Відео

after the the boss od3 is better. more stable

@@juliusperkasa1852 Thank you very much Julius!! Yes. I`ll try it like this

@@juanib18 its depends probably . u want to boost the clean sound or boost the gain

It's what you see in the beginning. A Fender Hot Rod Deluxe with the EQ flat, presence on 4. The guitar is a PRS SE245 on the neck humbucker. It's stars with full volume, then I turn it down to half.

I also lean more towards the 57 for cleans! 👌

Well said!

Thanks. It is a great pedal indeed!

In relation to other ribbons, it's not particularly dark. But it is darker than a condenser, which is kinda what you want in a ribbon mic. It does take EQ very well if you want to brighten it up, tho

It almost sounded like a different room with the Glyn Johns set up!

Depends on the amp you use with it. At 0:57 you can hear it overdrive the amp.

Thanks. ;)

xD

Thanks! ;)

That is weird... Maybe the guys at Earthquaker got bored of doing them all alike!

you might just have an older model, who knows

Look up pictures online. I think the one you have is the more popular one. That is weird though

If you look up pictures of the hoof and cloven hoof, which I just bought, The knobs are on different places ​@@noisegunstudios

Glad to help! ;)

Oh man! That sounds mighty good!

There's a ton of options available, but I'd still argue that it's hard to beat the Micro Amp; alone, or as a boost or gain stage, there's a good reason why you still see it on modern pro boards.

Thanks!

The preamp from the Focusrite Scarlett 18i8. Cheers!

@@noisegunstudios thanks and great work man!!

@@SweetChili63 Thanks!

Hi! I'm using the preamp in the Focusrite Scarlett 18i8, it's quiet and transparent, which makes these demonstrations fair, I think. Cheers!

It's the K&M 21021. Thank's for watching!

Glad to help. ;)

I do, but not for everything. It's cool for vintage sounds and if you push the compression in the mix it sounds very juicy, but it doesn't have a whole lot of detail.

Thank you! Glad to help. ;)

Thanks!

Thank you very much for the kind words!

Thanks! Never tried the t.bone RB 500... But I've tried the RM700 as room mics and they worked well. They are made to capture less high end than the RB 500, which I think is beneficial for taming the cymbals.

Hey just wanted to also note that the RB500 is quite a lot more boomy than the RM700. So in a room mic situation it can sometimes lead to unwanted lower resonance from the kick drum. It's easily EQd but just so you know

​@@dikkeskieven484 Thanks for the feedback, I ended up buying a pair of 700s back then, and they are very good.

@@sanc85I’m stuck between the Rm700 and Rb500. How has your experience with the 700 been ?

@@ghjkldss8421 They are very good. I use them all the time recording drum rooms and guitar cabinets. I even recorded vocals with them and turned out very good. I think they have less harsh highs than the rb500s.

Thanks!

This is an older one, can't tell anything about the new ones (SMT). But I can tell you that I've never experienced noise in the older ones, unless your rig is already a bit noisy and the pedal is just making it more apparent from boosting certain frequencies.