Відео

wéwé faites passer mes sons arrt de tminik

You da man Jeff 🙌

Yes, The MLC licenses and collect for downloads if they are licensed via the Compulsory. If I messed that up my apologies. That said, most downloads come via iTunes and those are not flowing via The MLC but under the prior agreements with distributors and labels.,

why is it that songtrust only does all in collection and doesnt allow their members to collect ONLY outside the USA? MLC is already collecting for free in USA, so why should songtrust commission those royalties.

Damn you are brilliant!!!

When you sign up for Sacem are you giving up your Publishing Administration Rights or your just hiring them like Audiam ?

omggggggggg youre back!!!!!!!

I am from Indonesia, Thank you for the enlightenment. Big fan

i need the pdf

based on n the scheme its a money laundering loophole

Audiam is a scam and so is the HFA who created the MLC

audiam signs works up for mechanicals with publishers behind artists backs!

So did I mess my self up by signing with songtrust?

Very informative. My question is, where does songtrust come in? I am a member of songtrust, can I still join Audiam?

This is Gold!! Thank you.

How can I delete account??

This man is a legend and helped me sooo much when he was at tunecore, nick & him actually would call me & coach me

How do I get an invite to audium

1hr 43 minutes and this is the reason why becoming the 4th major label is a long stretch to obtain. Looking at it with my street knowledge, the 3 major labels are the mob and 3 separate families... so I'm building my family and funds. I have a lot of growing and work to put in and accomplish, but its going to happen. I understand and respect the game, shit I love the game and I play to win, play hard and work harder til the very end. respectfully Im going to earn a sitdown with the families and I will continue climbing up the ranks until that day comes to pass, my goal is to be a boss, not a capo or underboss not forever at least. Yea I know I can be shot for it, but it wouldn't be the 1st time, and I never move in fear. I'm not being cocky or boasting or being disrespectful towards anyone or organization. I just believe in my cause and willing to fight and die for my cause whether with a million people or by myself.... not one successful person made it to where they are alone, and I'm grateful for this knowledge and will absorb it, study it, continue gaining learning and using my instinct, book smarts street smarts... etc 😆 (for all those saying wtf does this guy think he is?) I AM .... two things I came into this world with and leaving with that's my word which is bond and my most valuable possession and my balls, some big ones at that too... peace and blessings ✊🏽

1hour in ... so basically what I get out of this is that Harry Fox infiltrated the system from the inside out. Like the saying goes, " If you can't beat them, join them..... and then beat them" 🤫🤯

Owner and Founder of Mentorship Program and Platform T.H.U.G-L.I.F.E! (True.Heroes.Under.G-d Look.Inward.For.Evolution!)

1:22:54

Jeff Price = Robin Hood of the music business

Yoo! I missed Mr Jeff Price!

Wow, it’s been awhile!

thank you

Wish you wasn’t referring to these unfamiliar words as this, and this. Otherwise thank you. Very useful and fruitful info.

Very informative.

Great material. In my opinion, the big 3, around the 2010s may of observed their spreadsheets losing major capital when services like napster and torrents made music available for free on the web and we're at the ends of their ropes, when vinyl /cd's stopped moving. It wouldn't surprise me that the nmpa, fox, and the big 3 worked like shadows, blurring rules to create the platform, to tame the wild west of mp3s. Rather than it being a $B dollar company, like radio, is one of the more popular means to promote music. Radio -artist 'hey our song is on radio top 10. Spotify - artist 'hey our song has x# of plays. More attention more tours, better deals, magazine placement, etc. As an 'ad driven service,' maybe revenue can return to normal like it was during Bmg, Cd era!

I got copyright claim by this, how dare you claim my video, answer

Hey not sure if anyones going to anwser this but whats the difference between distrokid and audiam besides the distribution side of course.asking from the perspective of a producer thats does not have to distribute

Where are the other videos for the other ways??? I love how you explain it!

I HAVENT GOT PAID

I HAVENT GOT PAID OR MY TAX FORM

I wish you would have mentioned your company’s services a little more. Your lessons in this are absolute GOLD! Thank you for all of your transparency. I’ll be sending your info to our roster members. Does Audium work for Tunecore? If we use tunecore & the pub admin on tunecore does Audium services come with that?

Thank you for information

the fact this only got 877 views means theres a load of dummies in the music industry. smh this info is gold

I'd assume that the tardy NOI, in regards to the Lose Yourself composition, is an admission of guilt

Jeff, thanks for the great content! I want to be sure of something. If an independent label wishes to record one of my compositions (one that has previously been recorded and released in the past), what does the label have to do if they only intend to distribute it through interactive streaming platforms? Do they still have to send me an NOI as laid out for compulsory licenses? I believe so because 17 USC 115 www.copyright.gov/title17/92chap1.html#115 states: "(2) Digital phonorecord deliveries.-A person who seeks to obtain a compulsory license under subsection (a) to make and distribute phonorecords of a musical work by means of digital phonorecord delivery- (A) prior to the license availability date, shall, before, or not later than 30 calendar days after, first making any such digital phonorecord delivery, serve a notice of intention to do so on the copyright owner (but may not file the notice with the Copyright Office, even if the public records of the Office do not identify the owner or the owner’s address), and such notice shall comply, in form, content, and manner of service, with requirements that the Register of Copyrights shall prescribe by regulation; or (B) on or after the license availability date, shall, before making any such digital phonorecord delivery, follow the procedure described in subsection (d)(2), except as provided in paragraph (3)."

So does audiam does the same as HFA for publishers?

If you believe you will develop a market in south and central america, could you register with Audiam in the U.S. and Songtrust internationally? Or can you only pick one or the other? Do you have any other suggestions for companies that do what Audiam does internationally?

Definiteley cleared alot of things up for me. Leaning towards going the Audiam/PRO route, but do you have any suggestions other then songtrust, for publishing administration deals, that focus on collecting international royalties? I believe i'll be able to grow an audience in central/south america, but an umbrella company that covers all international co's would be ideal

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Hi Jeff, Thanks for this great explanation. A question - Aren't the recorded music distributors (e.g. Distrokid, Amuse, CD Baby, etc) acting on behalf of the self-published writer somewhat like a Publishing Administrator? They collect royalties from the services and stores they distribute to. So, if so, where do they fit into these 6 licenses and how is Audiam different or overlapping?

This video is better than most of the movies

Mr. Jeff, this video is very informative AND entertaining. a great format for teaching as you do so well. I'm still open to a brief text or email to talk, 10 min., max of your time, about what i sent you by email, mrmikephilyaw@gmail.com $ for you ask me on my email. seriously, I'm so naive to the music BIZ, but the instruction from you will be worth it. I sent you my song, "Como esta usted," just for personal fun, yes., and to show my thanks, J

Jeff. Are you back on board Audiam, or no? And have you set up something else in place of? Can you render publishing services in some way still, or advise about it? please

Jeff, may i hear from you, if you please 305-731-3185 mrmikephilyaw@gmail.com i.e: a publication

how may I email you Jeff ie: publication question % min, 10 tops mrmikephilyaw@gmail.com

I REALLY appreciate the invaluable information!