Відео

thanks!

Hey thanks! it is what it is 🤷‍♂ Same to you!

Cheers! That would be fantastic! Thanks!

cheers!

Cheers! Same to you!

happy to hear that. Enjoy!

Cheers! Yeah, and that's not even really a keytar. Sold it years ago and now I have a YAMAHA SHS-10

Hey, so as far as controlling 16 tracks, you might just want to assign something to "select next track", and once you move from the 8th to the 9th track, the red selection box will be wrapped around tracks 9-16, which you should be able to control with your faders on the first bank. As far as having your knobs control parameters on different devices, I'm afraid the controlled device needs to be the one selected, so that doesn't sound feasible to me. That being said, everything you suggested could be accomplished using Live's native per-project MIDI learn function!

​@@TheNeonSyndicate what do you mean by select next track? I have tried the track left/right and session left/right but it only moves by one slot at a time. Ideally I would want to be able to have the controller control 16 tracks as each fader is capable of sending 2 different cc's based on the layer selected. Do you know a way to do this /another solution? I have tried changing the 8's to 16s in the code but it seems to be going of a num_tracks parameter that comes in from ableton. I really appreciate the help!

@@lincolnzanon3346 Yeah, I've tried that too in the past, but it doesn't seem to work. You can control 8 faders at any given time. I'm sure there must be some way to alter the code (not the map.py file) but my attempts so far have not yielded results unfortunately.

The launchpad comes with its custom script - you need to select that under your MIDI preferences from the "control surfaces" dropdown menu, as well as in the "input" and "output" ones.

Hey thanks! Muchas gracias!

Thank you sir. Had a great track to work with in the first place!

Could you elaborate a bit?

aww sorry to disappoint you, but it's a regular one. I'm simply just using my left hand instead of the right one is all

@@TheNeonSyndicate oh... thanks dude. Nice playing too 😁

@@nullifier_ Cheers. Good luck with your search!

cheers

You have stereo inputs. Might need adapters though.

Is this a glass half full/half empty kind of thing?

Why ? 😂😂

@@AnandSingh-fx8nj I thought maybe they hated the fact that these options are hidden - glass half empty. Me personally, I'm happy they exist at all - glass half full.

@@TheNeonSyndicate HUH?……….

@@AnandSingh-fx8nj bc everything that EVERY DAW has as basic features they make INSANELY convoluted. For example, a shortcut for the RECORD BUTTON! Oh but, don’t worry-glass half-full: THE RECORD BUTTON EXISTS. 🙌🏾👍🤦🏽‍♂️🤦🏽‍♂️

cheers. Enjoy!

Pleasure. Yeah, MidiPipe absolutely rocks 🤘

pleasure. Have fun!

pleasure. Have fun!

pleasure, have fun!

Thanks, much appreciated

cheers 🙏

🤘🤘🤘

Man if I were half as good as him I'd consider my musical journey to be completed and retire peacefully

Well spotted! Yes, I have a MIDI clip in Live sending CCs to the iRig Pads - different CCs trigger different colors on different pads. You can even write in automation curves - say a rising ramp, which will make it so that your pad lights up progressively. What pad reacts to what CC is in the manual!

@@TheNeonSyndicate Got it. Thanks for the confirmation. And great video. Very, very helpful in using my iRig Pads for more than just finger drumming.

@@TerenceD9 My pleasure! Yeah, this is a great little toy, I love that you can use it as a basic control surface and for finger drumming! Lately I've been experimenting with assigning the pads to notes chromatically and using it as an alternative keyboard - that can also be a interesting idea to play around with

Yes and no. While it does have its own internal sounds, and even a mono output for you to play them straight into your audio interface and record them, they are pretty cheesy and require a lot of further sound processing to sound usable - unless cheese is what you're going for!

I'm glad you asked! I'm releasing a tutorial series on MidiPipe where I'm going through the various steps: ua-cam.com/play/PLy5M1HlcrBGeFSFwb5KlX810-LBKC2Uo7.html In the meantime, this can get you started: ua-cam.com/video/zhQSdhCe_QI/v-deo.html

Cheers! Or did I say that in the video at some point? 😆

I have good news for you and bad news my friend. Which do you want to hear first?

@@TheNeonSyndicate Well both, i still struggle with recieving midi CC /Automation from hapax, - i get notes , but i also want to control vital macro knobs via the hapax, not sure if that can be done - i.e. the mapping is maybe gone, when you switch the preset.

@@marcus268 To get CCs, just activate the option in your preferences, that shouldn't be a problem. Then you need to make your mappings, which are going to be preset-specific. Going back to the program change part: Live supports those - if you double click on any clip, you'll see a PC option so you can make that clip send a certain PC message whenever it's launched. The bad news is, Vital does not support them.

@@TheNeonSyndicate yes, got that part, actually i want to send the PC message from hapax, and use clyph x to change the preset - did work with CC mapping tho - had multiple troubleshooting sessions yesterday, and it fianally clicked. I just need to update the vital sounds now, to remove the time based FX, and place these in a 2nd rack, so the sound does not cut out instantly when i change the preset - and map a 2nd rack to change the FX for the sounds. Really a good method you have shown here - thank you !

@@marcus268 Good to hear you got it to work!

Damn, I have used Vital for a couple of years and recreated that exact same sound... No tutorial though, and that synth has long been gone from my plug-in folder. If you're an Ableton Live user, I have a tutorial using Drift: ua-cam.com/video/WJu5a7TyRzE/v-deo.html and if you're on Logic/GarageBand, I have one for Alchemy: ua-cam.com/video/TxhDbyMY_7I/v-deo.html

@@TheNeonSyndicate awesome man, I'll take a look! Really good stuff. Looking forward to exploring more of your vids

@@404.Errors Thanks, appreciate that!

cheers! Have fun!

Pleasure. Thank you for mentioning the sync start/stop option!

Yes and no: I have a custom script, so once that is compiled, no matter the project, the assignments are going to be there already, no need to remap everything. Here are more details: ua-cam.com/video/WJshxA-WCy8/v-deo.html

Not sure I understand your question, could you elaborate a bit?

@@TheNeonSyndicate never mind i got it. The midi settings was set to replace and not layer. That said great video it helped me a lot

@@Science.stuff123 alright, then so much the better. Have fun!

cheers!

This will switch to the new preset immediately, so it will cut your sound. The workaround is to put any delay and reverb effects that might have a long tail outside of your rack: that way, even after the sound is switched, the old sound's tail will continue.

You might want to look into custom scripting. You can start here: ua-cam.com/video/WJshxA-WCy8/v-deo.html

Pleasure, enjoy!

I guess it depends on what you intend to do with Live: if you plan on recording a 64 member orchestra, I guess it might be worth considering upgrading, but for someone working with a limited number of audio tracks and doing most of their work with MIDI, there are other little tricks, too (check out my "live lite workarounds" playlist!) that make upgrading not worth it imho. Also, keep in mind that Lite users get major version updates for free - my first version of Live Lite was 4 (!), it came bundled with a cheap controller, and now that same license has gotten me Live Lite 12; with Intro, you're stuck with the version you purchased, and have to purchase Intro again (albeit at a discount) if a major version update is released (like 13).

@@TheNeonSyndicate Damn, I didn't know Lite versions gets upgraded to major versions for free. That alone makes it less worth it to get intro. Thanks.

@@evergreatest7644 Yeah, Ableton are very generous with their non-paying customers 😆

Not the first time I've heard that 😁 thanks for watching!

This has a DIN 5-pin MIDI output, so any classic old MIDI cable will do the trick. Haven't tested USB-to-MIDI cables but I'd imagine those would work, too.

Okay thankyou so much for your help

@@benwiseyoutube Sure. Have fun!

Hey thanks for your interest! Don't own any of those other speakers though I'm afraid

@@TheNeonSyndicate Just borrow or buy.

@@GS-uk3ml Don't know anyone who owns them and not in the position to spend money just like that 🥲

Pleasure. Enjoy!