![Douglas Dutton](/img/default-banner.jpg)
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Douglas Dutton
France
Приєднався 28 лют 2012
Professional colourist based in Paris - France
Available locally and worldwide remotely
Available locally and worldwide remotely
COLOR SLICE : Learn it NOW! Density and Saturation Tool in Davinci Resolve
Follow me on Instagram :
thedouglasdutton
thedouglasdutton
Переглядів: 1 411
Відео
Secrets to a good LOOK in Grading // ft. Daniele Siragusano - Image Engineer - Filmlight
Переглядів 719День тому
In this interview, Daniele Siragusano, Image Engineer at Filmlight talks about colour science, colour management, look development tools, what constitutes a good look, Artificial Intelligence in grading and more. Follow me on IG : thedouglasdutton Filmlight : www.filmlight.ltd.uk/
S-LOG 3 : How to GRADE it in Davinci Resolve, Premiere, Final Cut... ?
Переглядів 65721 день тому
Follow me on IG : thedouglasdutton Sony's LUTs : www.sony.co.uk/electronics/support/software/00263050
Why using a CONTROL SURFACE when Grading ? ft. Bob Chorley - Filmlight / Baselight
Переглядів 42328 днів тому
In this Episode, Bob Chorley from Filmlight tells us about the history of the company, what Baselight is about, the history, design and use of their Control Panel for grading. And also, what is the use of any control surface ! Follow me on IG : thedouglasdutton Learn more from Filmlight : www.filmlight.ltd.uk/
FILMLIGHT Munich Colour Camp 2024
Переглядів 557Місяць тому
I’ve been lucky to be part of the Filmlight Munich Colour Camp 2024 ! I tried to film a little bit and capture some moments with the group :) The Instagram links mentioned in the video : Viktor Gette : viktor_gette Valerio Liberatore : valerioliberatore Luis Reggiardo : luis.in.colour Patricia Brewatt : patcolorist Ming Gao : instagram...
How to get the ACES Look in Davinci Resolve
Переглядів 4,6 тис.Місяць тому
Follow me on IG : thedouglasdutton
10 TIPS to become a good COLOURIST
Переглядів 1,7 тис.Місяць тому
My Instagram page : thedouglasdutton Cullen Kelly's UA-cam page : www.youtube.com/@UCHZD22Eei2KX8wpJUzk0Bxg Nick Watson's Instagram page : phatdance
FILM GRAIN : Advanced Tips in Davinci Resolve
Переглядів 2,9 тис.2 місяці тому
Check out my work and follow me on Instagram : thedouglasdutton
CURVES, my favorite TOOL in Davinci Resolve
Переглядів 1 тис.2 місяці тому
Instagram : thedouglasdutton Colour Page Basics Pt.1 : ua-cam.com/video/lbvs8N_HlOA/v-deo.html
CONTRAST : S-Curve or Linear in Davinci Resolve
Переглядів 5 тис.2 місяці тому
Instagram : thedouglasdutton Colour Page Basics Pt.1 ua-cam.com/video/lbvs8N_HlOA/v-deo.html
COLOUR DENSITY: 3 ways to control it in DaVinci Resolve
Переглядів 2,8 тис.2 місяці тому
Follow me on Instagram : thedouglasdutton
ASTEROID CITY Look Recreation in Davinci Resolve
Переглядів 4,1 тис.3 місяці тому
Follow me on Instagram : thedouglasdutton
The #1 TOOL I use when Grading in Davinci Resolve
Переглядів 1,8 тис.3 місяці тому
Follow me on Instagram : thedouglasdutton
Fantastic in depth explanation of color slice tool. Thanks !!
Thank you Ranjan! Glad you liked it 😉
Thank you, Douglas. Another great video, as usual! 🌿🌹🌿🌹
Thank you Rajnesh!
Great video Douglas ! Super complete, love it !
Thank you Chloé! 🙏
Love the interview!!!
Thanks buddy!
@@thedouglasdutton I’ve been start following your channel since I am watch the interview of Bob talking about history of Filmlight, and the Blackboard I watch that video many many times cause I love that control surface and wanted to use baselight that much 😂😂
@@nighto_x It's a really amazing control surface for sure!
Great Tutorial, it's a tool I haven't used much yet, but I learnt a lot from this episode. Thanks, Doug, for the walk through👍
Thank you Brian!
Is there any possible tutorial on how you work with CG plates using ACES workflow in Fusion or Color page? Thanks 🙏
That would be interesting to do! I'm trying to focus on more broad topics to keep it accessible. But once in a while, I like to dive into more advanced topics. I'm adding this one to the list!
Thank you, Douglas, for a very informative introduction to the Color Slicer. I’m new to DVR-coming from Final Cut Pro-and I never realized how deep this area is. I know I betray my ignorance by asking but here goes: I work in the same studio, in front of a green screen, for all of my videos. The lighting is the same for all my videos. In this case, can one develop one’s preferred color adjustments and save the node/nodes in my Power Bin for future use (at least for the A-roll portions of my video)? Or, do I need to color adjust for every video? Thank you again for an excellent video. (I’ve been a subscriber to your channel for several weeks and really enjoy your deliberate, cautious presentation style.)😊
Hi Jay! First of all, congratulations for making the plunge from Final Cut to Davinci! Now regarding your question: if your setup is consistent when it comes to lighting etc, I'd suggest you grade 1 clip of your setup and when you're happy with the results, save that as a powergrade. You can then apply that powergrade to each similar clip in your timeline and future projects! Check the manual for the use of powergrades ;)
how to pull up 3d color cube?
Any third party app for scopes
which third party app do you use? thanks
This was an excellent walkthrough of Color Slice. I couldn't quite understand how the Set Depth control works but seeing how it affects the 3D Color Cube and your explanation made it crystal clear. So thank you!!
Thank you Marieta! Yeah it's definily not easy to see what it does when only looking at a couple images !
Would u refer the color slice to Dehencer?
I personally don't have Dehancer. But from what I know, it's a film emulation pluggin that slaps a look on your work. If you don't like some characteristics of that look, you're in trouble. Color Slice allows for full customisation of what you're trying to achieve when it comes to sat, density and hue only
Great addition with the cube. Btw, did you use any color management for this project or is it just wysiwyg? because that obviously alters the range the Depth sliders target. I will have to give this tool a try!
Yeah I managed using nodes and tagged my TL CS. From my tests this tool doesn't seem to be colour managed. I'm getting the exact same result regardless of how I tag my working space.
@@thedouglasdutton that would honestly be a bummer, tools like curves, keys and obviously HDR wheels are and I thought that is the direction BMD is trying to go with all new tools
I much prefer curves to the slicer, but it is a good tool. I am surprised you are using it over curves, I might revisit the Slicer...each tool definitely has a nice place in Resolve 19!
It's a great tool for density and Saturation specifically. For hue curves can do a similar thing and it all comes down to your preference :)
Great video. Yay! I’m not crazy.
Good!
What a great interview, I really admire the passion and love that Daniele has for his work
Thank you Chloé! 🙏
Thank you for this great interview with Daniele. He's such a fantastic educator on Mixing Light and his technical knowledge is fascinating.
Thank you Marieta! I didn't know he shared his knowledge on Mixing Light! I'll definitly check this out :)
Wow bringing in the big guns!!
Haha
What I appreciate most about FilmLight is their willingness to share, I learned a lot from Daniele’s webinars and other FilmLight’s videos (The new series of Learning Programme). I hope to be their customer one day! ❤
Couldn't agree more!
Ahhhh, nice. This will go great with hsv channel 2 gain.
Ah never thought about giving it a try. But yeah for sure! Good idea 💡
Thank you, Douglas. Great as always.
Thank you man!
thx. so not is important to use cst for slog3.
Yeah it's a matter of preference! :)
Hi Douglas. Great video! For a moment, I thought you were going to go "advance mode" on us when you mentioned the HDR palette. lol Would you ever consider doing a tutorial on HDR in a future video? Thanks!
Thanks Wilfredo! Yeah I'm trying to make the videos not too long but I'll definitely cover the hdr palette very soon ;)
@@thedouglasdutton Thank you for replying. I understand you are making changes to the duration of your videos. However, I admit that your videos are very instructional and straight to the point. Thank you for the time and effort you put into creating them. I look forward to watch your future videos.
how did you get your nodes shape changed like that rectangular?
I assisted our film colorist some 15 years ago on a freshly installed Baselight. Felt like operating a spaceship! I believe it cost around quarter to half a mill to have it installed and up and running. Truly amazing system.
Yeah really feels like a spaceship!
Filmlight does one thing very well about their panels, that blackmagicdesign does not. The form factor. Similarly to the Tangent Element, the panel is designed mainly horizontally. Compare that to the almost square BMD Mini Panel and you get why horizontal makes way more sense. It's way more comfortable and ergonomic.
Couldn't agree more. That's why I'm not using my keyboard much when grading in resolve and augment the functions of the mini panel with streamdecks on either sides. Although blackmagic's mini Panel is far more accessible than a slate for example.
This was so insightful, thank you! Did you enjoy your Baselight training in Munich, Douglas? I'm curious to find out what your thoughts are if you had to compare Resolve to Baselight.
Thank you Marieta! Yes Munich was really good! Comparing Baselight to Resolve is tricky but that would make a very interesting video :)
Awesome. I used a Tangent Wave when I first started grading and now use the Mini Panel, not a great deal of difference but the Resolve Panel feels so much more organic to me, but the Tangent is a very viable alternative. 👍😎
Thanks Brian! Yes, grading with a panel is a totally different experience. When you start using one, you can't go back haha
Can baselight be integrated to davinci resolve?
Baselight is another grading software
@@thedouglasdutton, interesting. How much is this grading software? Is it worth the switch?
👏 amazing
Thanks man!
Great to see someone shed some light on other grading tools than just Resolve 👍
Thank you Brian!
If iam working in rec 709 color space how to trim pass in dci p3 for cinema..plz can u make tutorial on trim pass how to do trim pass rec 709 to dci p3 or dci p3 to rec 709
Ideally you'd need to sit in a grading room with a projector
If iam working in rec 709 color space how to trim pass in dci p3 for cinema..plz can u make tutorial on trim pass how to do trim pass rec 709 to dci p3 or dci p3 to rec 709
Nice! Thank you for sharing!
dope ! Merci Douglas !
Merci Thibaut!
A huge heads up to you Douglas!
Thank you Jonathan!
Thank you Douglas, it's was amazing.
Glad you enjoyed it! :)
Aaaah finally a worthy match for my boy Darren Mostyn (also a very good explanation indeed)
Thanks buddy!
Great video!
Thanks!
Hey Doug! I think it's not very practical to teach beginners that ACES is a 'look' despite being partially true. There is a much bigger picture to both ACES as a workflow, and DRTs as a means to get an image to display. Both of these are now severely ignored in understanding why you need such tools and get labelled as something you just pick because it looks nice. While there are tehnical differences, the look is never supposed to soley come from a DRT. Rather the ideal DRT is one that can make any look possible while grading underneath.
Hey bro! Hoping you're doing well :) I think your point is totally valid and I recognise that I took shortcuts in my explanation. My intent wasn't to talk about the Aces colour management framework here but only the characteristic look that its DRT has. Having said that, I know that some people will pick a specific DRT to grade underneath depending on how close of a starting point from the look they're trying to achieve it provides. It all comes down to personal preference imo.
Douglas are you planning create video about color grading some drone footage?
I'll add it to the list :)
@@thedouglasdutton pinky promise?😄
Loved the video ! Well done Douglas ! :)
Many thanks!
Love to hear your input and advice! Thansk a lot Douglas... sometimes I sweat thinking of "the Dark"😅
Thank you so much Lucia !!
Hi Douglas! Thanks again! Nice tip on how to get a grain texture file if you don't have one! Never thought of that ;)🙏
Hi Douglas! Amazing tutorial! Love the simplicity of your approach and you achieved awesome results!! Keep it up!👏👏👏
Would love to see a complete breakdown of coloring in ACES.
hey question ! best monitor for color grading on mac?
Can you show us how to GRADE in aces in the next video? Tysm
Sorry but this is complete nonsense!!! You didn't follow any of the ACES VWG discussions, did you? You absolutely have no clue what you are talking about in this video!
I'm sorry but this is a way to implement the Aces 1.3 drt in a dwg pipeline and I believe it's technically sound. What feels like nonsense to you? I'm curious?
Thanks a lot! More on ACES, if you please!
More to come!
Aces isn't a "look"
I would argue Aces is a colour management framework but Aces drt's definitely have a look.
Thanks for the Tutorial. I had a bit of a play around with some VLog footage I had, and it definitely has a more filmic feel to it 😎👍
Ah fantastic to hear that!