Відео

That’s very true

Thanks for watching

Thank you, I’m glad you liked it ❤️

Thanks my friend, Jon also has great videos on his channel, I’m happy to see someone reaching mine through him ❤️

Thank you Brandon

Thank yoou! :D

I can’t disagree with you, it definitely sounds gorgeous.

Thanks for watching :)

Thanks for watching.

CXM is more like inspired by the Lexicon reverbs, than an actual clone.

Thanks for watching. Vangelis indeed made the CS80 his signature sound, we cannot think of one without remembering of the other, literally 2 beasts in their own realm. I had the Deckard’s Dream for a while, and although it sounded amazing, it was not as inmediate as the Muse. The CXM is inspired on the Lexicon reverb, which I guess is from around the same time the CS80 was around? It’s an expensive combo, but you heard how gorgeous it is.

@@krazywabbit 🙏

Thanks for watching <3

@@aquaticborealis4877 It is indeed, thanks for watching.

Very much her style, right? I learned the MUSE RUNNER patch was programmed by Manny Martinez though.

@ I signed up for the Muse and I just came in yesterday Sweetwater, but I had to cancel it. Didn’t realize it was only a six month promotion no interest. I need a better promotion than that.

@ Have you checked the prices in Perfect Circuit (USA) and Thomann (EU)?

@ I have a Sweetwater credit card. I like to wait for no interest promotions. From what I was told moog isn’t doing promotions at the moment as they’re under new ownership and management. Undergoing a bit of a ruff start. Once they get caught up they’ll start moving more products out.

Thanks Christopher

I’d love to try the E7 someday. Thanks for watching.

You’re absolutely right, I hadn’t noticed that. Thanks a lot for pointing it out.

It just sounds so good. I just dislike how easy it self resonates even under low feedback values (the input knob seems to affect that, strangely). I’ve mostly seen the SDD along guitars, so I plan on using it with synths only.

@@NGC0Music Are you talking about the SDD pedal?

@@kierenmoore3236 yes

@@NGC0Music Ah, OK … It’s definitely different to the og rack delay.

Thanks a lot Ray ❤

Thanks my friend

Thanks a lot ❤️

Thanks for watching

It was just released, so it will probably get cheaper later on.

🤘

Thanks Bjorn

The Novation Peak is a great synth as well.

Thanks for watching Sandy. The Blooper works well as a weird looper with a lofi vibe, or as a simple traditional looper indeed.

Thanks for watching.

Being very honest, I think the Matriarch is a more suitable synth for bass, I like the bass response on it more. I had the Grandmother too, and the bass there is even stronger, but it’s a bit too much for me. The Matriarch has more sweet spots, and really nice sweet spots.

Thank you. If it’s your dream synth I’m sure you’ll have one (or a better one) eventually

Not my dream synth but definitely an amazing machine.

@@nolake my bad, I read someone else’s comment and replied accidentally to you. Thanks for watching ❤️

Hi, thank you for watching. I’m not in love with the bass on the Muse. With enough time and tweaking, it can do any bass you want, but it takes more time to find the sweet spots, and they are not as nice sounding as what I hear from the Matriarch for example. Pads, brasses, plucks and keys all sound gorgeous on the Muse, Bass? Not much of my cup of tea, for that I keep my Matriarch

Thank You!

Thank you

Thanks a lot

@@sauermusicDE Thanks a lot. The release was not so long, it was mostly the diffuse delay. It can work as a reverb like you heard, very interesting, although I’d have preferred a classic analog stereo delay like the Matriarch has.

@@Tubeinnit Hahah we do. But there’s just too much good stuff back there.

when I'm 90! lol

Are piano geeks going to progress beyond the 1780’s?

@@BullyMaguire4ever lol

@@NGC0Music sounds great! 😁

@@halcyo That’s a fair point, in the end we all have “that feeling” with different synths. For example, I can’t see anything attractive on the Prophet5/10, but some folks would die for it. It’s all about personal taste. Thanks for watching the video and for the nice words ❤️

I actually think it sounds great. But, it isn't doing anything most other quality polys can't. Also, no MPE or polyAT at this price? Pass.

You're not wrong...i returned mine a week later, it was sort of polite and bland. No excitement or grandeur or spark, as if it was designed by an engineer and not a musician

I have one and the sweet spots have not been as easily discovered as the UDO Super 6 I sold to get it. I think the Moog ladder is a little better tuned for a mono synth. That said, it’s starting to click for me and the UI is really, really excellent. I’ve had a few “holy shit” moments while sound designing in the last couple days. Its gonna be exactly the right thing for some folks.

​@@matthewallthetime218 weirdly we replaced ours with a UDO Super Gemini! Very happy with that thing

@@GeorgeDimopoulos Thanks for watching George

@@RayyMusik So we agree 😄

No reason for jealousy. I often layer the Muse and the OB-X8 - growling, fundamental 24db ladder LPFs combined with 12db BPFs or HPFs. What a wall of sound! They are a perfect couple.

@@danthreepwood2760 😂 I’m yet to try the X8, looks like an amazing synth.

@@RayyMusik My OB-8 loves young supermodels, so may have to sell a couple basses and buy a Muse for the old Oberheim.

@@LDJITA If a patch makes you think of Blade Runner, it cannot sound bad, right? It’s almost like cheating.

✅

Thanks a lot and good luck with the song you’re working on. And about the ARP, yes

Gaia 2 is not analogue. It's a virtual analogue/wavetable digital synth.. a fork of the Zen Core engine code. It sounds very harsh and unanalogue to me. Maybe look at something like the Korg Minilogue XD in a similar price bracket

Thank you. 569euros is even way better to me than the 735 of the Gaia 2. Yeah the Gaia 2 is not a complete analogue, I knew that a bit, as said I'm a layman in this area. I think it's very useful to me that you say the Gaia 2 sounds too harsh and unanalogue. That's a no go to me. A musix teacher adviced the Gaia 2 to me, but he wasn't that much into the synths so here I go trying to do some decent research. Thanks.

Agree with ​​⁠@@Wagoo. Depends how many voices you need, though - Minilogues only have 4.

​@@kierenmoore3236Okay, thank you. Well, I don't really know. How many voices (whatever that is, sorry ..) does a starter need to have? I think I will be happy (enough for now) with the Korg Minilogue XD. Atm, I want to search and shape tones and I do have to find a suitable voice. Is it possible for you to say what I need to buy in order to record the sounds so that I can capture it with the highest quality? Just curious to know, also in terms of budgeting.

@@erikbroker4127 dont listen to people calling a synthesizer harsh on which they never made their own patches - you can totally make beautiful sounds with a digital synth but usually a digital synth with wavetables has presets that may sound harsh - thats why a lot of people get mislead Most of the commercial music in the last 3 decades were made with digital synthesizers

There’s a good comparison video with a Matriarch. Nothing alike, really.

Thanks again for being around

It can get pretty nasty though haha. Both in regards of tuning stability and distortion.

Let's not forget that those dinosaurs changed their sound after decades. The MUSE is a future dinosaur but now it's still in mint condition. 😂

@@nichttuntun3364 hahahaha, anyway I still love a lot my 80s roland gear

@@morphicresonancechannel604I also love the 80s‘ Roland synths, particularly the mean JP-6. But don‘t underestimate the Muse! You can modulate virtually everything with noise; along with the filter overload you can get a lot of dirt out of the Muse!

@@morphicresonancechannel604 I got the Juno 106 and love it too. I got 6 new voice chips for it but need someone who can build them in. Hard to find someone who's still in synthesizer repairs.

@@jon_gee thanks a lot Jon, that’s very nice of you. ❤️

Fully agree. They complement each other very well. Sometimes I wish they had made a poly synth closer to the Matriarch. Or rather having a 8-voice or 16- voice paraphonic synth though.

@@NGC0Music I think the Matriarch with 8 voices would be too strong, it would kill all tracks in a mix. 😁