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colin corner
Приєднався 8 гру 2008
Bach: A tale of 2 Bourrees on 2 basses
I had been working on recording the Bourree’s from the 3rd suite (in C Major!) with repeats, in the wonderful acoustic of the 2nd floor hallway at PSU’s Lincoln Hall, when I decided to change things up a bit. Here is a direct comparison of my two instruments- a Jakstadt c. 2001, and a Joseph Hill, c. 1780. (the darker bass). Typically I would use the Jakstadt for auditions, recitals, and solo playing, and play the Hill in the orchestra.
I put my iPad about 15-20 feet out to get an idea of how the basses sound in the acoustic. The bow I used is my baroque bow by David Van Edwards. For the da capo, I recorded it complete on each bass, so stick around until the end! The playing isn’t perfect but it’s a rough idea about how the basses sound in comparison. What do you think? Let me know in the comments what bass you prefer!
I put my iPad about 15-20 feet out to get an idea of how the basses sound in the acoustic. The bow I used is my baroque bow by David Van Edwards. For the da capo, I recorded it complete on each bass, so stick around until the end! The playing isn’t perfect but it’s a rough idea about how the basses sound in comparison. What do you think? Let me know in the comments what bass you prefer!
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Відео
Hermeto Pascoal, Calendario do Som, #35, July 27th
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Quick rendition I made over the summer, on my 6 string bass. I later added some Logic percussion tracks to it. Enjoy, and Merry Christmas!
Dystopian Blues Portals
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A Frippian exploration for electric bass and synthesizer
Findeisen Etude No. 23
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Etude No. 23 from 25 Technical Studies Book IV, Op. 14 by Theodor Albin Findeisen; recorded on my Jakstadt bass
Questioning the Answer (original composition by Colin Corner)
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This is an original track I recorded during the pandemic. I recorded the bass, keys and drums on GarageBand originally and finished on Logic. The double bass part is very free, and begs to question our understanding of what the answer means.
Calendario do Som Hermeto Pascoal December 15th #176
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#176 from Calendario do Som by Hermeto Pascoal. An extremely difficult set of chord changes. I feel like each tune form this book is an adventure! I recorded the drums, but at the moment I cannot figure out how to make a split screen video in iMovie or Final Cut with 3 videos (any advice appreciated!)
Hermeto June 22nd SD 480p
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Dedicated to my friend Dominic Duval- this is his Hermeto Pascoal birthday song form the Calendario do Som, #365, June 22nd. Percussion and synth flute line played by me as well...sorry if the percussion is a bit rough!
Hermeto Pascoal Calendario do Som, #193, January 01
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Recorded by me, including drums (but no video for that part), #193 from Hermeto Pascoal's Calendario do Som features some intense chord changes! It's the New Years Day song!
Big Horn Bass SD 480p
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A track I've been working on for a while on Logic, originally started in Garageband.
Bartok Music for Strings, Percussion, and Celeste, mov 1 (bass excerpt)
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This excerpt from Bartok's Music for Strings, Percussion, and Celeste has been showing up on a lot of audition lists recently. The seemingly endless crescendo and the lyrical chromaticism make this excerpt particularly challenging, and it's so much fun to play!
Ginastera Variaciones Concertantes Bass Solo
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a quick rendition I did of the solo from Ginastera's Variaciones Concertantes...not perfect, but gives an idea of my overall approach to this orchestral solo
Bach Violincello Suite I, Minuets and Gigue
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Bach Violincello Suite I, Minuets and Gigue
Edelweiss, dedicated to Albert Jakstadt
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Edelweiss, dedicated to Albert Jakstadt
Hermeto Pascoal Calendario do Som March 19th #270
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Hermeto Pascoal Calendario do Som March 19th #270
Hermeto Pascoal- Calendario do Som #152, November 21
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Hermeto Pascoal- Calendario do Som #152, November 21
Knee Play 5 from Einstein on the Beach
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Knee Play 5 from Einstein on the Beach
“O begli anni de l’oro” by Francesco Corteccia, from the comedy ‘Sileno’
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“O begli anni de l’oro” by Francesco Corteccia, from the comedy ‘Sileno’
Hermeto Pascoal Calendario Do Som June 30th (#8)
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Hermeto Pascoal Calendario Do Som June 30th (#8)
Very impressive articulation Whats with other ?
thank you ❤
Quite different qualities but both very good-sounding instruments! To me, the Jakstadt is less dense (less complex?) so it sounds clearer than the Hill. To be fair, its tone is probably benefiting more from this reverberant acoustic than the Hill. I have a similar choice of instruments and agree with how you divide duties between each. There's no doubt simpler sounding, strong and clear basses perform very well in auditions. For ensemble playing, I imagine the thicker, more complicated but still clear tone of the Hill is better. Nice that you have two good options to work with! 👏👏👏
Man those english basses sound to me like wooden ships if a ship could make a sound. Like the sound of thunder. I have a set up like you one modern and one English. Interesting comparison. Nice playing!!
Beautiful!
Yes and in your favorite key! 😉HNY!
Very interesting experiment! May be a little 2 much natural reverb for me (But it is nice and a lot of fun to play in a space like that I must admit!)- but it also brings up the whole issue of playing Bach on the bass. It's so hard to make it sing because we don't have the same harmonic color of / that the cello gives, and because it's in such a high register it's technically very difficult and not as resonate as the lower registers that the bass is so good at. As such both of these basses to me sound a little chocked - I'm thinking there are possibly 3 reasons for this. 1 string height - are they are set up as orchestral instruments? string height may be a bit much to get the upper register to sing, also some times finger board set up can effect the higher register 2 string type it might be worth experimenting with solo or lighter gauge strings - may be tuned to orchestral pitch? Also bridge height - and or a paired back bridge like Joel Quarrington's may help to get the instrument to sing a little more. It's so valuable to play Bach on the bass - because it presents so many, many challenges and to do it very well - is insanely difficult. Thank you for putting this out (it's over 30 years since I've played) there is no way I cold play like this without a couple of years - probably more of practice so I do really appreciate your effort and skill - would love to hear something from both basses in the lower register - maybe something modern (Walker - Chorale) do you do requests? 🙂 Anyway thanks for putting up with my ranting and would love to hear more.
The Jackstadt has a more precise sound to it. It's definitely a brighter sounding bass, but the clarity is quite amazing! I'm not quite able to see the strings on each bass. Silks look like Bel Canto or Flexocor Deluxes on each bass. Also curious on the string lengths/measurements on each. The Hill bass sounds like it would be a subwoofer in the low/middle range of the bass! All subjective, but those are my thoughts!
@@matthewmartinez3079 you are right! I usually feel better for solo and auditions on the Jakstadt. The Jakstadt has the prototype spiro/bel canto hybrids on and the Hill has soiro mediums. I prefer the hill playing orchestral/chamber music
Pretty nice tone. Bowing is smooth too.
0:50
2:27 is great with 2x playback speed.
Good concept! should explore more. hope my sub to you helps.
wow, B extension!
Не зупиняйся, в тебе є гарні ідеї й своє дивне та особисте відчуття звуку. З часом буде вийде щось круте
Bravo 👏 👏 👏 👏
Super !
Hello what piece is the excerpt at 4:56 from?
Dude, your sound is INCREDIBLE. I don't know I've ever heard that much control sound so effortless before. Can I grow up to play like you?
@@zachjohnson5620 you can! I have some older videos on UA-cam that I have been told inspired many students. Nowadays many of the bassists winning auditions are in their 20’s, fresh out of school and playing circles around what I can do! So keep working hard!
Sounds mighty fine, Colin!!!🎻
I love your vibrato
One of my life long roadblocks has been not knowing what a winning audition candidate sounds like. Thank you for setting the bar
@@Hornfancy I didn’t win this one, but I did advance to the final round!
how long have you been playing for?
You have such an awesome sound
I need to look into these etudes! Beautiful playing as always, Colin!
Amazing!🎵💯
Bravo, Colin!! ❤
Thanks!
Only 800 subscribed? Madness. Such a great channel
I think you're going to win this audition. watch your Figaro though. It sounds a little angry in the Fortes
These etudes are beastly. Very strong playing, Colin! 👏👏
Thank you Jeremy! I really enjoyed your Findeisen recording a while back too!
Dude, you're going to win this thing
Great sound! Will you have to bring your own cleaner to crash the audition, or does the opera supply one for the applicants?
Nicely done. Musically a bit dense to listen to sometimes, but I return to these etudes from time to time.
@@ngarber so dense! That’s what makes them so challenging. This one in particular reminds of Mahler
Beautiful. What piece is this?
@@UA-camAccount0000 I don’t remember exactly what’s on here. These are some opera excerpts from the Met audition from spring of 2023.
could you also do September 19th please 😊
Lovely
Bravo 👏 👏 👏
amazing, thank you!!!
very nice!!! thank you for posting this, it's the only version i could find of this particular day in the Calendario ❤
Can I request January 18th? That’s my birthday 😋 if not I understand, I’m sure it’s a lot of work to record these things!! Thank you for recording these! It’s pretty fascinating 😊
Woww, that was so clean 👏👏👏
nice vib.
That was amazing
damn i love double bass
Whats this piece called
Young persons guide to the orchestra - Benjamin Britten
Amazing
That is a beautiful Bow! Also reminds me to get a pickup for my cello.
and it enhanced the experience
i listened to this while sitting on the couch
sounds really nice
Who took a bite out of ur fingerboard 👴
good!