Відео

Hi! Hmm, I’m not sure. My first question is are you playing on a Bb clarinet? If yes, my first suggestion would be to make sure that the playback speed isn’t slowed down on your computer. My next suggestion would be to grab a tuner and see how our pitches are matching. I tune to A-440 where I live (I know that can vary based on what part of the world you’re in). Let me know if you find any answers or if this helped? Thanks for watching!

Hi @Maramyes! Yes, send me an email at clarinetnotestudio@gmail.com and we can set something up.

@@clarinetnotestudio4851 thankyou

Thanks so much Wladimir! I hope you are doing well and continue to have happiness, health, and success!🎵🎵🐾🐾🎵🎵🐾🐾

Hi @EagerBobsleigh-xy4dm ! Thank you for letting me know. I just remembered that I need to put links in the description box; I totally forgot! :-) Here are links to the music and products I mentioned. Let me know if I forgot anything! Thanks again, and thanks for watching! -Julianna Disney Favorites for Two: tinyurl.com/3p4ethpe Sheet Music Direct: www.sheetmusicdirect.com Intermediate Jazz Conception Book by Jim Snidero: tinyurl.com/yn5uy4pf Klezmer Tunes for Clarinet tinyurl.com/ycy4y6xt Taylor Swift for Clarinet tinyurl.com/3wnjcf88 101 Disney Songs for Clarinet tinyurl.com/3xfbfcth Two Piece Cube Timer tinyurl.com/4uvjtnfp Earpeggio musicate.app/earpeggio

Hi @lexluther_9904, good question! Ideally, any mouthpiece should work with legere reeds, but I have a few recommendations for you based on my experience with legere reeds. I prefer the European cut over the other cuts they offer because it’s the most similar, in my opinion, to the Vandoren boxes of reeds. shop.legere.com/collections/clarinet-reeds/products/bb-soprano-clarinet-european-signature-series?_gl=1*1uk6jq6*_up*MQ..&gclid=Cj0KCQjwn9y1BhC2ARIsAG5IY-6jEZ7l8dykuNoc6rWFJ5AKpgWFB7mEUtgmpSZhtkWKtgM_4meuFQYaAmIEEALw_wcB&gbraid=0AAAAADnbl9OZpp4bGVHOd22pOKzq4Zyo5 I also find that I need to size down one quarter in reed strength compared to my traditional reeds (so I play 3.5 strength Vandoren traditional box clarinet reeds, and I size down to the 3.25 legere European cut reed). In my opinion the legere reeds offer more consistency overall, however you might find that you need to test out different strengths before you find a good fit for you. If I were to give you advice about a Vandoren mouthpiece with a legere reed, this would be my personal pick: 1. Vandoren M13 Lyre or M15 mouthpiece, 2. with a 3.25 - 3.5 legere reed (European cut). Just keep in mind that what works for me might not work for you without some trial and error. If you’re used to #4 reeds, I would try a 3.75 or 3.5 (I wish Legere reeds were more affordable). Another point I’d like to mention that my clarinet friends and I have noticed is that legere reeds are great, but they don’t last forever and can warp inward over time with wear and tear. I hope this helps! Let me know what you end up trying. -Julianna

Hi @imazzi1183, great question! I’ve never tried the B40 (13 series) on Bb clarinet, but my bass clarinet mouthpiece is a B40. That being said, I personally experience greater ease with articulation when I play the M15 (13 series) compared to the B45 (which has the same facing and tip opening as the B40) on Bb clarinet. The B40 has a 119.5 tip opening and an ML (Medium Long) facing compared to the M15, which has a 103.5 tip opening and an L (Long) facing. Here is some info from Brad Behn’s website about mouthpiece tip openings and facings: www.clarinetmouthpiece.com/mouthpiece-nomenclature-guide “Opening is the gap between the tip of the reed and the tip of the mouthpiece. An open mouthpiece is usually fitted with a longer, flatter curve to reduce resistance. A close mouthpiece is usually fitted with a slightly more extreme nature to the curve to create the correct amount of working resistance. Generally, more open mouthpieces require greater embouchure pressure to properly focus the sound, and they require more embouchure "maintenance" keep the sound under control. More close mouthpieces require less embouchure pressure and tend to have more hold. Generally, people seeking a dark and covered tone, or a wider range of flexibility prefer more open facings.” “Length refers to the point where the curve departs from the table. It is the part of the curve that is farthest from the tip. Generally, a facing with a long length feels closer and free whereas a facing with a short curve will feel more open and resistant.” I personally prefer a Medium facing with a more open tip opening, but that comes with more resistance. I find the M15 more flexible and colorful than the B45 when I play them back to back. So long answer short, yes I would recommend the M15 to you for more ease with staccato, however make sure you can return the mouthpiece if it doesn’t work out for you. Apologies for my wordy answer, I just don’t want to lead you astray! Let me know how it works out for you! -Julianna

thank you very much for your really interesting answer. Finally i have the M15 13. I'm just a hobbyist musician, but I want to share my little experience. B40 13; is a compact sound mouthpiece rich in harmonics, but is not fast enough for the staccato, or maybe i'm the problem. M15 13 is really fast for the staccato and easy for the notes over acute, the sound is less rich of harmonics but everything is easier and you can use ticket reeds that help to fill with harmonics. Finally i like both! I'm glad to have them.

@@imazzi1183oh great! I’m glad the M15 is working out for you! Thanks for the update and I hope you continue to have great success with the mouthpiece!

Благодарю сердечно Вас, дорогая Татьяна за столь подробный и очень приятный, вдохновляющий анализ произведения! Будьте здоровы! Желаю Вам успехов в Вашей жизни!

Thank you so much!!😊

Thanks! Oh yes, I recorded them on different days🎵😀

Thanks so much Leonid! Great observations about learning scales! I wish you happiness, health and success!🎵🎵

Yes! Great suggestions!😀

Thanks for watching! Hope it helps!

Yes, it’s a great mouthpiece! Thanks for watching!

Thank you so much!

Сердечная благодарность за поддержку!

Thank you so much!

Спасибо огромное!

Спасибо огромное!

Благодарю, дорогая Марина!

Thank you so much!

Сердечно благодарю, дорогая Марина!

Thank you so much!

Спасибо за поддержку! Желаю Вам здоровья и успехов!

Thank you so much!!🎵

Благодарю Вас, дорогая Галина!

Hi! Good question! It can be confusing to put into words which part of the tongue to use when articulating on the reed. My teacher growing up used to tell us to prepare for tonguing on the reed by practicing off of the clarinet, and to pretend like we were spitting spit balls across the room. That creates the kind of "tension" or "spring tension" or "strength" that you need from the tip of your tongue. If I understood your question correctly, I would avoid using the part of your tongue that is behind the tip (or lower than) the tip of your tongue. That can cause a real "thud" quality of sound to your articulation (in my experience). I hope I was able to provide some clarification, if not please let me know and I will try to come up with a better solution for you, but I would try the "spit ball" technique first and see if it helps. Thanks! -Julianna

Hi! Great question! I have not tried any of the D’addario mouthpieces, but I have tried the reeds and really like them. Just by looking at the specs on D’addario’s website I would think the X10E would be more resistant based on how they describe the facing of the mouthpiece. I’m copying this info from Brad Behn’s website about clarinet mouthpiece facings (he makes a great mouthpiece if you ever want to check his site out), www.clarinetmouthpiece.com/mouthpiece-nomenclature-guide# “Facing has influence over everything. The facing is the curve that the reed vibrates against. It runs the entire length from where it leaves the flat surface of the table all the way up to the tip of the mouthpiece. A facing's length, opening, nature, efficiency, and symmetry will affect the playability of the mouthpiece. If the facing length is short, then the resistance will be high. With shorter facing lengths, softer reeds are required. Smaller curvatures can also give the player a sense that the tip is more open in feel. However, with a longer facing length, the resistance decreases. Longer facings with flatter curvatures require harder reeds and can give the player a sense that the tip is more closed in feel.” I would probably recommend that you try the X10E and the X15E just to see what you like better. The mouthpiece I currently play on is very resistant (James Pyne Bel Canto). As I get older I’m noticing that I just don’t have the same stamina to play on that mouthpiece, so I might start looking for a new moutpiece as well. I hope this helps! Let me know what you end up getting. Thanks! -Julianna

@@clarinetnotestudio4851 Thank you for the full answer! I'll keep you updated. I also like the Reserve classic reeds, they're more responsive than V12s in a way. I just prefer V12s cause one box easily lasts 1 year plus even when I'm full-time playing and they are more reliable. Cons are that some need softening to bee playable, even on M15 which likes stiffer reeds but the quality and sound is top.

Hi! Great question! Without hearing you and what you're experiencing my initial answer would be "no", you shouldn't feel the reed vibrate against your lips. However, if you're new to the clarinet, then yes you might notice the reed vibrating against your lower lip. At this point I would evaluate your embouchure first before continuing with articulation. I have a video on clarinet embouchure basics ua-cam.com/video/BR-9vtpeQzg/v-deo.html and here is a PDF on embouchure basics tinyurl.com/3vxz9pk6. If you feel like your embouchure is in good shape, then I would try to determine if your somehow using your bottom lip as an anchor of sorts to control what your tongue is doing (i.e., a form of anchor tonguing). If you feel like you are not anchor tonguing, maybe try taking a little more mouthpiece in your mouth to dampen the vibration on the lower lip to make sure you have enough clearance to tongue on the reed. Also, make sure that your lower lip is rolled over your bottom teeth (you might have to make slight adjustments with your lower lip depending on the thickness/thiness of your lower lip). I hope one of these recommendations will help you. Let me know how it goes and if you have any other questions. Thanks! -Julianna

Thanks you so much!! I really appreciate it!!😍

Thanks so much Leonid! I hope you are doing well and enjoying the summer! Sending you well wishes and much success!🎶🎵🎹

@@clarinetnotestudio4851 Thank You so much, dear Julianna! I'm fine!

Thanks so much Wladimir! I hope you are in good health and I wish you much success!🎵🎶🎹🎼🐕

Wonderful! I hope you find the perfect mouthpiece that works for you! Best of luck!🎶

Thank you so much!

Спасибо огромное, дорогая Галина!

Thank you so much! I really appreciate it!!

Благодарю сердечно!

Thank you so much!

Thank you!🙏

Спасибо огромное, дорогая Ольга!

Спасибо огромное, дорогая Ольга!

Thank you so much!

Oh wonderful!! I’m so happy to hear that you’re taking up the clarinet!

You are so welcome! Thanks for the feedback!!🙏🙏

Hi Wladimir! Thanks so much for watching! I wish you health and success!

Hi Barry, thanks so much for sharing this! I’m going to try that with my case!!

Lol! Yes, I like playing Shake it Off!

Thanks so much!!

Благодарю, дорогая Олеся и всё семейство Грачёвых!

Thanks so much Leonid! I wish you happiness and much success!!😁

Thanks so much!

Благодарю, дорогая Николь!

Спасибо огромное и спасибо Джулианне Эванс, она прекрасно исполнила это произведение!

Thank you so much!

Thanks for listening!

Thank You so much, dear Lyudmila!

Огромное спасибо, дорогая Лена! ❤

Благодарю, дорогая Катя!

Thank you for watching!!

Спасибо, дорогая Ольга Евгеньевна за Ваши вдохновляющие слова и неоценимую поддержку!

Thank you so much!!😊

Thank you so much, dear Linda!

Thank you so much!!🙏

Thank you so much!!

Благодарю, дорогой Сейяр! Твои слова вдохновляют!

Thank you so much!!

Благодарю за доброе слово, дорогая Наталья! Очень приятно Ваше мнение! А на турнирах - выбор за вами!

@@lookerona о, к сожалению, танцор не выбирает.... Никогда. Кого привезти на музыку, того и танцуешь

Thank you!!

Спасибо, дорогой Саша! Всегда рад тебе!