Відео

La légende !

kind of shite tbh

アルゲリッチさん、ブラボー。最高です！

This video is playing in D Minor, not C# Minor. She’s known for playing fast, but this appears to have been sped up (perhaps for copyright issues?). Keep that in mind if you’re puzzled by the tempo. 😎🎹

Tecnica meravigliosa

1:23 2:59

MARAVILLOSA !!! TODA SU VIDA DEDICADA AL PIANO, ES ABSOLUTAMENTE GENIAL ♥

Compared to live at Carnegie Hall in 2000 that’s pretty bland performance by Martha’s standard

Mi amada Marta, y mi amadísimo Chopin, un binomio que nos lego el universo. Muchas gracias!!!!!!

Chopin at his best is brilliant. But most often his compositions sound like music written by a pianist. And then there are pieces like this one, that just puts the listener to sleep. Empty and boring. But Argerich is fantastic, of course.

ALL THOSE NOTES MEMORIZED...STUNNING

Lindo video

The great artists make it look easy! Stunning performance. As good as it gets really.

since nobody wants to talk about how gorgeous she is here - understandably, as that would sully the conversation about her insane musical ability - I guess i'll have to do it

It's time to duel !!!!

She is brilliant, a lady poet playing the greatest musical poets music.

I can't believe there is film of her early in the Schumann Sonatas !

@paoloberti, le premesse perché diventasse tra i più bravi pianisti del mondo c'erano tutte a 24 anni.

Martha's the best - a joy to watch playing without ego. Few are left.

Why did Horowitz not take her in as a pupil when she tried??

From when is this recording?

Je t'aime Martha

anyone find the tuning very very bothersome? it's like half a semitone low

Qué sonido;;; que buen uso de la técnica;;; hace música como si el Piano fuera un juguete para ella;;;cada vez me recuerda más a mi hija;;;son gemelas de la buena interpretación;;;Felicitar es poco;;;

Es un encanto escucharla;;; está poseída de algo así no se como una Magia

Yeah, competition my ass.

Why is the piano tuned a semitone higher?

❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥

I don't understand how she is controlling the left pedal as coordination with the right pedal. Does anyone know how she did it?? 4:15

A fellow Argentinian! our great pride. I always wonder... would one as parent try to encourage a young child with a great talent to get a high performance musical training (many afternoons against their desire) in order to achieve their true potential? and make them pay the cost of NEVER having a normal life from that point on... and even after all that sacrifice, they might never make it to international fame. This applies to sports too. Like tennis!

I do not get what is good is this huge woman's hysteric nervous pounding. корова за роялем

finalmente la escucho interpretada en el tono original!!

mujerón

I was 15 then and … 💯❤... of course ❣

Oh, what a girl and whal a magical talent she is. She broke me many myths as a piano player in my youth. She was always excellent in whatever she played. Maybe the best piano player of all time. Martha, my dear...

Esta versión te quedó poca m. Pega durísimo cada nota en la nostalgia.

Gracias Fabio, esta versión de Martha es extraordinaria.

SUBLIME!!! 😎👌🏻👌🏻👌🏻

Hermoso! 😎👌🏻

EXCELENT! 😎👌🏻

Temaso!!! 😎👌

This is really beautiful!

02:53

Prior to this, Martha Argerich had not played piano for three years and had only returned to the piano for 6 months. Also, a year prior to this, she got pregnant by her friend Robert Chen; married him and shortly divorced him; then returned to her domineering mother in Geneva, where she gave birth to her first daughter. And yet, she still found the time to win the Chopin competition at age 24… again, all within one year. If that’s not talent, I don’t know what is. She truly is the queen of the piano!

May the 4th be with you (both) Trinna Hbd🎉

Chopin to najpiękniejsza spuścizna dla ludzkości ❤️

Im Grunde kann man dazu nichts mehr sagen....absolute künstlerische Reife im Ausdruck.....aber der Komponist bleibt eben doch der wahre Künstler, weil er Schöpfer ist....ohne ihn hätten all die begabten Klimperer nichts zu tun. Es ist wie es ist.

Her technique is frictionless. And in an irony, she misses the penultimate note which is probably the easiest technical bit in the whole piece. And her honest reaction of shaking her head (and no doubt giving her classic eyeroll and grimace) makes us realize that she is in fact human.

Incredibly effortless, almost too effortless. Of course, the technical mastery is striking. At the same time, I'm missing a bit that final drama, the darkness and inner struggle, that can be heard in Rachmaninoff, Cortot (especially in his masterclass video), Tamarkina or Horowitz. She plays the "chorale" parts a bit casually, charmingly, maybe because everything is so easy for her.