Відео

glad to hear that. appreciate you letting me know :)

thank you! denmark was truly beautiful

thank you! haha it is actually just a white solid placed on the track above that fades out

glad to hear it was helpful. yeah its helpful to know what you can / can't do with your camera. i am not always exposing in this way but it was a fun test to push the camera in some more extreme scenarios

haha dang yeah you were on it

just my luts and film fx. several videos about my color grading process here on the channel :)

@@blasepivovar thank you

Feel that. Love a good x-t series

You can preview the Rec709 image with the flog view assist but the file is still recorded as flog 2 and is transmitted to a monitor as such. Does that answer your question?

@@blasepivovar Thanks! But is it possible to see the image with a Rec709 overlay on the XT-5 screen while recording ? I cannot find a setting in camera... On my Atomos I would install a LUT, but I want to use my Fuji without the external monitor. With Canon cameras you have a so-called "View-Assist", that I am trying to find in the Fuji settings, but I am unable to find it. I went through the whole manual. Thanks again! To clarify: I want record in LOG but see a rec709 picture on the XT-5 screen.

@@klowkowks Yep! Just go to Setup - Screen Set Up - Page 2 - Flog View Assist - Switch to ON. I assign this to the down arrow as a custom button for quicker toggling on/off. Hope that helps!

@@blasepivovar FINALLY THANKS <3

thank you! glad to have ya here

ah thanks so much man. really appreciate you letting me know!

hold my cardigan

glad to hear it! Yeah some folks have asked about photo presets and stoked to finally have some I am completely happy with. So fun to have the video specs packed into this tiny cam

Thanks! I break the rules and just bump up the shutter if needed to get everything exposed correctly

How so?

@@blasepivovar with these cameras you will get the first Fuji x trans sensor And this one has its own unique look Plus that these cameras makes you think more than twice before taking any shot because both cameras are slow and you don’t get too much features like the X100IV Capturing shots with these cameras brings a joy I know that the new X100 IV is an amazing camera but some how it’s easy to use it with an old Fuji camera you will feel different and it’s worth to try it out Thank you…

@@T-Prime848 ah yeah i feel. what about video? that is actually the primary reason i finally decided to buy an X100 series camera. them improving the quality to the level of the XT5 with Flog 2, ND, IBIS, 4K, 10bit 422 is crazy to have in my pocket and I don't feel like I have to sacrifice quality.

@@blasepivovar I agree but sometimes quality is not everything ..

Thanks! All these photos were shot in jpeg and edited with my presets only tweaking exposure and white balance as needed

haha i don't own one but my buddy John made one: ua-cam.com/video/BKthINHLA6Q/v-deo.html

@@blasepivovar I'm more concern about your point of view, I've seen his already.

I agree with pretty much everything there. For me, the lack of dual card slots takes it out of a camera I would use for paid professional work as it’s just not worth the risk for me at this point in my career. That said, as someone who used the XT3 extensively when I was starting out, I think the xs20 serves a similar market but now has all the added features as a bonus. Hope that helps!

@@blasepivovar thank you but essentially starting video business over so start fujifilm brand. I want the xh2s first but ill.use xs20 instead until then I'll buy xh2s. Prefer xh2s for stack sensor but xs20 will do. Baby mini xh2s

I'll check it out. Thanks for the tip

They really do!

thanks so much. glad to hear it resonates with you in some way. i'll keep those topics in mind for future videos :)

in short tho, MF for interviews always. AF with face tracking for single subjects. AF using the Area mode is key for anything else. Set the focus box where you want it to focus. Usually am shooting wide open at F1.8 or F2.8 unless there is a real specific need to stop down. Hope that helps :)

Thanks! What would you like to see?

@@blasepivovar really anything! More footage of projects you’ve shot on them, lens tests, Side by side comparisons with the xh2-s etc..I shoot on Sony at my job and have an XT3 for personal use and have been thinking of taking on some client work with my own gear but I haven’t been feeling confident in how it would perform so seeing what you’ve captured is inspiring! I’ve been using the 18-55 kit lens though. Appreciate the reply!

@@user-iw9zo5uc6v love that. if you go check out my vimeo, a good portion of the older work on there was shot on this camera and would be a great resource for what you can get out of it. I am trying to focus my channel mostly on what I am currently using but definitely will keep that in mind when thinking about future videos. Really appreciate the detailed feedback :)

@@blasepivovar Makes sense, thank you! I will check out your Vimeo!

I usually just stick with iso 1250 and a wide open aperture. I’ll only go up to 3200 if necessary. For lower light scenarios where 6400 is required I actually prefer classic chrome

Thanks Daniel 😃

good to know. do you want simpler setups from what I have shown here on the channel already? if so, let me know what the 'etc' would include

@@blasepivovar I loved your video about lighting interviews on a budget and I guess a lot of the same lighting could apply. I would love your take on a simple UA-cam talking head setup. Any advice would be appreciated. I recently started my setup and got an Amaran 200x, an Aperture MC , and a ride video micro. I use a Fuji XT5 for reference.

Hmmm. Interesting question. It's not so much that I just really want it to look that way but more of the practical reality of filming against a backdrop and wanting a side angle. Half of the interviews we filmed that were not shown in the BTS here, had the clients branding placed in that corner that they requested to have in the video. I guess to me, seeing the edge of the backdrop isn't an issue as no one is surprised this was filmed in a studio when it is so plain. To me it's just simple and clean, adds a little color contrast and the client was super stoked. Idk hope that helps!

haha i see it. appreciate the kind words!

overall like it. some things i dont love about it but for its price, its pretty great. i def do want to do a review here eventually

thanks dude! appreciate it

i haven't used it but does look like it would work in the same way!

pretty sure the iii is just fully weather sealed. other than that, they are the same in performance

haha indeed

glad to hear that. yeah i've still been loving it as a B cam

thank you!

glad you found it helpful. yeah the one stand book light is a game changer for me

Thank you! They are great cameras and seeing other folks make good work with them was a huge inspiration to me as well. Keep at it

Off the top of my head I think it's Roboto Mono

@@blasepivovar thnx!

its been great. we didn't set out to soundproof the space but did want to control the reflections and reverb. the panels we added helped a ton cutting the reverb down as it was originally 3+ seconds and hard to even have a conversation

Appreciate it.

bummer. sorry to hear

thank you

probs a full frame Sony if that was my only focus of work for the super high dual native iso

@@blasepivovar got a specific camera in mind? Really my only focuse is concert videography and photography (with probaby more focuse on videos). Looking into maybe getting the Sony ilce-7m3, as far as i know (i'm a bit of a newbie) it's pretty good for photography but not sure how goo it is for videography

@@melloooo_ I don't have a specific one to recommend as I don't know much about that niche unfortunately and would hate to steer you in the wrong direction

My go to is the Sigma Art 18-35 EF with the Fringer EF-FX PRO II adapter. The Tamron 17-70 X Mount is also a good all around option. If you are just needing one prime lens for those styles of videos and are on a budget, I would consider the SIRUI Sniper series and either the 16mm or 23mm just depending on focal length preference. Hope that helps.

@@blasepivovar thank you that definitely helps 💯

you are welcome :)

F-log 2 + No record limits

Indeed 🤘🏼

So cool to hear you are getting good use of them on the c70! Really appreciate the support and the kind words :)

thank you 🙏🏼

glad to hear that. Thanks David!

last in, first out with the HDMI

@@blasepivovarthanks! are you pulling your hdmi cable before powering down your monitor each time (not battery swap)?

Yep, correct