Відео

This album helped change my life!😁

Consummate vocalists/musicians and really nice people. Way back in the 80s my husband and I drove down to Red Bank NJ from Brooklyn to see one of their shows. The venue was nice and intimate. When they asked where some of the audience was visiting from, they learned how far we came and they all sat with the two of us after the show and chatted for a bit, thanking us for making the trip and we were thanking them for a wonderful musical experience😂 It was nice to see how down to earth they were.

Many of the greatest musicians on this planet have spent the majority of their careers backing up other megastars on the road & in the studio. Ultimately, the public only witnesses a glimpse of their genius, if they are lucky. David Sancious is one of those artists. See : Stanley Clarke, Billy Cobham, Narada Michael Walden, Sting, Peter Gabriel, Eric Clapton, & Bruce Springsteen to name a few.

Grew up listening to This album ... love it

Long live Brownie !!!! ❤

Fantastic album 4:24

no voice comes close to hers...no voice...it is greatly missed

An elder put me on to this album and 4:52 is 🎶🎵😎

From an interview with Getz, by Mel Martin, published in Saxophone Journal, Winter 1986: MM: When you recorded the Poetry album with Albert Dailey, did you use a minimal number of microphones? SG: We only used two mics. It was recorded in my studio, which I had built on my estate in New York. It is built of all wood with window views out in the country. It has a high ceiling and we used two B & K calibrated mics, one on me and one on the piano. They went directly into a modified Studer two-track. No mixing board was involved. I guess that’s why engineers and boards came into being because musicians forgot how to blend themselves. That’s why so many use monitors now. We used to play so that you had to listen to each other and mix your own thing on the spot. You had to hear everybody more than yourself. Then vocalists would need some reinforcement and that’s when sound boards came in. Symphonies are recorded with two mics and Benny Goodman made all those great records with one or two mics. Musicians used to mix themselves. That has become a lost art. It is and it’s a reflection of their musicianship. Maybe it’s a combination of the use of electrical instruments and playing larger venues. When you record, if you use two mics properly positioned, it will sound like your two ears are in the room with the musicians. There are some engineers who don’t understand how to record acoustic instruments because they want everything to sound as if it’s in your face. MM: Do you generally mic your horn from a distance? SG: I stand far from the mic and I try not to use one if it’s at all possible. Sometimes we mic the piano a little and of course there’s the bass amp. I have to use mics to balance with where the drummer is at. You start with the drums. There are lots of places, however, where I don’t use a mic, like Fat Tuesday’s, Blues Alley, and the Old Keystone Korner. You learn how to project your instrument and think projection. Try to see the corners of the room. You don’t have to play louder, it’s just a certain center to the sound that you can get going through the room. It’s not loudness but sound, and brass vibrating, or resonance without reediness.

In Nov 2011, Grant Jackson of NPR wrote : Albert Preston Dailey was born June 16, 1939, in Baltimore, Md. Dailey began piano studies at a young age, and by the mid-'50s was playing in the Baltimore Royal Theater's house band; he went on to attend Morgan State University and the Peabody Conservatory in the late '50s. Dailey toured with vocalist Damita Jo from 1960 to 1963, then led a trio at Bohemian Caverns in Washington, D.C., before moving to New York in 1964. He began working with cutting-edge musicians, including recording dates with trumpeter Freddie Hubbard, and in 1967 he joined Woody Herman at the Monterey Jazz Festival. He also was a member of the first lineup of Art Blakey's Jazz Messengers. In the early '70s, he worked with tenor-sax men Sonny Rollins and Stan Getz, the latter of whom had a deep admiration for Dailey's hypnotic styling and shimmering harmonies. Other acclaimed artists, including alto saxophonist Lee Konitz and tenor saxophonist Archie Shepp, came calling, as well. Dailey continued working into the early '80s, recording with Getz on his 1983 album Poetry, and with Buddy De Franco. Though sorely under-appreciated and underrated in his lifetime, Al Dailey was a blossoming composer and an intense yet melodic soloist. His broad, impressionistic chordal structures and searching melodic lines were on par with the work of other modern jazz pianists such as Keith Jarrett, McCoy Tyner and Bill Evans. Al Dailey died of pneumonia in 1984.

The greatest most versatile female vocalist of her generation.

I love this album. Especially as I ADORE Marc. Just found out Haircut 100 are touring this year. Sadly Marc will not taking part so just wouldn’t be the same for me. It was love at first sight for me & I play the 2 albums regularly. Soundtrack to my early teens. I love all u guys, your music lifted me & still does. I almost had a fit when I heard Marc was taking over lead, I think I was on a Walzter with my best friend at Crystal Palace at the time! And Nick went to Kelsey Park in Beckenham with my older cousin I believe. Local boys did us proud. All the very best for your upcoming tour, you will make a lot of people very happy. And my gorgeous Marc, will love u forever, I’ve seen recent pics of u (my same friend sent them over) and I still fancy the arse off u! 🤣🤣xx

I was fortunate to see these folks live at an outdoor concert sponsored by our local jazz station, WNOP. It was raining when they started their set. As soon as they began "Joy", the clouds parted and the sun came streaming through. A magical moment indeed.

I got this on vinyl when first released ... I never get tired of listening to it !!

This is what the real deal looks and sounds like,so authentic pure talent. One of the greatest voices that transcends generations of music 🎶

Album of the gods x

Whoever is on the piano on “Red Clay” is killing it. Love the whole album since day 1!

THANK YOU

One of my favorite albums, just puts me in a good mood every time I hear it.

What’s the word?

A good reminder of the best music of the past!

This album is done by the Tony, Donnie, and Gary lineup.

Perhaps the greatest piano player of all time. Goat.

NUMBER ONE FAN ! ❤ .

What an album.. 35 years of age, pulled this out from my pops cd collection when I was 17, has hit ever since. Blew my mind the 1st time I heard it, that 2nd track..omg..and all these years later...just so much appreciation for this band and they're music. Long live Gil, Brian and the band!! ❤😊

I bought Washarama and the Moo Album new, and have kept them in NM condition. Finally bought a VG+ of Wonderful World of Appliances. Should have also bought the CDs years ago.

Leslie should have been a big star.

Natalie always gave a wonderful Live performance ❤️

Really enjoyed this after 40 odd years. Couldn't stand it in '84 but then the creative genius of Nick Heyward had gone and to produce something as perfect as Pelican West was just too tall an order even from this cracking group of musicians.

This upload has the perfect sound quality. Gil/Brian and the backing musicians were exceptional!!!

It's a release from 1975. not 1976.

There's a video on YT now of my access show with interviews of the Dishes & Judy's - and the "Beep Beep" music video! See here: ua-cam.com/video/Bg7H1zoPRUg/v-deo.htmlsi=EcrGGZ8lVUyItNfE

Poor Comilation....

I bought this album late 70's. No promotion from. The label or fm radio...best solo from Carlos..and NEIL SCHON...SLY STONE LOST WHEN MR GREGG ERICO LEFT THE Band!!!!

you were here all along and nobody knew

15:21 🤯

Yes!!!

This Christmas song reminds me of Linda Ronstadt's Living In The USA.

A stone cold classic

Definitely my favorite rendition of this song.

Classic indeed !!!!

God bless you,Al Jarreau.😅

Love, love, love this!

I can't count how many people I've turned on to Flame over the years and every last one loved it. Such a shame, another one of those (what if) things. I just feel so fortunate to have lived through the 60s, 70s and 80s and I feel sorry for the kids these days who have to listen to all the crap out there. Man, I miss hanging out in cool record stores talking to other people and sharing our thoughts about the latest great release. Sucks we can't turn back time huh lol. Steven, Mick and Marge should have been in similar conversations together. I sure hope she's has had an awesome life so far. Just wish I could get my hands on that "Renegade" lost treasure. Rock on Pretty Darlin'

Always makes me happy listening to these guys. They have had a bad song or album.🎉🎉🎉❤❤❤

What a kicker.....every year *

Amen!! Natalie Cole Rock Erma Franklin Piece Of My Heart 👏🏾👏🏾👏🏾👏🏾👏🏾👏🏾👏🏾👏🏾And Of Cost Her Signature Song Our Love ❤️ Miss U Like Crazy 😢 Sis 😘🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹🌹Thanks For Sharing Your Life Through Music 🎶 😊

Love Nancy Wilson ❤

Possibly the most underrated group of the last few decades. What the gals did with Benny Goodman was epic.