need my iPad Pro for 99% of what I do
Lovely playing, sir 👌🏼
Thanks!
I absolutely agree I love PianoTeq and the best thing is if you buy the license for the Mac, the licenses are available to use on the iPad which I think is really generous of Modartt, as many other devs would have charge you for the iOS version.
I got one, had to send it back. One key wasn't firing when I got to escapement, had to press it extra hard, unlike any other key. Reported it, they tried to tell me that was normal/expected. Didn't offer to repair or replace. Very disappointed with their attempted gaslighting. Got a casio px-s6000 instead. Much happier, slimmer, and zero keybed issues
You must be talking about Numa X GT. My review is about the Numa X 88, with the TP110 keybed, it doesn't have escapment . And mine is absolutelly fine since I bought it. Anyway, if that really happened to you, I agree, it's not right to treat a paying costumer like that, I would do the same, shouting out how bad their service is. I never had to deal with them, so personally I don't have an opinion.
Hey please check the melody on Round Midnight, you play it wrong, the third note should be an F not Gb.
Thanks! And it makes all the difference, noted and corrected for my future performances. Unfortunatelly it will just stay like this in the video...
The B3-X with Gsi Rotary is a perfect combination. Truly a beast.
With all due respect, you've never played a real Hammond obviously. The B-3X & its Leslie simulator sound more authentic than ANYTHING on the market. This from a guy with 14 Hammonds & 11 Leslies under his belt & a destroyed back. lol.
I also have a destroyed back, from carrying 25+ kgs Rolands, Yamahas, Kurzweils, including flightcases, cables, pedals etc... by myself. Not a specialist on Hammond by any means, but have some experience, as many blues festivals had one for all participants. Love to play on blues festivals because of that! Did some shows with hired Hammonds and recorded on some Hammonds on studio. You see, where I live a real Hammond is an exotic thing, with very few qualified people to maintain it. But I do know about Hammond clones, 30 years on the road. I watched closelly the development of those, and allways thought that the dificult part is the final stage, the amp, the drive, the rotary effect, the propper reverb, the controls, etc... not the dry sound of it. And I still do, although many clones fail immediately on the Chorus/vibrato part, not to mention the percussion, at those the B3x excells. The effect of a real leslie spining on our back is dramatic thing. I really cannot find this drama on B3x. Although I agree it is the most realistic thing out there, I might prefer other less realistic but that comes closer at the final stage to the drama I feel with the real thing. It will allways be a subjective thing. I'm a pianist, what I really know about is pianos, both real and digital, and it's the same thing: there's no consensus among my coleagues, about sound, expressiveness, playability, keyboard feel, etc... You can never get it all with a clone. So you have to choose what you value the most, subjectivelly.