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Robert Kennedy
Приєднався 16 жов 2011
Friday Night at the Cadillac Club at The Royale's Third-Thursday Throwdown, January 16, 2025
Friday Night at the Cadillac Club, composed by Bob Berg
Robert Kennedy on organ
Marceline Keene on guitar
Joe Kelner on drums
Robert Kennedy on organ
Marceline Keene on guitar
Joe Kelner on drums
Переглядів: 44
Відео
Groove Merchant at The Royale's Third-Thursday Throwdown, January 16, 2025
Переглядів 1614 днів тому
Groove Merchant, composed by Jerome Richardson Robert Kennedy on organ Marceline Keene on guitar Joe Kelner on drums theroyalesf.com robertkennedymusic.com/
Jitterbug Waltz at The Royale's Third-Thursday Throwdown, January 16, 2025
Переглядів 2314 днів тому
Jitterbug Waltz, composed by Fats Waller Robert Kennedy on organ Marceline Keene on guitar Joe Kelner on drums theroyalesf.com robertkennedymusic.com
Alone Together (excerpt) at The Royale's Third-Thursday Throwdown, January 16, 2025
Переглядів 1414 днів тому
Alone Together, composed by Arthur Schwartz and Howard Dietz Robert Kennedy on organ Marceline Keene on guitar Joe Kelner on drums theroyalesf.com robertkennedymusic.com
Rakin' and Scrapin' at The Royale's Third-Thursday Throwdown, January 16, 2025
Переглядів 1414 днів тому
Rakin' and Scrapin', composed by Harold Mabern Robert Kennedy on organ Marceline Keene on guitar Joe Kelner on drums theroyalesf.com robertkennedymusic.com
Bugari G1 Accordion (Happy! But Belated!) Unboxing
Переглядів 5582 місяці тому
The Bugari G1 piano accordion: www.bugariarmando.com/fisarmonica/g1/ Apologies to Mr. Gobbetti for my saying his name incorrectly based on my misreading of his signature on the accordion. It's especially embarrassing because I had the good fortune to be introduced to him in person when I visited the Bugari Armando factory in October, 2024. 0:00: Intro and a brief summary of past Accordion Unbox...
Take Five Lesson on Accordion
Переглядів 701Рік тому
Here I go over a bunch of stories and discussion surrounding Paul Desmond's tune "Take Five" and how I turned it into an étude for myself on solo accordion because I found it presented some interesting challenges, particularly with the left hand on the Stradella system but also with the right hand on the piano side of the instrument. Note that this "lesson" video is a bit of a flawed gem, a goo...
Soul Blue by the Robert Kennedy Trio
Переглядів 192Рік тому
Soul Blue, an original composition by saxophonist Nancy Wright, played by the Robert Kennedy Trio at the Tallman Hotel on December 10, 2023 as part of their Concerts with Conversation series. Organ: Robert Kennedy Saxophone: Nancy Wright Guitar: Scott Foster The original recording of Soul Blue appears on Nancy Wright's album "PLAYDATE!" available at www.nancywrightmusic.com/store/ robertkennedy...
No Odd Socks by the Robert Kennedy Trio
Переглядів 193Рік тому
No Odd Socks, an original composition by Robert Kennedy, played by the Robert Kennedy Trio at the Tallman Hotel in Upper Lake, California, USA on December 10, 2023 as part of their Concerts with Conversation series. Organ: Robert Kennedy Saxophone: Nancy Wright Guitar: Scott Foster robertkennedymusic.com
Pleasant Company Expected by the Robert Kennedy Trio
Переглядів 67Рік тому
Pleasant Company Expected, an original composition by Robert Kennedy, played by the Robert Kennedy Trio at the Tallman Hotel on December 10, 2023 as part of their Concerts with Conversation series. Organ: Robert Kennedy Saxophone: Nancy Wright Guitar: Scott Foster The original recording of Pleasant Company Expected appears on the Robert Kennedy Trio album "Big Shoes" available at robertkennedym...
Sweet Honey Bee by the Robert Kennedy Trio
Переглядів 181Рік тому
Sweet Honey Bee, composed by Duke Pearson, played by the Robert Kennedy Trio at the Tallman Hotel on December 10, 2023 as part of their Concerts with Conversation series. Organ: Robert Kennedy Saxophone: Nancy Wright Guitar: Scott Foster robertkennedymusic.com
Love and Youth and Spring by the Robert Kennedy Trio
Переглядів 100Рік тому
Love and Youth and Spring, an original composition by Robert Kennedy, played by the Robert Kennedy Trio at the Tallman Hotel on December 10, 2023 as part of their Concerts with Conversation series. Organ: Robert Kennedy Saxophone: Nancy Wright Guitar: Scott Foster The original recording of Love and Youth and Spring appears on the Robert Kennedy Trio album "Big Shoes" available at robertkennedym...
On a Misty Night by the Robert Kennedy Trio
Переглядів 43Рік тому
On a Misty Night, composed by Tadd Dameron, played by the Robert Kennedy Trio at the Tallman Hotel on December 10, 2023 as part of their Concerts with Conversation series. Organ: Robert Kennedy Saxophone: Nancy Wright Guitar: Scott Foster robertkennedymusic.com
Ottavianelli Wood Line Super Jazz Piano Accordion For Sale
Переглядів 926Рік тому
I purchased this accordion as a certified pre-owned instrument from Petosa Accordions in April, 2020 for $4495 plus tax. Since that time I had Petosa professionally install a Harmonik AC-5001-PLUS microphone pickup system in the instrument ($700 for the pickup system, $295 for the installation, which was beautifully done). There seems to be no way to know for sure, but I believe this instrument...
Repinning B7 on 1958 Petosa Chambertone Bass Machine
Переглядів 191Рік тому
This must have been a "Friday Afternoon Accordion" because this is the second factory-original assembly error I've found since getting the instrument about a week ago. It's strange how these mistakes survived 65 years(!) until finally now I discover them and fix them. There have been lots of chances along the way to address these issues and here we are in 2023 just now fixing them.
Nola performed by Ned Boynton and Robert Kennedy
Переглядів 4662 роки тому
Nola performed by Ned Boynton and Robert Kennedy
Fried Bananas performed by Ned Boynton and Robert Kennedy
Переглядів 3302 роки тому
Fried Bananas performed by Ned Boynton and Robert Kennedy
C Major Scale with Forearm Rotation, Avoiding Crossing the Thumb Under the Hand
Переглядів 46 тис.3 роки тому
C Major Scale with Forearm Rotation, Avoiding Crossing the Thumb Under the Hand
What a Wonderful World, performed by The International Café Music Society
Переглядів 3993 роки тому
What a Wonderful World, performed by The International Café Music Society
"She Caught the MUNI" performed by The International Café Music Society
Переглядів 1593 роки тому
"She Caught the MUNI" performed by The International Café Music Society
"All of Me" performed by The International Café Music Society
Переглядів 3423 роки тому
"All of Me" performed by The International Café Music Society
"Reine de Musette" played by Robert Kennedy, Scott Feichter, and Roberto Aguilar
Переглядів 7764 роки тому
"Reine de Musette" played by Robert Kennedy, Scott Feichter, and Roberto Aguilar
Modifying Accordion Bass Registrations
Переглядів 6 тис.4 роки тому
Modifying Accordion Bass Registrations
Viscount Legend Live Destructive Interference -- Tonewheel Phase Design Error?
Переглядів 1,9 тис.5 років тому
Viscount Legend Live Destructive Interference Tonewheel Phase Design Error?
Using Tadd Dameron's "2 1/2 - 5 1/2" progression to tag Robbins' Nest
Переглядів 1375 років тому
Using Tadd Dameron's "2 1/2 - 5 1/2" progression to tag Robbins' Nest
Do You Know a Good Thing (When You See One)?
Переглядів 2596 років тому
Do You Know a Good Thing (When You See One)?
Thanks for making this video. I've just heard of the G1 and loved how it looks and sounds. I'm curious about the glue holding the reed plates. Do you know if it's as easy to repair as the ones with beeswax? I'm afraid to buy it and not find someone to service it.
I don't know, unfortunately. I know that more technicians are accustomed to working with wax, and it can be hard to find a good technician in many areas no matter what kind of instrument you have. I will say this, though: I have owned about 10 different accordions and I've been playing them seriously for 6 years or so. During that time I have never needed any of the reed plates removed. I have had tuning done, I have changed and reglued leather valves, I have repaired a cracked base flange on a reed block, and so on and so forth. If you buy a new accordion and you take proper care of it, you will not need to remove the reed plates from the reed blocks for a very long time. I think I will be dead before this accordion needs such work, unless it gets damaged somehow.
Looks like magic.....now I know what to aim for. Thank you ! Allow me to think of this as very piano-bluesy. Your explanations are top notch. Happy new year!
Hey Robert. Apologies for the comment here, unrelated to this particular video. I thoroughly enjoyed your three B3 videos on the Piano Groove channel and wondered how many more B3 lessons/videos are included in the full course. I’m sure I would get a ton from the piano specific lessons too, but I’m especially interested in the Hammond stuff. Thanks for any more info you can provide!
Hey, thank you for the kind words. I think the full course includes 10 or 11 videos. Also, I think you can get a somewhat informative overview here: www.pianogroove.com/blues-piano-lessons/intro-to-hammond-organ/ Hayden and I have discussed doing additional Hammond Organ lesson series for Pianogroove but we haven't managed to get the logistics and detailed planning done. I hope it will happen. Thank you for your interest!
@ thanks Robert. I dig your teaching style and you’re a great player
I’m happy for you that you got a happy unboxing this time! I’ve also had tough times recording accordions over the Mail. Have fun with your new instrument!
Congrats on the new accordion Robert! Shipping music instruments is problematic. I have received a couple used synthesizer keyboards damaged due to shipping issues, even when packed well. Very frustrating.
Interesting……
Just because it's using muscles of the hand doesn't mean it's problematic.
I think the biggest problem in piano teaching is the use of terminology like thumb Tuck etc. After studying Anatomy in med school a lot of stuff made sense. The point he was trying to make is in a thumb tuck when the second finger is playing we have to FLEX the thumb to get it ready to play after finger 3. Flexing is done at the inter-phalangeal and the first meta-carpal joint and this is what causes the tension. When I say flex I'm talking about Anatomical flexion which is trying to touch the base of little finger with tip of thumb WHILE whole thumb is in contact with palm. Thumb is like a windshield wiper wiping the palm. There is another movement where you touch base of little finger with thumb tip but the thumb is NOT in contact with palm surface this is called Opposition. Try both and you'll see flexion is stressful while opposition is easy and tension free. In any case in a classic thumb tuck after playing finger 3 we have to straighten the thumb to play the F. So why even contort the thumb into that initial flexion? Watch the video at quarter speed (0.25×) and you will notice that his thumb remains straight (I.e he 8s using opposition rather than flexion) . That is the most efficient technique. Many of us hit upon the efficient method by chance specially when playing fast. Some unlucky ones get stuck with the inefficient method and end up with injuries in the long run. Also do not be judgemental about the hand being too low as playing the piano is adynamic process and if you watch videos of famous pianists all of them will have the hand low at some point of the other. Horowitz would be low and Gould would be under the piano. 😂
Hmm, not at all convinced by this technique. Especially as it seems where he points at the "small muscles" at 1:56 aren't where the finger muscles are actually located. Will using arm muscles or all-wrist rotations really scale with speed? Still hands, loose wrists, let the nimble fingers do the work ... be cautious if anyone tells you otherwise. Please think carefully viewers...
Thank you for demonstrating this so well. I've played piano for 60 years, and I thought that whole "thumb under" thing was like one of the Ten Commandments! Maybe the old dog will be able to learn a new trick or two .
2:40 and 4:00
See Dorothy Taubman/Edna Golandsky
This was good but I would like to see the 4 cross as well as the 3 cross (for multiple scales). The 3 isn’t that hard; the 4 is harder.
This guy can’t even play a c scale. Rhythm is bad and he’s accenting notes that should be accented. Go somewhere else for advice haha
a super slow motion would be helpfully this demonstration(performance) is to fast to see the movements in details
Thank you
Imagine trying to show people how to play the scale while you make a mess of it.
I don't really need to imagine, do I?
Luckily most humans have a flexible thumb that can effortless move a little under the hand to make scales smooth. Even you were struggling a few times 4:32 + 5:23 to make it smooth your way...
Full of shit is a badly stuffed Christmas goose. Please stop giving advice on something that you are not trained or qualified to do. And by the way, find yourself a good piano teacher and go back to school like the rest of us did.
leaking battery all viscount/galantie/physis product has that problem designer fault.
The "train under the tunnel" method, in my opinion, is better for going fast. The wrist rotation method at fast speeds is too cumbersome.
What’s that? Could you give a recommend for a video or something? It would be appreciated.
THANK YOU!!!
Unfortunately your camera is not seated up right
Is the C major scale is a musical composition?
I've been playing for years and never heard of this method. To this day, I still have issues crossing under with certain scales, especially F, where the cross under is different. Thanks for the info, Robert!!
It’s TOTALLY WRONG !!! Noooooo … do not follow these advices …
Why is that?
I have a forearm injury right now and I'm trying to rework my technique.
Let Frances Clark explain to you what you're doing to cause the pain and how to correct it.
She seems to be unavailable. Where can I learn more?
Biomechanics. Of piano playing.m.ua-cam.com/users/results?sp=mAEA&search_query=Chopin+method " Give special study to passing the thumb under the hand and passing the hand over the thumb. This. makes the practice of scales and arpeggios indispensable". J. PADEREWSKI " The scale of C should reign supreme until the practice habits are formed so that they will reign supreme while playing the other scales. Pearls lie at the bottom of the sea. Most pupils seem to expect them floating upon the top of the water. They never float, and the one who would have his scales shine with the beautyof splendid gems must first dive deep for the gems" V. DE PACHMANN "Few artists realize the beauty of a perfectly played scale and too few teachers insist upon it," S. STOJOWSKI
once the scale is being played in sixteenths at around 120 beats per minute, none of these techniques happen. the hand will do what it has to do.
While I agree things do change and get smoothed out at higher tempos, I don't think that means there's only one way that scales can be played at higher tempos. Even when I play fast, I find that focusing my mind on doing it in a particular way (as to hand position, wrist position, movements using rotation, etc.) definitely has an effect on my accuracy and on how quickly I get fatigued. Additionally, video shows that my hand truly moves differently at high tempos according to how I am thinking about its movements, even when I'm playing the same notes of the same scale at the same tempo. So I can understand why you believe what you're saying, but all the evidence says you're mistaken.
You can also use radial and ulnar deviation of the wrist to allow for a smooth transition. Google "radial ulnar deviation" to get a description and diagram of these movements.
I still think raccoons are better suited to play the piano than we.
You can tell when they're plotting world domination when they do the hand pyramid thing.
Is this a 'new' thing? Did you make it up, Have all piano teachers since Mozart been wrong? WTF is going on? lol
I know how you feel. I had also been playing a long time when I started getting introduced to the idea that forearm rotation is the most fundamental playing motion and that playing a note with the thumb crossed under the palm isn't necessarily a good idea. And no, I definitely didn't make it up. I first got introduced to these notions by a friend who is an excellent player and teacher who did pretty extensive training in the Taubman approach with Edna Golandsky.
Take a look at Professor Claudio Saavedra''s 11-part animated series on Chopin Method where the use of the thumb is analyzed in exhaustive detail. Probably yuour own physiology is the root of your desire to advocate a different use of thumb. You mentioned the pain or discomfort you experienced. That's telling. For myself, I learned all 12 keys of major, and all minor scales using thumb under with no difficulty. You might mention differences in hand physiology as culprit in various fingerings diverging from so-called "common practice." Also mention the 129 page Ph.D. dissertation on Dragos Tanasescu's Treaties on Pianistic Technique, aka, controversies in fingering practices.
I’ve read descriptions of this technique but was unable to fully understand what was being suggested. This brief description cleared the fog. This is excellent. Thank you.
🔥🔥
No tunnel thumb tuck….Rotate hand counter clockwise that puts your thumb right there….move forearm and rotate wrist….Practice C chord l any times and the other scales will fall into place…..Thank you for an excellent instruction.❤
It seems like don’t tuck thumb under as much as move laterally?
Yes, that's the idea.
I'm sure you know a lot more than I do about this, so why is your right wrist so low?
Good question and I'm not sure I have a good answer. I suspect I'm overreacting to a past tendency to have my right wrist too high.
Was just practicing the c scale yesterday the wrong way then. I'm glad you posted this, and I saw it.
That's the problem with lurning on your own. Nobody there to smack you with a stick when you're doing it wrong.
Three questions: who is Robert Kennedy? Two…What kind of organ? 3…Where did you get that organ stool cause I haven’t seen one like that.
1. If the link to my web site in the description doesn't tell you who I am, I don't know how to help with that question. Perhaps you will feel informed by the info available at robertkennedymusic.com/alter-web-egos/ 2. Viscount Legend Live played through a Leslie 3300. For more info see blog posts on my website. 3. Unfortunately I don't know where to get another stool like that one. I got it at a now-defunct thrift store in San Francisco for $8.00 and I have no idea of its provenance. Searching for "Z stool" on line gives expensive, artsy results that are similar in principle but not in price.
First lesson when I finally went to my teacher. Rotation in scales. It’s never left me years later. Also never get pain or strain in the hands playing for long practices. Relaxed technique is everything. I’m 72 btw started learning as an older adult.
If the piece involves fast repetitive octaves, sometimes w fingers in the middle doing other notes, and you have an 8 in hand span like me, there will always be pain. Always. The pain decreases with increased hand size.
@@ericaeli3807Study Abby Whiteside and maybe add in Moshe Feldenkrais to to use your wrist, arm and body to help you play piano without pain.
@@ericaeli3807 I can only reach octave in my right hand as I broke my thumb lower joint as a teen on a motorcycle accident. When I started I could barely reach a 7th on fingertips. I was taught to relax the hand slightly in the air as you rotate left or right to the next octave then form the shape just as you touch the keys. The hand gets a fraction to relax between the stretches. It took a lot of practice at first but it saved me that pain like you complained of.
@@John-boythanks. No such time for Erlkonig! Even w successive fast octaves but not the SAME octave it’s better than the same octave.
Wrist seems a bit low still and not replicating the original hand dangle you started with. Also move the elbow slightly outward from body to position the thumb on the fourth up Note when playing a scale. That occurs quite naturally with the slight elbow out movement. Courtesy Taubman technique which has some good stuff if you’re injured, but overall was way too perfectionistic, top down teaching, and inflexible for me, after three months of lessons.
Great tip! I noticed it sped up my playing right away. Thank you for sharing.
A good tip. But the video can be shortened and concise. The key point is not let the thumb tunnel too deeply under the 2 and 3 fingers by rotating the right hand outward a little. Right?
My biggest problem not when change 3rd with 1st finger, but when change 4th with 1st. Mostly difficult when movement from right to left keys direction. Thank you.
It is hard for you because it is a naturally uncommon and awkward movement, but with repetition (practice) you can achieve it
Great. Can you show the left hand too please?
I like the notion of crossing over as opposed to crossing under. That actually helped me physically by just using different language for this action.
I think the late, great Bob Berg would approve. Very well done.
Do you have tabs?
Alas, no, but standard notation for this tune is easy to find.
I saw someone doing that fingering technique and I just couldn’t figure it out. Thank you for this!!