Відео

Is there any English versions of these videos?

Thank you, This is Great

You are the Best

its not finind my files !!!

Greatest plugin for fcpx

Holiday deal! Get 25% off Transcoder 2, use code 25OFF at checkout: bit.ly/3VO5mkQ

What about Alexa 35 Arri Raw footage? Can they be directly imported without transcoding them?

Thank you

Thank you for this video. What is the purpose of 'Clamp values' when exporting a Lut, I still wonder if it should be checked or not?

Interesting, It seemed that ColorFinalePro 2 wasn't designed with Luts in mind, but then I'm seeing that there are ways to access your luts. I'm happy this video exists. I fumbled following this video as this is more of a fact video and less of a instruction video, at least if you follow the clicks on the screen you can figure out after 3 watches how to find everything, but the voice does not offer any directions. . But lo and behold, I found 2000 Luts and could preview them all.

'Bloom' appears monochromatic to white - it would be great if it could take on the chroma of the light sources creating the bloom. For example a pure red neon sign should be emanating a pure red light not a white bloom.

If I put Grain on to much Clips with Color Finale, the Screen goes black on some clips. I have this problem since 1-2 Years. I Got now the new Update but the problem is the same. I am using a Mac Book Pro M1 16GB.

Nice video!!! if someone could clarify...does this do the same thing as BRAW converter? or is this an more cohesive flow to work in Final Cut Pro? Thanks

I bought the plugin 2 years ago and now can't use it. lol. 145 usd and still want money from me. Not recommended.

The person mask is super unreliable and often grabs parts of an image that you can't omit. With the new magnetic mask feature released with FCP11, it makes CF2's person mask obsolete. I agree with others that having a reliable bug free color grading plugin is much more valuable than what is currently being offered. At this point, I'm trying to use a combination of FCP masking with CF2 grading tools. Been using CF ever since it was released, but it's disappointing to pay for the additional subscription features when the core functionality is troubled. Masking with anamorphic footage is also a pain, which is quite a let down.

Thanks Color Finale 🙏🏽. How do I get in touch?

PERFECT

So similar to chromatic abberation except its reddish?

Actors and Story

But I used it, its awesome - love this direction ❤

Would love to see this development keeping up with Dehancer

Best

Will film emulation presets be added? It would be great to have some from stock options.

I pay attention to the little details that bring characters to life: their expressions, gestures, the color grading that creates a unique atmosphere (Moonlight is awesome for exemple)… and the sets, to see if I could live there. Honestly, some movie apartments are way cooler than mine! 😅

thank you sir

Love the video!!! Great job on this!

If you're on the fence, buy pro. It was worth every penny. We need to support companies like this that support their products instead of the subscription model.

I pay more attention to lighting, because lighting is everything. I'm able to know what type of a movie it is, even color grading becomes easier when the lighting is good.

Does it support xml files?

if we apply a custom LUT, should all adjustments (color wheels, six vectors, etc) be layered before it in the layers panel? or should only log wheels be layered before the LUT

Before I got into filmmaking, I didn't care at all how a certain film was color-graded; I just cared how it looked. All I cared about was whether I found it interesting. Today, I'm looking into how cinematographers might've lit a certain scene and how they color graded the film. Plus, I enjoy how a certain character is being built for a deeper role, and how they build tension, which often leads to a plot twist.

How does this differ from the Six Vectors?

Does still peoples using FC? what you guys keep making addons to keep it alive :D let it die in peace

How does this differ from the HSL sliders in CFP?

What is the "Set 1" and "Set 2" setting? This is not updated in the Color Finale documentation.

Please no background music. It's only distracting.

WE BACK GANG

Perfeito! Aula sensacional. Ajudou melhor entendimento de como utilizar as ferramentas da forma correta. Obrigado TEAM CF por compartilhar. Eu tenho dificuldade em entender, quando eu devo mudar SET1 ou SET2 na opção "Density Boost" , esse assunto não foi abordado. Se alguém puder compartilhar essa informação, deixo aqui meus agradecimentos. Sucesso a todos!

Story and Music are my main concerns. Being a musician I always pay attention to the music. If you watch The Lord of the Rings you can see that Howard Shore's music really adds a massive amount to the world building and the overall tone of the movies. If you don't have the right composition it will impact the story and no matter how beautiful your shots look, it will always feel off. By the way I make music videos as well so the prizes would also come in handy :D Cheers and good luck everyone!

The feel of a film cinematography with color grading that adds to the feel

Its the blend of all elements that come into play and produce that moment from lighting to set design, dialogues to script, cast to actors and everything in between, then we have that impactful scene.

These day I pay attention more to the colour grading than the actual movie. Just how it really sets the tone.

I pay attention to the many different aspects - how camera angles & shot matching in a sequence add to the overall storyline and deliver impact, and how a certain lighting arrangement can alter the way we perceive a scene, plus the color grading that adds to the believability of a particular situation.

I pay attention to the way the shot was created and the type of colour grading used to achieve the mood

I like to pay attention to any unique camera movements and try to figure out how they accomplished them.

When I watch a film, what draws me in the most is how the colouring shapes the entire experience. It’s amazing how subtle changes in shades can completely shift the mood and evoke emotions, even before anyone speaks or the music kicks in. I’m always fascinated by how this artistry works - how the way colours are used can bring the story and emotions to life, making the whole experience much more immersive and powerful.