Відео

Fantastic in depth explanation of color slice tool. Thanks !!

Thank you, Douglas. Another great video, as usual! 🌿🌹🌿🌹

Great video Douglas ! Super complete, love it !

Love the interview!!!

Great Tutorial, it's a tool I haven't used much yet, but I learnt a lot from this episode. Thanks, Doug, for the walk through👍

Is there any possible tutorial on how you work with CG plates using ACES workflow in Fusion or Color page? Thanks 🙏

Thank you, Douglas, for a very informative introduction to the Color Slicer. I’m new to DVR-coming from Final Cut Pro-and I never realized how deep this area is. I know I betray my ignorance by asking but here goes: I work in the same studio, in front of a green screen, for all of my videos. The lighting is the same for all my videos. In this case, can one develop one’s preferred color adjustments and save the node/nodes in my Power Bin for future use (at least for the A-roll portions of my video)? Or, do I need to color adjust for every video? Thank you again for an excellent video. (I’ve been a subscriber to your channel for several weeks and really enjoy your deliberate, cautious presentation style.)😊

how to pull up 3d color cube?

This was an excellent walkthrough of Color Slice. I couldn't quite understand how the Set Depth control works but seeing how it affects the 3D Color Cube and your explanation made it crystal clear. So thank you!!

Would u refer the color slice to Dehencer?

Great addition with the cube. Btw, did you use any color management for this project or is it just wysiwyg? because that obviously alters the range the Depth sliders target. I will have to give this tool a try!

I much prefer curves to the slicer, but it is a good tool. I am surprised you are using it over curves, I might revisit the Slicer...each tool definitely has a nice place in Resolve 19!

Great video. Yay! I’m not crazy.

What a great interview, I really admire the passion and love that Daniele has for his work

Thank you for this great interview with Daniele. He's such a fantastic educator on Mixing Light and his technical knowledge is fascinating.

Wow bringing in the big guns!!

What I appreciate most about FilmLight is their willingness to share, I learned a lot from Daniele’s webinars and other FilmLight’s videos (The new series of Learning Programme). I hope to be their customer one day! ❤

Ahhhh, nice. This will go great with hsv channel 2 gain.

Thank you, Douglas. Great as always.

thx. so not is important to use cst for slog3.

Hi Douglas. Great video! For a moment, I thought you were going to go "advance mode" on us when you mentioned the HDR palette. lol Would you ever consider doing a tutorial on HDR in a future video? Thanks!

how did you get your nodes shape changed like that rectangular?

I assisted our film colorist some 15 years ago on a freshly installed Baselight. Felt like operating a spaceship! I believe it cost around quarter to half a mill to have it installed and up and running. Truly amazing system.

Filmlight does one thing very well about their panels, that blackmagicdesign does not. The form factor. Similarly to the Tangent Element, the panel is designed mainly horizontally. Compare that to the almost square BMD Mini Panel and you get why horizontal makes way more sense. It's way more comfortable and ergonomic.

This was so insightful, thank you! Did you enjoy your Baselight training in Munich, Douglas? I'm curious to find out what your thoughts are if you had to compare Resolve to Baselight.

Awesome. I used a Tangent Wave when I first started grading and now use the Mini Panel, not a great deal of difference but the Resolve Panel feels so much more organic to me, but the Tangent is a very viable alternative. 👍😎

Can baselight be integrated to davinci resolve?

👏 amazing

Great to see someone shed some light on other grading tools than just Resolve 👍

If iam working in rec 709 color space how to trim pass in dci p3 for cinema..plz can u make tutorial on trim pass how to do trim pass rec 709 to dci p3 or dci p3 to rec 709

If iam working in rec 709 color space how to trim pass in dci p3 for cinema..plz can u make tutorial on trim pass how to do trim pass rec 709 to dci p3 or dci p3 to rec 709

Nice! Thank you for sharing!

dope ! Merci Douglas !

A huge heads up to you Douglas!

Thank you Douglas, it's was amazing.

Aaaah finally a worthy match for my boy Darren Mostyn (also a very good explanation indeed)

Great video!

Hey Doug! I think it's not very practical to teach beginners that ACES is a 'look' despite being partially true. There is a much bigger picture to both ACES as a workflow, and DRTs as a means to get an image to display. Both of these are now severely ignored in understanding why you need such tools and get labelled as something you just pick because it looks nice. While there are tehnical differences, the look is never supposed to soley come from a DRT. Rather the ideal DRT is one that can make any look possible while grading underneath.

Douglas are you planning create video about color grading some drone footage?

Loved the video ! Well done Douglas ! :)

Love to hear your input and advice! Thansk a lot Douglas... sometimes I sweat thinking of "the Dark"😅

Hi Douglas! Thanks again! Nice tip on how to get a grain texture file if you don't have one! Never thought of that ;)🙏

Hi Douglas! Amazing tutorial! Love the simplicity of your approach and you achieved awesome results!! Keep it up!👏👏👏

Would love to see a complete breakdown of coloring in ACES.

hey question ! best monitor for color grading on mac?

Can you show us how to GRADE in aces in the next video? Tysm

Sorry but this is complete nonsense!!! You didn't follow any of the ACES VWG discussions, did you? You absolutely have no clue what you are talking about in this video!

Thanks a lot! More on ACES, if you please!

Aces isn't a "look"

Thanks for the Tutorial. I had a bit of a play around with some VLog footage I had, and it definitely has a more filmic feel to it 😎👍